We found 28112 price guide item(s) matching your search

John Gale, London, A George III mahogany pad top bracket clock, the five pillar, double fusee movement having an anchor escapement and striking the hours on a bell, the backplate engraved with foliate decoration and a central cartouche bearing the initials 'J G', the arched case surmounted with a brass carrying handle with moulded edges and arched fret cut brass panels to the sides on a moulded plinth base, the eight circular enamel dial having black Roman numerals and having gilt metal foliate spandrels to the four corners with enamel subsidiary calendar dial and 'strike/silent' dial to the arch signed 'John Gale, London', height 42cm, together with an associated mahogany and gilt metal mounted wall bracket. *John Gale is recorded as working in Lamb Street, Spitalfields, London from 1790 until 1844.

Goldsmiths Company, London, A mahogany bracket clock, the eight-day duration, double fusee movement striking the hours on a gong, the six inch round painted dial having black Roman numerals, blued steel hands and signed 'Goldsmiths Company, 112 Regent St, London', the mahogany dome topped case having an inset panel to the front and brass fret work to the sides, height 35.5cm.

Hennessy, Swansea, A figured walnut bracket clock having a double fusee, five pillar movement with an anchor escapement and striking the hours on a bell with pull repeat, the seven inch round painted dial having black Roman numerals, decorative blued steel hands and signed 'Hennessy, Swansea', the case having an arched top with moulded foliate decoration, canted corners and on a rectangular plinth base, height 42cm. With an associated figured walnut wall bracket. *Bernard Hennessy is recorded as working at 8, Wine Street, Swansea as a clockmaker, scientist, gunsmith and optician, as well as a shipping magnate and was a Contractor to the Admiralty. An acute businessman and self-publicist he had no qualms about vilifying his rivals in a most vociferous manner.

Edgcumbe, Bristol, A bronze Gothic bracket clock, the eight-day duration, double fusee movement striking the hours on a bell with an anchor escapement, the convex silvered dial engraved with black Roman numerals and the maker's name 'Edgcumbe, Bristol' with blued steel hands, the bronze Gothic case in the form of a church frontage standing on scroll feet, height 39cm. *Brothers John and Nathaniel Edgcumbe were prolific makers working at 15, Old Market Street, Bristol from 1825 until 1832 having previously worked independently at the same address, the business having been founded by George Edgcumbe in 1710

Martinot a Paris, A 19th century French blonde tortoiseshell and brass inlaid bracket clock in the Louis XIV Boulle style, the eight-day duration movement striking the hours on a bell, the backplate stamped 'C Taylor & Son, Paris & London', the shaped rectangular case with gilt metal mounts, urn finials and female caryatids and maskheads, the glazed door enclosing a gilt metal dial with black Roman numerals to the white enamel Roman cartouche chapters and engraved with outside Arabic minutes, with the white enamel plaque signed 'Martinot a Paris', height 50.5cm, a/f. *The Martinot clockmaking dynasty was founded in 1549 by Gilbert Martinot and continued into the late 19th century. Charles Taylor & Son are recorded as working in London and Paris from before1840 until 1881.

An Edwardian mahogany bracket clock with twin fusee movement striking on a gong, the silvered dial with subsidiary strike/silent and slow/fast dials above Roman numerals and foliate scrolls, inscribed 'Dent, No 50481, 61 Strand & 4 Royal Exchange London', the caddy top carved with a band of flowers and scrolls above a pair of cut corner pilasters carved with ribbon and flower pendants, the bombé moulded base carved with a stiff leaf band, on bracket feet, height approx 35cm.

A 20th Century walnut mantel clock with eight day movement striking on a bell and chiming 'Whittington', 'Westminster' & 'Winchester' on eight bells, the break arch dial with silvered chapter ring framing an oval boss inscribed 'Garrard', beneath 'slow/fast' and 'chime/silent' subsidiary dials, the arch with chime selection dial, cornered with pierced gilt amorini spandrels, the back plate signed 'Elliott London' and numbered '142/250', the case with caddy top and brass carry handle, above fret panels and glazed sides on bracket feet, height approx 43cm.

A George III mahogany longcase clock, with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed 'Heny Kellitt, Bredbury', cornered by painted figures emblematic of the Continents, the hood with swan neck pediment surmounted by three brass ball and eagle finials above turned columns and a glazed door, the crossbanded case with triple arched trunk door flanked by turned columns on a canted corner base and bracket feet, height approx 238cm (faults).

A Victorian burr walnut bracket clock with eight day twin fusee movement striking on a bell, the circular silvered dial engraved with strapwork and scrolls surrounded by black Roman numerals and inscribed 'Boxell Brighton', the Egyptianesque architectural arched case with applied ribbon moulding, above carved mask and anthemion motifs, flanked by hieroglyphic fret panels, on an inverted breakfront plinth base, height approx 52cm (faults).

An early 20th Century brass cased carriage clock, with eight day repeating movement striking on a gong, the white enamel dial with Roman numerals and indistinctly inscribed, the glazed case with swing handle, on bracket feet, height approx 13cm (faults).

A late 19th/early 20th Century French brass cased carriage clock, with eight day movement striking on a gong, the backplate signed 'HJ' (Henri Jacot), the white enamel dial with black Roman numerals, the glazed case with swing handle, on bracket feet, height approx 18cm.

A George III chinoiserie painted longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'John Hawting, Oxford', the arched hood with three gilt ball finials above a glazed door, the arched trunk door and base painted and gilt with Chinese figures and landscapes, on bracket feet united by a shaped apron, height approx 233cm (some faults).

A late 19th Century French brass cased carriage alarm clock with eight day movement striking on a bell, the white enamel dial with black Roman numerals, subsidiary alarm dial and inscribed 'Henry Capt & Cie Paris', the backplate similarly inscribed, the glazed case with swing handle on bracket feet, height approx 16.5cm.

A 20th Century walnut mantel clock with eight day chiming movement, the brass dial with silvered chapter ring, the case with pagoda top and glazed door, on brass bracket feet, height approx 30cm.

A small Regency rosewood bracket clock with eight day twin fusee movement striking on a bell, the square silvered dial with Roman numerals and inscribed 'C.J. Case, 54 Bishopsgate St. London', the backplate similarly inscribed, the brass inlaid case with pagoda top and acorn finial above a glazed door flanked by gilt metal scale design fret panels, on a plinth base and bun feet, height approx 30.5cm, together with a matching wall bracket.

A late 19th Century German Junghans walnut bracket clock, with eight day movement chiming on gongs, the arched gilt dial applied with foliate gilt spandrels, framing subsidiary chime/silent and fast/slow dials, the silvered chapter ring with Arabic numerals and inscribed 'E.W. Hettich, Jersey', the case with arch pediment carved with foliate decoration flanked by reeded pilasters, on bracket feet, height approx 44cm.

A 19th Century mahogany bracket clock with eight day twin fusee repeating movement striking on a bell, the circular painted dial with Roman numerals and inscribed 'E.J. Wiles, 34 Shepherdess Walk, London', the architectural case on brass bracket feet, height approx 41cm (faults).

A George III and later oak longcase clock with eight day movement striking on a bell, the brass break arch dial engraved with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'Willm Harvey, Brentwood', cornered with foliate scrolls, the pale oak case with arched pediment above a rectangular trunk door, plain base and bracket feet, height approx 208cm (faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the brass breakarch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman numerals, cornered with coat of arms spandrels, beneath a circular boss to arch inscribed 'Smoult and Gilbertson, Newcastle', the arched hood with pierced fretwork pediment surmounted with three gilt metal ball finials, the trunk with crossbanded arched door flanked by canted corners above a crossbanded base cornered with leaf inlay, on bracket feet, height approx 227cm (some faults).

A late 19th Century oak cased mantel alarm clock with eight day movement striking on a gong and bell, the white enamel dial with Roman numerals and inscribed 'Fattorini & Sons, Patent Automatic Alarm, Bradford, Patent No 16226', the case with carved arch surmount flanked by turned finials, on bracket feet.

A 19th Century mahogany longcase clock case with arched trunk door flanked by fluted corner panels on a plain base and bracket feet (lacking hood and faults).

An early 20th century oak cased bracket clock with circular silvered dial marked Sam Lyon Junior Blackpool with striking movement marked GJ, height 31cm

A late 19th century carved oak cased German bracket clock by Winterhalder & Hoffmeier, the case carved with stylised swirl bands under scrolled foliate top, the gilt and silvered metal dial mounted with pierced gilt metal spandrels, the movement stamped W & HSEB1 and with twin striking coil gongs complete with pendulum

A late Georgian oak cased striking eight day longcase clock by James Lomax of Blackburn, the 32cm square brass dial with silvered chapter ring, engraved decoration, and applied spandrels, the case flanked by quartered, fluted pilasters, raised on bracket feet, height 210cm (Illustrated)

A 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, by J. Webb of Shrewsbury, the hood with broken swan neck pediment above arched apeture flanked by baluster turned columns, cross banded pointed arched waist door flanked by half turned pilasters on a panelled cross banded base on bracket feet. Painted arch face decorated with cottages and other buildings, roman numerals seconds dial and date apeture, 30 hour movement striking on one bell. 88" High.

AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK BY BAKER OF APPLEBY, now in later case, having moulded cornice over square apeture flanked by spirally turned pilasters, the waist with shaped crossbanded door having inlaid urn decoration, panelled base with similar cross banding on bracket feet. Brass 11" dial with pieced spandrels Roman numerals and date apeture. Thirty hour movement striking on one bell. 78" High,

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, having hood with broken swan neck pediment above arched apeture flanked by turned columns, the waist with crossbanded rectangular door flanked by quarter reeded pilasters on a panelled base standing on ogee bracket feet. Arch painted face coastal castle to the pediment, Roman numerals and shell painted spandrels, with seconds dial and date apeture. Eight day movement striking on one bell. By Pearce of Stratford. The face 20" x 14". 94" High overall.

AN EARLY 19TH CENTURY WELSH EIGHT DAY MAHOGANY LONGCASE CLOCK BY W.H HARRISON OF CHEPSTOW, having hood with broken swan neck above arched apeture flanked by two moulded columns, the waist with chequered banded inlaid decoration above moulded door flanked by canted angles, on a panelled base with bracket feet. The face with painted scenes of Chepstow Castle, Roman numerals seconds and date dials. 18.5" x 13", 89" High.

AN 18TH CENTURY WELSH EIGHT DAY LONGCASE CLOCK BY JOHN EVANS LAMPETER, having flat hood with arched apeture,above arch moulded waist door on panel base with bracket feet. The brass face 17" x 12" with foliate spandrels, seconds dial and date apeture marked John Evans Lampeter. Eight day two train movement striking on one bell. 86" High overall.

An early 20th century inlaid mahogany bracket clock.

19th Century oak and mahogany Longcase Clock, with swan-neck pediment, short door and on bracket feet, square painted dial with Roman numerals and thirty-hour movement.

An early 20th century Georgian style chiming bracket clock By Laing, Glasgow the silvered dial with black roman numerals below two subsidiary dials, the movement striking on five coiled gongs, the mahogany case with domed top with brass handle over fluted and canted corners on stepped base 42cm high

A late 19th century German oak bracket clock with white enamel chapter ring and black roman numerals, the movement striking on a gong, the domed top surmounted by turned finials, the dial flanked by turned columns over a stepped base, 45cm high, with an oak bracket -2

A Regency period rosewood and brass inlaid bracket clock By W. Vaughan, Newport the gilt dial with black roman numerals, the balloon shaped case inlaid with scrolling foliage and raised on a rectangular platform base with squat bun feet; together with a conforming bracket -2 38cm wide, 45cm high, 15cm deep

GOOD BRASS CASED CARRIAGE CLOCK, the repeater with white enamel face and bevel edged viewers, raised on bracket feet

A 19th century inlaid mahogany cased bracket clock with pineapple finial and scroll and star inlaid case with circular silverised dial stamped E White, 32 Haymarket, London and Roman numerals, the eight day double fusee movement striking on a gong, 52cm high

A 20th century bracket clock with dome top and silverised dial with Arabic numerals, the German eight day movement striking on gongs

A 1930s oak cased longcase clock, fitted a striking and chiming eight-day movement, the trunk door fitted bevelled glass panes on a plank base with bracket feet, 181.5cm (71.5") high

A Regency mahogany bracket clock, the reeded pagoda top with pineapple finial, with ring handles to the sides, the case inlaid brass designs, fitted a white enamel dial with Roman numerals signed S Lella, Newport, having a single fusee movement and plain back plate, 42cm (16.5") high (see illustration)

A Regency mahogany bracket clock with arch top case, with lion mask ring handles and pierced grills to the sides, on claw feet, fitted a white enamel dial with Roman numerals signed Barraud Cornhill London, having an eight-day twin fusee movement, striking on a bell, with circular engraved back plate signed Barraud, Cornhill London set a pendulum clip beneath, 45cm (17.5") high (see illustration)

A Late 19th Century Bracket Clock, the 19 cm wide arched square brass dial signed WAGSTAFF, Bishopsgate St, London, having a silvered annular chapter ring Roman numeral, the arch with a subsidiary CHIME/SILENT, Whittington chimes/Westminster chimes, and slow/fast subsidiary dials, fitted a three train eight day movement striking on eight bells and five gongs, in a George III style rosewood case, inlaid with cut brass, having five pineapple finials, the trunk door flanked by a pair of Corinthian columns, 78 cm high, with original bracket, 114 cm high overall See inside back cover colour illustration

An 18th Century Style Dutch Wall Clock, with painted decoration, on a bracket

An early 19th Century mahogany, rose wood and brass inlaid bracket clock, the caddy top with gilt metal acorn finial over 10 1/2" circular dial with triple winding holes, the back of the movement signed 'Nicholas Daventry', 53.5cm high.

An Edwardian mahogany and inlaid bracket clock, the arch top case with brass loop handle over 5 1/2" white enamel dial with French movement raised on brass bracket feet, 32 cm high.

An Edwardian hallmarked silver gilt and tortoise shell eight day timepiece in the manner of a Georgian bracket clock, stepped feet below tortoise shell case with silver gilt borders encompassing silvered dial with Roman numerals all below arched carrying handle

An 18th Century eight day ebony bracket clock with strike / chime on eight bells, silvered chapter ring with Roman and Arabic numerals below seconds and strike / silent dials, all below caddy top with gilt flaming finials and all raised on four scroll feet, 60cm high, Edward Pistor, London.

A Victorian Carved Oak Clock Bracket, in the form of dead game

A 19th century French brass carriage clock, the glazed white enamelled dial with Roman chapter ring, plain case with carry handle, on bracket feet, 15cm high

A George III mahogany eight day longcase clock, the twin train movement striking on a bell, the arched hood with moulded cornice centred by carved acanthus leaf, three brass ball finials, the arched glazed door enclosing brass dial with Roman chapter ring, subsidiary seconds dial and date aperture, strike/silent to the arch, cast spandrels, the case with arched moulded trunk door, on panelled base with bracket feet, 236cm high

A George III mahogany eight day longcase clock, by William Taylor, Whitehaven, the twin train movement striking on a bell, the hood with dentilled and rosette carved swan neck pediment centred by a brass ball finial, above arched glazed door, flanked by fluted columns, the brass dial with Roman chapter ring and additional seconds hand, moonphase dial to the arch, cast spandrels, the case with moulded trunk door flanked by fluted quarter column angles, on panelled base with blind fretwork canted angles, on ogee bracket feet, 240cm high

An Edwardian mahogany and line inlaid grandmother clock, the arched hood, above an arched door and panelled box case, upon bracket supports, the dial with silvered chapter ring and gilt brass spandrels, the three train movement with anchor escapement, striking on four gongs, with one weight, height 155 cm.

A late 19th/early 20th Century Rosewood "D" shaped Clock Bracket, supported below by a gallery, 10" high

A late 18th Century French Boulle Wall Mounted Clock Bracket, of waisted form, with overhanging cornice and surmounted by an ogee frieze, and all over decorated with inlaid engraved brass detail and further gilt metal mounts, height 12 ½"

An early 19th Century Mahogany Boxwood line inlaid and lacquered Brass Mantel Clock, signed Thoms Ernshaw of London, the balloon shaped case surmounted by a caddy top, with ball finial, over fish scale panels, with heavy cast carry handles to a waisted mid section and plinth base raised on four bracket feet, to a moulded Brass bezel with convex glass enclosing a signed Roman and Arabic enamel dial, with pierced blued steel Thwaites & Reed type hands, to a circular Brass twin fuse movement, with back plate signed and profusely engraved with floral foliate and urn decoration, and plates united by five knopped pillars with anchor escapement and strike on a bell, height 26"

A late 19th Century Spelter Gilt Figural Mantel Clock, the breakfront case surmounted by a pair of putto, holding an oval-framed mirror set with a pink porcelain plaque, depicting a cherub, over scrolling side mounts, to a shaped plinth base, and raised on bracket type feet, to a 3" porcelain dial, decorated in pale pink with gilt highlighted Roman lozenges and central floral decoration with gilt spade hands, to a circular brass movement with anchor escapement and strike on a bell, height 13 ½"

A late 19th Century cast Brass Mounted Walnut Mantel Clock, Lenzkirch 113028, the case with overhanging cornice surmounted by an architectural pediment, with urn and globe finials and mounts, to lions mask and ring side handles and caryatid corner mounts to a glazed door, and raised on a plinth base with scrolling bracket feet, to a 7" arched brass dial with applied Roman and Arabic chapter ring, to a matted centre and blued steel hands, and signed square plated movement, with anchor escapement and strike on two blued steel coiled gongs, height 23"

A Mahogany and Satinwood inlaid 8-day Long Case Clock, the arched hood with overhanging pediment to three -quarter columns and ogee throat with long shaped trunk door and raised on a panelled plinth base on bracket feet with inlaid floral and foliate symmetrical geometric design, to a 12" dial with added surround and arch, decorated with cast and applied figural spandrels, with Roman and Arabic chapter ring to a matted centre with name disc signed Wm Porthoufe of Penrith and further applied nameplate Thos & Sarah Weatherald, 1765 over a date sector with later pierced and stamped Brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85½"

A mahogany bracket clock, with silvered dial, the pagoda top fitted with a carrying handle, the case on bracket feet, height 42cm (16 1/2in.).

An oak and mahogany banded eight-day longcase clock, the 30.5cm gilt brass dial signed Snelling, Alton, the hood with swan neck pediment, and flanked by turned columns, the trunk on bracket feet, height 204cm (80 1/4in.).

A gilt brass mantel clock, the circular enamel dial with roman numerals, on bracket feet, height 25cm (10in.).