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An 8 day musical longcase clock signed John Ireland London, the brass arch dial with strike silent and seconds hand, the movement striking on 8 bells contained in a good quality oak case with swan neck pediment, the door and base with shell inlay and on bracket feet 100" tall

An early XX Century Satin Walnut Cased Regulator Master Time Clock in 3-light case, the 21.5cm silvered dial with black Roman Numerals stamped GENT & Co. Makers & Patentees Leicester, Door stamped Patent No 15884 on bracket feet, 84cm high.

A late Georgian Longcase Clock with square painted dial inscribed A. Coates, Wigan, 8-day movement in oak Gillow type case with swan neck surmount, mahogany cross-banding, the hood with turned columns, raised on ogee bracket feet, 7ft 4in

An art deco nickel plated dome shaped clock with enamel dial and on bracket feet, 13cm high.

A Victorian golden oak clock/barometer, the architectural case with gilt metal cartouche and columns, enclosing two circular dials with central thermometer within cast spandrels, stepped base and similar brass bracket feet, 43cm x 26cm

An 18th century style bracket clock, the ebonised case applied with gilt metal mounts, square brass dial with silver chapter ring, with black Roman numerals and Arabic five second divisions, enclosed by mask head spandrels, by F.W. Elliott, 8 day movement with Westminster/Whittington chime, on stepped square base, 33cm high

AN EBONISED BRACKET CLOCK dial: cream painted, signed Handley & Moore, Clerkenwell, movement: iron pendulum striking on a bell, case: lance set, inlaid with brass lines, 16 1/2in. (42cm.) high

A MAHOGANY BRACKET CLOCK dial: silvered, movement: pull repeat striking on a bell, back plate engraved with Princes of Wales plumes and foliage and signed John Field, Bucklersbury, London, striking on a bell, case: with a moulded arch and brass fish scale grilles, 16in. (41cm.) high

A MID 19TH CENTURY MAHOGANY LONG CASE CLOCK with eight day movement, the arched dial painted with marine scenes, the convex centre with Roman numerals, second dial and calender aperture, the arched moulded and fret cut hood with spirally turned angle pillars, the trunk with short rectangular inlaid door and canted angles, the base with stringing inlay, on bracket feet. Dial Width 13". Width 14.5". Height 88".

A MAHOGANY LONG CASE CLOCK with eight day movement, the circular white enamelled dial with Roman numerals and second dial and the square hood with swan neck pediment and baluster turned angle brackets, the trunk with long rectangular door, the plain base with shaped apron and bracket feet. Dial diameter 11.5". Width 13". Height 87".

A George III mahogany longcase clock, late 18th century, the broken scroll pediment above a verre eglomise panel and arched glazed door enclosing a 13" brass dial with silvered chapter ring and Roman numerals, matted centre, subsidiary seconds dial and marked 'Richard Pugh, Newtown' in the arch, pierced cherub mask and dolphin spandrels, eight-day movement striking on a bell, flanked by later fluted pilasters over a full length shaped top trunk door between quarter pilasters, ogive moulding and raised panel baseboard and on later ogee bracket feet, restorations throughout, 94" high

A mid-Victorian mahogany crossbanded longcase clock, 1840's, the broken scroll pediment above an arched glazed door enclosing 14" white painted enamel dial with rolling moon phase in the arch and marked 'J Addison, Bridgnorth', subsidiary seconds and date dial, Roman numerals and painted with representatives of the seasons in the corners, eight-day movement striking on a gong, flanked by faceted half pilasters over an arched top, crossbanded three quarter length trunk door, flanked by faceted half pilasters over a canted apron and crossbanded baseboard and on ogee bracket feet, 94" high.

An oak and rosewood and mahogany crossbanded cottage longcase clock, early 19th century, with shaped pediment and square glazed door flanked by turned pilasters enclosing a 12" white painted enamel dial with Roman numerals, subsidiary seconds dial and marked 'Horden, Kidderminster', painted flowers to the corners, eight-day movement striking on a bell, above a three-quarter length lozenge centred trunk door over a mahogany panel, flanked by fluted quarter pilasters above a crossbanded base board and on bracket feet, distressed, 83" high

A French Porcelain Mounted Gilt Bronze Clock Garniture, circa 1875, the movement No.5682 bell striking, the front porcelain plate painted with a young rustic couple in a landscape beneath a dial with Roman numerals in tablets, stop-fluted classical pilasters, upon ogee bracket feet, flanked by a pair of two-handled vases and covers, painted with panels of lovers in sylvan glades, (39cm and 27cm high respectively), each piece upon a giltwood stand, ebonised plinths beneath glass domes (the largest glass dome badly cracked)

A William IV Mahogany Bracket Clock, with pull repeat, mahogany, the fluted pediment with central pineapple finial, the sides with pierced brass sound frets and carrying handles, brass ball feet, painted white enamel dial signed "Wright, London", blued steel hands, Roman numerals, twin fusee movement with rack strike, pull repeating on one bell, signed "Wright, Lisle Street, Leicester Square, London", (55cm high), with associated mahogany fluted bracket

A George III Mahogany Bracket Clock, the inverted top with carrying handle, the case with pierced fret work to the front and sides, moulded base upon brass bracket feet, silvered dial with Roman numerals, signed Palmer, London, single fusee movement with anchor escapement, (55cm high)

A Mahogany and Brass Inlaid Chiming Bracket Clock, signed Rowlands, Leadenhall St, London, circa 1840, the case with pagoda top and single brass pineapple finial, sound fret and handle sides, bun feet, re-painted white circular dial with Roman numerals, twin fusee movement, chiming on eight bells and striking the hour on one further bell, (59cm high)

A Mahogany Inlaid Striking Bracket Clock, early 20th century, the break arch top surrounded by five brass ball finials, circular painted dial with Roman numerals, twin barrel movement, strike on gong (49.5cm)

A Marquetry Eight Day Longcase Clock, the case with profuse bird and floral marquetry, the trunk door with central lenticle, (later) bracket feet, the caddy top with floral marquetry, 12 inch square brass dial, silvered chapter ring, matted centre with subsidiary seconds, date aperture, four pillar movement with anchor escapement, rack striking on bell, movement and dial associated, (244cm high)

A Victorian Mahogany Eight Day Longcase Clock, the plinth with moulding upon bracket feet, arched trunk door flanked by reeded sides, the hood with swan neck pediment and surrounded by bell finials, 14 inch painted white circular dial, Roman numerals, subsidiary seconds, four pillar movement with anchor escapement, rack strike on bell, (223cm high)

A George III Mahogany Longcase Clock, signed Jas Cawson, Liverpool, circa 1780, inlaid case on shaped bracket feet, rectangular panel to the plinth, shell motifs, flame veneered shaped trunk door flanked by reeded inset columns, hood with swan neck pediment above glass insets, reeded columns, 13 inch brass dial, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds, inner date ring with corresponding central date hand, the painted arch with automaton rocking ship, four pillar movement with anchor escapement, rack strike on a bell, (240cm high)

A Victorian mahogany longcase clock, the arched hood above a short trunk door and rope twist columns, above a box base and bracket feet, the arched dial painted with a landscape scene to the top and castle spandrels with Roman numerals, inscribed 'David Thomas, Sea Queen', with an eight day movement.

A 19th century satin walnut longcase clock, the broken swan neck pediment above a long trunk door, box base and bracket feet, the 31 cms dial with moonphase to the arch, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell.

A brass bracket type clock, the silvered dial with Roman numerals on four turned feet, 30 cms high.

An oak cased mantel clock, the rectangular stepped top above a pair of columns, the silvered dial with Roman numerals, on bracket feet, 38.5 cms high.

A walnut bracket clock in Georgian taste with caddy top and Westminster chiming movement.

Early 19th Century mahogany cased mantel clock, pagoda top over arched glazed door and painted dial on ogee bracket feet, 30 day striking on a bell, 40x22cm wide.

A 19th century West Country oak and crossbanded long case clock, the 8 day movement striking on a bell to a 12in square painted dial with subsidiary seconds dial and date aperture inscribed J. Weare, Wincanton, the glazed hood with a swan neck pediment and turned columns the waist door flanked by canted corners, the base with a raised panel, on bracket feet, 6ft 10.5in (209.5cm) high.

An oak and mahogany veneered longcase clock, the 30 hour striking movement to an arched brass dial, with date aperture and engraved a bird within foliage, the lunette inscribed Worswick Lancaster, above a painted townscape, the hood with turned columns above a triple arched waist door, the base on bracket feet, 7ft 6in (228.6cm) high.

A late Victorian oak 1/4 striking bracket clock, the 3 train movement striking on eight bells and five gongs to an arched engraved brass dial with silvered chapter ring and subsidiary dials for chime/silent; fast/slow; chime on eight bells/Cambridge chimes, the carved case with arched pediment and urn finials, 29.5in (75cm) high.

A 19th century mahogany bracket clock, the 8 day movement striking on a bell to an enamelled circular dial inscribed Scott, Charing Cross, the veneered arched case with a gilt brass carrying handle, arched sides on brass ball feet, 16in (40.6cm) high.

An early Victorian rosewood bracket clock, the 8 day twin fusee movement striking on a bell, to a circular enamel dial, the pointed arch case with a stepped top and ribbed finial, gilt brass capital cluster columns, flanking a shaped panel front with carved foliage, pierced brass side panels, on ribbed feet, 21in (53.3cm) high.

A late 19th century 8 day brass carriage clock with lever escapement, silvered dial with Roman numerals, striking on a gong, raised on bracket feet, 5.25in high.

A Regency brass inlaid mahogany bracket clock of architectural form with moulded plinth, the sides with panels of Gothic fretwork, circular enamel dial with Roman numerals, finials lacking from pediment, 18.75in high, 11.5in wide.

George III mahogany and ormolu mounted bracket clock, by William Fox, London, the domed top with square platform applied with a pierced brass gallery, above an arched glazed door flanked by scroll and leaf cast fretwork panels, on a moulded plinth and four leaf cast scrolled feet, the seven inch arched and silvered brass dial with Roman hour numerals and Arabic minute numerals to the chapter ring and a strike silent dial to the arch, the twin train movement with single winding hole, inverted anchor escapement mounted with a bell, engraved back plate and pull repeat, 45cm high x 31.5cm wide.

Winterhalter & Hofmeier bracket clock, circa 1880, two train movement striking the half on a coil, in a lancet shaped inlaid rosewood case with brass side handles and bracket feet. Height 32cms 12.5"

German walnut bracket clock, circa 1895, the three train movement with external count wheel striking the quarter on rods, in a basket topped case with side columns and carved scroll frieze. Width 32cms 12.5". (With key and pendulum)

Late Victorian French bevelled glass bracket clock, mercury pendulum with floral swag painted dial and gilt scroll casing.

Oak longcase clock, having nine inch square brass dial with Queens head spandrels and silvered chaptering with roman numerals, quarter hour devisions bearing makers name John Washborn, the 30 hour movement set in hood with swan-neck pediment flanked by columns and standing on bracket feet, 214cm high.

18th century mahogany and boxwood line inlaid long case clock on bracket feet, the hood with ball finials and central fret carved decoration, brass and silvered dial with strike/silent in the arch and with second hand, eight day striking movement by William Steptoe, London, 89" high.

Late 18th century mahogany long case clock on bracket feet, the hood with reeded column sides, brass arched dial with strike/silent in the arch and scrolling foliage in the spandrels, second hand and date indicators, engraved with an urn, a bird and foliage, eight day five pillar striking movement by George Carruthers. 95" high.

A Late 18th/Early 19th Century Bracket Clock, the arched square painted dial with "strike/silent", Roman numerals, and central sweep calendar hand, the substantial three train triple fusee movement chiming the quarters on a nest of eight graduated small bells and the hours on a single bell, with anchor escapement and fully engraved back plate, in a dome top mahogany case, with three pads to the top and carrying handle, on ogee brass feet, 50 cm

A Mahogany Clock Bracket, and a group of longcase clock finials (box)

A Fine 18th Century Musical Bracket Clock, the arched brass and silvered dial signed Benj Barber LONDON, in a cartouche in the arch, flanked by subsidiary dials for "CHIME/not CHIME", and "A JIG/Country Dance", the chapter ring with Roman numerals and central sweep calendar hand, the substantial three train triple fusee musical movement playing a choice of two tunes on a nest of graduated small bells, verge escapement, fully engraved back plate, and repeat cord at the side, in a bell top chinoisserie decorated case, having pineapple and crescent finials, glazed windows to the sides, two carrying handles, gilt metal mounts decorated flowers musical instruments etc to the fronts, on ogee bracket feet, 61 cm

A Late 18th Century/Early 19th Century Bracket Clock, the arched silvered dial signed "S & C Joyce Lombard St LONDON" with subsidiary dials in the arch for "strike/silent" and pendulum regulation, the substantial three train triple chain fusee movement striking the hours on a single bell and the quarters on a nest of eight graduated smaller bells, with an anchor escapement and fully engraved back plate, in a mahogany dome top case surmounted by three brass bordered pads and central carrying handle, 47 cm with associated wall bracket (2)

A Late 18th Century Bracket Clock, the arch square brass and silvered dial signed on an applied bow "Saml Goujan London" above a calendar aperture, the arch with "strike/silent" subsidiary dial in the arch, the twin fusee movement with verge escapement striking on a bell, with repeat arm (cord missing) and engraved back plate, in a mahogany bell top case, with central carrying handle and four pineapple finials 51 cm, with associated wall bracket (2)

A Late 18th Century/Early 19th Century Bracket Clock, the convex painted dial with Roman numerals, and four opening door to the front, the 8 day twin fusee movement with anchor escapement and applied cartouche on the back plate signed Robt Bowers CHESTER, in a mahogany dome top case, the carrying handle on a single pad top (pad missing), fish scale side frets, and ogee bracket feet, 44 cm

A Regency Bracket Clock, the convex painted dial with Roman numerals, fitted an 8 day twin fusee movement and anchor escapement, striking on a bell, with repeat arm (cord missing) in a brass inlaid ebonised case, the step top surmounted by a pineapple finial, on ball feet, 57 cm

A Late 18th Century Bracket Clock, the silvered arched square dial signed Thos Sutton MAIDSTONE with Roman numerals and sweep calendar hand, the arch with strike/silent, fitted an 8 day twin fusee movement with engraved back plate (now with anchor escapement), in a mahogany dome top case, with single pad and carrying handle on top, fish scale side frets, and ogee bracket feet, 46.5 cm, with associated mahogany bracket (2)

A Late 18th/Early 19th Century Bracket Clock, the convex painted dial with subsidiary alarm dial in the centre, fitted an 8 day fusee and chain movement signed on the back plate Thos Campbell STRABANE, in an ebonised dome top case, with single pad on top, two carrying handles, and gilt brass ogee bracket feet, 44 cm

A Late 18th Century Mahogany Bracket Clock, the 17 cm arched square brass and silvered dial signed Thomas Wild Reading, with Roman numerals, the centre with rococo style engraving, false pendulum aperture, and calendar aperture, the arch with strike/silent subsidiary dial, the 8 day twin fusee movement with a verge escapement and engraved back plate, in a bell top mahogany case with fish scale side frets and brass carrying handle, 48.5 cm

A Bracket Clock, the arched square silvered dial signed 'Chas Frodsham, 27 South Molton St, London 2512' fitted an eight day movement, striking on a gong, in a mahogany case, with single pad to the arched top and carrying handle, 44 cm

A 19th Century Regulator Longcase Clock, the circular silvered dial signed "SIMMONS COLEMAN Stt LONDON" with subsidiary dials the hours and seconds, and minute markings around the circumference, the substantial heavy plated five pillar movement with deadbeat escapement and maintaining power, the steel pendulum supported from a brass holding bracket mounted on the case back board, in a mahogany case, the hood with shallow dome top, the trunk door with a bevelled glass panel, on a plinth base, 197 cm

AN EARLY 20TH-CENTURY INLAID MAHOGANY 8-DAY MANTEL CLOCK in the late Georgian taste, having a humped top with brass carrying handle between four pine cone finials, the arched chequer-strung front with burrwood patera between canted boxwood-strung corners, on brass ogee bracket feet, the white enamelled convex dial with Arabic numberals, additionally numbered with seconds to the four quarters, inscribed "Tempus Fugit" within, the movement, striking the half hours on a coiled gong, stamped "VINCENTI & Cie, MEDAILLE D'ARGENT 1855", plus '98' and '57', 28cm, (11in) high excluding handle (veneer split to top)

Hampston, Prince and Cattles, York, c.1820 A GOOD REGENCY MAHOGANY BRACKET OR MANTEL CLOCK, the mahogany case of "broken"- arched form, with stop-fluted canted corners, to the front, brass ogee bracket feet, scale design side frets and acanthus-decorated carrying handle; the twin- fuse_ movement with finely engraved signed backplate and adjustable pendulum striking on a simple bell, the painted dial with Roman hour numerals and subsidiary strike/silent dial, also signed, 46.5cm, (18.25in) high, overall

AN EARLY 20TH-CENTURY MAHOGANY CASED 8-DAY MANTEL CLOCK having a pokerwork-decorated humped top, the white-enamelled dial decorated with floral swags framed by Arabic numberals, between fluted boradening columns with brass capitals, the sides with "fish-scale" piercing, on brass ogee bracket feet, the movement numbered 19652, striking the half hours on a coiled gong, 35cm, (13.8in) high

AN EARLY 20TH-CENTURY ORMOLU-MOUNTED WALNUT-CASED DOUBLE FUSEE MANTEL OR BRACKET-CLOCK having a humped top with cast vase of flowers above foliage and four flambeau finials, the bevelled door between canted front and rear corners all with fluted pilasters, brass capitals and terminals, the sides with foliate and lattice piercing, the rear door with quatrefoil piercing, the silvered dial, having Roman hours and Arabic minutes, inscribed "J. Dwerryhouse, 52 Castle St. Liverpool" beneath subsidiary silvered Slow/Fast regulator, all within foliate cast spandrels, the regulator movement, chiming on two coiled gongs, stamped "49/ LENZKIRCH/ AGU/ 1 Million/ 324372", the dial backplate inscribed in pencil "Sept 1926/ Derryhouse", 39cm, (15.3in) high, with key

Jos. Kirk, Skegby, (unrecorded Baillie) AN OAK-CASED 8-DAY LONG-CASE CLOCK having a dentil "broken" architectural pediment with central brass ball-and-spire ornament, the associated square glazed door between columns with brass capitals, on a shaped trunk door, plain base and bracket feet, the hour-striking movement having a silvered chapter ring with Roman hours and Arabic minutes, inscribed "Jos.Kirk, Skegby", framing a silvered seconds ring and a calendar aperture (present but loose) to the matted centre, the spandrels cast with opposing cherubs holding coronets, 203cm, (80in) high (sold with two weights, pendulum and key)

A GOOD EARLY VICTORIAN OAK AND MAHOGANY-CASED 8-DAY LONG-CASE CLOCK, the hood having a swan-neck pediment above crossbanding and an arched door between well-turned columns, the triple-arched crossbanded door centred by a lozenge with peacock or asiatic pheasant inlay, between further turned and partially- ebonised columns, above a further lozenge inlaid panel, the base similarly inlaid within circular and re-entrant square crossbanding and canted corners on ogee bracket feet, the hour-striking movement having a rolling moon mechanism painted with a sailing ship and a country house, a lunar calendar above, the dial having Roman numerals framing subsidiary seconds and date dials flaking inscription "John Bill, Bakewell" (unrecorded by Baillie), the spandrels painted with figures, animals and landscapes, emblematic of the four continents (Amercian, Africa, Asia, Europe), 228cm, (89.75in) high (sold with two weights, pendulum, key and winder)

Vandesteen a Mons. An 18th century French bracket clock, the waisted green stained and painted shell case with ormolu mounts, glass door and sides, backplate with outside countwheel signed 'Vendestean a Mons', bell-striking, raised on rococo style feet, 68cm high