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Japy Frères, a French rococo style wall clock formerly the property of Dame Hilda Bracket: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and stamped with the trademark of the maker Japy Frères, the round ivorine dial with black Arabic numerals, decorative floral centre and gilt-brass hands, with a gilt-metal floral and rococo style cartel case, height 53cms. * Provenance Formerly the property of the drag artist Patrick Fyffe, born 23rd January 1942, died 11th May 2002 who was known by the stage name Dame Hilda Bracket, one half of the variety duo Hinge & Bracket alongside George Logan who played Dr Evadna Hinge. The pair had their own Radio 4 show, The Enchanting World of Dr Evadne Hinge and Dame Hilda Bracket as well as a 1980s television series, Dear Ladies. Sold Bonhams Auctioneers, 14th October 2002 as part of the Patrick Fyffe estate.* Biography Japy frères were founded by Frederic Japy of Beaucount, born 1749, who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.

W. Helliwell, Chorley a moon-phase longcase clock: having an eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals with the maker's name engraved either side of VI o'clock W. Helliwell, Chorley, the silvered centre engraved with rococo style decoration and having a subsidiary seconds dial and date aperture, the arch having a moonphase disc decorated with landscape and seascape scenes, with cast-brass rococo spandrels to the four corners and blued steel hands, the mahogany case having a shaped top to the trunk door and fluted quarter columns, with the hood having fluted pillars with cast-brass capitals, a swan-neck pediment with verre eglomisé panels of gilded decoration on blue glass, with an oriental finial to the centre and two turned wooden side finials, the base having canted corners, a raised shaped panel and standing on bracket feet, height 236cms.

A Regency mahogany bracket clock: the eight-day duration, double-fusee movement of unusual shape having a verge escapement and a fully engraved backplate with the centre cartouche engraved RC, the seven-inch round painted convex dial having black Roman numerals and blued steel heart shaped hands, the mahogany case having a pediment top surmounted by a brass pineapple finial, with brass trim to the inset panels at each corner, with brass stringing to the lower base, brass fish-scale sound frets to the sides, cornucopia handles above the frets and standing on brass ball feet, height 50cms.

A mahogany longcase clock: the unsigned early 18th century eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute markings and meeting-arrow-head half-hour markings, the matted centre with ringed winding holes and a date aperture with engraved surround, with cast-brass female-head spandrels to the four corners and blued steel hands, the associated mahogany case having tapered pillars to the hood, surmounted by a shallow swan-neck pediment and standing on bracket feet, height 200cms.

John Skinner, Exeter a rare double-sided shop clock: the eight-day duration double-fusee movement striking the hours on a bell and signed for the Exeter clockmaker Skinner, with the two fifteen-inch round painted convex dials having black Roman numerals and blued steel hands, one with a regulation lever to the top, the round mahogany case with ebony stringing to the surround, complete with iron ceiling bracket, diameter 47cms. * Provenance Formerly the property of Clive N. Ponsford, author of Time in Exeter and Devon Clocks and Clockmakers. * Biography John Skinner and his son, also John, were prolific clockmakers having started in business in the 1770s and continuing until 1846. Many of the clocks made by them were in fact supplied by John Thwaites, then Thwaites & Reed and are therefore of an excellent standard. The Thwaites workbooks still extant show that in July 1803 they supplied Mr. Skinner with five clocks in that month alone, with further entries showing that Skinner would often order just parts, rather than complete clocks. One turret clock ordered from Thwaites and finished by Skinner still sits in the pediment of Exeter prison. The elder John was born circa 1747 and apprenticed to Jerome Murch of Honiton in 1763 with his marriage to Susana Mortimore taking place in 1774. He died in May 1818 after which his son placed an advert in the local newspaper stating that he was continuing the business. The younger John was married in 1822 to Catherine Tooze and died on the 25th of November 1846, aged 70.* Note. Reference Clive N. Ponsford, Time in Exeter, Headwell Vale, 1978.

Early 20th century inlaid walnut bracket mantel clock, engraved brass dial with silvered Arabic chapter ring, chime/silent and slow/fast levers, 'Junghans' triple train driven Westminster chiming movement, H45cm

An Edwardian Mahogany Inlaid Bracket Clock, With a silvered dial, 32cm high

An Edwardian Oak Bracket Clock, With a silvered dial, 32cm high

A Fretwork Bracket Clock by Seth Thomas U.S.A, 70cm high

An oak bracket clock.

A Regency Mahogany And Brass Mounted Bracket Clock, the enamel dial with Roman numerals and with twin fusee movement striking on a bell the whole raised upon brass feet, together with a mahogany wall bracket, 40cm tall

REGENCY MAHOGANY BRACKET CLOCK, the 20cm painted dial with Roman numerals, inscribed " Johnson No 10 FL", the twin fusee movement, with anchor escapement striking on a bell, in a brass inlaid case, inscribed in brass "John Young Eyamba 1836", brass acorn finial and side carrying handles, 55cm high including the finial.

19TH CENTURY BRACKET CLOCK, the painted dial 20.5cm x 24cm, with Roman numerals, inscribed "Webster Cornhill London", the double fusee movement striking on a bell, in an architectural style rosewood case, 47cm high

A LATE 19TH CENTURY GERMAN WALNUT AND ORMOLU MOUNTED BRACKET CLOCK the caddy top above an arched glazed door flanked by ormolu caryatid mounts enclosing a 6" brass arched dial with gilt spandrels and silvered engraved Roman dial surrounding a matted centre, the arch with subsidiary regulation dial fronting an eight day spring driven movement chiming the quarters on two gongs 48cm high

A LATE 19TH CENTURY AESTHETIC EBONISED AND PORCELAIN PANELLED BRACKET CLOCK having a simulated carved slate roof pediment with gallery edge above a panelled case inset with floral porcelain plaques and matching 6" dial with Arabic numerals fronting an eight day spring driven movement chiming the quarters on two gongs 49cm high

CHATER LONDON AN EARLY GEORGE III FRUITWOOD BRACKET CLOCK the case having an inverted bell top above a glazed moulded door enclosing a 7" arched brass dial with mask head spandrels and silvered engraved chapter ring surrounding a matted centre with alarm disc and calendar aperture, subsidiary Strike/Silent dial to the arch, fronting an eight-day double fusee five pillar movement with verge escapement, alarm and hour striking on a bell, with full engraved backplate 46cm high handle down

A GEORGE III EBONISED ENGLISH BRACKET CLOCK the case with bell top pediment surmounted by a brass hinged handle above glazed door with pierced sound frets enclosing a 7" brass arched dial with silvered Roman chapter ring and matted centre having mock pendulum and calendar aperture Strike/Silent dial to the arch, fronting an eight day double fusee movement with verge escapement striking the hours on a bell 46cm high

THOMAS BATTELY LONDON A SMALL GEORGE II WALNUT QUARTER CHIMING BRACKET CLOCK the case of good proportions having an inverted bell top above a glazed door front and back with pierced wood sound frets enclosing a 6" brass arched dial, gilt spandrels and silvered Roman and Arabic numerals surrounding a matted centre with calendar and mock pendulum apertures, regulation dial in the arch and Strike/Not strike lever to top right corner, the six pillar eight-day triple fusee movement with verge escapement and signed back plate chiming the quarters on two bells and the hours on a third bell 38.5cm high

R GREEN EDINBURGH A LATE GEORGE III FIGURED MAHOGANY BALLOON SHAPED BRACKET CLOCK with gilt brass side handles and urn finial on a moulded plinth base, 7” silvered brass dial with Roman chapter ring and Arabic minute markings fronting an 8 day double fusee movement with anchor escapement and bell strike 51cm high to top of finial

A LARGE LATE 19TH CENTURY FRENCH TORTOISESHELL AND ORMOLU MOUNTED BOULLE WORK BRACKET CLOCK having concave moulded sides and glazed ormolu door with classical figures, the case supported on four large scrolled legs with climbing dragons, the 8" brass embossed dial with segmented enamel Roman numerals fronting an eight-day spring driven movement striking the hours/half hours on a bell 53cm high.

AN EBONISED DOUBLE FUSEE BRACKET CLOCK the case with inverted bell top surmounted by a hinged brass handle above a glazed door and bracket feet enclosing a 7" brass arched dial with silvered chapter ring and cartouch to the arch signed John Bushman London. fronting an eight day double fusee chain driven movement striking the hours on a bell 48cm high

WINTERHALDER & HOFMEIER A LATE 19TH CENTURY GERMAN QUARTER CHIMING EBONISED BRACKET CLOCK the arched top case having inset brass panel and applied scrolled decoration with matching panel to the base, enclosing a 6" square brass dial with gilt spandrels and silvered engraved Roman and Arabic chapter ring surrounding a matted centre fronting a spring driven eight day movement chiming the quarters on two gongs 38cm high

CHARLES MURRAY LONDON AN EARLY 18TH CENTURY EBONISED BRACKET CLOCK the case with inverted bell top surmounted with a brass handle above a glazed hinge door with gilt brass pierced sound frets enclosing a 7" brass arched dial having silvered engraved chapter ring surrounding a matted centre with mock pendulum and calendar aperture, the arch with matching Strike/Silent dial fronting a large double fusee eight day striking and repeating movement on six bells, fully engraved signed backplate with verge escapement and calibrated brass bob pendulum 45cm high

DAVID MURRAY EDINBURGH A GEORGE III FLAME MAHOGANY BRACKET CLOCK in later case having an inverted bell top pediment with brass hinged handle above glazed door with moulded corners and pierced sound frets fronting an 8" silvered engraved arch dial with Roman and Arabic numerals, scroll engraved spandrels and centre with calendar aperture, the arch with subsidiary regulation and strike/silent dials fronting an eight day double fusee movement with anchor escapement striking the hours on a bell 50cm high

JOHN SMITH AND SON, 9 STRAND A GOOD QUALITY MID 19th CENTURY MAHOGANY REGULATOR LONGCASE CLOCK the arched hood above a glazed hinged trunk door with brass moulded frame on box base with applied panel, 12" engraved circular silvered dial with regulator layout showing outer minutes and inner seconds and hours fronting a large high quality thick plated eight day weight driven movement with jewelled end stops and anchor, six spoke wheel work and Harrison's maintaining power, the rolling pin suspension bracket holding a mercury filled pendulum 203cm high

WILLIAM WALL & SON RICHMOND A GEORGE III FLAME MAHOGANY PAD TOP BRACKET CLOCK the break arch case with brass fish scale frets to the sides standing on brass ogee bracket feet enclosing a 7" painted arch dial with Roman numerals and concentric calendar below a Strike/Silent dial to the arch fronting a five pillar eight day double fusee movement with original anchor escapement and engraved backplate striking the hours on a bell 39cm high without handle

JOHN TAYLOR LONDON A GEORGE III FIGURED MAHOGANY QUARTER CHIMING BRACKET CLOCK the bell top case with a glazed door and fish scale frets matching on the sides, canted corners with applied floral relief brass mounts and 8" brass arched dial with foliate spandrels and engraved Roman chapter ring surrounding a concentric calendar and subsidiary Strike/Silent dial to the arch fronting a substantial triple fusee eight day movement with verge escapement chiming the quarters on a nest of eight bells and the hour on a ninth bell; the backplate fully engraved with scrolling foliage and basket of fruit to the centre 63cm to top of finial

A late 19th century gilt metal mounted oak bracket clock, 15cm arched brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, leafy scrolls to spandrels, twin-winding holes, 8-day movement striking on a gong, the arched case with urn and pine cone finials, flanked by canted angles applied with female herms, paw feet, 44cm high, c.1890

An Edwardian mahogany and marquetry bracket clock, 14cm convex dial inscribed with Roman numerals, twin winding holes, eight day movement by A D Mougin striking on a gong, the domed case with brass urnular finials, inlaid with a covered urn and leafy scrolls, brass bracket feet, 35.5cm high, c.1905

**Amended discription this is a 30 hour clock**A George III mahogany longcase clock, 36cm arched painted dial inscribed W. Muncaster, Whitehaven, Arabic numerals, rolling moon phase to arch, subsidiary calendar dial, twin winding holes, 30 hour movement striking on a bell, the hood with swan neck pediment and brass sphere finials, crossbanded shaped rectangular door to waist, flanked by reeded angles, bracket feet, 240cm high, c.1815William Muncaster (1776-1851) was the son of William Muncaster of Broughton-in-Furness, apprenticed c.1790-1797 and worked at Egremont before settling at Whitehaven. In 1825 he moved to Douglas, Isle of man and died there at Couchan in 1851. Condition Report: pendulum, weights, and spare gilt hands,

A late Regency mahogany bracket clock, 20cm slightly convex painted dial inscribed James Burroughs, Iron Bridge, Roman numerals, twin winding holes, double-fusee movement striking on a bell, the case with stepped sarcophagus top surmounted by a pineapple finial, ring handles to sides, outlined throughout with ebony mouldings, brass ball feet, 52cm high, c.1825 James Burroughs was working at Iron Bridge and nearby Dawlrey (now part of Telford) from 1821 until 1863. Condition Report: Excellent;no obvious defects; appear recently overhauled.

A fine and unusual lapis lazuli and silvered metal mounted repeating carriage clock, 4.5cm circular engine turned dial inscribed Charles Frodsham, London, Arabic numerals, 8-day French movement striking on a gong, enamel setting dial, the case in the Neo-Classical Revival taste with ribbon-tied wreath handle, lotus borders and anthemions to angles, shallow bracket feet, 13.5cm high overall, c.1910

A William IV oak, mahogany, burr maple and marquetry longcase clock, 29.5cm arched painted dial inscribed with Roman numerals, the arch and spandrels with ruins, date aperture, 30-hour movement striking on a bell, the hood with swan neck pediment, turned pillars, shaped rectangular door to waist, inlaid with a fanciful bird and scrolling foliage picked out with abalone shell, flanked by bobbin quarter columns, ogee bracket feet, 214cm high

A substantial Victorian ormolu mounted ebonised musical bracket clock, 18cm arched brass dial inscribed Kirk & Company Limited, Hull, silvered chapter ring with Roman and subsidiary Arabic numerals, the arch with Slow/Fast, Chime/Silent and Chime on 8 Bells/Westminster Chimes setting dials, triple winding holes, triple-fusee movement striking on bells and a gong, the caddy-top case with pine cone finials, flanked by Corinthian columns, fluted bun feet, 74cm high, c.1880

A 19th century gilt brass carriage clock, 6.5cm rectangular silvered dial inscribed with a chapter of Roman numerals and engraved with scrolling foliage, the movement with platform escapement, striking on a bell, acanthus grasped swing handle, the five-glass case engraved throughout with scrolling foliage, skirted base, shallow bracket feet, 18cm over handle, c.1880

A Chippendale Revival mahogany bracket clock, 12.5cm rectangular silvered dial inscribed Goldsmiths Co, 112 Regent Street, London, Roman numerals, Strike/Silent to arch, twin-winding holes, double-fusee movement striking on a gong, the caddy top case carved with bands of swags and acanthus and flanked by reeded canted angles, shallow bracket feet, 36cm high, c.1900

A late 19th century German oak bracket clock, by Gustav Becker, the slightly arched dial with Roman numerals, Chime/Silent dial, engraved and chased with foliate scrolls, three winding holes, eight day movement striking on a gong, the movement stamped 2118648, the case with pagoda top gadrooned rim, stepped square base, bracket feet, 46.5cm high, c.1890

An 18th century mahogany cased 8-day bracket clock, with arch top, engraved silver dial signed Joseph Newman of London, brass 8-day repeat movement with engraved back plate, resting on gilt-brass bracket feet, case height 39cm, pediment width 26cm

Franz Hermle mahogany bracket clock floating balance running no hands ( key and spare hands in office 7369 )

GEORGE III MAHOGANY LONGCASE CLOCK SIGNED TROTTER, JEDBURGH, the 12" painted dial with subsidiary seconds and date dials to the centre, enclosed by floral spandrels and set beneath a bird portrait to the arch, powered by an eight day movement striking on a bell, and housed in an arch topped case with brass eagle and ball finial to the scroll pierced swan neck pediment, set above free standing fluted fore columns and over a long, flame cut, trunk door with shaped top and fancy pierced brass escutcheon, raised on a conforming base with bracket feet, 90 ½" (230cm) high

A late Victorian oak eight day bracket clock with brass dial and mounts

An Edwardian mahogany and marquetry eight day mantel clock, the movement by Samuel Marti, Paris, no. 4819 5 2', striking the hour and half hour on a gong, with Arabic white enamel dial, the arched case with gilt brass finials and pillars, the front with marquetry foliage and urn, on gilt brass bracket feet, 11½in. (29.2cm.) high, together with a porcelain Cherub clock. (2)

FOUR VARIOUS MANTEL CLOCKS AND A CLOCK CASE, to include a bracket clock, with Roman numeral dial, height approximately 52cm, together with a desk top barometer (glass cracked) (6)

AN EARLY 20TH CENTURY OAK BRACKET CLOCK, with silvered Arabic numerals, together with an oak mantel clock and a ceramic clock (3)

An early 20th Century Edwardian mahogany marquetry inlaid mantel bracket clock having a white enamel face with Roman numeral chapter ring and faceted hands. The dial signed Trade Mark S. The wooden case of domed shape raised on plinth base with feet. Measures 31cm high 22cm wide. 

A gilt-metal mounted bracket clock in the French style, the eight day movement with rectangular plates striking on a gong, 16” high.

A Hermle bracket clock with moon roller dial

REGENCY MAHOGANY BRACKET CLOCK, the 9" enamelled dial inscribed Parkinson & Frodsham/Change Alley/London, on a brass, four pillar, eight day, twin chain fusee movement hourly striking to a bell, the back plate similarly inscribed, the case with caddy style top and brass, gothic pierced grilles, as found, height 55cm

SCOTTISH EBONISED BRACKET CLOCK, the movement late 18th century, the silvered 7" dial with date aperture and false bob aperture beneath Strike Silent and seconds subsidiary dials and inscribed Robt Penman/Burntisland, on a brass, twin fusee, eight day movement with crown escapement, hourly striking to a bell, the case, possibly later, with high caddy top, brass finials and applied decoration, with winder and pendulum, height excluding handle 50cm Footnote: Burntisland a Royal Burgh and parish in Fife, Scotland, on the opposite side of the Firth of Forth to Leith, Edinburgh and lies approximately 11 miles to the east of Dunfirmline. Robert Penman is recorded as being a clock maker in Dunfirmline in 1820.Further images and video (where applicable) available here

SCOTTISH GOTHIC STYLE OAK BRACKET CLOCK AND BRACKET, the 7 1/2" brass dial with subsidiary Fast Slow and Strike Silent dials in a frame inscribed Wm. McGregor/Edinburgh, on a brass, triple fusee, eight day movement chiming the quarters to a nest of eight bells and chiming to a gong, the peaked case with three spires and scrolling decoration, with winder and pendulum, height 78cm; the bracket, stamped John Taylor and Son, Edinburgh R7611, height 31cm(2)

Hermle - Quality Moon-phase Mahogany Cased 8 Day Striking and Chiming Moon-phase Bracket Clock. c.1986, With Many Features Silent Lever to Back of Clock, Good Tone, Silver Chapter Ring, Excellent Clock at Low Estimate. Stands 12 Inches - 30 cm High, Both Case and Movement In Excellent Condition.

German - 19th Century M.S.M Large and Impressive Walnut Cased Bracket Clock of Majestic Architectural Form with 1/4, Half & Full Hour, Ting Tang Strike, 8 Day Movement, Mark to Back Plate - M.S.M. Strikes on 4 Steel Plate Gongs / Rods, Clock Size 28 Inches - 70 cm High, 11,25 Inches - 28.25 cm Depth. Large and Impressive Clock. Please See Photo.

A reproduction oak eight day longcase clock with arched brass dial, shaped door and raised on bracket feet, height 250cm.

A Victorian slate and pink veined marble bracket clock with incised gilt detailing (pendulum)

A mahogany Georgian style bracket clock with striking movement; a modern Vienna style wall clock; and another

A mid-20th century mahogany Georgian style bracket clock with chiming movement; an Edwardian inlaid mantel clock

A reproduction gilt mounted marquetry bracket clock in dome case with cherub surmount, on scroll feet with wall bracket, clock 60cm high

An Edwardian inlaid mahogany bracket mantel clock, domed top with brass handle, white enamel dial (a/f), striking on a gong, on brass bracket feet, 26cm high

A mahogany arch top bracket clock with brass dial

A Regency mahogany eight-day brass-mounted bracket clock,the dial inscribed 'Harris, Canterbury', supporting a twin fusee movement striking on a bell, 50cm high