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G.Hewett Marlbro (sic), a George III mahogany automaton bracket clock, the break arch case with handle and later brass inlaid door, the 7 inch silvered dial signed to a shaped plaque, the arch painted with a lion with rolling eyes, the paw moving and jaws opening with the hour strike, swishing tail not connected, mock pendulum and date apertures, foliate spandrels, pagoda engraved centre and similarly decorated backplate, with bell striking fusee movement (later pendulum and suspension bracket), on brass bun feet, 45cm high

~ F ~ James Murray, Royal Exchange, London, a Victorian ebonised Gothic case chiming bracket clock, the silvered dial signed and numbered 1130, with strike/silent to the arch, cruciform hands, the three train movement signed to the backplate and chiming and striking on 8 bells and a gong, 65cm high, with a modern wall bracket

A Victorian mahogany bracket clock, with double striking movement, 47cm.

AN OAK LONGCASE CLOCK by Richard Langford, the eight day movement with anchor escapement striking on a bell, 12 1/2" square brass dial with chased scrolling foliate centre, silvered chapter ring with signature and Roman and Arabic numerals, seconds dial, the case with later Victorian carving, moulded cornice on turned columns, arched door flanked by fluted quarter columns, canted panel base and bracket feet, 85" high

AN OAK LONGCASE CLOCK by J Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 13" square brass dial with silvered chapter ring having Roman and Arabic numerals, the chased scrolling foliate centre with half penny moonphase and calendar aperture, the case with moulded inverted breakfront cornice on turned columns and surmounted by three brass finials, frieze with verre eglomise panel, arched door flanked by quarter columns, panel base and bracket feet, 89" high`

An oak longcase clock, the white painted dial inscribed "J. Bell, Hexham", with roman numerals and date aperture, painted with anchors and triple-mast ship to arch, fitted two train striking eight day movement, with anchor escapement, the case with arched glazed panelled door flanked by turned columns, with arched waisted door below, raised on bracket feet, 80in. (203cms) high.

A fiddle backed mahogany balloon cased mantel clock, the enamelled arabic dial fitted with eight day striking movement, signed by early 19th Century maker `French, Royal Exchange, London`, the case with chequer banding and stringing, raised on brass bracket feet, 12in. (30cms) high.

A 30-Hour Longcase Clock having later glass dial with moon phase in oak case with reeded Corinthian column support, having swan neck cornice with shaped panel door, on bracket feet, 2m 34cm high

A Victorian mahogany 8-day longcase clock, makers Robert Fernie of Strathmiglo, the arched enamel dial with Roman numerals, the case with case with swan neck pediment, convex door and pedestal on bracket feet, 215cm high

A George III oak 8-day longcase clock, maker Alexander Nimmo of Linlithgow, with arched brass dial having Roman/Arabic numerals, seconds dial, circular date aperture and pierced foliate spandrels, the case with swan neck pediment, shaped door, on bracket feet, 226cm high

"A Regency mantle clock with painted face in a moulded `drum` shaped case on a plinth base with bracket feet, h. 40 cm"

"Holland of Swinton, An early 19th century mahogany longcase clock, the painted face supporting a twin train striking movement with moonphase, secondary dial and date dial under an arched hood with swans neck pediment, the crossbanded trunk with ogee door on a plain base with bracket feet "

A good quality mahogany cased bracket clock.

A 19th century mahogany thirty hour longcase clock with swan neck pediment, the 30cm (12") square white enamel dial with Roman numerals, subsidiary seconds, semi-circle date aperture and two faux winding holes, signed Suggate Halesworth, with thirty hour birdcage movement, the whole raised on bracket feet, height 195cm. George Suggate is listed in Brian Loomes Watchmakers and Clockmakers of the World as being active between 1830 and 1839 in Halesworth.

A 19th century oak, mahogany and burr walnut cased thirty hour longcase clock, the 30cm (12") square enamel dial with Roman numerals, semi-circular date aperture and painted decoration signed Joshua Gibbs, Souldern, with burr walnut swan neck pediment, square door flanked by turned columns, the mahogany crossbanded panel door with inlaid decoration flanked by reeded columns, on bracket feet, height 203cm. Joshua Gibbs is listed in Brian Loomes Watchmakers and Clockmakers of The World Volume II as being active between 1805 and 1855 in Deddington and Souldern (Oxon) (case af and in need of restoration).

Victorian mahogany washstand with marble top and carved wood wall clock bracket

An Edwardian carved oak architectural bracket clock, with chiming eight day movement and marked Benetfink & Co, Cheapside, 41cm high.

OAK CASED GRANDFATHER CLOCK the brass and silvered dial with Roman numerals, in carved oak case with floral and scroll decoration, raised on bracket feet, 205cm high

GOOD MAHOGANY GRANDMOTHER CLOCK the silvered dial with Arabic numerals in decorative domed and glazed case, raised on bracket feet, 180cm high

A George III style mahogany bracket clock with pagoda top, the arched glazed door enclosing an arched brass square movement inscribed "William Carter, Southwark", now with 18th century fusée watch movement, 23 cm high

An Edwardian mahogany cased mantle clock, having French gong striking movement faced by gilt metal engine turned and enamel Roman dial and the whole on cast gilt metal bracket feet.

A GEORGE III LANCASHIRE MAHOGANY LONGCASE CLOCK by Molk of Prescot, having an eight day movement with Wilson false plate, an arched painted dial with seconds dial and date aperture, the arched case with turned reeded pillars and the trunk with quarter reeded pillars, on bracket feet, 95" high

A William IV mahogany bracket clock with painted dial and eight-day striking movement with urn topped case, 56cm (22") high

A LOUIS XVI BOULLE WATCH STAND, as a Louis XVI bracket clock with brass inlay on red tortoiseshell, ormolu mounts and lift up top. 12ins high. Provenance: Dame Clara Butt.

A LOUIS XVI BOULLE WATCH STAND, as a Louis XVI bracket clock with brass and ivory inlay in red tortoiseshell with ormolu mounts with opening front. 16.5ins high.

A LOUIS XVI KINGSWOOD AND MARQUETRY WATCH STAND, as a Louis XVI bracket clock crossbanded with floral inlay and ormolu mounts. 12ins high.

A SMALL 19TH CENTURY JAPAN LACQUER “BRACKET CLOCK” WATCH STAND with carrying handle on bracket feet. 7ins high.

A VERY UNUSUAL 18TH CENTURY CARVED WOOD “BRACKET CLOCK” WATCH STAND, lacquered case with oak leaves and acorns. 11ins high.

THREE 19TH CENTURY MINIATURE BRACKET CLOCK WATCH HOLDERS. 6ins, 5ins and 6.5ins high.

An Edwardian mahogany and thistle inlaid mantel clock, the enamelled dial with Roman numerals and quartered chapter ring, in a shaped case raised on ogee bracket feet.

A mahogany cased bracket clock with shell shaped spandrels, silvered dial with Roman numerals, in a shaped case with vase finial, beaded door and on bun feet. The reverse of the movement stamped RSM with a rose to the centre.

A mahogany eight-day quarter chiming longcase clock, bearing signature for Francis Bennett, Shipston-on-Stour, early 19th century and later, now with triple-train key wound weight-driven movement with anchor escapement and a choice of Whittington, St. Michael and Westminster chimes on eight gongs and striking the hour on a cluster of four further gongs, the 13.25 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and bearing signature FRANCIS BENNETT, SHIPSTON-ON-STOUR to centre, the chapter ring with Arabic five-minute outer track within floral painted spandrels, the arch decorated with a Ho-Ho bird within delicate floral sprays, in a case with blind fret infill to the swan neck pediment and fluted columns to hood above shallow-arch door flanked by fluted quarter columns to trunk, on conforming crossbanded plinth base with moulded skirt incorporating bracket feet, 206cm (7ft 1in) high. condition report:** This clock has 20th century weight driven quarter chiming movement attached to a period dial plate which has been re-finished and signed by the clockmaker who undertook the conversion. Both movement and dial are in fine condition and clock should run and chime once set up correctly. Case is an early 19th century Scottish case and is in sound cosmetically restored condition with the only significant noticeable faults being vertical shrinkage cracks to the plinth base. The clock comes with weights, pendulum, case key and winder IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS Movements, dials and cases Movements and dials are described as relating to the cases in which they are housed in one of the following three ways: the case... we are of the opinion that the movement and dial started life in the current case. in a case... we are of the opinion that the movement and dial are in a case of correct period and type (and may well be original to the movement and dial), however there is evidence to suggest that they may not have started out life together. now in a case... we are of the opinion that the movement and dial are no longer in the original case or one of correct period and/or type. Pendulums, weights, winding and case keys Unless specifically indicated otherwise in the catalogue description it can be assumed that all clocks are sold with the requisite pendulum and correct number of weights (where appropriate), however we cannot guarantee that they are original to the clock. We do not indicate in the catalogue description whether winding or case keys are present with any specific clock. As many are consigned without keys please check with the department to establish whether they are present or not prior to bidding. Condition Due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition. We would strongly advise any prospective purchaser to view the item in person or request a condition report and/or further images prior to bidding. Measurements Dial measurements are given in inches, other dimensions such as height are given in centimeters (and inches for English clocks). The measurement given for the height of a longcase clock excludes any removable finials in order to provide an approximate minimum ceiling height in which the clock can be accommodated.

A Victorian Scottish mahogany eight-day longcase clock, Farquarson, Dundee, mid 19th century, the four pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Farquarson, Dundee to centre, the angles with four seasons spandrels beneath ploughing scene to arch, the swan neck pedimented case with shaped-top trunk door flanked by split baton applied uprights, on panel-fronted plinth base with bracket feet, 210cm (6ft 11ins) high excluding eagle finial.

A Regency brass mounted ebonised chamfer top bracket clock, unsigned, circa 1825, the five pillar twin fusee bell striking movement with anchor escapement and 8 inch circular convex silvered brass Roman numeral dial within cast brass bezel, the case with raised chamfer top upstand and fluted frieze to the cavetto moulded cornice above shaped brass fillet inset quadrant panels to front door flanked by brass inlaid canted angles and lions mask ring handles above rectangular fishcale frets to sides, on moulded base with brass ball feet, 41cm (16ins) high.. Provenance: The property of Viscount Portman, Spencer House thence by descent to The Late Henry Clive and Mrs. Clive, formerly of Perrystone Court, Herefordshire. condition report:** Movement appears to be complete and original, it will run and strike but is due for a clean and overhaul. The pendulum is fairly long which has necessitatied a hole to be cut in the bottom of the case and a box applied to the underside to enclose where the bottom of the pendulum bob passes through. This detail appears to have been done a long time ago possibly at the time of manufacture. The movemernt securing brackets are original and there are no signs of this case ever containing a different movement and dial. The convex section of the dial is backed onto a flat circular brass plate which appears to be a piece of salvaged brass as it has a couple of old sporious filled holes and other surface blemishes, the dial itself is discoloured/tarnished but undamaged. There is a possibility that at some point early in the clocks life that the dial was changed from a white painted version to the current engraved silvered brass arrangement (hence the salvaged brass plate). The case is generally in presentable condition, the only noteworthy faults being a fairly crude repair to the strip of veneer lining the top flat section along the back of the case, this could very easily be improved by a good case restorer. as well as some light scuffing next to the bezel where attempts have been made to open the front . Otherwise damage limited to minor bumps scuffs, scatches cracks and small veneer chips commenserate with age and use. Brass fittings appear original and retain original lacquered finish albeit discoloured in places (particularily the feet). Clock comes with case lock key but no winder. IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS Movements, dials and cases Movements and dials are described as relating to the cases in which they are housed in one of the following three ways: the case... we are of the opinion that the movement and dial started life in the current case. in a case... we are of the opinion that the movement and dial are in a case of correct period and type (and may well be original to the movement and dial), however there is evidence to suggest that they may not have started out life together. now in a case... we are of the opinion that the movement and dial are no longer in the original case or one of correct period and/or type. Pendulums, weights, winding and case keys Unless specifically indicated otherwise in the catalogue description it can be assumed that all clocks are sold with the requisite pendulum and correct number of weights (where appropriate), however we cannot guarantee that they are original to the clock. We do not indicate in the catalogue description whether winding or case keys are present with any specific clock. As many are consigned without keys please check with the department to establish whether they are present or not prior to bidding. Condition Due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition. We would strongly advise any prospective purchaser to view the item in person or request a condition report and/or further images prior to bidding. Measurements Dial measurements are given in inches, other dimensions such as height are given in centimeters (and inches for English clocks). The measurement given for the height of a longcase clock excludes any removable finials in order to provide an approximate minimum ceiling height in which the clock can be accommodated.

An oak and mahogany longcase clock, signed - Jones, Newtown, the case with a broken swan-neck pediment, branded and crossbanded, rose frieze with marquetry design of scrolling foliage, and a running stallion, shaped door, bracket feet, arched painted dial, river landscape scenes to the lunette and spandrels, a subsidiary seconds dial and date aperture, eight-day movement, striking on a bell.

A late victorian carved oak clock-bracket

A George III mahogany cased bracket clock, the silvered arched dial with Roman hours and Arabic minutes signed Thos. Cape, London, the twin train movement with verge escapement striking on a bell, 45cm

Late C18th Mahogany Long Case Clock, small bracket feet, plain plinth, with dome topped door, arched canopy with plain turned columns, brass finials, 8 day movement by William Pike Totness, granulated dial with shell & C-scroll spandrels, silvered chapter ring with Roman & outer Arab numerals, secondary seconds dial, date apeture, domed top inset silvered dial tempus fugit with eagle, iron weights

Mahogany Cased 8 day Long Case Clock, panelled pediment base on small bracket supports, shaped door, arched hood, arched brass dial with granulated centre, secondary seconds dial, brass chapter ring with cherub spandrels, striking on gong 12" dial, 80"H x 10"D x 18"W

"Regency bracket clock with a painted circular dial inscribed `Webster, London`, enclosing eight day fusee movement striking on a bell, the back plate inscribed `Webster, London`, in a rosewood case, 49.5cm h "

A late 19th Century slate mantel clock with eight day movement striking on a gong, the circular enamel dial with Roman numerals, the architectural case with fluted columns, on a rectangular base and stepped bracket feet, with a pendulum.

A mid-19th Century gilt brass cased carriage clock with eight day movement and duplex escapement repeating on a bell, the white enamel dial with Roman numerals, the glazed case with turned swing handle, the top and side pillars engraved with scrolling foliage, on bracket feet with hatched decoration, height approx 15cm.

A late 19th/early 20th Century gilt brass cased carriage alarm clock with eight day repeating movement striking on a gong, the enamel dial with Roman numerals and subsidiary alarm dial, the glazed case with swing handle on bracket feet, height approx 16.5cm.

A 20th Century French cast brass mantel clock with eight day movement striking on a bell, the foliate scroll case decorated with a central mask and raised on scroll supports and squat bracket feet, height approx 43cm.

A Regency rosewood bracket clock with eight day twin fusee movement striking on a bell, the circular silvered dial with strike/silent indicator, Roman numerals and inscribed `Rd Ganthony, Cheapside, London`, the pagoda shaped case applied with foliate mouldings, flanked by a pair of pierced gilt brass scale fret panels, on a plinth base and reeded bun feet, height approx 50.5cm, together with pendulum (one foot replaced and minor faults).

A George V oak longcase clock, with eight day movement striking on a gong, the gilt break arch dial with silvered chapter ring and Roman numerals, cornered with foliate spandrels, the hood with swan neck pediment above a glazed door flanked by columns, the trunk with moulded decoration and circular glazed lenticle on a panelled base and bracket feet, height approx 191cm, together with pendulum.

A late 19th Century German walnut mantel clock with eight day movement striking on a gong, the brass dial with silvered chapter ring and gilt Arabic numerals, the backplate inscribed `Junghans`, the case with arch surmount above a pair of reeded columns, on a moulded plinth and bracket beet, height approx 45cm, with pendulum.

A mid-18th Century ebonized bracket clock, the eight day twin fusee movement with verge escapement, bob pendulum and striking on a bell, the brass break arch dial with silvered strike/silent indicator boss to arch inscribed `Wm. Smith, London` above a silvered chapter ring with Roman hours and Arabic minutes, framing a matt centre with mock pendulum aperture and date aperture, all cornered by pierced scroll spandrels, the backplate finely engraved with scrolls and foliage, the case with caddy top fitted with a brass carry handle above pierced fret panels, glazed doors to front and back and glazed side panels, on a moulded plinth base and bracket feet, height approx 52cm (some faults).

A George III oak longcase clock with eight day movement striking on a bell, the square painted dial with Roman numerals, moon phase indicator, date aperture and inscribed `Gaskell, Knutsford`, the hood with moulded pediment above a glazed door flanked by fluted columns, the crossbanded trunk door flanked by fluted pilasters above a panelled base, on ogee bracket feet, height approx 204cm, with pendulum, two weights and a key.

A George III oak longcase clock with thirty hour movement striking on a bell, the painted dial with Roman numerals and inscribed `Nicholas, Daventry`, the hood with swan neck pediment above turned columns and glazed door, the crossbanded case with rectangular trunk door, on bracket feet, height approx 199cm, together with weight and pendulum (some faults).

An early 20th century bracket clock in a Georgian style with shaped domed hoop, fluted flanking column and gilt metal hoop scrolled handle and decorative mounts and the eight day movement striking on a gong with decorative chapter ring and spandrels and Arabic numerals (35cms high).

A LATE 19TH /EARLY 20TH CENTURY GILT BRASS MANTEL OR BRACKET CLOCK, the foliate cast case surmounted by two handled urn and with loop handles to the body, white enamel dial with Arabic numerals marked J R Simms, Chipping Norton. 15.5" High.

A 20th century mahogany cased dome topped mantel clock raised on ogee bracket feet

A French late nineteenth century carriage clock, the eight day movement striking and repeating on a gong, the silvered foliage engraved dial with an enamel chapter ring, in an Anglaise Riche gilt brass case with bevelled glass panels and swing handle, the plinth on short bracket feet. 6in (15cm).

William Reeves, London, a mahogany bracket clock, with an arched dial, new dial, restored 39cm

A late 19th Century French Gilt, Brass and Porcelain mounted Clock Garniture, the plinth-shaped case surmounted by a lidded twin-handled urn, to a porcelain dial, with gilt highlighted surround enclosing Roman lozenges and landscape to the centre with gilt fleur-de-lys type hands, over a further Italianate landscape depicting blacksmiths shoeing a horse, and raised on splayed bracket feet, to a circular brass movement with anchor escapement and strike on a bell, and flanked by a pair of matching urn-shaped side pieces, each also depicting equestrian pursuits (some slight losses), height of clock 16 ½” (3)

An early 20th Century Walnut cased Mantel Clock, Junghans, the Oriental influenced case surmounted by three ring turned finials, over further half ring turned collar mounts, flanking a glazed door and splayed bracket base, to a signed composite 4 ½” Roman dial, with outside minute track and pierced hands, to a spring driven movement with anchor escapement and strike on a gong, with simulated mercury twin pot pendulum, height 19”

A 19th Century ebonised and brass mounted bracket clock, by Barraud & Lunds, Cornhill, London, having brass spandril dial and steel chapter and strike silent rings, raised on bracket supports, the domed top surmounted by a square pediment and gilt finial, 38cm, complete with bracket-see illustration

A Georgian oak and chequer-banded long case clock, the arched hood enclosing a painted dial depicting country scenes, supporting an 8 day striking movement, trunk panelled door above box base, raised on bracket supports, 210cm high

A Regency mahogany bracket clock by Parkinson & Frodsham, with twin fusee movement striking on a bell and engraved and signed backplate and 6.75 inch enamelled Roman dial, in brass inlaid arched case on ball feet, 14.5ins