We found 28112 price guide item(s) matching your search

A 19th CENTURY OAK & MAHOGANY LONGCASE CLOCK by T Clowes(?), Nantwich, 30 ins square painted dial of birds and floral spandrels, set with Roman numerals and sweep seconds with subsidiary seconds dial and date aperture before a twin weight pendulum driven movement striking on a bell, the cast backplate stamped 'Wilson', the hood and trunk with reeded column and quarter column decoration, long trunk shaped top door on a stepped base with corner bracket feet, the applied shaped lower panel with inlaid fan detail to the corners (evidence of worm to the backboards, hood bearers and moulding off but present, requiring re-attachment), 220 cms high, 50 cms wide, weights and pendulum included

A late Victorian oak bracket clock with architectural case and three train W&H movement H.21in.

An early 20th Century French brass oval "Four Glass" mantel clock by Japys Freres, No. 2875 3 11, and retailed by Davies Son, the 2.75ins cream enamel dial with Arabic numerals and floral swag ornament, to the eight day two train movement striking on a gong, contained in brass and bevelled glass oval case, on bracket feet, 9.25ins high (glass panels missing), and a glass oval clock dome, 14ins high

A good late 17th Century ebonised table clock by Thomas Finch of London, the 7ins brass dial with silvered chapter ring with Roman and Arabic numerals, matted dial centre with mock pendulum aperture and date aperture and with turned winding holes, to the eight day two train verge movement striking on a bell, the backplate engraved with mask and leaf scroll ornament, contained in ebonised rectangular case with arched top, turned gilt brass finials and conforming folding handle, frieze inset with pierced and engraved brass panels and on bracket feet, 15.5ins high Note: Thomas Finch was recorded as an apprentice in 1678, member of The Clockmakers Company 1706

An early 19th Century oak longcase clock by Robert Apps of Battle, the 12ins square painted dial with Arabic numerals, the spandrels painted with shells, to the thirty hour movement striking on a bell, contained in plain oak case with turned pillars to hood, on plinth base with shaped apron and bracket feet, 79ins high

Regency mahogany and brass inlaid bracket clock, the pagoda case with a shaped pediment and flanking cluster columns above a moulded plinth and fluted bun feet, the painted dial with strike silent selector to the arch and Roman numerals, signed Mason, Canterbury, the three train triple fusée musical movement striking and chiming on bells, signed again to the back plate, 24ins high

Small reproduction burr walnut bracket clock, the gilded and silvered dial with Roman numerals, the two train movement striking on a gong

Late 19th Century oak dome top bracket clock, the silvered and gilded dial with Roman and Arabic numerals and two subsidiary dials, the three train movement striking on gongs with repeat pull cord

William IV / early Victorian rosewood and inlaid night clock, the glass dial with painted Roman numerals, the hands driven by a pocket watch type movement raised on a stylised floral support and platform base (candle bracket lacking)

A brass bound bracket clock

A 19th century bracket clock in full working order

Late 19th / Early 20th century Carved Oak Two Train Bracket Clock

A late 19th/early 20th Century mahogany fusee bracket clock

A modern Bracket Clock.

An Oak cased Gustav Becker Bracket Clock with three train movement, chiming on gong with polished metal face having Roman numerals, mesh back, 15 3/4" high.

A GEORGIAN DESIGN OAK CASED AND GILT METAL MOUNTED BRACKET CLOCK, signed 'Lenzkirch', movement no.181904, 42cm high

A GEORGIAN DESIGN TWIN FUSEE BRACKET CLOCK, having dome topped mahogany case with brass columns and finials, side carrying handles, pierced brass grilles and standing upon brass bracket feet, the 8-day striking movement with decoratively engraved bac k plate, the arched face with silvered chapter ring with Roman enumerated hours and Arabic minutes, to the arch a chime/silent indicator and a chime choice indicator "Eight Bells" or "Chime as St. Mary's Cambridge", case 46cm high

A circa 1900 brass cased carriage clock, the movement by Drocourt, bearing stamp verso, inscribed to backplate "11336 Repousée par Leroy & Fils, Palais Royale ...", the dial with Arabic and Roman numerals, inscribed "Leroy & Fils, 13 & 15 Palais Royale, Paris, 211 Regent Street, London", raised on a bracket foot base, housed in a leather covered carrying case, complete with sales invoice dated "21 4 83" for Imperial Antiques Chislehurst, 10 cm high excluding handle CONDITION REPORTS Case fairly shabby with leather scratched in many areas, loop missing bottom right hand side, button working top right. Contains copy of 1983 invoice and key, together with another key (not original). Appears to be working though this is not guaranteed

A modern silver cased carriage clock, the scrollwork swing handle with crown motif, the four glass case with carytid figures to each corner, raised on bracket feet, the movement with white enamelled dial and Roman numerals inscribed "Chas. Frodsham London", No'd to base "0702" (by TC, London, 1978), 11 cm high including handle CONDITION REPORTS No key. Some small dents to the casing. Various small scratches. Large build-up of polish in the crevices. Rocks ever so slightly on a flat surface. We are not clock specialists and cannot tell you if it is working or not - see images for further details. General wear and tear throguhout

A Victorian silver cased and tortoiseshell mounted mantle clock of lancet form raised on stepped bracket feet, the movement with white enamelled dial and Roman numerals by Wright & Davies, London, 1896, 8.5 cm high CONDITION REPORTS We are not clock specialists and do not sell anything in working order. Unable to get to the mechanism easily so cannot comment on it. Various light scratches to the case, some light dents to the case. Appears to be some fine cracks in the dial including one ranging from the nos 4 - 6 along the edge. Various general small signs of wear and tear through age and use throughout. Some pitted like black marks. Suggest viewing in person

AN ASPREY & GARRARD WALNUT CASED MANTEL CLOCK, brass dial with silvered chapter ring, cherubic mask spandrels and Roman numerals, the bracket clock style case raised on four bun feet, overall H 27 cm (inc. carry handle)

Collectors items to include Scales and oak cutlery tray, binocular, natural history books, bracket clock, dressing table set and further items

Garrard, walnut cased, small bracket clock

Ansonia 8 day bracket clock complete with pendulum and key, oak cased with Roman numerals and gilt edged dial; together with a German mahogany cased bracket clock with Arabic numbers to decorated dial, 14 day strike complete pendulum (2)

A German bracket clock; together with oak cased mantel clock with presentation plaque dated 1934 for Lincoln Clarion Cycling Club; a small French oak cased 8 day clock and small clockwork mantel clock and small clockwork mantel clock, marked Lucky and an inlaid mahogany clock case (5)

An oak cased bracket clock, with pictorial dial and Arabic numerals, approx 54cms high (1)

Two oak cased and one mahogany cased, mantle clocks together with an ebonised wood bracket clock, one Westminster chime, the others all chime (4)

A late 19th Century German oak cased bracket clock by Winterhalder and Hodmeier, the rectangular brass dial with circular chapter ring set with Roman numerals flanked by reeded pillars, height approx 45 cm, complete with pendulum

A mid 19th Century bracket clock, rosewood cased, with Roman numerals

A mid 18th century ebonized bracket clock. Brass face with brass spandrels, Roman and Arabic chapter ring, subsidiary seconds dial and date aperture. The face and movement are engraved with the name of the maker Hampson (John), Wrexham and numbered 1160. Single fusee movement, chiming on a three bell carillon. 45 x 24cm; 17.5 x 9.5in. For condition report please see the catalogue at www.peterwilson.co.uk

A late 18th century mahogany bracket clock with Chinese Chippendale style case and blind fretwork. Silvered dial with Roman and Arabic numerals, subsidiary months dial, signed John Hamilton, Glasgow (1780-4). Double fusee movement. 46 x 30cm; 18 x 12in. For condition report please see the catalogue at www.peterwilson.co.uk

Late 18th century long case clock, oak case with arched canopy, swan neck pediment, turned pilasters, trunk with quartered columns, short door, box base with canted corners, original bracket feet decorated all over with panels of figured mahogany, painted dial with sporting gentleman picture panel marked James Sharratt, Stone, stored A.J. Thornton, 1967, 8-day movement striking on single gong, pendulum and two cast iron weights, height 220cm (87). For condition report please see the catalogue at www.peterwilson.co.uk

An early 20th century mahogany mantle clock, with a domed top, the dial with Roman numerals engraved with leaves, on bracket feet, 26.5cm high

An 18th century and later oak longcase clock, the hood with a moulded cornice, and three quarter columns above a long trunk door, box base and bracket feet, the 27.5cm brass dial with gilt leaf spandrels, the silver chapter ring with Roman numerals, the central silvered panel engraved with a landscape scene, inscribed Thos Hall, Rumsey, the 30-hour movement striking on a bell, 207cm high

A Pilot brass cased quartz bracket clock, 10 high

A large mahogany inlaid dome topped bracket clock, by JJE

Edwardian striking bracket clock in walnut case

A George III mahogany longcase clock, circa 1780, Thomas Crofts, Newbury, the arched hood with moulded cornice above twin fluted and brass mounted pilasters, the silvered dial with subsidiary seconds dial and strike/ silent dial above, the two train movement striking on a bell , the arched trunk door above a moulded base and shaped bracket feet, 210cm high

A 19th century continental Chinoiserie bracket clock, with stepped top over a gilt painted enamel dial flanked by columns over a Chinese scene and scrolling metal mounted feet, single train fusee movement (possibly later) 61cm high, 44cm wide

Tibbert, Newtown, a George III oak and mahogany crossbanded cottage longcase clock, the square hood enclosing an 11'' brass dial with Roman and Arabic numerals and figural spandrels representing the seasons, thirty hour movement striking on a bell between fluted gilt brass Corinthian columns over a narrow ogee arched crossbanded trunk door, raised panel base and bracket feet, 200cm high

Peter Brisbourne, a George III oak and mahogany crossbanded cottage longcase clock, the square hood with blind fret carved frieze and 12'' brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture matted foliate centre, mask head spandrels, eight day movement, striking on a bell between turned brass capped pilasters above a crossbanded full length trunk door plain base and short bracket feet, 196cm high

A Regency mahogany eight day longcase clock, the 13 inch arched enamel dial signed 'JAS Webster, Salop', with central subsidiary seconds and date dials, within a ring of Arabic numerals under a portrait painted to the arch, the hood with wrythen front corner pilasters over an oval panel trunk door and crossbanded box base, raised on splay bracket front feet, 244cm high

A George III oak crossbanded mahogany eight day longcase clock the 12 inch square brass dial with silvered centre and chapter ring signed 'R Webster, Salop' under a subsidiary seconds dial and date aperture within a ring of Arabic and Roman numerals, the hood with reeded front corner pilasters over a crossbanded long trunk door on a single panel box base raised on ogee bracket feet, 199cm high

Wignall, Ormskirk, an early 19th century mahogany longcase clock the hood with broken scrolls, swan neck pediments surmounted by three ball and spire finials above a 14'' white enamel dial with Roman numerals, subsidiary seconds and date dial, colour painted shells to the corners, eight day movement striking on a bell, between brass capped pilasters over an ogee arched top, 3/4 length trunk door and panel between reeded 3/4 columns on a plain panel canted base and bracket feet, 237cm overall height

Thomas Kenerdell, Wigan, a George III mahogany longcase clock the arched hood with scroll pediment and boxwood patera enclosing a 13'' arched brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre, cherubs head, spandrels and silvered named roundel in the arch, eight day movement striking on a bell between fluted pilasters over a blind fret frieze and shaped top boxwood strung trunk door between fluted quarter pilasters with blind fret work bases and on conforming canted base and ogee bracket feet, 226cm high

Frodsham, London, a rosewood and brass strung bracket clock, early 19th century in a dome top case enclosing an arched 6 inch white enamel dial with Roman numerals, subsidiary date dial and strike silent dial in the arch, marked Frodsham, Gracechurch Street, London, double fusee eight day movement striking on a bell and repeating mechanism (cord absent), the back plate also marked Frodsham, Gracechurch Street, London, fish scale grille sides and ring handles and raised on gilt brass ball feet, 34cm high, 24cm wide, 18cm deep and a conforming brass strung bracket en-suite, 28cm wide (2)

Joss Banister, Colchester, a George III oak cottage longcase clock, early 19th century, the arched hood with shaped pediment and three ball and spire finials over 12'' arched white enamel dial with subsidiary seconds dial and date aperture, Roman numerals, painted flowers in the corners and named in the arch, eight day movement, striking on a bell between fluted brass capped pilasters over an arched top trunk door, ogive moulding and plain base shaped plinth and bracket feet, 209cm high

J Twigg, Burslem, a George III oak and mahogany crossbanded cottage longcase clock. the square hood with 13 inch white painted enamel dial, Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell between fluted brass capped pilasters over a crossbanded shaped top trunk door between fluted quarter pilasters, raised panel canted base and bracket feet, 194cm high

Art Deco period figured walnut Elliott mantel clock, shaped outlines, circular champagne dial, raised on bracket feet, together with a brass carriage clock, French movement, (2)

Late 19th century French repeating carriage clock in brass case with white enamelled dial and bevelled glass panels, on bracket feet, 16cm (key present) CONDITION REPORT This is not working but key present

Early 20th century brass carriage clock with white enamel dial, brass case with bevelled glass panels, on bracket feet, 14cm - complete with leather travelling case and key

Early 20th century brass carriage clock with white enamel dial, brass case with bevelled glass panels, on bracket feet, 15cm (key present)

Victorian bracket clock (in need of restoration), with silvered dial, signed - Greenhow Chelmsford, fusee movement striking on a gong, in Gothic-influence oak case, 50cm high (key and pendulum present)

Late 19th century German chiming bracket clock with silvered and gilt arched dial, eight day movement chiming on gongs, in ornate walnut and gilt metal mounted case with urn finials, 44cm high (key and pendulum present)

Regency bracket clock with white painted dial with Roman numerals, twin fusee movement striking on a bell, in dome-top mahogany case with floral scroll borders, on plinth base, 43.5cm (pendulum present) CONDITION REPORT This is in running order - the chiming mechanism is faulty - key present

Impressive late 19th century chiming bracket clock with silvered and arched dial with subsidiary chime / silent and slow / fast dials, eight day striking movement, in dome-top mahogany case with gilt metal mounts, 47cm high CONDITION REPORT Key and pendulum present

18th century eight day longcase clock with brass arched dial, signed - Jonathan Tolputt, Portsmouth Common, with subsidiary strike / silent in arch, subsidiary seconds and date aperture, rococo scroll spandrels, in dome-top mahogany case with Greek key pediment, reeded columns and pilasters, on bracket feet, 196cm (pendulum and weights present)

18th century eight day longcase clock with silvered arched dial, signed - William Vesper Limehouse, with strike / silent in arch, subsidiary seconds and date dials, in a fine mahogany case, with reeded columns and pilasters, on bracket feet, 240cm high (key, pendulum and weights present) CONDITION REPORT General overall condition good, movement is clean but we are unable to confirm if it is in full working order. Seat board possibly a replacement. Case side cheeks have been cut at some time and there is a packing piece on right. Left hand equivalent is missing, movement leans forward. Silvered dial is scratched and marked in places, name is William Vesper not Pespur. Case generally good, door and plinth veneers are cracked, some of column brass inlay is missing. Hood is in good condition, some minor repairs to veneers, three finials missing, weights are cast iron and not brass cased. Pendulum is large and has a flat brass rod

Early 19th century eight day longcase clock with silvered circular dial, signed - Owen Weymouth, with subsidiary seconds and date dials, in mahogany case with arched and pierced hood, reeded pilasters, on bracket feet, 230cm high (pendulum and weights present)

Mahogany cased bracket clock - 32cm high