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A mahogany bracket clock with arched silvered dial and roman numerals, regulator to the arch, fitted Continental eight day movement striking on two gongs, surmounted by a brass handle, raised on brass bracket feet, 9in. x 7in. x 12in. high.

An early 19th Century mahogany longcase clock, the white painted dial inscribed "Burton, South Shields", with roman numerals and subsidiary seconds and date dial, painted figures to the arch, fitted eight day movement striking on a single bell, the hood surmounted by later pierced pediment, arched panelled door and trunk decorated with cross banding and inlaid boxwood stringing, raised on bracket feet, 19 1/2in. x 87in. high.

An early 19th Century mahogany longcase clock, the associated movement with brass chapter ring, seconds dial and spandrels, fixed to a pewter coloured background, circular boss to the arch inscribed S. King, Monkwearmouth, 1800, eight day movement striking on a single bell, the hood flanked by turned pilasters with arched panelled door below decorated with boxwood stringing and inlaid cross banding, raised on bracket feet, 20in. x 85in. high.

A Victorian mahogany and cross banded long case clock, the broken swan neck pediment above painted arch dial inscribed "T. Sutton, Bradford", with eight day movement, flanked by freestanding turned pilasters, the arched short door flanked by angled inlaid uprights above a deep base section and bracket feet, 236 cm high

A 19TH CENTURY MAHOGANY CLOCK BRACKET with gilt brass gallery above a rams head and acanthus scroll mount, 12 1/2" wide.

Edwardian mahogany bracket clock inlaid with satinwood shell motif, striking on single bell

A Victorian eight day longcase clock, mahogany, rosewood crossbanded, the 14” arched painted dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the arch painted with a hunting scene over architectural studies to the spandrels, the hood with swan neck pediment over front corner turned baluster hood pilasters above an ogee arched short trunk door flanked by short baluster front corner pilasters on a box base and ogee moulded bracket front feet, 237cm high

A George III bracket clock, ‘Cha Clay’, London, the 6” dial with mock pendulum aperture, foliate pieced spandrels under a subsidiary calendar dial to the arch, signed to the centre of the silvered chapter ring with inner Roman and outer Arabic numerals, the five pillar movement with single fusŽe, verge escapement with repeat pull for the hours and quarters, striking on one large and two small bells, the movement with foliate engraved back plate, the case with inverted bell top under a swing handle with arched glazed front door, glazed sides and back on short block feet, 24cm wide, 45.5cm high, 15cm deep (with repairs and renewals)

Early C19th oak and mahogany 30-hour longcase clock with swan-neck pediment and arched painted dial, on bracket feet (F/R) (see illustration).

Late C19th Walnut & Brass Mounted Bracket Clock, enamelled dial with Arabic Numerals with pierced & decorative centre boss, 2 train movement striking on gong with decorative embossed bezel with cast brass face plate on gadroon brass bracket supports with extensive pierced & ornate brass work, caddy top with brass terminal approx. 17"H x 10 3/4" across feet, 8 1/2"D (key & pendulum in office)

An early 19th Century flame mahogany eight day strike long case clock bracket feet below shaped door, silvered 33cm arch top dial with brass spandrels, painted sea and landscape panel, all below broken arch top hood with reeded side columns, 220cm high, Thomas Haden, Dudley. ILLUSTRATED.

A late 20th Century Dutch Start Clock, the shaped bracket back board with overhanging cornice, surmounted by cast and applied finials, enclosing a model of Atlas, half Brass columns, with silvered Roman and Arabic chapter ring and Brass hands, over two large pear shaped weights, height 21”

A late 18th / early 19th Century Oak Lantern Clock, wall mounted case, the overhanging cornice with cushion pediment to a plain frieze and single door with a 4 ¾” aperture and bracket base, height 17”

A rare and unusual 19th Century Table Top Cuckoo Clock, modelled in the form of a house, the pitched roof with dormer window issuing the cuckoo, to a further row of mirror backed windows, and plinth base with simulated brickwork and front door, and plinth base incorporating steps to bracket feet, with a spun brass bezel enclosing a painted two part Roman 6 ½” dial with outside minute track and pierced black painted hands, to a wooden twin wire fusee movement, with back mounted count wheel and anchor escapement, strike on a coiled gong and further pair of bellows, height 21 ½”

An early 20th Century gilt Brass and Champleve enamelled four glass Mantel Clock, Maple & Co Ltd, Paris, the oval case surmounted by a classical flaming urn, and flanked by freestanding columns with bladed ball finial, enclosing four bevelled glass panels, and further enamelled interior, to a plinth base, with bracket feet, to a gilt and enamel bezel enclosing a 3 ½” Arabic enamel dial, chapter ring with further floral enamelled central boss and blued steel fleur de lys hands, to a signed circular Brass movement, with simulated mercury twin pot pendulum, and anchor escapement, strike on a bell, height 15 ½”

An 18th Century ebonised and gilt wood highlighted Bracket Clock Case, with caddy top to an overhanging cornice and hinged door enclosing a gilt arched surround (inside measurement 6 7/8” x 9 7/8”) to a plinth base, (incomplete), height 17”

An early 19th Century five pillar twin fusee Bracket Clock Movement, with shouldered plates united by knopped pillars, and gut driven barrels, with anchor escapement and strike, height 7”

A late 18th Century Oak and Mahogany cross banded 8 Day Long Case Clock, Walter Mayers of Gloucester, the hood with overhanging cornice, to reeded freestanding columns, to an ogee throat and long trunk door with panelled base, and raised on bracket feet, to a 12” square brass dial with cast and applied foliate spandrels enclosing a Roman and Arabic chapter ring, to a polished centre engraved with floral and foliate decoration and insects, with subsidiary sections and date sector, with further pierced steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 79”

A William IV period mahogany bracket clock the 8 inch polished steel dial with two winding apertures, Roman numerals and marked, 'Chas. Taylor Bristol', with a twin train 8 day movement striking on a bell, the arched hood with leaf curved decoration and the sides with brass lion mask ring handles, on a moulded plinth base 36cm wide, 57cm high

A 19th century French boullework, ebonised and gilt bronze mounted bracket clock and bracket the 10 inch cast and gilt bronze dial with individual ceramic numerals and twin winding apertures, with a twin train 8 day movement striking on a bell, the cavetto form tapering bracket with female mask mounts to the corners, the case with glazed door and three female figures to the base bear a satyr's mock, the stepped domed cresting with a seated female warrior figure, stamped 'HPA' to rear 57cm wide (bracket), 152cm high (overall)

A George III period mahogany bracket clock the painted face with twin winding holes and with an upper painted oval depicting a pastoral scene, the twin train anchor movement striking on a bell, the caddy moulded case with glazed sides, reeded mouldings and ogee bracket feet 31cm wide, 52cm high

A late 19th century French gilt bronze and porcelain clock garniture the porcelain painted face with twin winding apertures and regulation above XII, painted with a boy and girl in a wooded landscape, with a twin train movement striking on a bell, the case with domed top finials and stop fluted side pilasters, on a gadrooned plinth base with bracket feet, the en suite porcelain urns with conforming square gadrooned bases, each painted with a narrative panel, all on moulded giltwood plinths clock 40cm high, urns 26cm high

A George IV mahogany and oak 30 hour longcase clock the foliate and rose painted arch dial with a minute aperture and marked JAS AULT, Belper, inlaid with stringing throughout, the hood with broken arch pediment and fluted column supports, the oak and mahogany banded trunk with fluted quarter corner columns, on low bracket feet 220cm high

A George IV mahogany 8 day longcase clock the 12 inch painted dial with a subsidiary second dial, minute register, twin winding holes and marked J & J Thistle, Williton, with a twin train 8 day movement, the swan-neck pediment above reeded corner columns and a canted strong case with shaped bracket feet 212cm high

An early 20th century George III style mahogany cased bracket clock, the eight day German movement striking on five gongs, the silvered dial with Roman numerals, height 38 cm, with pendulum and key.

A George III oak and flamed mahogany veneered long case clock with swan neck pillared hood, three quarter length trunk door with canted sides on bracket feet, the painted dial having cows under a bridge to the arch, shells to the spandrels, Roman hour numerals, seconds ring and date crescent and marked D. Gugeri, Boston, eight day movement striking a bell, 85" high.

A late 19thC carved walnut and burr veneered bracket clock with gilt brass torch acanthus and rococo adornments, bevel glass arch door with silvered slow/fast dial and chapter ring, eight day ting-tang movement striking two gongs, 15" high.

A Victorian rosewood and mahogany eight-day clock, the arched Roman numeral dial painted with rural landscapes, the swan neck hood on a trunk with shaped door, on bracket feet, 224cm high

A George III mahogany eight-day longcase clock, maker Josiah Thompson (1748-1768) of Whitehaven, the brass Roman and Arabic numeral dial with subsidiary seconds dial, date aperture and pierced gilt spandrels, the hood with fret cut frieze on a trunk with rectangular door having window aperture, the base on bracket feet

A Gothic Revival Gilt Brass Bracket Clock. The movement striking a bell and having a silvered dial signed Thos. Moreland Chester, housed in an ornate case surmounted by Gothic 'poppy-head' finials and corner pinnacles of foliate cusps. The front and sides adorned with tracery and set on a platform base with scrolling bracket feet, 20 ins (51 cms) in height.

A 19th Century Boulle Bracket Clock & Bracket, having an eight day movement and a decorative gilt brass dial with painted enamel numerals. The ornate brass inlaid top surmounted with a gilt brass acanthus leaf bell top and bearing two rams heads at the corners above a beaded edge. The domed top with urn finials over four female figures. A Chariot with galloping horses emerge from beneath the dial with four flanking protruding horses below ornate brass scrolls on oval protuberants with brass inlaid friezes terminating with the decorative gilt brass bun feet. 28 ins (71 cms) width.

A 19th Century Chiming Bracket Clock striking nine bells. The ebonised case with caddy top surmounted by urn & torch brass finials. The glazed arch door with gilt brass foliated frame enclosing the silvered chapter ring, with eight day movement and two subsidiary dials engraved; CHIME/SILENT & CHIME ON EIGHT BELLS/WESTMINSTER CHIMES, bordered by gilt brass pierced spandrels. The canted edges ornamented with figural brass appliqués, standing 30 ins (76 cms) high. 16½ ins (42 cms) wide and 9½ ins (24 cms) deep.

A Tall Chippendale Style Carved Mahogany Musical Longcase Clock. The 12 inch (31 cms) brass dial having a roundel plaque to the arch inscribed with maker's name; Thos. Henderson Hull, decorated with scrolling mounts & spandrels, and framed by a blind-fret carved dome-topped door with stop fluted columns either side; the gilt Corinthian style capitals bearing a heavy swan-neck pediment ornamented with carved sprays of foliage and surmounted by a foliate crest. The arch topped trunk door edged in moulding and adorned with interlaced C-scrolls and foliage flanked by canted blind-fret carved corners. The base with further applied foliate carving raised on bracket feet, 102 ins (60 cms) in height.

A 20th Century Small Lantern Clock, after Thomas Moore, Ipswich, mounted on bracket, 23cm high, 11cm wide

John Clayton, Marple, 8-Day Striking Oak Longcase Clock having square brass dial with pierced and embossed spandrels, with calendar, having silvered chapter ring with Roman numerals, having corinthian column supports with shaped panelled door having chamfer and half round reeded supports, on bracket feet, 2m 6cm high

A George III Irish mahogany bracket clock by Fivey surmounted by caddy top and gilt handle, above four glass panels on bracket feet, the silvered chapter ring, with black roman numerals on a brass plate, with single train movement 25cm wide, 37cm high, 18cm deep

A Scottish George IV oak and mahogany cross banded longcase clock the figural and foliate painted arched dial with subsidiary second and date dials, the eight-day movement with anchor escapement, striking on a bell, the hood with a broken swan neck pediment and twin reeded pilasters, the rectangular case with reeded quarter columns and raised on bracket feet 53cm wide, 227cm high, 23cm deep

A George III period mahogany longcase clock by Dalgleish, Falkirk the twin train movement striking the hours on a bell the dentil carved swan neck pediment with rosette terminals above a roman enamel dial with calendar aperture and moon phase to the arch above maps of the globe and floral spandrels, between stop fluted columns, the trunk door with rosette carved swan neck cresting between quadrant corners on plinth base with bracket feet 214cm high

A Georgian style painted longcase clock the twin train movement, the projected arched cornice, painted dial, with cottages and a scene of hunting with hounds, roman chapters , subsidiary seconds and date dials, flanked by pilasters, over a gothic arched trunk door, plinth base, shaped apron, bracket feet 206cm high

A 19th century mahogany longcase clock by Reid and Auld the twin train movement, striking a bell, the moulded arched top over a circular face with roman chapters subsidiary seconds and date dials strike and silent, arched trunk door, plinth base raised on bracket feet

An early 19th century mahogany longcase clock by John Graham & Sons, Carluke the twin train movement striking the hours on a bell, the swan neck pediment above an enamelled dial with spandrels decorated with emblems of the United Kingdom and a plough boy to the arch, the bowed trunk brass with ogee cresting between half columns, on panelled plinths with shaped bracket feet 215cm high

A George III mahogany and boxwood strung longcase clock By William Turnbull, Caltoun with twin train movement, the swan neck pediment over arched face, with arabic and roman chapters, subsidiary seconds dial and date aperture, surrounded by brass spandrels and sea creatures, moulded trunk door, plinth base raised on bracket feet 222cm high

A walnut cased bracket clock mid. 19th century, the domed top with four carved and turned bud finials above an arched and bevelled glass door, enclosing a silvered and engraved 5 inch chapter ring with Arabic numerals, three subsidiary dials and pierced brass and scroll decoration, flanked by fluted pilasters, the sides with fretwork panels, the eight day striking movement with Westminster chimes and 8 bells striking on a gong, set on four ribbed bun supports, together with its original walnut wall bracket, the clock 15in (38cm) high, 11in (28cm) wide.

A 19th Century painted dial clock with thirty-hour striking movement, in later mahogany wall bracket mount

A LONGCASE CLOCK by Thomas Bridge, Manchester, the thirty hour movement with anchor escapement and outside countwheel, 12" brass dial chased with foliate, silvered chapter ring with Roman and Arabic numerals, calendar aperture in oak case with scrolled pediment on turned tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 84 1/2" high

A LONGCASE CLOCK by Pattison, Halifax, the eight day movement with anchor escapement, 13" arched dial painted with flowers, secondary dial and calendar aperture, moonphase in dial painted with cottage and sailship, in mahogany and crossbanded case, the scrolled pediment on wrythen turned columns, canted trunk with arched door, panel base with shaped apron and bracket feet, 93" high

A LONGCASE CLOCK, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with flowers, the arch depicting Moses in a landscape, seconds dial and calendar aperture, in oak and mahogany banded case with stringing, scrolled pediment with urn finial on baluster columns, arched door flanked by pilasters, panel base and bracket feet, 19th century, 88 1/4" high

A LONGCASE CLOCK by William Potts, Pudsey, Leeds, the eight day movement with anchor escapement striking on a bell, arched dial painted with village scene and cottages, secondary dials, in mahogany and crossbanded case, the scrolled pediment on baluster turned columns, canted trunk with arched door, panel base with waved apron and bracket feet, 93 1/2" high

A LONGCASE CLOCK by John Pattison, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13" brass dial chased with birds on scrolling branches, Roman and Arabic numerals, month dial and moonphase painted with a landscape, in oak case with scrolled pediment and brass finials on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 90 3/4" high

American bracket clock, circa 1900, the 18th century style mahogany case with gilt metal mounts, square brass face with silvered chapter ring, two-part movement with Wilcock patent Westminster quarter strike. Height 52cm. (Key and pendulum)

An early 19th century oak longcase clock, domed arched hood and cornice enclosing 35cm enamel circular dial, roman numerals and subsidiary seconds dial, inscribed Rowland, Leicester, short pendulum door, canted corners, on plinth base and ogee bracket fee

A late 19th century mahogany cased bracket clock with silver dial and striking German movement, height 15"

Edwardian chiming bracket clock with gilt and silvered arched dial in carved oak case with turned pilasters on bracket feet, 45cm

Edwardian bracket clock, in mahogany architectural case, with gilt and silvered dial, glazed door, raised on bun feet, German movement, 41cm high

Late 19th century German mahogany bracket clock, the silvered and gilt face dial in carved and turned decorative case, 43 cm high

An Edwardian mahogany mantel clock, the arch top case banded in satinwood and with brass handle to the top, raised on bracket feet, fitted a circular white enamel dial and having a eight-day movement striking on a gong, 25.5cm (10") high

a Brass Thirty Hour Lantern Clock, signed Henry Baker, Malling, circa 1770, 8-inch arched brass dial with Roman chapter ring, matted centre, engraved scrolled spandrels with a herringbone engraved border, the arch with a circular disc signed "Henry Baker, Malling", single pierced steel hand, side opening doors, four posted movement with anchor escapement and countwheel striking on a bell, 28cm high, together with associated oak bracket See illustration henry Baker is recorded as working in Malling between 1768-1784. See Baillie (G H): Watchmakers & Clockmakers of the World, pg 13

a Small Longcase Clock, the case with swan neck pediment, flued turned columns, wavy shaped trunk door flanked by inset fluted pilasters, inside trunk door with presentation inscription to brass plaque, rectangular plinth with brick work decoration and upon bracket feet, 4-1/4-inch brass dial with Roman chapter ring, the arch with circular plaque bearing inscription "Peter Brown Manchester", twin weight driven movement with deadbeat escapement, and striking on a small bell, (dial associated to the movement and to the case), 106cm high

a Mahogany Striking Bracket Clock, signed W Carpenter, London, circa 1880, the case with arched top, lion head ringed side carrying handles, applied carved floral mounts to the front, rectangular base raised upon turned brass feet, 8-inch painted circular dial with Roman numerals and signed, "later" spade hands, twin fusee movement with anchor escapement, striking on a gong, "later" seatboard, movement secured by brackets, 46cm high See illustration

a Regency Ebonised Striking Bracket Clock, signed Urquhart & Hart, London, the arched case with brass carrying handle, pierced front and side frets, rectangular moulded plinth raised upon brass bracket feet, 8-inch circular painted dial with Roman numerals and signed, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved borders, movement secured by engraved brackets, "later" seatboard, 43cm high to hilt of handle See illustration