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French style brass mounted marquetry inlaid walnut mantel clock and pedestal, the clock with brass dial having Roman numerals, the pedestal with marble top, tapered column and bracket base Condition:

An early 20th century Edwardian English cased bracket clock having a German FMS 8 day movement striking on a gong with pendulum having a silvered dial with Arabic numerals, gilt spandrels.

An Edwardian oak cased bracket clock by Courlander of Croydon London. The silvered dial with roman numeral chapter ring, 8 day movement striking on a gong

A Victorian beech wood cased miniature longcase clock, brass dial with enamel chapter ring bearing Arabic numerals, French movement, case with brass thermometer to the trunk, raised on bracket feet.

A George III mahogany longcase clock, 30cm arched brass dial inscribed Robert Trattle, Newport, Isle of Wight, Roman and Arabic numerals, subsidiary seconds dial, engraved with a windmill birds and buildings, twin winding holes, 8-day movement striking on a bell, the case with lancet arched hood, brass capped reeded pillars, arched rectangular door to waist, bracket feet, 222cm high, c.1775

A William IV/Victorian oak and mahogany longcase clock, the 33.5cm painted dial, inscribed with Roman numerals, moon phases to arch, the spandrels painted with the four Evangelist, subsidiary seconds dial, dae aperture, twin winding holes, eight day movement striking on a bell, the broad case with swan neck pediment, turned pilasters and quarter columns, outlined with boxwood and ebony stringing, bracket feet, 229cm high, c.1840 Condition Report: Old cracks to door and base, dial with a few scars and missing hand from subsidiary dial movement dirty but seems OK; a few losses to banding and inlay

A George III inlaid and crossbanded mahogany longcase clock having an arched hood, door and box base, on bracket feet with an 8 day bell strike movement and painted Roman dial, 87 high

A 19th century mahogany bracket clock, maker William Kennedy, the domed painted dial with Arabic numerals, the fusee movement with anchor escapement, chiming on two bells, 42cm high

Edwardian inlaid mahogany arch topped bracket or mantel clock, having brass Roman face marked: Barraud and Lunds of London. (B.P. 24% incl. VAT)

Large modern bracket type mantel clock with brass face, having silvered dial, with presentation plaque dated: 1992, Barcelona Olympics, together with an Art Deco design three train, arch topped mantel clock. (2)(B.P. 24% incl. VAT)

A Victorian oak clock bracket, circa 1870, of shaped outline with outset corners, flowerhead filled guilloche frieze, on a leaf scroll carved support, 51.5cm wide.

A Victorian inlaid mahogany eight day bracket clock by S. Smith & Sons of London

A carved oak chiming bracket clock with silvered dial

A Regency-period mahogany bracket clock, convex enamelled dial signed Webster, London, timepiece movement with single fusee, mahogany case with brass inlay, on brass ball feet, with pendulum, 15in. high

A dial clock, 11in. circular enamelled dial signed P. W. Skinner, Lewes, with replacement single fusee movement, together with an oak bracket clock, domed and silvered dial with chiming movement, with key and pendulum, 15in. high

A Victorian chiming bracket clock in an ebonised case, the silvered Roman chapter with outer ring at five minute intervals, date aperture, gilt cherub masks to the spandrels, the top with a brass handle moulded as branches with bird's heads, the side panels with gilt brass frets and fabric backing, the brass back plate engraved with foliage, one of the retaining brackets engraved T CL3875, overall height 30cm, width 25.5cm, depth 16cm, with pendulum (key in safe) Condition report: The clock has not been seen working. There is damage to the keyhole to the back. The ebonised case is worn in parts. The back door has become detached (it looks like an old repair has failed), however a 1cm approx plinth remains attached to the hinges

Mahogany striking bracket clock with domed top, hinged brass carry handle, the top with three brass edged panels, sound grilles with fabric lining, standing on brass bracket feet, the silvered dial with Roman chapter and signed George Turner Honiton, strike/silent dial and date dial numbered 1-9 then 11 - 31 in two day increments, verge movement, the backplate of the movement has foliate engraving and a retaining hook for the pendulum, height 40cm width 28cm depth 19.5cm, winding key and key to front case

Richard Chater, London, a pad-top late-Georgian bracket clock: the eight-day duration, double-fusee movement with anchor escapement, border engraving to the backplate and striking the hours on a bell, the silvered brass break-arch dial engraved with black Roman numerals, a strike/silent dial to the arch and the maker's name to the centre Richd Chater, London, with blued steel spade hands, the break-arch mahogany case having a cast brass handle to the top of the brass bound pad, fishscale frets to the sides and standing on brass bracket feet, height 40 cms.* Biography Two Richard Chater's are recorded as working in London in the late Georgian period, the first apprenticed in 1774, free of the Clockmaker's Company in 1781 and died in 1811, the second working from circa 1785, being the son of James Chater.

Nathaniel Style, London, an ebonised bell-top bracket clock: the eight-day duration, double-fusee movement fully engraved to the backplate with rococo decoration, with the anchor escapement having rise and fall regulation to the pendulum and striking the hours on a bell, the brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and outer Arabic five-minute numerals, the matted centre with date aperture and 'false-pendulum' aperture with an engraved rear, with cast-brass spandrels to the four corners, the arch engraved with rococo decoration and with two raised silvered subsidiary dials for 'strike/silent' and regulation, with an inset silvered plaque between engraved with the maker's name Nathl. Style, London, the bell-top ebonised case having curved canted corners, brass fret-work to the front and sides, a brass carrying handle to the top and wooden feet, height 49 cms.* Biography Nathaniel Style is recorded as working at Wood Street, Cheapside, London becoming free of the Clockmakers Company in 1725 and retiring in 1773.

Thomas Hully, London and Edward Foster, Carlisle, a marquetry longcase clock: the eight-day duration, weight-driven movement now striking the hours on a gong, the break-arch brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with engraved decoration and signed within a scroll Edward Foster, Carlisle, with cast brass 'female-head' spandrels, the arch having a round brass boss engraved with the name Thomas Hully,London, with decoration blued steel hands, the walnut case inlaid with floral marquetry decoration to the trunk door and base, with barley-twist columns to the hood, a caddy top and standing on bracket feet, height 225cms.* Biography Edward Foster was a member of a prominent clockmaking family whose members worked in Carlisle, Whitehaven and London. Edward was born in circa 1727, married in circa 1754 and died in 1809 and was recorded as being 'an outstanding maker' whose sons John, Henry, Thomas, William and Richard also became clockmakers, as did grandsons Robert, Thomas and William, the latter moving to London where he died in 1830. A number of fine longcase clocks are known signed either E. or Edward Foster and often without seconds dials.*Notes Exhibited. Leeds City Art Gallery, 1930.

A FRENCH GILT METAL MANTEL CLOCK, the enamelled dial with Roman numerals, surmounted with a seated female raised on a pierced C scroll base with gilt bracket,40cms high.

A Georgian style mahogany longcase clock, early 20th Century With a domed pediment above a blind fretwork frieze, the hood with four fluted tapering columns flanking the break arch gilt metal 8" dial with silvered bezel, with a three train movement striking on rods, the case with canted fluted corners above a beaded lower panel, raised on bracket feet, 170cm high.

An early 20th Century brass cased carriage clockWith an enamelled dial, black Roman numerals, the movement stamped with S & F, the case with a swan neck swing handle raised on bracket feet, complete with outer carrying case, height of clock 11cm.

An early 19th Century Scottish mahogany cased longcase clock, by Hugh Munro of DollarThe case with a twin swan neck pediment above a painted break arched dial, the upper section of the dial painted with a bird amongst blooms with conforming painted spandrels, the painted 12" dial with an eight day movement, subsidiary date and second dials and signed by the maker, the dial flanked by horizontal reeded uprights over the case with conforming reeding and satinwood stringing, above a plain flame mahogany lower panel raised on ogee bracket feet, complete with pendulum and two weights, 216cm high.

A W&H Ting Tang oak cased four glass bracket clock, with golden coloured dial and Roman numerals

A late 20th century ornate German bracket clock with 8 day movement chiming on two bells - Height 57cm - working in the sale room

An Elliot Westminster Whittington mahogany cased bracket clock with silvered chapter ring with Roman numerals

An early 20th century oak case bracket clock with Westminster chimes - the arched silvered dial with fast/slow chime/silent dials - Height 34cm - working in the saleroom

A W&H Westminster mahogany cased bracket clock, silvered dial with Roman numerals

An antique style walnut bracket clock with a chiming FHS German movement - Height 40cm - working in sale room, chimes appear over wound

A mahogany bracket clock, the arched dial flanked by fluted supports

An 18th Century oak cased long case clock with moulded pediment above the thirty hour movement with square brass dial and silvered chapter ring with Roman numerals inscribed to the centre "G Washbourn Gloucester", the body door with central ebony and boxwood diamond and star motif, raised on bracket feet, 192 cm high CONDITION REPORTS There is a large chip to the pediment. Various scratches, scuffs and marks to the case throughout. Door is bowed and has a split to the base. Pedulum present. Weights not present. Splits to the sides. Could probably benefit from some tlc, some moulding missing. Mechanism and body perhaps not original. Woodworm holes to the back board. Unknown if clock is working. General signs of wear and tear throughout conducive with age and use. See images for further details.

An early 20th Century mahogany bracket clock with silvered Roman Numeral dial, Depree Young Ltd, Exeter 36cm high

19/20th Century Tiffany & Co Rococo style Bronze Bracket Clock with Porcelain Dial. Dial and clock signed. No key or pendulum. No determination of running condition. Please note the gallery does not warranty the running condition of clocks. Measures 11" H, 7" W at base. Shipping $85.00 (estimate $300-$500)

German mahogany cased bracket clock, with arched top cross banded and inlaid with satinwood, silvered arch top dial having two subsidiaries for slow / fast and chime / silent and with Arabic numerals, striking on Westminster chime, key and pendulum. 40.5cm high. *See clocks and watches proviso.

A George III mahogany veneered oak longcase clock, the hood with a swan neck pediment and reeded columns over a door and box base, on bracket feet, the eight day, bell strike movement, the dial with night/day phase, subsidiary seconds and date, inscribed Poignant Jersey

An early 19th century oak eight-day longcase clock, arched brass dial with date and moon phase, subsidiary seconds and aperture, signed Breakenrig, Edinburgh, with inlaid door and bracket feet. CONDITION REPORT Height 118cm, width at widest point 50cm, dial 31cm. Re-glazed, fully re-varnished, clock beading at bottom of hood loose, small section missing or re-glued, left hand side glazed pane cracked, historic scuff, scratch to chapter ring from dial, replacement hinges as hinges on hood previously external, crack between plinth boards and crack to upper right hand side moulding (re-glued), drill holes to back of body, some restoration to dial, possibly on enamelled areas inside hood, small slit hole cut in

An early 20th century inlaid mahogany-cased bracket clock by Junghans, with brass chiming movement, circular enamel dial set with Arabic numerals, height approx 35cm.

SCOTTISH OAK LONGCASE CLOCK BY JOHN LUMSDEN, ABERDEEN 18TH CENTURY the arched cornice centred by a carved leaf motif, above an arched 10in brass dial with maker engraved boss Roman chapter and subsidiary seconds dial and date aperture, above a trunk door with shell inlay, on a plinth base with bracket feet; the 8 day movement striking a bell 213cm high

SCOTTISH REGENCY MAHOGANY BRACKET CLOCK, SIGNED BRYSON, EDINBURGH EARLY 19TH CENTURY the domed case enclosing a brass chapter ring with Roman numerals, signed BRYSON/ EDIN.'R, above recessed brass quadrant mounts and a gadrooned base, raised on brass ball feet, the movement striking a bell 40.5cm high

VICTORIAN BRACKET CLOCK, black marble architectural design mantle clock, brass column and relief plaque, 11"high

EDWARDIAN BRACKET CLOCK, Arts and Crafts design ebonised cased bracket clock with coiled bar strike and pseudo cloisonne decoration, 18.5" high

BRACKET CLOCK, Edwardian carved oak architectural design bracket clock, coiled bar strike , 17" high

MARQUETRY BRACKET CLOCK, a French Rococo-design bracket clock with matching floral design shelf, 23" clock height

GEORGIAN DESIGN BRACKET CLOCK, a reproduction break arch bracket clock by "English Elegance", bar strike movement, 17" High

EDWARDIAN BRACKET CLOCK, architectural cased bracket clock with alarm dial, 13" height

EDWARDIAN BRACKET CLOCK, carved oak spindle crested bracket clock with satin finish dial and coiled bar strike, stamped "S&B" 15" height

EDWARDIAN BRACKET CLOCK, HAC 14 day strike bracket clock, gilded face, 18" high

EDWARDIAN BRACKET CLOCK, an impressive oak cased bar strike bracket clock by Junghens 18" high

BRACKET CLOCK, Georgian design inlaid mahogany domed top bracket clock, coil bar strike with satin finish dial, 14.5" high

EDWARDIAN BRACKET CLOCK, carved oak bracket clock with coiled bar strike, 14.5" high

An early George III fruitwood bracket clock by Conyers Dunlop, the eight day twin fusee movement, with a verge escapement and four turned pillars, striking the hours on a bell and the quarters on the pull repeat, the backplate finely engraved with birds and Rococo scrolls and flowers, the silvered arch dial with Roman and Arabic numerals, with subsidiary 'Strike/Silent' and rise and fall dials, with date aperture and cast spandrels, signed 'Conys Dunlop London', in a pad top case, with a brass handle and glazed sides, 40.2cm high, 27.8cm wide. Conyers Dunlop (1725-1779).

NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK with rolling moonphase, signed Whitmore, Stockport, the 14" painted Roman dial with subsidiary seconds dial and date aperture to the centre, enclosed by allegorical figural spandrels and rolling moonphase to the arch, powered by an eight day movement striking on a bell, and housed in a case with swan neck pediment and turned free standing forecolumns, over a panelled trunk door with shaped top, flanked by chamferred forecorners and raised on a conforming base with bracket feet, 92" (233.7cm) high

LATE REGENCY ROSEWOOD REPEATING BRACKET CLOCK, Signed Peter Orre, London and numbered 514, the 8" silvered Roman dial powered by a twin fusee movement striking on a bell, the back plate engraved with makers name and matching number to the dial, housed in a case with chamferred top, brass fish-scale side frets and inset quarter panels to the front, raised on a ogee moulded plinth with brass brass feet, 18 1/2" (47cm) high

MAHOGANY CASED BRACKET CLOCK WITH ORMOLU MOUNTED BRASS DIAL

WALNUT CASED BRACKET CLOCK WITH ORMOLU MOUNTED BRASS DIAL

An Interesting 19th Century Cuckoo Bracket Clock by Camerer Kuss and Co in Burr Walnut Case with Brass and White Metal Inlay to Base Rail. Moulded Arch Top. Eight Day Twin Fusee Movement. Two Side Doors. 35cm High

19th Century French brass cased bracket/table clock by Japy Freres, urn finial, foliated skirt and scrolled feet, height 41cm

Reproduction stained wood bracket clock, arched brass dial, French cylinder movement, signed Enoch Freres, Paris, striking on a bell.

A Le Coultre Atmos four glass clock in a chrome frame, model number 136846, with baton and Arabic numerals to the chapter, raised on narrow bracket feet, 23 x 19 x 14cm