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An ebonised two train bracket clock, the 6½ inch brass arched dial with moon phase to the arch, over a silvered chapter ring enclosing an engraved centre, within a stepped case surmounted by a caddy top with brass carry handle, 51cm high

An ebonised two train verge bracket clock, the 7 inch brass arched dial signed `Mathias Vogt Wien`, on a silvered convex boss to the arch over a silver chapter ring and false bob pendulum within a stepped case surmounted by a caddy top, 46cm high

A small Victorian brass bracket clock having an eight-day duration, double chain-fusee movement striking the hours on a gong, the five-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, a matted centre, blued steel spade hands and cast brass floral spandrels to the four corners and arch, the brass break-arch case having canted corners, a pagoda top with a cast-brass centre finial, C-scroll cast-brass side frets and with engraved decoration to the front and sides, standing on bracket feet, height: 35cm.

Handley & Moore, London for Barwise, a mahogany bracket clock having an eight-day duration, five pillar double-fusee movement striking the hours on a bell with pull repeat and a strike/silent lever to the rear, with border engraving to the backplate, the frontplate stamped with the movement maker’s name and serial number ‘Handley & Moore, 1123’, the seven-inch round convex painted dial having black Roman numerals, blued steel moon hands and signed ‘Barwise, London’, the arch-top case with ebonised inlaid decoration to the front panel and further satinwood and boxwood crossbanding, the sides with brass fish-scale fretwork, with a brass carrying handle to the top, height: 37cm (handle down) * Handley and Moore of Clerkenwell Close, London were fine and well-known makers of clocks working from 1798 until the death of Handley in 1824 after which John Moore continued alone. The partnership mainly made pieces for others, as in this example, with distinctive features such as the strike/silent lever and style of border engraving to the backplate, a feature also used by Thwaites & Reed, another supplier of high quality movements. Both Handley and Moore were apprentices to John Thwaites in the late 18th century.

A Victorian Jacobean style chiming bracket clock having an eight-day duration, triple-fusee movement chiming on 8 bells or four gongs and striking the hours on a gong, the seven-inch arched brass dial having a raised silvered chapter ring with raised brass Arabic numerals and engraved decoration between, with three raised, silvered subsidiary dials within the arch for ‘chime/silent’, ‘slow/fast’ regulation and ‘Eight Bells/Westminster Chimes’, with a matted dial centre, the oak case profusely carved with Jacobean style decoration with male and female figureheads to the front either side of the dial and lions head motifs above, with a sun head motif carved to the front of the caddy top and carved wood side frets, complete with a matching wall bracket, height: 68cm (not inc. bracket)

Alexander Brown, Liverpool, a Victorian chiming bracket clock having an eight-day duration, triple-fusee movement chiming on nine bells and striking the hours on a gong, the seven-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, with two subsidiary dials within the arch for ‘chime/silent’ and ‘Eight Bells/Cambridge Chimes’, the dial centre engraved with the maker’s name ‘Alexr Brown, Liverpool’, the Gothic style oak case having clustered pillars to the corners, a band of ogee Gothic decoration to the base, carved decoration above the door, carved wood side frets and surmounted by three carved finials set within the top cresting, complete with a matching wall bracket, height: 73cm (not inc. bracket) * Alexander Brown is recorded as working in Liverpool circa 1825.

John Wood, Exon a walnut longcase clock having an eight-day duration, five pillar movement striking the hours on a bell, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and fleur-de-lys half-hour markings, with engraved wheatear border decoration, the matted centre engraved with doves in flight and a basket of fruit surrounding the date aperture, with a subsidiary seconds dial, blued steel hands and cast brass ‘female-head’ spandrels and engraved with the makers name ‘John Wood, Exon’, the later associated walnut veneered case having crossbanding to the trunk door, with gilt-wood capitals to the quartered hood pillars, and with three associated brass finials to the flat top, standing on bracket feet, height: 200cm (not inc. finials) * John Wood is recorded as working in Exon (Exeter) in the early 18th century and is known to have had his son James babtised in 1727 in the Bow Meeting House.

An early 20th century mahogany bracket clock in Gothic, the 8 day movement with steel dial and painted Roman numerals and having presentation plaque to the front (as viewed)

A late 19th Century gilt brass and champlevé enamel clock garniture, the clock with eight day movement striking on a gong, the dial with polychrome enamel centre surrounded by Arabic numerals, the backplate stamped with `Japy Freres` mark, the case with urn surmount above panels and bands of polychrome enamelled flowers and foliate motifs, on bracket feet, flanked by a pair of matching two handled urn ornaments, height of clock approx 34cm, together with pendulum.

A 20th Century reproduction mahogany longcase clock with eight day movement chiming on gongs, the case with swan neck pediment, above a glazed trunk door and panel base, raised on ogee bracket feet, with pendulum and three weights.

A 20th Century mahogany cased mantel clock with eight day fusee movement, the circular dial inscribed `Thos Richards, London`, the rectangular case with gilt metal pinecone finial above applied mouldings, flanked by a pair of glazed panels, on a plinth base and gilt brass bracket feet, height approx 31cm, together with pendulum and key (alterations and restoration).

A 20th Century Elliott walnut cased bracket clock with eight day `Westminster` and `Whittington` chiming movement, the brass break arch dial and silvered chapter ring with Roman numerals and inscribed `The Alexander Clark Co Ltd`, cornered by mask spandrels, the case with brass carrying handle, on a rectangular base and bracket feet, height approx 37cm.

An early Victorian mahogany bracket clock with twin fusee movement striking on a bell, the painted arch dial with strike/silent indicator above Roman numerals and inscribed `Barrauds & Lund, Cornhill, London, 1352`, the backplate similarly engraved, the case with stepped surmount above a glazed door flanked by embossed brass foliate and loose ring handles and pierced fret panels, on a plinth base and turned feet, together with pendulum, height approx 35cm (minor faults and restoration).

A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass broken arch dial with Arabic and Roman numerals framing subsidiary seconds and date dial, the arch inscribed `Jas Ross Glasgow`, the hood with swan neck pediment above a glazed door flanked by fluted columns, the trunk door flanked by fluted quarter columns, on a panelled base and bracket feet, height approx 235cm, together with a pendulum and two weights (some faults).

A George V oak diminutive longcase clock with eight day movement striking on a gong, the circular silvered dial with Arabic numerals, the case with beaded and moulded decoration, on bracket feet, with pendulum and key.

A Victorian oak longcase clock, with eight day movement striking on a bell, the brass broken arch dial with rolling moon to arch above a silvered chapter ring with Arabic and Roman numerals framing engraved foliage and subsidiary seconds, all cornered by gilt spandrels, the moulded swan neck pediment above a glazed door flanked by barley twist pillars, the trunk door carved with lunettes, scrolls and acanthus leaves flanked by fluted quarter columns, the base carved with a diamond motif and raised on bracket feet, height approx 223cm, together with pendulum, two weights and winder.

A 19th century mahogany and brass mounted bracket clock, by J E Caldwell, 46cm high

Reproduction walnut bracket clock, arched brass dial, marked - St James`s, London, striking on a bell.

A George III strung mahogany bracket clock, having a circular painted dial, indistinctly inscribed with a London maker, and a twin fusee striking movement within an arched case, 43cm high (2)

A 19th Century Mahogany 8-Day Striking Longcase Clock having all over inlaid stringing, painted arched dial with farmer and shell decoration with seconds dial and calendar, scalloped door below, on bracket feet, 2m 8cm high

Browne & Short, Bristol, 19th Century Mahogany 8 Day Striking Bracket Clock having inlaid brass, scroll and stringing decoration, silvered dial with Roman numerals, on ball feet, 41cm high

A MAHOGANY LONGCASE CLOCK dial cream painted, subsidiary seconds ring and calendar crescent, signed Rossiter, Bridgwater, the spandrels painted with apples, the arch with a hunting scent, case the hood flanked by fluted pillars, the waist door crossbanded, on splayed bracket feet, 85ins. (216cms.) high

A bracket clock in late 17th century style by Smiths with triple train movement.

German mahogany bracket clock , late 19th century, gilt brass face with silvered Roman chapter ring and slow/fast dial, twin barrel movement by Winterhalter & Hofmeier striking the quarter on two coils, in an 18th century style bell topped case with brass finials and bracket feet, height 40cm (ticks, winds, strikes; pendulum, key

Large German mahogany bracket clock , late 19th century, arched silvered dial, Roman chapter ring, strike/silent, slow/fast dials, twin barrel movement chiming the quarter on five coils, backplate initialled MB, in an 18th century bell-topped case with gilt brass finials and caryatids, on winged paw feet, height 73cm (ticks, winds, strikes; key, pendulum).

Scumbled oak bracket clock, late 19th century, gilt brass broken arch face with gilt spandrels and silvered chapter ring, French movement striking the half on a coil, in a Georgian style case with gilt pineapple finials, applied caryatids, on leaf scroll feet, height 35cm.

Oak longcased clock, banded in mahogany, painted broken arch arabic dial with subsidiary seconds, date aperture, signed Memmery, Dover (Thomas Mummery), the eight day movement with anchor escapement and rack strike on a Walker false plate, in a swan neck hood and fluted colums, on cavetto shoulders, quarter columns, inlaid door and set-out plinth on bracket feet (pendulum, two weights).

A miniature Georgian design arch top bracket clock in walnut case, French movement, 7" high

A late 19thC walnut bracket clock of architectural form, with an eight-day musical movement striking gongs, 44cm high.

A late 19thC oak cased bracket clock, with eight day German movement striking a gong on a later bracket.

A heavily carved oak bracket clock with repeat action, silvered chapter ring and brass spandrels, supported on a stepped base. 44 cm high

A Victorian regency style mahogany and inlaid brass cased bracket clock with circular enamel dial, stepped top and brass acorn finial, with looped ring and ornate cast handles raised on four brass ball feet, with twin train striking eight day fusee movement, complete with pendulum, height 42cm, width 22.6cm (illustrated)

An unusual 19th century dome topped bracket clock with painted dial marked `Ainsworth, Warrington`, with floral corners marked `Strike and Silent`, in cross banded mahogany case with inset brass panels, with unnamed twin train fusee bell striking movement, complete with pendulum (case af), height 46cm

An ebonised bracket clock by Thomas Grace, London, the brass dial with silvered chapter ring, strike silent and date aperture, eight day twin fusee movement, hour strike, the face measuring 28cm in diameter, and 39 by 24 by 74cm high.

An early 19th Century mahogany cased long case clock, the arched hood with turned finials, the glazed door flanked by octagonal pilasters over a trunk door flanked by conforming pillars on a flat fronted base to bracket feet, the arched painted dial with figures in an interior and with architectural spandrels, the dial with Roman numerals, subsidiary seconds and date aperture, inscribed "Eschle Aberdare", to an eight day striking movement

A 19th Century oak cased long case clock, the hood with moulded cornice over a glazed door flanked by turned pillars, slender arched trunk door to a flat fronted base on bracket feet, the associated square brass dial with Arabic and Roman numerals, mask head and foliate scrolling spandrels, matted and floral engraved centre to a thirty hour striking movement inscribed "Thomas Penfold, Banbury"

A George IV longcase clock, by A Winstanley, Wigan, the eight day movement striking on a bell, the painted dial with seasons dial to the arch, secondary seconds dial and calendar aperture, the mahogany, crossbanded and inlaid case with glazed hood, ornamented with painted panels and brass finials, shaped door to trunk, box base, bracket feet, 243cm high

A Lord Nelson Hat shaped bracket clock, dated 1928 (key and pendulum)

A FRENCH BRASS FOUR GLASS MANTEL CLOCK with urn finial and champlevé decoration on bracket feet, 15" high.

FRENCH EMPIRE EBONISED AND GILT BRONZE LYRE MANTEL CLOCK EARLY 19TH CNTURY the suspension pendulum and white enamel dial surmounted by a female bust cresting, supported by twin shaped uprights with applied gilt bronze mounts, raised on a stepped square base ending in bracket feet 22cm wide, 61cm high

FRENCH BOULLE INLAID MANTEL CLOCK 19TH CENTURY the white enamel dial inscribed BEAU GRAND, Paris, with an eight day bell striking movement, the shaped case inlaid throughout with scrolling foliage, raised on bracket feet 26cm wide, 42cm high

LOUIS XIV EBONISED AND GILT BRONZE MOUNTED BRACKET CLOCK, BY BALTHAZAR MARTINOT, PARIS MID 18TH CENTURY the embossed dial with white enamel chapters, the eight day bell striking movement signed `Baltazar Martinot, Paris`, the domed case surmounted by a winged cherub and centred by an applied classical female, raised on rococo bracket feet, together with an ebonised gilt bronze mounted bracket 43cm wide, 89cm high, bracket, 51cm wide

An Edwardian mahogany bracket type clock with boxwood line floral and scroll inlay with arched bevelled glazed door and silvered dial with engraved scroll decoration, black Roman numerals and moon hands, the door flanked by columns to either side, the movement quarter hour striking and with Westminster chimes

Mahogany longcase clock, with a swan neck pediment, the hood with turned supports, shaped door flanked by turned columns, shaped apron on bracket feet, arched painted dial with figures, Roman numerals, subsidiary seconds and date dials, signed John Rule, Kelso, eight day movement striking on a bell.

A Junghams three train oak bracket clock and wall bracket in an architectural case Height 45cm

RICHARD SWAIN, STRATFORD A VICTORIAN OAK AND MAHOGANY CROSSBANDED EIGHT DAY LONGCASE CLOCK, the hood having a swan neck pediment with flank fluted pilasters and brass capitals, the trunk with waist panel door, quarter pilasters upon a chamfered box" base with bracket feet, the eight day mechanism of four pillar Clerkenwell type, faced by an arched painted dial with Roman chapter, subsidiary seconds and provision for calendar, 2.32m high

A. ORTELLI, BUCKINGHAM AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the hood having a fretted pediment with brass capped pilasters, the trunk with arched waist door, on box plinth with later bracket feet, 8-day four pillar mechanism with rack bell" strike, faced by an arched white painted dial with subsidiary seconds, 2.12m high

"G M Ball, London 1851, bracket clock, burr walnut case, four glass panels with front flanked by columns, brass fusee movement, metal face with scroll decoration and Roman numerals "

An Edwardian mahogany chiming mantle clock by James Ritchie & Son, Edinburgh within arched architectural style case and moulded bracket feet, width 32cm

An early 19th century mahogany and inlaid longcase clock, signed Robert Aitken - Galashiels, the dial surmounted by a country house, landscape and floral painted spandrels, with subsidiary seconds and calendar dial, the swan necked pediment with a bronze finial of Robert Burns, on panelled base with bracket feet, the eight day movement striking the hours on a bell, height 217cm

A late Regency rosewood eight-day bracket clock by Frodsham, Gracechurch St, London, the arch top with brass inlay to the frieze and similar inlay to the door, canted sides and base, the sides with pierced brass grilles and ring handles, on ball feet, fitted a white dial painted flowers and foliage, having Roman numerals and pierced brass hands, the arch top with unusual open escapement, the spring lock door with brass surround to the glass, fitted an eight-day pull repeat twin fusee movement striking on a bell, the back plate engraved Frodsham, Gracechurch Street, London, 38cm (15") high.

An Edwardian inlaid mahogany longcase clock with eight day chiming movement, the silvered and matted brass dial with silvered Arabic chapter ring and gilt brass spandrels, chime/silent indicator to arch, the hood with broken arch pediment and arched glass door flanked by fluted columns on gilt mounts, arched door to trunk flanked by fluted gilt capped pilasters, on a panelled base with bracket feet, 78.5in. (199.5cm.) high.

A BRASS FOUR GLASS MANTEL CLOCK, 19th century, the twin barrel exposed Brocot movement striking on a bell, the backplate stamped 2188, 4 1/4" white two piece enamel dial with Roman and Arabic numerals, twin tube mercury pendulum, the oval case with urn surmount, figural side brackets in the form of cherubs holding floral festoons, on bracket feet, 20 3/4" high

AN OAK CASED ARTS AND CRAFTS MANTEL CLOCK, the H.A.C. fourteen day movement striking on a bell, the silvered dial with hammered centre, beaded edging and Roman numerals, stained glass panel below, in arched oblong case with white metal strapwork applied with coloured glass studs, bell surmount and bracket feet, maker`s label to rear No.32575, 14 1/2" high (Illustrated)

A FRENCH ORMOLU MANTEL CLOCK, the eight day movement signed Vincenti et Cie, striking on a bell, backplate stamped No.594, the 3" white enamel dial with blue Roman and Arabic numerals, the oblong case with urn surmount, fluted pilasters and applied musical trophy, ribbon tied flower and fruit side brackets, stepped rounded base and bracket feet, 13" high (Illustrated)

A BRASS CASED GERMAN MANTEL CLOCK, late 18th century, possibly by Christian Heinrich Weisse of Dresden, the fusee movement with repeater and striking on a bell, the 2 3/4" silvered dial with Roman and Arabic numerals and Dutch minute, the arched oblong case with ring handle surmount, the fascia chased with mask, flowers and foliate scrolls, glazed side panels within chased surrounds, on bracket feet, 6 1/2" high

A CARRIAGE CLOCK, the twin barrel movement with platform escapement striking on a gong, enamelled chapter ring with Roman numerals on a chased scrolling foliate surround, in gilded brass case with spiral fluted corner columns, and similar squared loop handle, moulded base and bracket feet, 8 1/4" to tip of handle (Illustrated)

Edwardian eight day mantel clock with white enamel dial and Arabic figures striking on a gong, in a domed mahogany case with classically inspired inlaid decoration, brass columns and brass urn finials standing on four bracket feet, 34.8cm overall height Further images and condition reports are available at www.reemandansie.com

A 17th Century Parcel Gilt and Mother of Pearl Inlaid Clock Bracket

A Hermle bracket style clock with three date dials