We found 28112 price guide item(s) matching your search

Late 19th Century walnut cased architectural style bracket clock, the `tiled` cornice with three turned finials, engraved silvered dial with retailers mark for R. Heitzman & Sons, Cardiff, German brass movement, 63cm high.

George III oak longcase clock, the hood with a stepped moulded pediment and a band of scroll penwork, reeded pillars, the trunk with mahogany crossbanded long door and standing on bracket feet, the square silvered and brass dial with cast spandrels, moon phase and calendar aperture, signed John Collier, Cheadle, 213cm high.

A Victorian Gothic oak chiming bracket clock circa 1850, of large proportions, by John Moore of Clerkenwell, the top pediment with turned acorn finial, carved lion mask and four further turned finials, the arched dial with engraved gilt decoration, silvered dial with Roman numerals, strike/silent mechanism, slow/fast dial, Eight Bells and Cambridge chimes, fusee movement, the base with carved flower-heads and engraved brass pate inscribed "This clock was made in about 1851 by John Moore of Clerkenwell fore someone unknown. Purchased by Mr Channing of Puttenham Nr. Guilford in 1969", the side panels missing, 30in (76.5cm) high, 16in (41cm) wide.

An oak cased longcase clock 1930s, the hood with an arched and moulded pediment over an arched glazed door flanked by barleytwist columns, enclosing an eight day movement and silvered Roman Numeral dial with `Tempus Fugit` cartouche, gilt metal crown and putti spandrels and pierced blued hands, the trunk with an arched glazed door and panelled base, on shaped bracket feet, 77in (195.5cm) high.

A 19TH CENTURY FRENCH BRASS CASED CARRIAGE CLOCK of serpentine form, with a timepiece movement, the white dial with blue Roman numerals, the case with a swing handle, turned pilasters and bracket foot, 11.5cms high

A Regency mahogany clock bracket, circa 1815, with leaf scroll carved frieze and a leaf carved ogee-shaped apron pendant, 34.5cm high, 35.5cm wide Visit www.dnfa.com for condition reports

A large oak clock bracket, carved with stylised leaf and flower heads

`Barraud & Lund, Cornhill, London, 2053`, a Victorian mahogany mantel clock, the two train fusee movement striking on a gong, five spindle finials on the gadrooned and fluted top of the case above a silvered circular dial within fretted wood spandrels, the base with cabochon and oval bands above the wavy bracket feet, inscribed on the dial and backplate, 42cm (16.5in) high.

An early 19th century Llanelly mahogany long case clock, the eight day movement striking on a bell, the arched dial with moon phase roller, subsidiary seconds, date arc and bridge scene spandrels, the hood with swan neck pediment, the triple arched door between foliate columns, the cross banded base on bracket feet, approximately 230cm (90.5in) high.

J Alker Wigan, a mahogany 8 day longcase clock, circa 1820, the case with a swan neck pediment to the hood, the lower half with cluster reeded column sides and flame figured door to a panelled base and bracket feet, the striking movement to a well painted dial with birds of paradise and shell spandrels, subsidiary seconds and signed J Alker Wigan, 225 x 63 x 27cm, (87.75 x 24.57 x 10.53in).

AN 18TH CENTURY STYLE CHINOISERIE LACQUERED BRACKET CLOCK having a brass dial within embossed spandrels and chapter ring and Roman numerals, the case with carrying handle, the movement striking on a gong, 10" high (see illustration).

Arts & Crafts two train bracket clock, the movement striking on a gong, the rectangular porcelain dial plate painted overall with flowerheads on a cobalt blue ground, within a carved oak case and bracket, 31.5" overall

HALLIDAY, BRIDGEWATER, AN EARLY 19TH CENTURY MAHOGANY 8 DAY LONGCASE CLOCK, the arched painted dial with rocking ship to the arch, subsidiary seconds and date window, the arched hood with free standing fluted pillars, boxwood and ebony strung frieze above a short trunk door, stepped base, raised on front bracket feet, 87 1/2 ins high, including pendulum and weights. SEE ILLUSTRATION.

McLachlan, London, A Regency mahogany bracket clock, the painted dial enclosing a repeating twin fusee movement, the case with classical motifs, 56cm high

Brooks London, A mid 19th century rosewood case bracket clock, with an eight day movement 42 x 29cm

An early 19th century eight day bracket clock, the arch enamel dial with an eight day movement, strike/silent dials and pull string, striking on a bell 56 x 27cm

William Reeves, London, A mahogany bracket clock, with a twin fusee movement, the arched dial signed in a boss, `William Reeves, London` 39cm high

A 19th century domed mahogany cased bracket clock, the eight day twin fusee movement unsigned, having an enamelled convex dial and brass bevel in need of attention, M. Collingson? Middlesbrough

Late nineteenth century Amercian cast iron novelty mantel clock in the form of a standing rotund gentleman in top hat and tail coat with dial set in chest and moving eyes, on splayed bracket feet, 40cm

George III eight day longcase clock with brass arched dial signed Thomas Broderick Kirton, painted lunar arch, subsidiary seconds and date aperture, floral scroll engraving in oak case with arched door on bracket feet, 220cm high

George III Scottish eight day longcase clock with arched silvered dial signed Alex Mitchel, Gorbals, Glasgow engraved floral scroll spandrels, subsidiary seconds and date dials in inlaid mahogany case with blind fretwork and spiral twist pilaster decoration on bracket feet, 210cm high

Edwardian bracket clock with silvered arched dial, strike silent and fast slow subsidiary dials in inlaid mahogany case, chiming on gongs, 41cm high

Victorian Gothic bracket clock with double fusée movement, silvered arched dial signed Hedger, London in carved oak case with architectural pediment on bun feet, 44cm high

Good quality late Victorian mantel clock with circular white enamel dial, French cylinder movement in inlaid mahogany case with brass carrying handle, urn mounts on bracket feet, 23cm

Late Victorian bracket clock with arched gilt and silvered dial, chiming movement in carved walnut case with finial and pilaster decoration, 59cm

Late Victorian brass carriage clock retailed by Elkington & Co, London with gilt and silvered dial on bracket feet, 15.5cm high

Edwardian chiming bracket clock with white enamel dial in dome top case with brass carrying, handle pineapple finials on bracket feet, 33cm

A Swiss Gilt Brass Atmos Clock, signed Jaeger LeCoultre, circa 1970, the gilt brass case with five glazed panelled sides, 5-inch gilt coloured dial with applied Roman numerals, central skeletonised view of the movement with large oscillating balance wheel beneath, inside base signed and movement numbered 6207 7350, 23.5cm high, together with a matching gilt brass wall bracket see illustration

A Louis XV Style Striking Bracket Clock, the case with mock boulle decoration throughout and applied gilt metal mounts, cast dial with twelve Roman and Arabic numeral cartouches, twin barrel movement with pin pallet escapement, two hammers striking on to two bells, 75cm high, together with matching wall bracket, 20cm high see illustration

A George III Ebonised Striking Table Clock, signed Willm Randall, Newbury, circa 1810, the single padded arched top with later finials, side carrying handles and sound frets, gilt metal mounted masked canted corners, rectangular base raised upon bracket shaped feet, 9-inch arched silvered dial with Roman and Arabic numerals and signed, date dial, the arch with fast/slow selection, engraved with floral decoration to the corners, twin fusee movement with anchor escapement, striking on a bell, movement backplate signed and engraved with scroll decoration, movement secured with brackets, 55cm high see illustration. William Randall is recorded working in Newbury 1795-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 263.

An Oak Thirty Hour Longcase Clock, signed Wm Lawson, Keighley, circa 1800, case with swan neck pediment, turned columns, trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and upon later bracket feet, 12-inch square white painted dial with Arabic and Roman chapter ring, dial centre with date aperture and signed, floral decorated spandrels, four pillar movement with anchor escapement and outside countwheel striking on a bell, 220cm high see illustration

An Oak and Mahogany Eight Day Longcase Clock, signed Prince, Leeds, circa 1810, case with swan neck pediment, fluted columns, trunk door flanked by inset fluted pilasters, rectangular plinth raised upon bracket shaped feet, 13-inch arched painted dial with a Arabic and Roman chapter, dial centre with two subsidiary dials for seconds and date, painted figural spandrels and the arch depicting a lady and gentleman within a landscape scene, four pillar movement with attached false plate stamped Walker & Finnemore, anchor escapement and rack striking on a bell, 227cm high see illustration

An Oak Eight Day Longcase Clock, signed Jno Stokes & Son, Bewdley, circa 1770, the nicely coloured case with flat top pediment, turned columns, plain rectangular trunk door, rectangular base upon bracket shaped feet, 12-inch square brass dial with Arabic and Roman chapter ring signed, matted dial centre with subsidiary dials for seconds and date aperture, later hands, four pillar movement with anchor escapement and rack striking on a bell, 210cm high see illustration

An Oak and Mahogany Eight Day Longcase Clock, signed Geo.Goodall, Abberford, circa 1780, case with swan neck pediment, later inlaid door, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with raised panel and upon later bracket feet, 13-1/4-inch arched brass dial with silvered chapter ring and inner date ring with corresponding central date hand, centre seconds, dial centre signed and with engraved scroll work, centre seconds, the arch with rolling moonphase, four pillar movement with deadbeat escapement, rack striking on a bell, 230cm high see illustration

An Oak Eight Day Longcase Clock, signed Natl Plimer, Wellington, circa 1790, case with swan neck pediment, fluted columns, later inlay throughout, rectangular trunk door flanked by canted corners and upon bracket feet, 12-inch arch brass dial with silvered Arabic and Roman chapter ring, dial centre with seconds and date aperture, the arch with silvered disc signed, four pillar movement with anchor escapement and rack striking on a bell, 236cm high see illustration

An Oak Eight Day Longcase Clock, signed Barber, Winster, No.391, circa 1760, case with flat top pediment, turned columns with gilt painted capitals, trunk door with mahogany crossbanding, rectangular plinth with crossbanding and raised upon later bracket feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring signed, dial centre finely engraved with scroll work, date aperture and seconds dial, four pillar movement with anchor escapement and rack striking on a bell, movement frontplate with latched pillars and frontplate numbered 391, later seatboard, 206cm high see illustration. Jonas Barber Jnr (b.c.1718-20) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. See Loomes (Brian) Clockmakers of Northern England, pg 83-84.

A Fine Mahogany Eight Day Longcase Clock with Deadbeat Centre Seconds, signed Wm Bickerstaff, Liverpool, circa 1800, the nicely figured case with swan neck pediment, hood with front painted gilt floral glazed windows, six fluted columns, flame mahogany trunk door flanked by fluted column pilasters, rectangular frame moulded plinth with canted corners and raised upon bracket shaped feet, 14-inch arched painted dial with Arabic and Roman chapter, dial centre with a finely painted oval scene and signed, centre seconds, painted figural spandrels and the arch with rolling moonphase, four pillar movement with attached falseplate stamped Wilson, deadbeat escapement and rack striking on a bell, 260cm high see illustration. William Bickerstaff is recorded working in Liverpool 1790-1829. See Baillie (GH) Watchmakers & Clockmakers of the World, pg27.

A Mahogany Chiming Longcase Clock, signed William Page, West End, chime & turret clock manufacturer, Gt Portland St, London, No.559, circa 1860, the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed, matted dial centre, silent/chime selection lever positioned above 12 o`clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high see illustration

20TH CENTURY LENZKIRCH WALNUT AND ORMOLU MOUNTED CLOCK WITH BRACKET the 4" silvered arabic dial with scroll engraved centre, powered by an event day movement striking on a gong, housed in a waisted case applied with masks and `c`scrolls standing on scroll feet, together with with matching under curved bracket, the clock, 11 12" (29.2cm) high, the bracket 6 3/4" (17.2cm) high (2)

EARLY 20TH CENTURY MAHOGANY `GRANDMOTHER` LONGCASE CLOCK, RETAILED BY RUSSELLS, LIVERPOOL, 8in. silvered Roman chapter ring enclosing a floral engraved brass centre and gilt cherub head spanderels, powered by an eight day movement, striking on a bell, housed in a flat top case with dentil moulded and blind fret carved frieze, above a glazed door flanged by turned columns, over a long flame cut trunk door, raised on a plain base with bracket feet, 5ft. 10in. (1.78m) high

MID 19TH CENTURY ROSEWOOD AND BRASS INLAID BRACKET CLOCK, the 8" enamelled roman dial powered by an eight day twin fusee movement, striking on a bell, in a serpentine top case with applied carved foliage decoration, gilt metal side ring handles and brass side fish scale frets raised on gilt metal ball feet, 18 1/2" (47cm) high

A 19TH CENTURY WELSH STAINED PINE LONGCASE CLOCK, the plain case with broken swan neck pediment above arched aperture, plain rectangular door to the waist on a panelled base with bracket feet. Arch painted dial with painted Castle design to the arch, seconds dial and date aperture marked James Morgan Narberth. Eight day two train movement striking on one bell. 83" High overall.

A GOOD WELSH 18TH CENTURY OAK LONGCASE CLOCK, by Watkin Owen of Llanrwst, the case with architectural broken pediment over square face flanked by reeded columns, the waist having crossbanded arched door flanked by quarter reeded pilasters on a crossbanded panel base standing on ogee bracket feet. 12" Square face having silver chapter ring with Roman numerals seconds dial date aperture and pierced foliate spandrels. Eight day movement striking on one bell. C1790. 82" High overall.

A late 19th Century Mahogany wall mounted Clock Bracket, the plain frieze with moulded surround and raised on two shaped and floral carved supports, width 13 ½"

A mid-19th Century ebonised and brass mounted Bracket Clock, Walter Young of 156 Strand, London, the overhanging cornice surmounted by a plateau and facetted pediment, to a panelled surround with brass inlaid canted corners, to applied ring and rosette brass side handles, over fishscale sound frets, to a plinth base, and raised on bracket and ball feet, to a cast brass bezel, enclosing a 6" signed and painted Roman dial, with outside minute track and steel moon hands, to a signed movement with plates united by five knopped pillars, and pull repeat and anchor escapement and strike on a coiled gong, height 13"

An early 20th Century simulated Rosewood Mantel Clock, the lancet shaped case flanked by cast and applied Brass swing handles to a plinth base and raised on splayed Bracket feet to cast Brass bezel with convex glass, enclosing a 4" Arabic enamel dial with outside minute track and blue steel spade hands, to a circular Brass movement with anchor escapement and strike on a coiled going, height 10"

An art deco period Mahogany and Ebonised Mantel Clock, the facetted and stepped case with chrome elongated octagonal bezel and bracket feet, to a further 4 ½" Silvered dial, retailed by Harrods Ltd, London SW1, with applied Roman chapter ring and outside minute track, and blued Steel hands, to a Brass plated movement, with anchor escapement and strike on a coiled gong, height 9 ¼"

A Mahogany and Brass mounted Bracket Clock Case, the caddy top with applied Brass carry handle, over four cast finials, to an arched door, to a 6 ¾" wide aperture, raised on a stepped plinth base with applied splayed bracket feet, height 21"

A Mahogany Bracket Clock Case of balloon form with chamfered top centred with a pineapple finial, to a Brass bezel and raised on compressed bun feet

Georgian style bracket clock , circa 1880, inlaid walnut brocken arch case, silvered roman face with subsidiary slow/fast, Lenzkirch twin barrel movement striking the quarter on two coils. Height 38cm (Ticks readily, winds, strikes, pendulum and key)

Mahogany bracket clock, early 19th century, white painted arched face with roman hours and strike/silent ring, twin fusee movement, anchor escapement striking the quarter on ting-tang, engraved rectangular backplate, five pillars, in an arched case with brass grilles and acorn finial on ball feet. Height 56cm. (Ticks readily, winds, strikes).

Oak bracket clock , late 19th century, upright architectured case with pilasters, glazed front, with mercury pendulum, white enamel dial and exposed escapement with agate pallets, French movement by DG & Cie striking the half on a coil. Height 54cm (Ticks readily with pendulum removed, winds and strikes)

Ebony veneered bracket clock, generally 18th century, broken arch brass face, silvered chapter ring, matt field with date aperture and false pendulum, strike/silent ring to the arch, twin fusee movement, anchor escapement (converted from verge), hour strike on a bell, five turned pillars, engraved back plate inscribedJohn Weber Fecit, pendulum clamp, in a bell topped case with brass grilles, on gilt shell feet. Height 42.5cm (Ticks readily, winds, strikes, with pendulum and key)

Regency style mahogany bracket clock , circa 1910, silvered arabic dial, two train movement by Winterhalter & Hofmeier striking the quarter on two coils, broken arch case with brass grilles, on ball feet. Height 41.5cm, applied with a presentation plaque. (Ticks readily, winds, strikes, pendulum and key)

Oak longcased clock banded in mahogany, square brass dial with engraved spandrels and field, subsidiary seconds, date aperture, inscribed Evan Evans, Aberaeron , two train movement with rack strike, flat topped hood, plain columns, cavetto shoulders, on set out plinth and bracket feet. (Pendulum, two weights, key)

A fine English mahogany bracket clock, Circa. 1800, by William Turner of London, the concave top having a brass carrying handle with pineapple finials, engraved silvered dial with subsidiary strike/silent dial, double fusee movement, case height 18.5".

An inlaid oak eight-day longcase clock, Allen, Wantage, early 19th century, the four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar apertures and signed Allen, Wantage to centre, with floral spray painted spandrels and nesting Ho-Ho birds to arch, the swan neck pedimented case with reeded pilasters to hood above short rectangular conch-shell centred door flanked by quarter columns to trunk, the conforming plinth base decorated with a circular banded panel, on bracket feet, 211cm high excluding finial. Visit www.dnfa.com for condition reports.

A Victorian mahogany bracket clock, unsigned, mid 19th century, the four-pillar twin fusee bell striking movement with 8 inch circular white painted Roman numeral dial, the case with shallow arch pediment and turned finials above canted front angles applied with projecting corner columns, on canted plinth base with compressed bun feet, 46cm high. Visit www.dnfa.com for condition reports.

A carved mahogany quarter chiming bracket clock, Lawson and Co. Glasgow, late 19th century, the four pillar triple fusee movement with rise/fall regulation and chiming the quarters on either eight bells or four gongs, the 5 inch full-arch dial with fine foliate scroll engraved centre with signature plaque LAWSON & CO, GLASGOW within an applied silvered Roman numeral chapter ring and brass blind fret mask incorporating Strike/Silent and Westminster/ Whittington switches and Fast/Slow regulation square to arch, the case with drapery swag carved cavetto caddy above acanthus corbel applied repeating rosette carved arched door flanked by Corinthian pilasters to front, the sides with arched sound frets, on inverted breakfronted plinth base with block feet, 43cm high. Visit www.dnfa.com for condition reports.

An Edwardian mahogany and inlaid bracket clock, with circular enamelled dial, the movement stamped Mougin and serial no. 15808/52, raised on gilt metal bracket feet (dial af), height including carrying handle 31.5cm