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A GEORGE III MAHOGANY BRACKET CLOCK, the bell top case with brass swing handle, break arch glazed door to front and rear, glazed side panels above a moulded skirt base, raised on gilded brass ogee bracket feet. The brass break arch dial with Roman chapter ring and Arabic five minutes, the matted centre with recessed date dial above an arched name plate inscribed Charles Wrench, London, all beneath a strike/silent ring to the arch with cast foliate spandrels, the twin train fuseé movement with bell strike, verge escapement and pull repeat, the back plate engraved with foliate scrolls and central pagoda, 20" high handle up.

A LATE VICTORIAN/EDWARDIAN OAK BRACKET OR TABLE CLOCK, the arched silvered dial with engraved acanthus scrolls, Roman chapter ring with Arabic five minutes and Prince of Wales half hours, the centre signed Sorley, Glasgow, beneath a strike/silent ring, the twin train fusee movement with shouldered plates and coiled gong strike, the architectural case with carved foliate decoration, twin Ionic columns and side frets, 19 ½" high.

A VICTORIAN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, the arched painted dial with Roman numerals, subsidiary seconds and date aperture, inscribed M Truscott & Son, Aberystwyth, the hood with swan neck pediment and double rope twist turned pilasters above a short door flanked by conforming pillars, panelled base and ogee bracket feet, 96 ½" high.

A Regency oak crossbanded mahogany eight day longcase clock, the 13 inch arched painted dial signed `Jn Callcott, Cotton`, with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer quarter ring of Arabic numerals, with rose painted corner spandrels under a nautical painted arch, the hood with swan-neck pediment over an arched glazed hood door, between fluted front corner hood pilasters over an ogee arched short trunk door, between fluted front corner quarter trunk pilasters, over a single panel box base and fluted canted front corners (lacking bracket feet), 219cm high

A Regency oak crossbanded mahogany eight day longcase clock, the 13 inch arched painted dial signed `Arkinstall, Drayton`, with subsidiary centred seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals, florally painted corner spandrels with a three masted galleon painted to the arch, the eight day movement at fault, the hood with swan-neck pediment over an arched hood door between tapering front corner fluted hood pilasters, over an ogee arched long trunk door between fluted front corner trunk pilasters, on a single panel box base with canted front corners (lacking bracket feet), 210cm high

An early 19th century thirty hour long case clock. The painted dial inscribed H F Steel, Saxmundham. The hood with fluted pillars, panel door and bracket feet under (af).

A George III Longcase Clock, the steel and brass dial with Phases of the Moon arch and inscribed "Dollif Rollison, Halton" with seconds ring, date aperture and eight day striking movement in a shell inlaid caddy top mahogany case with fluted Corinthian columns, canted corners and bracket feet. 7` 5" (226cms) high.

A Regency brass inlaid mahogany bracket clock, George Lowe, Gloucester, early 19th century, the five pillar twin fusee bell striking movement with original anchor escapement and shouldered plates, the 8 inch circular white painted convex Roman numeral dial signed LOWE, GLOUCESTER to centre and within cast brass bezel, the arched case with brass ring handles above gothic tracery pointed arch frets to sides and stylised star and foliate motif inlaid decoration to the ebony line edged front, on moulded plinth base with further brass line decoration and brass ball feet, 44cm high. George Lowe is recorded in Dowler, Graham GLOUCESTERSHIRE CLOCK AND WATCH MAKERS as working from Westgate Street, Gloucester 1817-42.

A Regency brass mounted mahogany bracket clock, bearing signature for John Bennett, London, early 19th century, the five pillar twin fusee bell striking movement with anchor escapement and unusual shaped plates, the 8 inch circular cream painted Roman numeral convex dial bearing signature JOHN BENNETT, 65 & 64 CHEAPSIDE, LONDON to centre, with brass bezel and in rectangular chamfer-top case with large brass pineapple finial above ring side handles and fishscale pierced frets to sides, the front with recessed brass-fillet bordered quadrant panel infill and brass strip inlaid canted angles, on stepped base with fluted ebonised border decoration and brass ball feet, 43cm (17ins) high excluding finial, 49.5cm (19ins) high overall.

A mahogany bracket clock, Webster, London, late 19th century, the twin fusee gong striking movement with 6.5 inch silvered circular Roman numeral dial signed Webster, London to centre and with strike silencing lever at three o’clock, the lancet shaped case with box strung front edges and brass fillet inset shaped recessed panels beneath dial, on moulded skirt base with brass ball feet, 35cm high.

A William IV mahogany bracket clock having an eight-day duration, five pillar double fusee movement striking the hours on a bell, the eight-inch round painted convex dial having black Roman numerals and blued steel moon hands, the mahogany case with a shaped serpentine top with applied carving below, scroll lower sides, wooden fretwork to the sides and canted corners with inlaid brass, complete with matching mahogany wall bracket, height, 42cm (bracket 24cm)

A simulated tortoiseshell and brass bracket clock decorated with gilt painted floral sprays. together with matching bracket, height of clock 39cm (2).

A Regency mahogany and brass inlaid timepiece bracket clock having a single fusee eight-day duration movement, the six-inch round painted dial having black Roman numerals and indistinctly signed `Abbot`, the mahogany square case having brass inlaid decoration and surmounted by a pineapple finial, raised on ball feet, height 41cm.

Whitehurst, Congleton, an oak longcase clock having an eight-day duration movement striking the hours on a bell with an inside countwheel consisting of pins set on the barrel wheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and signed `Whitehurst, Congleton`, with a date aperture to the dial centre and cast `four-season` corner spandrels, the oak case having a shaped top to the trunk door, turned pillars to the flat-topped hood and standing on bracket feet, height 204cm. * Egerton Whitehurst was a member of the famous Whitehurst family of clockmakers from Derby who originated in Congleton and included John Whitehurst, Fellow of the Royal Society, clockmaker & philosopher and maker of many fine clocks. The firm of Whitehurst & Son of Derby were invited to tender for the Great Clock at Westminster (commonly known as Big Ben)

George Weller, Exon (Exeter), a mahogany longcase clock having an eight-day duration movement striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a matted centre with ringed winding holes, date aperture, subsidiary seconds dial and engraved with the maker`s name `Geo. Weller, Exon`, the raised, silvered chapter ring engraved with black Roman numerals, `fleur-de-lys` half-hour markings, lozenge half-quarter hour markings and Arabic five-minute outer numerals, with wheatear border engraving and `Indian-head` cast brass corner spandrels, the associated mahogany case having three-quarter turned columns to the hood with the swan-neck pediment having wooden paterae and a turned wooden finial, with reeded quarter columns to the trunk, plain base and bracket feet, height 220cm. * George Weller is recorded as working in Exeter from at least 1718 until 1742, in which period it is known that he `kept` the Exeter Cathedral clock and that he was also charged with looking after the clock and chimes of the St. Thomas church clock for which he received a salary of 10 shillings per annum.

Late nineteenth century French mantel clock in brass mounted case with swing carrying handle. Simulated chinoiserie painted finish of birds and flowers. French movement with alarm and white enamel dial, pierced brass hands and separate alarm pointer standing on four bracket feet, 19cm overall height to top of handle

Early twentieth century bracket clock of rectangular form with Pagoda shaped top with chinoiserie lacquer decoration of figures in a landscape, engraved plate to reverse. French movement with white enamel dial and Arabic numerals signed Mappin & Webb, London, 31cm overall height

Victorian gilt brass carriage clock with cloisonné enamel floral and white enamel dial. French repeating movements in brass case with bevelled glazed panels on bracket feet, 18cm

Nineteenth century stained oak bracket clock of Gothic architectural form with blind fret decoration. Twin chain fusee movement striking on a gong with white painted dial and trefoil hands, 53cm overall height

A 19TH CENTURY BLACK SLATE CASED MANTEL CLOCK, the drum case on scrolling supports and bracket feet with decorative malachite inlay, the two part dial with visible escapement, 17 1/2" high.

A GROUP OF HOROLOGICAL RELATED BOOKS including Antiquarian Horology Magazines, The Bracket Clock by Roberts and other related interest.

VICTORIAN OAK CASED BRACKET CLOCK the brass and silvered dial with Roman numerals in carved domed topped case with turned finials, bun feet and original wall bracket

BRASS DIAL BRACKET CLOCK in mahogany case, the dial with Roman numerals with gilt spandrel decoration in carved decorated case

NINETEENTH CENTURY BRASS BRACKET CLOCK the circular dial with Arabic numerals set in decorative case embossed overall with floral, shell and other motifs, all raised on bracket feet, with key and pendulum

GERMAN OAK CASED BRACKET CLOCK with brass finials and face mask side mounts, the dial with Roman numerals, complete with key and pendulum

Two wooden planes, a 1930`s ¾ striking bracket clock, a set of brass scales, two wooden handled swords and a Noritake tea set

A 19th Century mahogany drum head longcase clock, having a four pillar eight day bell striking movement, faced by enamel Roman dial, above three quarter length door, box base and bracket feet.

A French Regence Striking "Boulle" Bracket Clock, signed Roquelon A Paris, the highly elaborate case surmounted with a figure of father of time, waisted case with scroll gilt mounts and glazed side viewing windows, the glazed door decorated with winged cherubs and raised upon scroll worked feet, 9-1/2-inch cast dial with twelve Roman enamel cartouches and a central enamelled plaque signed Roquelon a Paris, twin barrel movement with square shaped plates, anchor escapement, numbered outside countwheel striking on a top mounted bell for the half hour strike and for the hours, movement lower backplate with matching signature, later pendulum with sun burst bob, 87cm high, together with matching "boulle" gilt mounted wall bracket, 33cm high

A `Boulle` Striking Bracket Clock, the gilt metal mounted elaborate case surmounted with a figure, glazed front and side panels, scroll and floral brass inlay and raised upon scroll feet, cast dial with twelve Roman enamel cartouches, twin barrel movement with outside countwheel striking on a top mounted bell, movement backplate signed `Leblanc Boulogne`, (dial associated to movement and to the case), 66cm high

A Rosewood and Brass Inlaid Striking Bracket Clock, Wm Holmes, Strand, London, circa 1820, the drum shaped case with a single pineapple finial, brass inlaid front with pull repeat cord to the side, the base with a glazed pendulum window and raised upon brass ball feet, 7-inch painted dial with Roman numerals, circular twin fusee movement with anchor escapement and striking on a bell, movement backplate border with engraved floral decoration, 54cm high

A Mahogany Chiming Longcase Clock, pagoda hood with pierced side frets, fluted columns with Corinthian capitals, crossbanded trunk door flanked with Corinthian capped pilasters, rectangular plinth with a framed panel and upon bracket feet, 12-inch arched silvered dial with Roman and Arabic chapter, floral engraved dial centre with subsidiary seconds, date aperture and selections for Whittington chimes/Westminster chimes, the arch signed `James Brown, Portsmouth`, triple weight driven movement with anchor escapement and chiming with eight hammers striking on a nest of eight bells and a further hammer striking on a large gong for the hour, (dial associated to the movement and both are associated to the case), 225cm high

A Scottish Mahogany Eight Day Longcase Clock, signed Cowan, Glasgow, circa 1820, the case with swan neck pediment, inlaid stringing and fluted columns, nicely figured trunk door, rectangular plinth raised upon later bracket feet, 14-inch one piece silvered dial with Roman numerals, dial centre with date and seconds, arch signed, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 224cm high

A Mahogany Eight Day Longcase Clock, signed J.Wignall, Ormskirk, circa 1830, the case with swan neck pediment, turned columns, nicely figured arched trunk door with fluted pilasters, rectangular canted plinth raised upon bracket feet, 14-inch square painted dial with Roman numerals, corners painted with fruit, dial centre with subsidiary seconds, date dial and signed, four pillar movement with anchor escapement and rack striking on a bell, 224cm high

An Oak and Mahogany Eight Day Longcase Clock, the flat top pediment with fluted columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular base with raised panel and upon bracket feet, 13-inch square brass dial with silvered chapter ring, signed `A Coften, Kirkham`, dial centre with date aperture, four pillar movement with anchor escapement and rack striking on a bell, 211cm high (dial and movement associated to the case)

A Walnut Eight Day Longcase Clock, the flat top case with brass capped columns, arched trunk door, rectangular plinth with bracket feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with subsidiary seconds and date aperture, arch with silvered plaque signed, `Thos Napier, Glasgow`, four pillar movement with anchor escapement and rack striking on a bell (dial and movement associated to the case), 212 cm high

An Oak Eight Day Longcase Clock, signed Winder, Kirby Lonsdale, circa 1820, swan neck pediment, turned columns, arched trunk door flanked with fluted pilasters, rectangular plinth with canted corners, (bracket feet missing), 14-inch painted arched dial with Roman numerals, dial centre with subsidiary seconds and date, with signed, rolling moon in the arch, four pillar movement with rack striking on a bell, 226cm high

An Oak Eight Day Longcase Clock, signed Jno Lees Middleton, circa 1780, case with swan neck pediment, turned columns, wavy shaped trunk door flanked by inset pilasters, rectangular plinth with canted corners, upon bracket feet, the unusual painted 13-inch brass dial with Roman and Arabic chapter ring signed, dial centre painted with a landscape scene, arched date aperture and rolling moonphase, painted scene in the corners, four pillar movement with anchor escapement, inside countwheel striking on a bell, 229cm high

A Mahogany Eight Day Longcase Clock, the case with a swan neck pediment, fluted columns, inlaid trunk door flanked by fluted and carved capital pilasters, rectangular canted plinth upon bracket feet, 15-inch painted dial with Arabic numerals, date aperture and inscribed `W.Dawes, Whitehaven`, subsidiary seconds, the arch with rolling moonphase, four pillar movement with anchor escapement and striking on a bell, (dial associated to the movement and both are associated to the case), 246cm high

A Rare Brown Oak Eight Day Longcase Clock, signed Simcock, Prescot, circa 1780, the case with broken arched pediment and good figuration, turned columns, wavy shaped crossbanded trunk door flanked by inset pilasters, rectangular plinth with a raised quatre form panel and canted corners, later bracket feet, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring signed, inner date ring with a corresponding central date hand, dial centre with subsidiary seconds and applied silvered floral and scrollwork with old sayings "On Times, Date:depends, Uncertain, Eternity", the arch with rolling moonphase, four pillar movement with deadbeat escapement and rack striking on a bell, 220cm high

A Mahogany Eight Day Longcase Clock, signed Major Scholfield, Manchester, circa 1780, the case with Swan neck pediment and pierced fret to the front, fluted columns, trunk with good figuration, rectangular plinth with canted corners and bracket feet, 14-inch arched brass dial with silvered Roman and Arabic chapter ring, inner date ring with central corresponding date hand, nicely engraved dial centre with bird and floral decoration, centre seconds hand, arch with rolling moonphase and signed above, four pillar movement with anchor escapement and inside countwheel striking on a bell, 244cm high

An early 20th Century Oak cased twin-weight Wall/Bracket Clock, Gustav Becker, the domed case to a glazed door and plinth base with moulded detail, to a spun Brass bezel enclosing a 7” signed two-part Arabic enamel dial, with outside minute track and subsidiary seconds, with pierced steel hands, to a twin weight driven movement, with anchor escapement and strike on a rod, height 48”

A late 19th Walnut Cased Century Cuckoo Bracket Clock, the architectural case with plain pediment and carved details over freestanding columns, to a pierced gallery, to a carved and pierced blind frieze, on a shaped plinth base, to a 7 ½” Roman chapter ring with pierced composite hands, to a spring-driven two train movement with anchor escapement and strike on a coiled gong with further wooden bellows, height 19”

An early 19th Century Mahogany and Brass Inlaid Single Pad Top Bracket Clock, Honeybone of Brentford, the arched case with single pad and cast carry handle, over fish-scale sound frets, to ebonised canted corners and recessed frieze panel, to a further fluted border and plain plinth base, raised on brass ball feet, to a spun brass bezel and convex glass enclosing an 8” painted Roman dial signed to the centre, with outside minute track and pierced and blued steel moon hands, to a movement with engraved and shouldered plates united by four knopped pillars, with anchor escapement and strike on a bell, height 20”

A 1st half of the 20th Century Walnut Cased 8-day Bracket Clock, Lenzkirch, the overhanging cornice with a panelled and tapering pediment and arched finial, with further cast brass pineapple finials, over caryatid mounted and canted corners to a plinth base, to a bevelled 5 ½” glazed door enclosing an arched brass dial with applied cast brass spandrels, enclosing a silvered and engraved Roman and Arabic chapter ring with half-hour markers and outside minute track, to a matted centre with blued steel fleur-de-lys hands, to a square brass movement with plates united by four knopped pillars, with anchor escapement, strike on two blued steel coiled gongs, height 15”

An early 20th Century Oak Cased Triple Barrel Mantel Clock, Gustav Becker, 2175284, the overhanging cornice with moulded and panelled pediment over fluted columns, to a plain frieze and plinth base on bracket feet, to a 7” bevelled glass door enclosing a silvered and engraved dial, with subsidiary strike/silent aperture over an engraved Roman chapter ring, with outside minute track and blued steel fleur-de-lys hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 19”

A second half of the 20th Century Lacquered Brass Italian Clock Garniture, Imperial, the shaped case surmounted by a gilt highlighted and cobalt blue urn, to figural corner mounts, and splayed base raised on four bracket feet, and decorated with a panel depicting a courting couple in 18th Century Costume, beneath a Roman and Arabic chapter ring with outside minute track and black pierced and stamped hands, to a circular brass movement with strike on two bells, height 17”; and flanked by a pair of similarly decorated urn side pieces (3)

A late 19th Century Oak and Mahogany crossbanded 8 Day triple weight Musical Long Case Clock, W H Smith & Son of Blackheath, the hood with swan neck pediment and three globe and spike finials, over freestanding Corinthian columns, to a moulded throat and shaped long trunk door, raised on a panelled plinth base with bracket feet, to a 12 ½” arched brass dial with chime/silent subsidiary to the arch and further dolphin spandrels with mask, floral and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track and half-hour markers, to a matted centre with subsidiary seconds and blued steel pierced hands, to a triple weight driven movement with plated united by four plain pillars, with anchor escapement and strike on 8 graduated bells and a blued steel coiled gong, height 90”

19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by Furtwengler of Llanelly, having broken swan neck pediment above arched aperture, crossbanded and shell inlaid door to the waist with canted angles on a panel base with bracket feet. Arch painted face with seconds dial and date aperture, Roman numerals and foliate spandrels, painted portrait of a farm girl to the arch. Eight day two train movement striking on one bell. The face 17.5" x 13". 88" High overall.

Modern teak-cased bracket clock, striking on gongs.

A 19th century mahogany mantel/bracket clock in the French style having extensive pierced and foliate brass appliqué and striking movement with plaque engraved 1896, on squat feet

A fine early 18th Century ebonised bracket clock having arched brass dial and silvered chapter ring and subsidiary dial with double fusee movement, strike repeating on a sequence of bells maker John Lewis, London View on www.staceyauction.com

An early 19th century oak bracket clock marked LENZKIRCH initialled AGU

A mahogany eight day bracket clock with Westminster chime (chime/silent) silvered dial and brass handle

An 8 day three train Junghams bracket clock with strike silent in a walnut case 15" tall

An eight day Edwardian bracket clock with a silvered dial mahogany and inlaid case

An Edwardian bracket clock in an oak case and three train movement with strike silent

A Superb Mahogany cased Bracket Clock, the face flanked by reeded pillars and accessed by a door with bevelled glass, the fusee movement with arched brass face, cast spandrels and with brushed steel finish chapter ring with Roman numerals, the minutes marked with Arabic numerals, the arch above with three subsidiary brushed steel dials with slow/fast regulator, chime/silent and chime on eight gongs/chime on four gongs. The lockable screen panelled door to the back revealing the fusee movement with heavy polished brass plates, interesting cylinder operated chiming mechanism and marked `W & H, Son`, and the serial no. 4321, 18 1/2`` high (handle up),,14 18`` wide x 10 1/2`` deep

A Victorian brass mantle clock, centre set dial with cream dial, and black Arabic numerals, with-in a pierced frame and bracket feet, 38cn high

Oak longcased clock banded in mahogany, the broken arch face painted with landscapes, Roman hours, subsidiary seconds, date aperture, signed Thos. Corker, Stafford , eight-day movement on a false plate, anchor escapement, rack strike, in a swan neck hood, twist columns, quarter column trunk, on canted corner base and bracket feet. Height 223cm.

Mahogany Georgian style bracket clock , circa 1900, silvered Roman dial signed Russells Ltd, Manchester , twin fusee movement, possibly by Gustav Becker, striking the half on a coil, in a broken arch case with canted fluted corners on gilt bun feet. Height 33cm.