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A George III mahogany bracket clock, signed on the painted dial lawson Bishop's Gate Within london 1810, the movement with shaped plates and engraved borders, pendulum and brackets, in figured break-arch case with brass frets, handle and ogee feet, 40cm h

A Victorian ebonised chiming bracket clock, the gilt brass dial with matted centre, silvered chapter ring, pierced hands, twin subsidiary dials to the arch inscribed cambridge chimes/chime on eight bells and chime/silent, with shell spandrels, the substantial movement with a carillon of nine bells in ormolu mounted case with hinged 'basket' top and flambeau finials, side frets of putti and foliage beneath substantial rococo carrying handles, on leafy scrolled feet, 63cm h

An early 19thC oak and mahogany longcase clock, with swan neck reeded pillared foot, canted trunk with shaped short door, crossbanded base with bracket feet, the painted 12" dial having landscaped arch rose cartouche spandrel Roman numerals subsidiary secondary date crescent marked B Hutson Louth. 7ft high.

A George III mahogany longcase clock, the hood with broken arch pediment, brass sphere and spire finials and fluted pillars, the arched flame-veneered door flanked by quarter pilasters with carved gilt capitols, on panelled base and shaped apron with bracket feet, the arched brass dial signed 'Saml Milburn, London', strike/silent dial to arch, subsidiary seconds dial, date aperture, the striking movement with pierced steel hands, 90" high.

A George III mahogany bracket clock by James Murray, the arched painted dial with a strike/silent hand, supporting a twin fusee striking and repeating movement, the back plate engraved 'James Murray, Royal Exchange, London', 42cm high

An early 19th Century ebonised bracket clock, the twin train movement supporting an enamelled dial, in a brass inlaid lancet shaped case, the pierced sides and lions mask carrying handles, on four ball feet, by David Morice of London

A late Victorian oak cased bracket clock, circa 1880, the domed carved cornice and frieze above a glazed arched door enclosing a silvered dial, Roman numerals and brass spandrels below a crown crest, eight day movement, marked Barraud & Laud, striking on a bell, height 61cm, 24 inches.

An 18th century giltwood and gesso cased 8-day, twin fusee bracket clock, the five pillar movement fitted with an hour repeat, mechanism chiming on a single bell, the engraved silver dial marked 'John Bright London', with strike/silent indicator above the gilt case with scroll angles, pagoda top and fixed bronze handle (later anchor escapement), 56cm (22in) high.

A late 19th century 8-day brass carriage clock with lever escapement, silvered dial with Roman numerals, striking on a gong, raised on bracket feet, 5 1/4in high.

A French 8-day brass carriage clock with lever escapement, white enamel dial with Roman numerals, raised on bracket feet, late 19th century, 4 7/8in high.

A late 19th century 8-day brass carriage clock with original lever escapement, white enamel dial with Roman numerals, striking on a gong, raised on bracket feet, inscribed Goldsmiths Company, 112 Regent Street, London & Paris, rear glass cracked, 5 1/4in high, with original carrying case.

A French 8-day brass carriage clock with cylinder escapement, white enamel dial with Roman numerals, raised on bracket feet, late 19th century, 4 3/8in high.

A George III oak longcase clock with full length door raised on shaped apron with bracket feet, the hood with moulded cornice and pillar supports containing a 30-hour movement with 12in white enamel dial with Roman numerals painted with a bird and flowers, the spandrels similarly decorated, inscribed J. Baverstock, Blandford, 79in high.

A George III inlaid oak and mahogany longcase clock with full length door and canted plinth inlaid with oval panels of marquetry flowers, raised on shaped bracket feet, the domed hood with scroll pediment and pillar supports, containing an 8-day movement with 12in white enamel arched dial with Roman and Arabic numerals, decorated with gilt scroll work centred by an urn, the spandrels similarly decorated, inscribed Terry, Bedale, 86 1/2in high.

A George III mahogany cased longcase clock, with a broken arch pediment above a broken arch dial with carved fretwork detailing and two pilasters, the enamel dial with seconds and date dials, painted classical vignettes, with a two train movement, plain trunk and on bracket feet.

A BOULLE BRACKET CLOCK AND BRACKET of Regence design, dial: blue enamel numeral roundels, movement: drum striking on a gong, case: of architectural cartouche form, 20in. (51cm.) high.

A George III oak cased longcase clock, the 8 day movement striking on a bell to an arched brass dial with subsidiary seconds dials and date aperture, the silvered chapter ring inscribed, Geo: Wynn Wokingham, the arch with a red lacquer sun boss, the moulded arch hood with eagle and ball finials, gilt corinthian capital columns, the arched waist door mahogany banded, the base on bracket feet, 7ft 5.5in (227.3cm) high.

A 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a repainted arched dial with subsidiary seconds dial and calender aperture inscribed G. Davies, Dulgelly, the corner represting the continents, the moon phase with a shipping scene and a chapel, the hood with a swan neck pediment, to a shape top waist door flanked by fluted quarter pilasters, the base on ogee bracket feet, 7ft 4in (223.5cm) high.

A George III ebonized bracket clock by Ellicot, the 8 day twin fusee movement striking on a bell, with a foliage, bird and basket of flowers engraved back plate, to an arched dial with a silvered chapter ring inscribed Ellicot London, the matt centre with a date aperture, rococo cast spandrels, the arch with a strike/silent dial, the caddy top with a brass handle, the circular and shaped glazed panel sides with a pull repeat to the right, on brass rectangular feet, 21in (53.3cm) high.

A late 17th century bracket clock, the twin fusee movement with a verge escapement and striking on a bell, repeating on three to a foliage engraved backplate inscribed Francis Raynsford at Charing Cross London, to a square brass dial with a silvered chapter ring inscribed Francis Raynsford at Charing Cross London, the matt centre with a date aperture, N/S lever above XII to cast churub spandrels, the ebony veneered and pearwood case with a caddy top fitted a brass handle, pierced mounts and later finials.

A good quality carved oak bracket clock on eight bells with triple fusee Westminster chime movement, the 8" brass and silvered dial signed T & E Rhodes Kendal

A walnut cased domed top 8 day Westminster chime bracket clock

Georgian bracket clock by Samuel Whichcote of London, with break arch face, gilt rococo spandrels and bob pendulum within ebonised fruit casket top casing, 17" height, 9_" width.

Early 20th century Georgian design oak dome cased bracket clock satin finish dial, chime/silent dial and coiled bar strike, 13" height.

VICTORIAN EBONISED AND ORMOLU MOUNTED BRACKET CLOCK with Westminster chiming movement, 25 1/2" high

A late Victorian carved and ebonised oak cased longcase clock, the arched and blind carved hood with twin pilasters flanking arched brass dial with Tempest Fugit medallion to the dial, width 12ins., cast dolphinian and cherub corner spandrels, silvered dial with Arabic and Roman numerals, subsidiary seconds dial and pierced blue steel hands, the four pillar weight driven three train eight day movement striking on a spring and playing eight bells with full repeat, the case with blind carved panelled door and further blind carved box base raised on bracket feet, height 228cm

A GEORGE III OAK LONGCASE CLOCK, the square painted dial with a calendar subsidiary dial, signed 'Wm. Clarke', Long Buckby', with waisted panel door, on bracket feet, 80in high (203cm).

A MAHOGANY AND INLAID MANTEL CLOCK, and matching wall bracket, the circular silvered dial with a three train movement and strike/silent, 15in high (38cm).

A VICTORIAN WALNUT BRACKET CLOCK, the arched silvered dial with a three train fusee movement and recoil escapement, signed 'Joseph Mayer, 68 & 70 Lord Street, Liverpool', striking quarter hours on eight bells and with strike/silent in the arch, the case of 'gothic' influence, 29.5in high (75cm).

A Regency rosewood, bracket clock, with later movement, the stepped top with pineapple finial over later 15cms painted dial. The case with carved wooden fan motifs to the top corners, brass line inlay to the base and with twin ring handles. On plain rectangular plinth with wooden bun feet below. 48cms tall x 28cms wide.

James Symson of Dunfermline - an 18th Century mahogany longcase clock having swan neck cornice, arched brass face, with eight day movement, subsidiary second dial and dater aperture, engraved foliate scroll flanked by spiral columns, the case with arched moulded edge door and raised on bracket feet, 220cm high.

A 19th Century oak longcase clock having a swan-neck cornice, arched painted dial, eight-day movement, subsidiary second and date dials, glazed door, arched top, moulded edge door flanked by columns, the base with bracket feet, 2.03m.

A German oak cased three train bracket clock the silvered dial with slow/fast and chime/silent

An Ebonised Bracket Clock by Robt Bryson & Sons, Edinburgh, the silver chapter ring with brass rococo spandrels, striking on a coiled gong, and with brass carrying handle and on bracket feet, 37cm high.

An Edwardian Mahogany Drum Head Longcase Clock, enamel dial with seconds and calendar, reeded quadrant corners, with plinth base, on bracket feet, 210cm.

A George III oak longcase clock, the 12-inch brass dial with silvered chapter ring and roman numerals, subsidiary seconds dial and date sector, having engraved centre and rococo spandrels with lunar work above, the arch inscribed thomas radford, leeds, the eight day movement now striking on a coiled wire gong, in crossbanded case with open break arch pediment on turned pillars, the trunk enclosed by a shaped door above a panelled base and bracket feet, 224cm h

Francis Walker, Maryport, (1800-1855) A SECOND QUARTER 19TH-CENTURY MAHOGANY-CROSSBANDED OAK-CASED 30-HOUR LONGCASE CLOCK having a swan-neck pediment with brass disc paterae, the arched mahogany-framed hood door between good spindle-turned mahogany columns, on an arched crossbanded short trunk door and panel between reeded 'round the corner' pilasters on a crossbanded base and bracket feet, the arched white-painted dial decorated with two greyhounds coursing a hare, the Roman numerals framing maker's name and a crescent form date aperture, the spandrels painted with wild roses on a speckled gilt ground, 218cm, (85.8in) high (sold with weight and pendulum).

Matthew Ord, Hexham, (fl.c.1820-30) A LATE GEORGIAN INLAID OAK-CASED 8-DAY LONGCASE CLOCK having a flat-topped hood with arched mahogany-framed door between turned columns with brass capitals, the trunk having a satinwood-framed mahogany frieze above an ebony-strung arched door between strung flat 'pilasters', on a matching base with shaped apron and integral bracket feet, the white-painted arched dial decorated with a farmer stooking corn, the Roman numberals framing a subsidiary seconds dial and date dial flanking inscribed maker's name 'MATTW ORD/HEXHAM', the spandrels decorated with roses and diaperwork, with gilt enrichment, 211cm, (83in) high (sold with two weights, and key and pendulum).

William Porthouse I, Penrith, (1706-1790) A MID 18TH-CENTURY OAK-CASED 30-HOUR LONGCASE CLOCK having a flat-topped hood with square door between turned columns, the trunk door with re-entrant top corners, on a plain base and bracket feet, the movement having a square brass dial, the silvered chapter ring, inscribed 'W.Porthouse, Penrith' with Roman hours and Arabic minutes, framing a matted centre with silvered ownership boss inscribed 'John Burtholm 1749', above a square date aperture within foliate scrollwork, the spandrels cast with mask amidst foliage, 208cm, (82in) high (sold with weight and pendulum).

Alexander Nimmo, Kirkcaldy, (fl.c.1820) A LATE GEORGIAN OAK-CASED 8-DAY LONGCASE CLOCK having a swan-neck pediment above an arched hood door between turned columns with brass capitals, the trunk having an arched door between fluted quadrants, on a plain base with bracket feet, the movement having an arched white-painted dial, the arch centred by an anchor within oval floral surround flanked by pink roses in bud, inscribed beneath 'Nimmo Kirkcaldy', the Roman hours and Arabic minutes framing a seconds dial (hand lacking) and date dial, the spandrels decorated with gilt oval medallions, 212cm, (83.5in) high (sold with two weights plus pendulum).

An oak and chequer strung longcase clock, 18th century, with shaped pediment and ogive cornice above a square glazed door flanked by turned pilasters enclosing an 11" brass dial with matted centred and Roman numerals marked Phillips, Tenbury, pierced foliate corner spandrels, 30 hour movement, striking on a bell above a full length arched top crossbanded trunk door, cushion moulding and panel base raised on a shaped plinth and bracket feet, 85" high

A George III ebonised bracket clock, circa 1775, by Allam & Clements, London with caddy top and gilt brass swing handle and four flame finials above a glazed door enclosing a 7" brass dial with Roman numerals and scroll cast spandrels and marked Allam & Clements, London in the arch, date aperture, fish scale grills to the sides, the case enclosing a double fusee movement with verge escapement and striking on a bell, the back plate engraved with a basket of flowers and raised on gilt brass ogee bracket feet, moulding losses, 17" high, 9.5" wide, 7" deep.

A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the pierced broken scroll pediment surmounted by three ball and spire finials above an ogive cornice and square door flanked by turned pilasters enclosing a 12" brass dial inscribed Nickisson, Newcastle, with Roman numerals, subsidiary seconds dial and date aperture, foliate engraved centre, pierced foliate spandrels, eight day movement striking on a bell above a crossbanded full length trunk door flanked by fluted quarter pilasters over an ogive moulding and crossbanded panel base and raised on shaped bracket feet, 83" high.

A George III mahogany longcase clock, circa 1790, the blind fretwork carved pediment above an arched ogive cornice and glazed door flanked by fluted Corinthian capped and brass pilasters enclosing a 14" brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and central calendar hand, the centre foliate engraved, foliate pierced spandrels, rolling moon phase in the arch painted with a moon and landscape and Tempus Fugit and inscribed Robert Lawson Leigh, eight day movement striking on a bell above a cushion moulding and blind fret carved frieze and shaped top, full length trunk door between fluted brass capped quarter pilasters, further moulding and raised base panel between canted angles and raised on shaped bracket feet, 87" high.

A George III oak and mahogany crossbanded longcase clock, 18th century, the caddy top above a painted foliate frieze and square hood flanked by fluted brass capped pilasters enclosing a 10" brass dial with foliate engraved centre, Roman numerals and mask spandrels and marked Bennett, Cheadle, 30 hour movement striking on a bell above a shaped top, crossbanded trunk door, flanked by fluted quarter pilasters over an ogive moulding and raised baseboard and on ogee bracket feet, the dial possibly associated, 79" high

A George III crossbanded oak longcase clock, late 18th century, with shaped pediment and blind fret carved frieze above a square door flanked by fluted brass capped pilasters enclosing a 13" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, foliate painted corners, eight day movement striking on a bell above a shaped top, trunk door flanked by fluted quarter pilasters over an ogive moulding raised baseboard on a shaped plinth and bracket feet, 88.5" high

A mahogany and boxwood strung longcase clock, early 19th century, with broken scroll pediment and gilt brass terminals above an arched glazed door flanked by reeded brass capped pilasters enclosing a 14" white painted enamel dial marked John Minshull, Birmingham, with Arabic numerals and date aperture, rolling moon phase in the arch, the corners painted with young girls representing the seasons, the moon humps painted with classical maidens, eight day movement striking on a bell above a double pointed arch top boxwood strung trunk door flanked by reeded brass capped quarter pilasters over an ogive moulding and base panel centred by a boxwood and harewood conche shell motif between canted angles and raised on shaped bracket feet, 91" high

An oak and mahogany crossbanded and boxwood strung longcase clock, mid 18th century, the broken scroll pediment terminating in gilt brass roundels and centred by a ball and spire finial above a square glazed door flanked by fluted brass capped pilasters enclosing a 12" square brass dial with Roman numerals, subsidiary seconds dial and date aperture and inscribed George Hewitt, Marlbro, foliate engraved, eight day movement striking on a bell, above an ogive moulding and frieze applied with gilt brass cornucopiae, three-quarter length shaped top crossbanded trunk door, centred by a gilt brass applied foliate motif in a lozenge surround, over a further ogive moulding and baseboard raised on a shaped apron and bracket feet, 85" high.

A George III oak and mahogany crossbanded and chequer strung longcase clock, early 19th century, the arched hood surmounted by eagle and ball finials over an arched glazed door flanked by fluted brass capped pilasters enclosing a 14" engraved brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture and marked A Rowley, Shrewsbury, cherub mask spandrels, the arch with central boss inscribed 'Tempus Fugit' between dolphin spandrels, eight day movement striking on a bell over a plain frieze and ogee arched top, crossbanded three quarter length trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding and raised crossbanded base board with fan inlaid top corners between canted angles and raised on a plinth and bracket feet, dial varnished, 89" high

A Scottish George III mahogany longcase clock, the break arch hood with gilt finial above 32cm circular enamel dial marked indistinctly 'P.XXXX Edinburgh', with seconds and calendar subsidiary dials, the boxwood strung trunk with arched door flanked by quarter reeded columns, on a rectangular base and bracket feet, 220cm high.

A 19th Century oak pine and later painted longcase clock, the arched painted dial inscribed 'M. McGibbion, Dumfries' with subsidiary second dial, date aperture, the arch painted to depict a farmhouse scene, the spandrels depicting strawberries and roses, the hood with a swan-neck pediment and turned columns, the trunk with quarter fluted columns and bracket feet, 85in. (216cm) high.

A LATE 18TH CENTURY WELSH OAK LONG CASE CLOCK, with eight day movement, the arched brass dial with gilt metal spandrels and roman numerals, inscribed "R Williams Swansea" applied to an enamel dial, the hood with swan neck pediment and fluted angle pillars, the trunk with long shaped door flanked by fluted quadrant pilasters, the plain base on bracket feet. Dial Width 12". Width 14". Height 82".

A late George III mahogany and brass inlaid bracket clock, the plain painted arched dial with Roman numerals and strike/silent dial to arch to the eight day two train movement with shaped brass plates striking and repeating on one bell, contained in arched and moulded case with square moulded cresting, brass mounted cant corners, fretted grilles to sides, with brass ring handles with embossed back plates, on reeded bun feet, 21ins high, complete with original brackets similarly inlaid, 14.75ins wide x 10ins high. Note: Interior case bears repairer's label for Camerer, Cuss & Co dated 8.3.37.

An 18th Century oak longcase clock by Henry Baker of Malling, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the thirty hour brass framed movement with outside locking plate striking on a bell, contained in plain case with moulded cornice and plain pillars to hood, with later ball and eagle finials, plain trunk door, on bracket feet, 84ins high.

A George III mahogany longcase clock by James Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with two exotic birds and differing flowers to spandrels to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, with arched and moulded cornice, and turned and fluted pillars to hood, the trunk with dentil cornice, the arched trunk door with moulded edge and fluted cant corners, on bracket feet, 83ins high (door twisted and somewhat damaged, and cresting to hood altered).

A 19th century mahogany cased bracket clock, the painted dial inscribed Johnston, 2 Elm Street, Greys Inn Lane, London, 33.2cm high.

A 19th Gothic revival bracket clock the 8 day movement with a silvered dial and Roman numerals, in an architectural oak case with triple cluster columns, the movement stamped 'W & H Sch', 75cm high overall on a bracket.

An Edwardian mahogany and inlaid bracket clock, the enamel dial with painted floral swags and fretwork grilles to either side, shaped bracket feet, 33cm high..

An early 19th century rosewood bracket clock, the case with an arched top, brass Gothic grille sides and a plinth base, the (repainted) dial inscribed "French, Royal Exchange, London" with a double fusee movement striking on a bell, 45.5cm high.

An Edwardian mahogany bracket clock the moulded arched top with brass carrying handle, the arched silvered dial with black Roman numerals and subsidiary Slow/Fast and Chime/Silent dials, the glazed door enclosed by fluted canted angles on stepped base with brass bun feet, 8-day movement striking on a coil, 35cm high.