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A modern bracket clock; a modern Vienna type wall clock; others similar; spares and repairs; assorted clock and barometer parts; qty **All lots in this sale are subject to a maximum of £2.50 plus VAT Buyers Premium**

Late 19th century French walnut bracket clock, bell top and rectangular form with classical gilt metal finial, circular enamel Arabic dial in gilt metal surround decorated with floral spandrels, sides with pierced and engraved grille panels, twin train 'Samuel Marti' movement striking the hours and half on coil, stamped, H43cm Condition Report & Further Details - Works for brief periods- Service advised- The dial is cracked- Otherwise the case is in good conditionClick here for further images, condition, auction times & delivery costs

Regency figured mahogany bracket clock, canted top with scroll and leaf carved mounts to each corner, circular Roman painted dial, scrolled brass inlay, stepped base with ribbed bead, on turned brass feet, brass loop handles and pierced grille sides, fitted with a twin fusee eight day movement striking the hours on bell, H44cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Late 18th century oak longcase clock, shell and fan inlaid frieze above glazed hood door and column supports, canted corners with quarter columns enclosing banded trunk door, on ogee bracket feet, 14'' brass dial with silvered chapter ring and date aperture, engraved decoration and signed 'I. Clayton, Blackburn', 30-hour movement striking on bell, H206cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

A late 19th century tortoiseshell and brass Boulle bracket clock, 26cm high.

An ornate bracket clock with fretwork panels and moon phase dial marked W C Pales, London.

A Whitaker Oldham bracket clock.

A bracket clock.

An English mahogany and line inlaid bracket clock with silvered dial, the three train brass movement striking and chiming on five coiled gongs. Early 20th century. 14' high

A walnut bracket clock of recent manufacture, the three train German movement striking and chiming on eight gongs. 16' high.

A walnut moon phase bracket clock, with pineapple finials, gilt metal mounts and fitted with a German movement, height 48cm, width 30cm, depth 17cm

Bracket clock, eight day movement striking on a single gong mahogany case Condition reports are not available for our Interiors Sale

A large late-Regency/early-Victorian mahogany eight-day longcase clock; the broken swan-neck pediment above a large painted dial with the crest over a gilded chapter ring with Roman numerals and two further subsidiary seconds hands, (one being the seconds hand, the other days of the month), the painted dial indistinctly signed and also signed 'Burnley', spandrels painted as cross keys, beehive etc., and flanked by turned mouldings, further over a shaped trunk door flanked by split turned mouldings, shaped apron and on slightly shaped bracket feet (approx. 224cm high) The painted dial is 35.5cm wide x   50.5cm wide (including the broken arch at the tallest point)

Edward VII silver balloon clock with ribbon-tie border on four ogee bracket feet, by William Comyns & Sons, London, 1902, and a silver mounted crocodile skin wallet.

A GEORGE III MAHOGANY BRACKET OR TABLE CLOCK the convex white Roman dial inscribed Frans. Robotham, Hampstead, the twin train movement with pull repeat, bell strike and signed back plate, the break arch single pad top case with carrying handle, fish scale frets to the sides and front door lower quadrants raised on brass ogee bracket feet, 40cm high handle down

AN EBONISED BRACKET CLOCK the break arch silvered Roman dial with Arabic five minutes, the arch inscribed Thos. Morgan, Edinburgh with strike/silent, regulation dials and date aperture at 6 o'clock, the whole with foliate scroll engraving, the six pillar movement with pull repeat, bell strike with floral urn, bird and scroll engraved back plate, the inverted bell top case with three pineapple finials, twin side handles over glazed windows, the door with gilt metal mounts upon brass ogee bracket feet, 53cm high

A GEORGE III MAHOGANY BRACKET CLOCK the break arch silvered Roman dial with Arabic five minutes signed Henry Taylor, London with strike/silent ring to the arch, the twin train fusee movement with anchor escapement, bell strike and covered urn floral and acanthus scroll engraved back plate, the triple pad top break arch case with carrying handle, brass fish scale side frets upon ogee brass bracket feet, 42cm high handle down

A 19TH CENTURY MAHOGANY COTTAGE 8 DAY LONGCASE CLOCK, the 12" break arch painted Roman dial with subsidiary seconds and date aperture, floral painted spandrels and bouquet to the arch, break arch hood with plain turned pillars, ebony strung trunk door and base upon bracket feet, 200cm high, complete with two iron weights and pendulum

A 19TH CENTURY OAK 8 DAY LONGCASE CLOCK the 13" brass break arch dial with Roman chapter ring, Arabic five minutes signed Hugh Isaac, Llangwyllog, the scroll engraved centre with subsidiary seconds and date aperture, mask and scroll spandrels, the arch with painted windmill and rocking sailing boat automaton, the moulded swan neck hood with central brass ball and spike finial, plain pillars and star inlaid trunk door flanked by quarter columns, panelled base and ogee bracket feet, 228cm high complete with pendulum and two iron weights

A GEORGE III MAHOGANY 8 DAY LONGCASE CLOCK the 12" brass break arch dial with Roman chapter ring, Arabic five minutes, the matted centre with subsidiary seconds, the arch signed Michl. W. Griffith, Angel Court, Snow Hill, London, foliate spandrels and strike/silent ring to the arch, flanked by foliate mounts, the movement with five knopped pillars. The break arch hood with pagoda up stand having three gilt brass urn finials, fluted and brass stop reed pillars, brass grill sound frets over a break arch door, panelled base and bracket feet, 244cm high complete with brass pendulum and two brass cased weights

A WINTERHALDER & HOFMEIER BRACKET OR TABLE CLOCK the brass dial with silvered Roman chapter ring, Arabic five minutes and matted centre with slow/fast and chime on eight bells/chime on four gongs, rings above, cast foliate and sun burst mounts, the triple train chain fusee movement chiming on a nest of eight bells or four coiled gongs and striking on a further gong with pull repeat, the ebonised break arch case with cast and gilded mounts, glazed sides, upon hairy paw feet, 43cm high, complete with matching bracket

AN 18TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK the 13" square brass dial with Roman chapter ring with acanthus leaf half hour marks, Arabic five minutes signed to the lower edge Thomas Crampton, Dublin, the matted centre with subsidiary seconds, ringed winding holes and date aperture with acanthus scroll decoration with cherub and coronet spandrels, the hood with break arch pediment centred with an urn and eagle finial over a line and disc inlaid frieze, the break arch top trunk door with fan and shell inlay flanked by fluted quarter columns with further conch shell inlay to the base upon bracket feet, 227cm high with two iron weights, pendulum and key

A GEORGE III MAHOGANY BRACKET CLOCK the silvered break arch dial signed Christopher Bullock, London, Roman numerals, Arabic five minutes, date aperture, brass hands and strike/silent ring to the arch, the verge movement with bell strike, pull cord repeat, foliate engraved back plate, back cock and straps, the bell top case with brass swing handle, pineapple finials, the door with gilt brass upper quadrant frets and bezel, Terms to the canted corners and fish scale side frets upon ogee bracket feet, 51cm high handle up Purchase receipt from Richard Barder Antiques, December 1989 and illustrated in his book, The Georgian Bracket Clock 1714-1830 page 127, plate IV/63

AN 18TH CENTURY WALNUT 8 DAY LONGCASE CLOCK the 12" break arch dial with silvered Roman chapter ring, sword hilt half hour marks and Arabic five minutes, signed T H Lewis, Bristol, the matted centre with date aperture, mask and scroll spandrels, the arch with lunar calendar, high water and tidal variations ring enclosing a penny moon, flanked by dolphin mounts, the movement with four knopped and finned pillars, the break arch hood with blind fretwork frieze over plain brass capped columns, the figured book matched break arch trunk door with lenticle, crossbanded base with bracket feet, 234cm high, two iron weights pendulum and keys

A GEORGE V TORTOISESHELL AND SILVER MOUNTED CARRIAGE CLOCK in the form of an 18th Century bracket clock, the circular white enamel Roman dial with Japy trademark, the French timepiece movement with platform balance, the dome top case with swing handle upon bun feet, hallmark for Birmingham 1923, 13cm high handle up

A GEORGE III HOODED WALL CLOCK the 6" break arch painted Roman dial with central alarm disc, signed to the arch Whenham & Sons, Dereham, with posted movement, the moulded break arch hood with fluted canted corners and side windows over a bracket form base with shaped frieze, 24cm wide x 44cm high

AN 18TH CENTURY STYLE EBONISED BRACKET CLOCK, the foliate scroll gilt brass dial with silvered Roman chapter ring, Arabic five minutes and name plaque signed J.C. Jennens & Son, Great Sutton Street, London, with strike/silent ring over, twin train chain fusee movement with anchor escapement and coiled gong strike, the bell top case with swing handle, four gilt brass ball finials, canted fluted brass stop corners, arched brass side frets, gilt metal mounts and scroll feet, 37cm high handle down

A VICTORIAN MAHOGANY BRACKET CLOCK the circular Roman dial with cast brass bezel, the twin train chain fusee movement with anchor escapement, bell strike and shouldered plates, the arched top case with applied scroll carvings with ring handles to each side over sound frets upon bun feet together with bracket, clock 41cm high

A 19TH CENTURY MAX LANCET TOP ROSEWOOD MANTLE CLOCK, the enamel dial, showing Arabic numerals, stylised Gothic design, gong strike, on brass bracket feet. 26cms high.

19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the face un-named, the hood with broken swan neck pediment above arched aperture, flanked by baluster turned pilasters, shaped waist door with canted angles on a panelled base with bracket feet. Painted face 42 x 30cm approx, having rolling moon seconds dial and date aperture, Roman numerals and painted floral spandrels. Eight day, two train movement, striking on one bell. Overall 240cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Fair condition overall, some wear to the case. Glass is missing. Very dry particularly in lower areas, face appears to have been repainted.

GOOD 18TH CENTURY OAK TWO TRAIN EIGHT DAY LONGCASE CLOCK, the face marked Thomas Jenkinson, Sandwich, having strap work decorated stepped flat hood with brass ball and spiked finials, over a square aperture flanked by turned columns, the waist with moulded door having circular glass window on a moulded panel base with skirted bracket feet. The face 30 x 30cm approx, having pierced foliate spandrels, silvered Roman chapter ring, silvered seconds dial and date aperture. Eight day, two train movement, strikes on one bell. 230cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Includes two weights and pendulum. Overall the case appearing in good condition, some minor alterations and additions. Ball and spike finials are later replacements.

19TH CENTURY SCOTTISH MAHOGANY TWO TRAIN LONGCASE CLOCK, the face marked Thomas Picken of Edinburgh, the case with broken swan neck pediment above arched aperture flanked by reeded pilasters, arched strung inlaid door to the waist with quarter pilasters on a panelled base with bracket feet. The painted face with Roman numerals, seconds and date dials, portrait of a young woman with sheep to the arch. Face is 44 x 32cm approx. Eight day two train movement striking on one bell. (B.P. 24% incl. VAT) CONDITION REPORT: One finger missing from small dial on face. Case is grubby and worn, lower panel split. Legs have suffered some damage. General restoration required. No weights apparent.

19TH CENTURY OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK the face marked Davies of Carmarthen, broken swan neck pediment over arched aperture flanked by baluster turned pillars, arch waist door flanked by canted angles on a cross banded panelled base with bracket feet. The face 45 x 32cm approx, in very distressed condition, painted with cottages and buildings, Roman numerals, seconds dial and date aperture. Eight day, two train movement, strikes on one bell. Overall 220cm approx high. (B.P. 24% incl. VAT) CONDITION REPORT: Face requires re-painting, in very poor condition. The case a little dry but basically good. Includes two weights and pendulum.

19TH CENTURY WELSH OAK EIGHT DAY TWO TRAIN LONGCASE CLOCK marked Daniel Morgan Pontardulais, the cross banded case having broken arch to the hood, above arch aperture flanked by half pilasters, shaped door flanked by turned pilasters on a panelled base with bracket feet. Arched face with Roman numerals and date aperture, figure in landscape to the arch and castles to the spandrels. Dimensions at end face 44 x 32cm approx. Eight day two day movement, strikes on one bell. 220cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: General wear and minor knocks commensurate with age, split to lower panel. Wear to the face in places. Includes pendulum and two weights.

GOOD QUALITY EDWARDIAN EIGHT DAY TWO TRAIN MAHOGANY LONGCASE CLOCK having hood with ball and spike finial and broken arch pediment above arch aperture flanked by corinthian columns, the waist with moulded and satinwood inlaid door flanked by quarter pilasters on a similarly inlaid panelled base with ogee bracket feet. Arched brass face with rolling moon silvered Roman chapter ring with silvered seconds and date dials, together with pierced foliate spandrels. The face 45 x 33cm approx. Eight day, two train movement, strikes on one bell. Height 240cms. (B.P. 24% incl. VAT) CONDITION REPORT: Includes winder, two weights and pendulum. Overall in good clean useable condition, some tarnishing to the face and a little wear and tear generally to the case which is somewhat grubby but basically sound.

19TH CENTURY WELSH OAK 30 HOUR LONGCASE CLOCK the face marked Newcastle Emlyn, having broken swan neck pediment above arched aperture with chamfered pilasters, the waist with a moulded door flanked by quarter pilasters on a plain panelled base with bracket feet. Painted face decorated with birds, river bridge with figures, dogs etc and having Roman numerals and date aperture. The face 44 x 22cm approx. 30 hour movement, strikes on one bell. 220cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Fairly rustic cottage type clock but overall in quite clean condition. The case might be later than the face.

19TH CENTURY WELSH EIGHT DAY MAHOGANY ROCKING SHIP LONGCASE CLOCK marked R.J Isaac, Llanelly, the hood with broken swan neck pediment above arched aperture flanked by reeded columns, the waist with strung outlined moulded door on a square base with ogee bracket feet. 42cm x 30cm painted face with rocking ship automaton, Roman numerals, seconds dial and date aperture. Eight day, two train movement, strikes on one bell. Overall 205cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Basically in clean condition. Includes pendulum and two weights.

18TH CENTURY OAK CASED EIGHT DAY TWO TRAIN LONGCASE CLOCK the face marked James Manning of Wellingboro. The case with flat hood having moulded cornice above square aperture flanked by plain pilasters, moulded arch door to the waist on a plain panelled base with bracket feet. The brass face 30cm square approx and having pierced cherub and crown spandrels, Roman chapter ring, seconds dial and date aperture. Eight day, two train movement, strikes on one bell. Overall 205cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Includes pendulum and two weights. Appears in good original condition, although the case may be a later replacement.

A reproduction mahogany cased moon-phased bracket clock and a Whittall mantel clock

AN EARLY 19TH CENTURY BRACKET CLOCK MOVEMENT IN A LATER MAHOGANY CASE, painted dial with repainted black Roman numerals, eight day movement, with a pendulum and key, height to handle 36cm (condition: case has a vertical split from the bottom hinge, dial has elements of repainting and touching in, case and movement are a marriage, heard striking and ticking but pendulum stops when the door is closed)

AN EARLY 19TH CENTURY OAK AND MAHOGANY BANDED LONGCASE CLOCK, the broken swan neck pediment with brass sphere finial to centre, the hood with fluted columns, painted 13 1/2'' / 34cm dial, dial with floral spandrels, lunar phase mechanism date aperture, Arabic numerals, named 'W. Edwards, Bishops Castle', shaped trunk door with shell paterae, flanked by quarter columns with brass caps and castors, the plinth with shell paterae, on bracket feet, overall height 225cm, replacement winding key, key for trunk door, pendulum and weights (condition: repainting to areas of the dial, dial probably matched to case)

Sale Item: J MCCABE ROYAL EXCHANGE MIN. BRACKET CLOCK (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

A late 19thC German mantel clock, in a walnut case, the arched dial applied with gilt metal embossed spandrels etc., the case with three turned finial's on bracket feet, 41cm H.

A late 19th/early 20thC mahogany and boxwood strung mantel clock in George III style, with a brass carrying handle, the silvered dial with Arabic numerals, on brass ogee bracket feet, 36cm H overall.

A mid 20thC walnut cased mantel clock, with 13cm dia Arabic dial, revealing an eight day key wind movement in a domed case on compressed bracket feet.

Early 19th Century figured mahogany cased longcase clock by John Smith of Chester, the 32 cm wide dial with gilt brass spandrels and silvered chapter ring, the eight day three train movement striking the hours and quarters on nine bells, with calendar and seconds aperture and moon phase to arch, contained in case with scrolled cresting, the trunk with quartered and fluted column, shaped door on ogee bracket feet, 230cm high, good overall condition, recently overhauled, however whilst the 'musical' side of the mechanism appears to lose power when striking and will need attentionNote: seatboard appears a replacement, thus it is impossible to tell if the movement and case are a marriage or not

From the 'House of the Dead'James Joyce's Timpiece[Joyce (James)] A George III period Grandfather Clock, the mahogany body with break neck pediment, and blind fretwork, over a glazed door, enclosing a painted dial signed May of Dublin, the shaped panel door with crossbanding flanked by reeded columns on a square base with bracket feet, approx. 236cms (93") high; together with a red brick block, taken during the restoration at 15 Ushers Island. (1)Provenance: No. 15 Ushers Island (House of the Dead) home of James Joyce's aunts, and by descent. The House surrounding the short story "The Dead" from the Dubliners, by descent to the present vendor.

An Early 20th Century bracket clock with gilt dial and scumbled hardwood case.

An extremely rare late 17th Century Bracket clock maker Joseph Williamson with an unusual Chinoiserie decorated case with a basket top and scroll handle with traces of gilt. With a silvered chapter ring. With original verge striking movement, the Quarter repeat mechanism missing. Possibly some minor later alterations. Size of case 37cmx28cm.

20th C mahogany cased bracket clock in the 18th C style, matted brass centre dial, silvered chapter ring movement, stamped British Made

Mid 20th C walnut cased bracket clock in the 18th C style, brass dial with matted centre and silvered chapter ring movement stamped 'Empire Made in England 274'

Coventry Astral bracket style clock, the movement marker 29441, in oriental style lacquered case (16.5cm x 10.5cm x 29cm)

19th C mahogany and brass inlaid arch top double fusee bracket clock with plain dial, lion mask handles and brass meshwork panels

A Louis XV style boulle work bracket clock of waisted form, with cherub finial, enamelled Roman numerals, glazed pendulum aperture and a French two train movement with count wheel and hammer striking a bell on a matching bracket, clock 52cm high, (sunburst pendulum and key).

A George III eight day striking longcase clock, by Henry Morrice, London, with arched hood and gilt brass dial with moon phase and subsidiary seconds dial, silvered chapter ring and pierced spandrels, stamped 'Henry Morrice London', with brass twin train fusee movement, anchor escapement, the trunk with arched door on bracket feet, 216cm high.

David Matthews of London - an C18th oak and mahogany longcase clock, the arched 12" brass dial signed to convex disc to arch, within dolphin spandrels, the brass chapter ring with Roman and Arabic numerals within cast mask spandrels, having date aperture, matted centre, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having mahogany crossbanding and canted corners over a boxbase with bracket feet, h.209cm

A Regency mahogany and brass inlaid bracket clock, the case of Gothic outline, having convex glass and brass bezel, the unsigned white enamel dial with Roman numerals, single winding hole for a brass eight day chain driven fusee movement with anchor escapement, the case being fully restored and having gilt brass pierced grilles, on re-gilded ball feet, h.45cm

An Elliott of London walnut cased musical bracket clock, in the mid-18th century style, retailed by Garrard & Co of London, the figured walnut case with caddy top and lacquered brass carry handle over an arched brass dial, with silvered chapter ring, Garrard retailers badge to matted centre, and with Whittington, Westminster and Winchester chimes dial to the arch, with further chime/silent and slow/fast subsidiary dials, three winding holes for a wire-driven triple fusee musical movement playing eight hammers on eight bells, with further hammer on large bell, the backplate signed Elliott London and numbered 109/250, the case with glazed side panels and rear door, h.39cm (handle down). Footnote: This clock was made for the Crown jewellers Garrard of Regent Street, London, to commemorate the anniversary of the London clockmaker Daniel Quare . The pierced brass carry handles incorporate the initials DQ. In good working order with all functions working.Some tarnishing to carry handle.Case complete and excellent; no splits, losses to woodworm, some fading to back only.With original ‘T’ winding key.An excellent example.

A circa 1900 German oak cased bracket clock, having square brass dial with silvered chapter ring, subsidiary chime/silent and regulation dials, above twin winding holes for the Winterhalder & Hofmeier movement, striking two hammers on two gongs, h.41cm

A 19th century French ebonised boulle work and brass mounted bracket clock, the case having applied figural gilt brass mounts flanking brass dial with Roman numerals and Arabic outer scale for seconds, twin winding holes for a brass eight day twin barrel going movement, having outside countwheel and striking on a bell, the case with glazed sides, raised on reeded turned feet, h.56cm