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George III mahogany bracket clock by Middlecoat of Newington, the case with break arch top with brass handle, grilles to both front and sides, circular painted dial with Roman numerals and central script and standing on brass ball feet, brass double fusee movement with engraved back plate having conforming script Middlecoat, Newington, Surrey and striking on a bell, 39cm high, together with a later mahogany wall bracket Please see extra images and TELEPHONE department for further details

A George III bracket clock, with an 8 day chiming fusee movement, circa 1760, the mahogany case with a brass handle and an arched dial decorated with foliate spandrels, on bun feet, possibly adapted 49cm high overall.

A 19thC oak longcase clock, with a painted arched 29cm dial signed I. Reynolds, Potton, with an Arabic and Roman numeric dial, subsidiary second hand and date appertue the eight day hour striking movement fitted in a swan neck pedimented hood above a curved arch door terminating in slender bracket feet, 221cm high.

An 18thC oak and cross banded longcase clock, the eight day striking movement with a square 30cm brass dial, silvered chapter ring, second dial and date aperture, to the matted centre, signed jn. allen, MACCLESF`D, with foliate and mask spandrels, the caddy hood with brass orb finials, with a dentil cornice over a verre eglomice frieze with fluted pilasters, the crossbanded trunk door flanked by fluted quarter columns, on ogee bracket feet, 214cm high.

A George III longcase clock, the 35cm arched dial with a moon rolling eight day movement with Roman numeric and Arabic dial, signed Lawson Wigan with a subsidiary second hand and a date apperture, with painted spandrels fitted in a flame mahogany and part inlaid case with a swan neck pedimented hood with fluted columns, above a part inlaid case terminating in bracket feet, 232cm high.

A 19thC bracket clock, the ebonised case with an arched dial headed by gilt metal finials, fronted by a mask head, the 18cm silvered dial signed Evans & Sons Handsworth, revealing an eight-day double chain fusee movement, striking on the hour, the case raised on gilt metal scroll feet, 77cm high.

Nineteenth century mantel clock with French eight day spring-driven timepiece movement, white enamel chapter ring with visible movement and pendulum in the form of a cherub on a swing, in a gilt metal case of classical form, with floral and foliate decoration, surmounted with a pair of cooing doves, standing on lions' paw and bracket feet, under a glass dome with velvet covered ebonised plinth, 42cm overall height

Antique and later marble and bronze bracket clock, with ceramic dial having Roman numerals minute track and counter, with fleur de lys hands above a lozenge plaque with bronze elephant surmount and side handles, with later movement, 44cm high.

An Edwardian oak bracket clock, of architectural form with silvered dial, chased with silent/chime rondel, 8 day movement, striking a bell, 49cm high.

An Edwardian inlaid mahogany bracket clock, with silvered dial, 8 day movement striking bell, 42cm high.

An early 19thC flamed mahogany longcase clock, with swan neck pediment, pillared hood, architectural door, canted base on bracket feet, the 34cm painted dial having Roman numerals subsidiary dates and seconds, 8 day movement striking a bell, 235cm high.

A Regency brass and parquetry inlaid mahogany cased repeating bracket clock The white painted 9" dial with Roman numerals and signed D. Northgraves, Hull, the bell striking movement with engraved back plate, standing on brass ball feet. 40.5 cms high. CONDITION REPORTS: Generally in good condition, expected wear, some slight shrinkage cracks to case, some loss to painted dial and some possible slight overpainting.

AN EARLY 20TH CENTURY GUSTAVE BECKER MAHOGANY MANTEL/BRACKET CLOCK having lancet top case with inlaid front, moulded plinth and squared feet, eight day chiming and striking mechanism, faced by a silvered dial. Roman enumerated with heavy brass bezel, 42.5cm high x 29cm wide x 19cm diameter

A Gothic style Fusee movement bracket clock, the clock having Ecclesiastical style finial and Roman style numerals on scroll feet 34 x 51 x 24 cms, the clock having a heavy metal wall mount with galleried top.

A French gilt brass and champleve enamel four-glass mantel clock, The movement by P. Japy and Cie., late 19th century , The circular eight-day gong striking movement with Brocot type pendulum regulation and polychrome enamel decorated twin glass mercury capsule compensated pendulum, the backplate stamped with indistinct roundel P. JAPY & CIE, HONS CONCOURS 1878 above number 1213, 4 8, the circular blue on cream Arabic numeral dial with applied pierced enamel rosette to the floral garland painted centre and blued steel hands within light blue ground scroll decorated bezel, the bevel glazed case with cavetto cornice above cylindrical repeating polychrome panel decorated cloisonne enamelled columns with engine-turned caps and bases to front angles, on cavetto moulded skirt base with rounded angles and incorporating bracket feet, 26cm (10.25ins) high

A rare French gilt brass large four-glass mantel timepiece of one year duration, Retailed by Mason & Son, Canterbury, late 19th century, The substantial circular four pillar movement fitted with large diameter spring barrel and greatwheel to backplate driving via cocked pinion the four wheel train set between the plates regulated by visible Brocot escapement mounted within the dial and Ellicott type compensated pendulum, the backplate stamped 4165, 16.2, the two-piece white enamel dial with visible escapement and inscribed MASON & SON, CANTERBURY to the recessed centre within Roman numeral chapter ring with regulation square at twelve o’clock, with blued steel moon hands and moulded gilt brass bezel, the substantial frosted gilt brass case with caddy-moulded top and cavetto cornice above heavy bevel glazed panels and caddy moulded uprights to angles, on conforming cavetto moulded skirt base incorporating bracket feet to the curved angles, 35.5cm (14ins) high

* A Regency brass inlaid mahogany bracket clock, Viner, London, early 19th century, The five pillar twin fusee bell striking movement with anchor escapement and signed Viner, London to the decorative border engraved shouldered backplate, the 8 inch circular cream painted Roman numeral convex dial with repeat signature VINER, LONDON to centre, strike/silent lever at twelve o’clock and pierced steel hands set behind convex glazed cast brass bezel, the break-arch case with brass carrying handle and cavetto moulded cornice above stylised double tulip shaped motif centred shaped panel beneath dial flanked by repeating lozenge decorated ebony canted angles, the sides with arched brass fishscale sound frets, the rear with arch-glazed door, on cavetto moulded skirt base with open lozenge centred motif to front and brass ball feet, 42cm (16.5ins) high excluding handle. Charles Edward Viner is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1802 and gaining his freedom of the Clockmakers’ Company in 1813. He was elevated to Liveryman in 1819 and is thought to have died in 1840. He was a fine maker who worked from Regent Street and is best known for producing fine complex giant carriage clocks and small mantel clocks.

A William IV brass inlaid mahogany bracket clock, Unsigned, circa 1830, The five pillar twin fusee bell striking movement with anchor escapement and shouldered plates, the 8 inch circular cream painted Roman numeral convex dial with steel moon hands set within cast brass bezel, the shallow-arch top case with square gadroon moulded domed surmount above crest carved with leafy trails terminating with scrolls above shaped brass fillet inset panel decorated with brass symmetrical scroll inlay beneath dial, the front angles with applied rosette and line inlaid slender pilasters incorporating scroll profiles to lower section, the sides with foliate brass ring handles above rectangular brass fishscale sound frets, the rear with rectangular glazed door, on shallow moulded skirt base incorporating brass rosette and baton inlay to front moulding and brass ball feet, 46cm (18ins) high

A William IV brass inlaid mahogany bracket clock, Gray, London, early 19th century, The five pillar twin fusee bell striking movement with anchor escapement and signed Gray, Billiter Square, LONDON to the decorative scroll border engraved backplate, the 8 inch circular cream painted Roman numeral convex dial with pierced steel hands set within cast brass bezel, the shaped-top case with crest comprising central ebony ground brass inlaid panel flanked by leafy trails terminating with carved rosettes above dial bordered with downswept line decorated ebony band to lower edge over swollen rectangular panel inlaid with symmetrical brass scrolls flanked by leafy trail decorated applied slender pilasters to front angles, the sides with brass cornucopia ring handles above rectangular brass fishscale sound frets, the rear with rectangular glazed door, on shallow moulded skirt base incorporating brass rosette and baton inlay to front moulding and brass ball feet, 44cm (17.25ins) high. Although several clockmakers with the surname Gray are recorded as working in London during the early 19th century, there appears to be no mention in the usual reference sources of a maker with this name working from Billiter Square.

A rare William III eight-day longcase clock movement and dial, William Kenyon, Liverpool, circa 1700, The substantial four (formerly five) finned pillar rack and bell striking movement with thickly turned pillars and escapement set relatively low within the plates, the 12 inch square brass dial with fine foliate border engraved decoration to the ringed winding holes and inset subsidiary seconds ring above open scroll decorated calendar aperture to the Ho-Ho bird inhabited centre within applied Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes to outer track and signed W’m Kenyon, Leverpoole to lower edge, the angles applied with female head and foliate scroll cast spandrels within a herringbone engraved outer border, now in a late 18th century oak case with cavetto cornice and pierced frieze above slender turned columns to hood and ogee throat moulding over star centred narrow caddy moulded and parquetry banded door flanked by rounded angles to trunk, on crossbanded plinth base with skirt incorporating bracket feet, 200cm (78.5ins) high. William Kenyon is recorded in Loomes, Brian LANCASHIRE CLOCKS and CLOCKMAKERS as believed born in 1667, Loomes further notes that various children, fathered by a William Kenyon, were born between the dates 1708-20. A James Kenyon is also recorded as working at Redcross Street in 1715 then Newmarket in 1725 and was declared insolvent in 1743. An ebonised thirty-hour longcase clock by Kenyon that could be stylistically dated to the 1690’s was sold in these rooms on 4th September 2012 (lot 216) for £5,500 hammer. The centre of the dial of the current lot is particularly noteworthy for the quality of its decoration and appears to retain traces of gilding to the crevices. The subsidiary seconds ring is fitted as a separate item but in a ring-shaped recess so that it sits flush to the plate - presumably to allow it to be removed for silvering. The movement has survived in relatively fine original condition and is of particularly heavy construction with massive pillars. The use of rack striking also further demonstrates the confident and high-quality approach of the maker.

A late Victorian inlaid rosewood quarter chiming bracket clock, Retailed by T. Smith and Son, Glasgow, late 19th century, The substantial four pillar triple chain fusee movement with anchor escapement and chiming a choice of two melodies on a nest of eight graduated bells every quarter and striking the hour on a gong, the 7 inch arched brass dial with applied shaped plaque engraved with retailers signature T. SMITH & SON, QUEEN STREET, GLASGOW to the matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles with symmetrical scallop shell and foliate scroll cast spandrels with the upper continuing up into the arch to form decorative infill around the silvered subsidiary CHIME/SILENT and CHIME ON EIGHT BELLS/WESTMINSTER CHIME selection dials, the shaped-arch top case with fine Renaissance style bone and engraved inlaid decoration of a vase loaded with fruiting foliage flanked by stylised scrolls to tympanum above front door with inset canted silvered brass dial surround (glass lacking) and further inlay incorporating grotesque mask and drapery swags containing fruit to upper margin and symmetrical scrolls to bottom corners flanked by pendant husk decorated canted angles, the sides with rectangular foliate-pierced sound frets within scroll-inlaid fascias, the rear with brass grille inset rectangular door, on moulded skirt base with further scroll inlaid motifs to front and sides and generous ogee moulded squab feet, 53.5cm (21ins) high

A Victorian gilt brass mounted ebonised quarter chiming bracket clock, Retailed by J. Langelaan, Southsea, late 19th century, The four pillar twin chain fusee movement with anchor escapement and two-in-one strike train chiming the quarters on four gongs and striking the hour on a further larger gong, the backplate stamped D.R. PATENT over W&H, Sch for Winterhalter and Hoffmeyer to lower margin, the 7 inch arched brass dial with matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with winged cherub head and foliate scroll cast spandrels beneath arch with twin silvered subsidiary rings for CHIME/SILENT and FAST SLOW set within conforming gilt relief infill centred with a cherub mask to apex,. The ebonised bell-top case with large twin handled oval section urn surmount above applied floral swag mounts and conforming smaller urn finials to superstructure, the front with silvered brass canted bezel inset arch-glazed door applied with cast female mask escutcheons to uprights and scroll cast angles to upper quadrant panels, the sides with arched sunburst mask centred brass sound frets, the rear with rectangular grille inset door, on cavetto moulded skirt base applied with grotesque mask centred apron mount flanked by conforming foliate cast claw feet, the rear with applied trade plate J. LANGELAAN, 105 PALMERSTON ROAD, SOUHSEA, 72cm (28.5ins) high overall

A William IV figured mahogany quarter striking bracket clock, Arnold and Dent, London, circa 1835, The five pillar twin chain fusee movement with anchor escapement and ‘ting-tang’ striking the quarters on a graduated pair of bells and striking the hour on the larger of the two, with shouldered plates and fitted with bells and pendulum holdfast to backplate signed Arnold & Dent, London to centre, the eight-inch circular convex cream painted Roman numeral dial with repeat signature ARNOLD & DENT, Strand, LONDON to centre and with blued steel moon hands set behind convex glazed cast brass bezel, the shallow arch top case with arch-glazed door to rear and on canted skirt base with shallow squab feet, 38cm (15ins) high. The partnership between the celebrated clock and chronometer makers John Roger Arnold and Edward Dent was formed on 30th September 1830. The partnership benefited both parties as it allowed Arnold to concentrate on development work and Dent the opportunity to raise his profile and broaden the scope of his work. Throughout the 1830’s the partnership built a reputation for producing clocks, watches and marine chronometers of the highest quality. In 1837 they were granted the Royal Warrant, however by 1838 the relationship between Arnold and Dent had started to deteriorate which eventually led to the partnership being dissolved in 1840.

A George III mahogany domestic longcase regulator, James Vigne, London, circa 1790, The five pillar rack and bell striking movement with Harrison’s maintaining power, deadbeat escapement and wide jaw ‘T’ bar suspension for the large lenticular bob pendulum with fine screw graduated rating nut, the 12 inch silvered brass Roman numeral ogee-arch top dial with subsidiary seconds dial and calendar aperture to centre, pierced blued steel hands and Arabic five minutes to outer track beneath N/S strike/silent lever at twelve o’clock and signed James Vigne, London to arch, in a case with ogee-arch shaped cavetto cornice, brass stop-fluted canted angles and rectangular side windows to hood above conforming shaped-top caddy moulded flame figured door to trunk, on raised panel fronted plinth base with moulded double skirt and later ogee bracket feet, 195cm (77ins) high excluding later feet, 203cm (80ins) high overall. James Vigne is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Strand, London from 1770.

A George III gilt brass mounted mahogany musical table clock, The dial signed for Edward Ellicott, London, circa 1790, The substantial five pillar back-wound movement playing a choice of five tunes via a pinned cylinder on a nest of eight graduated bells after striking the hour on an additional larger bell, the backplate incorporating projecting feet to the lower corners and engraved with fine open rococo scrolls around a central basket of flowers within decorative line borders, the convex white Roman numeral dial inscribed ED’WD ELLICOTT to centre and with pierced blued steel hands within outer minute track and slender brass bezel fitted to the 8 inch full-arch white painted dial plate polychrome decorated with dancing musicians beneath applied curved tune selection sector inscribed SONG, JIGG, MINUETT, AIR and COTILLION to arch, the break-arch case with concave sided plinth for the central brass vase finial flanked by four further finials and applied symmetrical rococo scroll cast mounts to the sides of the arch, the front with heavy acanthus cast brass arched door flanked by female caryatids applied to the canted angles, the sides with hinged carrying handles above sunburst mask centred scroll cast arched brass sound frets, the rear with arch glazed door, on cavetto moulded skirt base with scroll feet, 54.5cm (21.5ins) high. Two generations of the celebrated Ellicott family with forename Edward are recorded working in London in around 1790. Edward (I) is listed in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as son of John (II) working from Royal Exchange, London 1753-91, he was appointed watchmaker to the King. His son, Edward (II) is listed as free of the Clockmakers’ Company in 1795 and was appointed Master in 1835 but did not live to see out his term. The current lot is an attractive model clearly made in a workshop used to producing clocks for the Export market. The back-winding is typical of examples made for export to China as the Chinese prefer clock dials to be free of winding holes, and the heavy foliate cast gilt brass front door is of a type more often seen on examples exported to the Middle-East (see Barder, Richard C.R. The Georgian Bracket Clock 1714-1830 pages 160-1 colour plates 22-4).

A fine Regency brass inlaid ebonised bracket clock with enamel dial, Grant, London, early 19th century, The five pillar twin fusee bell striking movement signed Grant, Fleet Street, LONDON and with arrow-shaped strike/silent lever to the lancet-shaped backplate, the 6.5 inch fired white enamel circular Roman numeral dial signed GRANT Fleet Street LONDON, No. 602 to centre and with blued steel hands set behind hinged convex glazed cast brass bezel, the lancet-shaped case with brass parquetry star motif within circular panel above dial and recessed brass fillet bordered shaped panel enclosing inlaid stylised tulip-form motif beneath, the front edges with cast slender Gothic column mounts continuing to form moulded lancet-arch above, the sides with brass fruiting vine leaf ring handles above lancet arch shaped brass fishscale sound frets, the rear with conforming lancet-glazed door, on brass bound stepped fillet moulded skirt base with brass ball feet, 40cm (15.75ins) high. John Grant is recorded in Baillie, G.H. Watchmakers and Clockmakers of the World as gaining his freedom of the Clockmakers’ Company in 1781, he later served as Warden and died in 1810. He was a fine maker who was nephew and successor to the famous clock and watchmaker Alexander Cumming. His son, John junior, was born in 1796, became Liveryman of the Clockmakers’ Company in 1817 and is believed to have worked until 1840.

A Regency brass mounted mahogany bracket clock in the manner of Thomas Hope, The movement by Joseph Mason for retail by William Alexander, the case attributed to Banting and France, London, circa 1825, The five pillar twin fusee bell striking movement with anchor escapement, trip hour repeat and signed Wll’m Alexander, London within a foliate cartouche to the border-engraved shouldered backplate, the pendulum with calibrated slider for regulation and conforming concentric engraved decoration to the lenticular bob, the 7 inch circular convex white painted Roman numeral dial with repeat signature WILL’M ALEXANDER, LONDON to centre within cast brass bevel glazed bezel milled with continuous scroll design, the case in the Romano-Egyptian taste with brass pineapple finial to the gadroon-carved upstand incorporating brass mounted cavetto moulded collar and flanked by honeysucle carved ‘acrotoria’ finials, above geometric brass-inlaid ebonised moulded panel outline tapered front with crisply cut horizontal fluted infill to angles and shaped brass fillet inset panel beneath dial, the sides with obelisk outline repeating Gothic arch tracery pierced brass frets on fluted panel inset base with stylised fan carved feet, 51cm (20ins) high. Provenance: The property of a private collector, purchased from these rooms Wednesday 16th February 2011 (lot 119) for £3,200 hammer. Previously (in 1926) with George Boniface Souter the grandson of a major tenant farmer on the Goodwood Estate who died in 1952. Behind the dial of the current lot is the scratched inscription Jos’h Mason, London, Manufacturer who is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working from 2 Walbrook Place, London 1832-9. William Alexander is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Newington Causeway, London in 1825 and in Loomes as working 1828-44. The movement and bell bear detailed service inscriptions indicating that regular work was undertaken by the Hunter family, clockmakers of 136 High Street, Clapham from 1828-74, with two further dates up to 1896 by different makers based in Brixton. The case of the current lot belongs to a group of around fifteen known examples which share the same basic form and dimensions differing only in detail. Perhaps the earliest from this series is an example by Atkins and Son formerly in the possession of the Marquesses of Bristol sold by Christie’s, King Street, London at their ‘Ellerslie House’ sale, 24th May 2001 (lot 65). The first Marquis of Bristol employed the firm of Banting, France and Company to supply furniture for Ickworth, Suffolk including the state bed which shares similar details such as the ‘acrotoria’ finials with the ‘Atkins & Son’ clock and the current lot. This coupled with the stamped B.F. initials to the interior of the case of the current lot suggests that this particular form of case was made by Banting and France possibly to special order. The case design with its robust fusion of Ancient Greek, Roman and Egyptian styles demonstrated the strong influence of Thomas Hope who, in his 1807 book Household Furniture published designs considered to be the height of fashion at the time. When considering his designs for smaller pieces of furniture such as for ‘Recesses in the shape of ancient hypogea’ (see Hope, Thomas Household Furniture plate XXVII no. I) the inspiration for the current lot can clearly be seen.

A walnut and floral marquetry eight-day longcase clock, The dial bearing signature for Jean Brulefer, London, circa 1695 and later, The later four pillar rack and bell striking movement fitted via sheet-iron falseplate to the 11 inch square brass dial with ringed winding holes, subsidiary seconds dial and scroll engraved calendar aperture to the rosette decorated matted centre within applied silvered Roman numeral chapter ring with unusual scroll engraved half hour markers, Arabic five minutes to outer track and bearing signature Jean Brulefer, London Fecit to lower margin, with fine pierced steel hands and winged cherub head and foliate scroll cast spandrels to angles, in a case with domed caddy surmount above moulded cornice, foliate fretwork frieze and floral trail inlaid hood door applied with spiral twist turned three-quarter columns to front angles, the trunk with conforming leafy trail decorated convex throat above 42 inch door centred with a lenticle and decorated with three shaped marquetry bird inhabited flowering foliage panels into an ebonised ground within figured walnut field, the base with conforming marquetry panel and later moulded skirt incorporating bracket feet, 217cm (85.5ins) high

A George III brass mounted ebonised table clock, Francis Jersey, London, circa 1760, The five pillar twin chain fusee movement with rise/fall pendulum regulation for the verge escapement and signed Fran’s Jersey, LONDON towards the lower margin of the delicate symmetrical rococo scroll engraved backplate, the 7 inch brass break-arch dial with curved false-bob and calendar apertures to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with rococo scroll cast spandrels beneath arch with twin silvered brass subsidiary dials for rise/fall regulation and Strike/Silent selection flanking applied shaped signature plaque engraved Fran’s Jersey, London to apex and with foliate motif engraved infill to lower margins, the inverted bell-top case with hinged brass carrying handle and pineapple finials above front door with brass fillet inset moulding to dial aperture and scroll cast brass fret infill to upper quadrant angles, the sides with circular over concave-topped rectangular brass fishscale sound frets, the rear with rectangular break-arch glazed door set within the frame of the case, on shallow cavetto moulded skirt base with brass bracket feet, 47cm (18.5ins) high excluding handle. Francis Jersey is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1770. A mahogany table clock by Francis Jersey was sold in these rooms Wednesday 16th February 2011 (lot 87) for a hammer price of £5,000.

An early Victorian mahogany longcase clock of large proportions, arched painted dial signed Jas Green Liverpool, black painted white dial with Roman numerals, subsidiary seconds dial and calendar dial, hand painted with flowering roses, 30 hour movement striking the hours on a bell, the hood with broken arch pediment, turned spiral twist columns flanking the face, the case with glazed door flanked by turned urnular and spiral twist columns, on a moulded top box base with oval panel, set on bracket feet, 250cm total height

AN OAK CASED BRACKET CLOCK, with arched dial (pendulum and key)

A 19TH CENTURY ALABASTER BRACKET CLOCK, arched case with metal mounts (key and pendulum)

A box containing a collection of clocks, comprising wall clock, Napoleon shaped mantle clock and a bracket clock, (3)

An Edwardian mahogany mantle clock, circa 1905, the glazed face door opening to reveal a silvered chapter dial and Roman numerals, the case inlaid with parquetry, boxwood stringing and walnut cross-banding, raised on brass bracket feet.

A 4-glass and brass regulator bracket clock with open escapement, 2-train movement and mercury filled pendulum, height 10.5".

A 4-glass and brass cased regulator bracket clock, dial marked H. Pleister, London, with mercury pendulum, height 11.5".

An Antique Dutch marquetry balloon cased mantle clock, with embossed brass circular dial and enamel numerals with ormolu mounts, together with acanthus leaf mounted giltwood wall bracket, clock height 22.5".

A Victorian brass three-piece clock garniture, the dome-top clock case with acorn finial, the circular dial with enamel markers and Arabic numerals, two-train movement striking a bell; the pair of vases pierced and cast with scrolling foliage and raised upon square bases with bracket feet, with key and pendulum. Clock 32cm

A GPO mahogany cased double-dial single-fusee sorting office clock, the opposing circular 11" dials with Roman numerals and George VI cypher, stamped No11 and CG31, with iron bracket and pendulum.

Josiah William Shortman, Newnham (1839-1842), a mahogany eight day longcase clock, the 13" break arch dial with moon phase, subsidiary seconds and date crescent, the movement frame stamped WILKES, the arched hood with three brass sphere finials and boldly turned columns, the case with inlaid and figured panels, raised on bracket feet. 228cm

A 30 hour clock movement, the 10¼ square brass dial, signed Tho Stockton/Yarm, with single pointer, bracket and pendulum.

Late Victorian bracket clock, striking movement, in ornate brass case with eagle pediment 47cm.

A late 18th/early 19th century English oak longcase clock, having a gilt metal applied broken scrolled pediment over enamel Roman dial named Beal? Oundle, within gilt bird painted spandrels supporting a 30 hour bell striking movement, the three quarter length door within reeded stiles above a box base on bracket plinth. 197cm.

A wooden cased American Clock, having eight day movement, striking on half-hour, cathedral gong, standing on metal bracket feet, with painted pillars, and gilt loop handles,

An excellent quality, heavy Brass and bevelled glass cased Bracket/Mantel Clock of arched for, the porcelain face with flower garland decoration having Arabic numbers, the two train brass faced movement by Japy Freres numbered 5201-55 striking on a coiled gong and having automatic temperature compensating pendulum with two Mercury filled glass cylinders, complete with key but pendulum suspension spring requiring attention, 12'' high, 8'' wide, 5 1/4'' deep approx.

A GEORG JENSEN `EVE 314` WHITE DIALED LADIES WRISTWATCH designed by Nicolas Barth Nussbaumer, the circular dial void of markers except for a single small diamond at 12 o`clock, with an oval and rectangular linked bracket, marked to the case reverse. 2.8cm (to Crown, in a branded case. Generally good.

A CHARLES I TYPE 30-HOUR STRIKING BRASS LANTERN CLOCK late 17th century, having a doomed bell top with strap supports pierced foliate gallery (marked William Almond in Lothbury, London) and circular chapter ring with Roman hours framing foliate engraved decoration, with weight , pendulum and later bracket. 32cm(h) Some later and associated parts, viewing advised

A LATE VICTORIAN OAK-CASED TRIPLE-FUSEE DOUBLE CHIME BRACKET CLOCK of large proportions, having a stipple carved stepped caddy top, rectangular glazed door flanked by turned and carved Corinthian columns with spirally fluted detail and stepped plinth base with stylised petal carving, the dial with three subsidiary silvered dials for chime/silent, slow/fast and eight bell/four gongs over the chapter ring of Roman hours and Arabic minutes, enclosing the three winding apertures, all enclosed by applied ornate gilt-metal cherub and foliate decoration, the triple-fusee brass movement marked 4722. 66.5cm(h) x 44.5cm(w) x 32.5cm(d) The caddy top loose with lower part re-attached^ minor marks and scratches^ minor wear to dial^ once having a presentation plaque to the platform base.

A CLOCK BRACKET And two other wall brackets; a filing card index box and a pair of bellows

A Tempus Fugit grand mantle clock arched cornice brass face, applied chapter ring and Roman numerals, beaded trunk, plinth base on bracket feet, 166cm high

A mahogany 8 day long case clock by J. Clarke, Greenock, anchor escapement striking bell, the circular painted dial with Roman numerals, subsidiary date and second dial over bonded and boxwood strung trunk door, plinth base on bracket feet, 225cm high

An Antique German Walnut Bracket Clock, the clock having brass dial with silvered chapter ring applied, gilded mount with a shell form sarcophagus, top having  four acorn finials, the movement engraved LEIZKIRCH A.G.U. and numbered .52 / 950716

A SUPERB 19TH CENTURY FRENCH BRASS REPEATER CARRIAGE CLOCK with cream circular dial and pierced filigree front, No. 1560, with lift up handle on bracket feet, 7.5ins high, including handle on bracket feet in a leather carrying case.

AN EDWARDIAN MAHOGANY INLAID BALLOON MANTLE CLOCK with inlaid case, painted cream dial, eight day movement, gong strike, supported on brass bracket feet. 13ins high.

A LATE 19TH CENTURY MAHOGANY CASE BRACKET CLOCK by BENSON, LONDON, with silvered dial, silent and strike action, No. 12042, with column sides, brass grill and supported on bracket feet. 18ins high.

A 19TH CENTURY WALNUT CASED BRACKET CLOCK by BARWISE, LONDON, with circular silvered dial, eight day movement, No. 11009, striking on a single bell. 17ins high.

A GOOD 19TH CENTURY MAHOGANY CASED BRACKET CLOCK by HENNESSY, SWANSEA, eight day double fusee movement, gong strike and glass sides. 19ins high.

A 19TH CENTURY FRENCH TORTOISESHELL BRACKET CLOCK with eight day movement, black and white Roman numerals, ormolu mounts with acanthus decoration. 29ins high.

A George III mahogany striking bracket clock, the 7 inch white painted dial signed Chas. Puckridge, Goldsmith St., London, the arch with strike / silent subsidiary, the two-train fusee movement with verge escapement and engraved border to the backplate, in a break arch case with single pad top and carrying handle, flanked by brass fish scale grills, on brass ogee feet, late 18th century, 15in (38cm) high. Charles Puckridgge: apprenticed 1763, Free of the clockmakers Company 1776 - 1805.

An ebony veneered striking bracket clock, the 6 inch brass dial signed James Snelling, London on the silvered chapter ring, matted centre with date aperture and mock pendulum (now blocked off), the arch with rise and fall regulation subsidiary and strike / not lever, the five pillar movement now converted to anchor escapement, backplate engraved with a mask and birds amongst foliage, quarter repeating work removed, rise and fall work removed, in an inverted bell top case, surmounted by carrying handle, 15.75in (40cm) high. Provenance: Sold on behalf of the Executors of Colin Popham deceased.