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MAHOGANY DOUBLE FUSEE BRACKET CLOCK, the 8" circular engraved silvered dial within a lancet case, 19.5" high

Mahogany double fusee bracket clock, the shaped engraved back plate and 6" circular brass dial signed Thomas Hunter, Islington within a lancet case inlaid with brass lines and upon an ebonised stepped base, 14.5" high

MAHOGANY DOUBLE FUSEE BRACKET CLOCK striking on a gong, the 8" circular white dial signed Edward Davy, Norwich, within a brass inlaid panelled case with arched top, 18" high

MAHOGANY DOUBLE FUSEE BRACKET CLOCK, pull repeat, the 8" convex silvered dial signed Barwise, London within a broken arch case inlaid with brass lines and motifs, 16.5" high

MAHOGANY SINGLE FUSEE BRACKET CLOCK, the back plate and 5" silvered dial signed Barraud & Lunds, London, no. 8308, the broken arch case inlaid with boxwood lines and a butterfly, 10.5" high

EBONISED DOUBLE FUSEE BRACKET CLOCK, striking on a gong, pull repeat, the back plate and 6" square brass dial signed Payne & Co, 163. New Bond Street, London, no. 2125, the 17th century style case with gilt metal mounts and surmounted by a basket top, modelled with swags and cherubs, 15" high

Modern double fusee verge bracket clock from a Claude Cleeve plan striking on six bells and within a Georgian style mahogany case, 16.5" high

MAHOGANY DOUBLE FUSEE BRACKET CLOCK striking on a gong, the 7.5" brass dial within a panelled case inlaid with brass and surmounted by a pineapple knop, 20" high

ROSEWOOD DOUBLE FUSEE BRACKET CLOCK, the backplate stamped Roskell, Liverpool, no. 756, the 7" circular white dial within a stepped case inlaid with brass arabesques, 20.5" high

MAHOGANY DOUBLE FUSEE BRACKET CLOCK, the 8" circular white dial signed John Barker, London, the lancet case inlaid with brass motifs, 21" high

DOUBLE FUSEE VERGE BRACKET CLOCK the 7" circular white dial signed J. Harper, London within an inlaid mahogany arched top case, 18" high

A figured mahogany longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 12 inch white Arabic numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed “Hill, Bristol” to centre, with rose painted spandrels and rolling moonphase to arch, the arched-top case with scallop shell and rosette carved fluted frieze over wavy edge door and fluted Corinthian pilasters to hood, over short flame figured trunk door flanked by quarter columns, on conforming plinth base with bracket feet, 215cm high. Probably William Hill who is recorded in Moore, A J “The Clockmakers of Bristol 1650-1900” as working from St Augustine”s Back 1848-65

A Victorian figured mahogany eight-day longcase clock, circa 1850, the four-pillar rack and bell striking movement with 12 inch circular white painted Roman numeral dial signed “W. Enock, Warwick”, in shallow break-arch pedimented case with turned pilasters to hood over short door and canted angles to trunk, on crossbanded plinth base with splayed bracket feet, 208cm high. William Enock is recorded in Loomes, Brian “Watchmakers & Clockmakers of the World Volume 2” as working in Warwick 1827-55

A Queen Anne ebony veneered eight-day basket-top bracket clock with pull quarter repeat, circa 1700, the twin fusee five finned pillar movement with restored verge escapement and pull quarter repeat on three bells with hour strike on a further bell, the symmetrical tulip and foliate engraved backplate signed “Robert Williamson, London” to a scroll borded reserve, the 7 inch square brass dial with rosette engraved centre and scroll decorated calender aperture to the matted centre within an applied Roman numeral silvered chapter ring with sword hilt half hour markers and Arabic five minutes, the angles with applied winged cherub head spandrels and with N/S lever above XII, the case with foliate pierced cherub and scroll decorated repousse basket and hinged carrying handle and later pineapple finials to top over front door with applied repousse mounts, on moulded base, case /with minor faults, movement with restorations, 37cm high excluding handle. Robert Williamson is recorded in Ballie, G H “Watchmakers & Clockmakers of the World” as working (near Royal Exchange) 1666-1714

A George III brass-mounted mahogany eight-day bracket clock, circa 1790, the twin fusee five-pillar rack and bell striking movement with Rise/Fall regulation and shaped backplate engraved with a basket of flowers within foliate scroll borders, the ogee arch-top brass dial with 6 inch convex Roman numeral enamel centre signed “W”m Chapman, London” within foliate scroll engraved gilt brass spandrels, the arch with subsidiary Strike/Silent and regulation dials within conforming engraved infill, the bell-top case with five gilt ball finials and gilt mouldings over shaped brass-lined front door aperture flanked by stop-fluted canted angles and conforming break-arch side windows, on brass-bound base with ogee bracket feet, 49cm high. William Chapman is recorded in Baillie, G H “Watchmakers & Clockmakers of the World” as working 1756-94

A late 19th century oak cased quarter chiming eight-day bracket clock by Winterhalter & Hoffmeyer, the three-train movement with Rise/Fall regulation and quarter chime on four gongs with hour strike on a further gong, the 8 inch rectangular brass dial with matted centre and applied silvered Roman numeral chapter ring, within a foliate cast spandrel mounted field with Slow/Fast and Chime/Silent subsidiary dials to upper angles, the foliate carved dome-top case with fluted Corinthian pillars to front and pierced frets to sides, on panel carved plinth base with pad feet, 60cm high.

Edwardian mahogany cased bracket clock with glass plates by Robert Jones and Sons, Liverpool, the silvered dial with subsidiary slow/fast and chime/silent dials, 32cm.

A George III musical bracket clock by John Thwaites, Clerkenwell, arched brass dial with silvered chapter ring and dial-centre, two subsidiary dials to arch, Chime/Not Chime and Song/Hornpipe, engraved signature above, backplate also signed, eight-day verge movement striking on single bell, musical mechanism playing on eight bells, in mahogany case mounted with ormolu caryatid terminal figures and torch finials, the grilles similarly mounted, on ormolu knurled scroll feet, 24.5in. high

A Regency rosewood brass mounted and inlaid bracket clock, with pineapple finial, scale grills and painted dial, double fusee hour repeating movement engraved on back plate Barber and Whitwell, York, 19ins

A late 19th century German walnut mantel clock, the movement striking on chime bars, the gilt brass face with floral spandrels, the pedimented case above bevelled glazed door, flanked by reeded columns, on moulded plinth base with bracket feet 45cm high

E. Ingraham & Co, Bristol Conneticut An American cherry cased bracket clock, the twin train movement striking on a gong, the enamelled dial with Roman chapters and central alarm wheel, the case with foliate finial, three bobbin turned features, the glass door with gilt trellis and stylised foliate work, flanked by scrolled panels on a plinth base 52cm high

An 18th Century pine longcase clock by T. Budgen of Croydon, the 10ins square brass dial with Roman numerals and single hand to the iron framed 30 hour movement with outside locking plate, contained in plain pine case with shaped cresting and plain turned pillars to hood, plain trunk door, on bracket feet, 75ins high

A George III figured mahogany triple pad top eight-day bracket clock circa 1795 the five-pillar twin fusee rack and bell striking movement with anchor escapement and Strike/Silent lever to the arcade border engraved rectangular backplate the 8. inch circular cream painted Roman numeral dial signed Willm Fidgett London to centre the shallow arch-top case with hinged carrying handle and brass-bound panels over brass fishscale sound frets to sides and beneath dial flanked by brass inset canted angles on moulded plinth base with brass ogee bracket feet 40cm high excluding handle. William Fidgett is recorded in Britten F J Old Clocks & Watches and their Makers as working in London circa 1780-1825.

A 20th century twin fusee eight-day bracket clock movement four-pillar with deadbeat escapement and rack-striking on a bell now with silvered Roman numeral chapter ring and under glass dome 32cm high; and an oak dome-top mantel timepiece with white Roman numeral dial 24cm high (2).

A German oak cased four-glass eight-day quarter chiming mantel clock by Winterhalter & Hoffmeyer circa 1900 the two-train movement chiming on two gongs with 5.5. inch x 7. inch silvered dial inscribed Hamilton & Inches Edinburgh to centre within applied Roman numeral chapter ring with Arabic five minutes the upper angles with subsidiary Fast/Slow and Chime/Silent dials in rectangular bevel glazed case with aperture to the cavetto moulded edge top and on moulded base with squat bracket feet 26cm high.

A late 19th century French champleve enamelled and porcelain panel inset brass eight-day four-glass mantel clock the gong-striking movement with mercury compensated pendulum and polychrome rosette centred floral garland painted white Arabic numeral dial set into shaped crest top scroll sided polychrome champleve enamel fascia inset with porcelain panel painted with Cupid and Psyche beneath dial the sides and back bevel glazed on outswept bracket feet with shaped apron between to front 32cm high.

A Victorian walnut eight-day bracket clock the four-pillar twin fusee gong-striking movement with Rise/Fall regulation and 5. inch silvered Roman numeral arch dial with foliate engraved spandrels beneath Fast/Slow and Strike/Silent regulation dials to arch the break-arch case with vase finials over Corinthian pilasters to front angles on foliate carved panel centred fluted plinth base with lobed bun feet 38cm high.

A George III figured mahogany eight-day bracket clock circa 1790 the five-pillar twin fusee rack and bell striking movement with original verge escapement trip repeat and foliate engraved backplate the 7. inch silvered brass break-arch Roman numeral dial with sweep calendar hand and signed Robert Cox Christchurch to centre with Arabic five minutes and foliate engraved decoration the inverted bell top case with brass carrying handle and urn finials over brass edged front door and circular window over concave topped rectangular windows to sides on plinth base with brass bracket feet 47cm high excluding handle. Robert Cox is recorded in Baillie G H Watchmakers & Clockmakers of the World as working in Christchurch in 1791.

A George III figured mahogany eight-day pad top bracket clock circa 1795 the four-pillar twin fusee rack and bell striking movement now with anchor escapement and shouldered backplate signed Ward London the 8. inch convex cream painted Roman numeral circular dial similarly signed and with pierced brass hands the single pad top brass-mounted break-arch case with hinged carrying handle and brass fishscale arched side frets with conforming frets beneath dial and canted brass-mounted angles on plinth base with bracket feet movement with restorations 40cm high excluding handle.

An early 19th century oak cased thirty-hour longcase clock with four-pillar outside countwheel bell-striking movement and 11. inch square white Roman numeral dial with arched calendar aperture polychrome bird perched on branch decoration and signed Bedford Hingham to centre the angles with rose painted spandrels in a flat-top case with ogee moulded pediment and turned pilasters to hood over rectangular trunk door and plinth base with bracket feet movement and dial probably associated to case 196cm high.

An oak eight-day longcase clock circa 1772 the five-pillar rack and bell striking movement with 11.75. inch brass break-arch dial with recessed seconds dial calendar aperture and applied plaque signed E. Harvey Brentwood to the matted centre within applied Roman numeral chapter ring with Arabic five minutes and scroll cast spandrel applied angles the arch with subsidiary Strike/Silent dial and conforming scroll cast mounts in a case with swan neck pediment and reeded pilasters to hood over break-arch trunk door and plinth base with bracket feet probably associated 218cm high. Probably Eleanor Harvey who is recorded in Baillie G H Watchmakers & Clockmakers of the World as working in Brentwood after the death of her husband John in 1772.

A figured mahogany eight-day longcase clock with rocking ship to arch West Country circa 1820 the four-pillar rack and bell striking movement with white painted 12. inch Arabic numeral dial with subsidiary seconds dial and arched calendar aperture to centre and rose painted spandrels the arch with rocking man of war between a fortress and rocky outcrop the case with swan neck pediment and ring-turned pilasters to hood over short ebony line panel inlaid trunk door and conforming plinth base with bracket feet 215cm high.

Quality Georgian design mahogany bracket clock by Richard Fennell of Kensington, arched face with silent/strike mechanism, foliate engraved back plate and bob pendulum, lacquered brass pierced side panels, ball feet and brass carrying handle, 19” height. **

WAGITT, RICHMOND; an oak longcase clock the eight day striking movement with square brass 11 1/4 inch dial silvered chapter ring with cast gilt spandrels the hood with square top turned pilasters, plain case raised on ogee bracket feet, 86 inches high overall

OWEN, HAVERFORDWEST; an oak longcase clock the eight day striking movement with 14 inch painted dial the arch and spandrels painted with floral bouquets, the hood with bead and fret carved bell flower decoration and fluted pilasters the case enclosed by a rectangular door with bobbin turned quarter column corners on a panelled base with bracket feet, 91 inches high overall

A 19th Century oak Black Forest cuckoo clock of architectural form with carved applied decoration, 15 inches, with bracket to match

RICHARD SAINSBURY, BRIDGWATER; an 18th Century oak longcase clock the eight day striking movement with 12 inch square painted dial with Arabic numerals and subsidiary seconds dial the hood with broken pediment scroll pediment and turned pilasters the case with reeded and banded decoration on bracket feet, 83 inches high

A Victorian mahogany bracket clock, the case with shaped top and applied leaf and C scroll decoration, with arched grille sides on bun feet, the eight day twin fusee movement striking on a bell with enamel dial (A/F), 16 1/2 inches high with the original bracket

French gilt metal and champleve enamel mantel clock, the rectangular top above a gilt and enamel dial within four glazed sides raised on bracket feet, with a mercury pendulum, 10 3/4in (27.3cm) high

Robert Wilkie, Leven, eight day long case clock, a rocking ship by a castle and cove in the arch, figures in the spandrels, worn subsidiary seconds and date dials, in cross banded mahogany case with inlaid swan neck pediment and quarter turned pilasters on bracket feet

Bishop Maidstone An 18th century brass lantern clock with anchor escapement striking the hours on a brass bell enclosed by the open crown dial with Roman chapters enclosing foliate engraved centre inscribed with maker's name pierced scrolling surmounts to front and sides turned columns at angles with urn finials and ball feet hinged sides 37cm high; together with an associated mahogany bracket 64cm high (2) There are Bishops recorded as working in Maidstone circa 1650 (John) 1720 (Martha) and 1733 (John). This clock has repair dates to the rear of the dial for 1768 1814 1821 1831 1835 1867 1880 and 1995. It was purchased from Paul Smith of Nantwich in 1953 for #20.

A Regency mahogany 8-day longcase clock the twin train movement with anchor escapement the circular painted dial with subsidiary seconds and date dials the drum hood above arched trunk door on plain base with bracket feet 208cm high

Thomas Phillips Ludlow A George III oak 30 hour longcase clock the single train movement striking on a bell the painted square dial with Roman chapters and fan spandrels corniced hood with fluted columns the trunk and panel base with mahogany banding bracket feet 198cm high

John Gibson Edinburgh A George III mahogany 8-day longcase clock the twin train movement with anchor escapement the brass arched dial with strike/silent dial to the arch and subsidiary seconds dial and date aperture the hood with swan neck pediment and fluted columns above trunk with fluted columns on panelled base with bracket feet 209cm high

John Beechard? Newcastle A George III mahogany and oak 8-day longcase clock the twin train movement with anchor escapement the arched painted dial with moonphase to the arch and subsidiary seconds dial and date aperture the wood with swan neck pediment above turned columns the trunk with quarter columns and inlaid door raised above panelled base with bracket feet 211cm high

n oak crossbanded mahogany 30-hour longcase clock, early 19th century, the 12" painted dial signed Thomas Morris, Albrighton, with ring of roman numerals, centre date aperture, the spandrels painted with windmills and a cottage by a bridge, the movement striking on a single bell, the hood with swan neck pediment over barsda turned and tapering front corner hood pilasters flanking the square glazed door over a short arched trunk door on a box base with inlaid central lozenge motif on short bracket feet, 79" high

A LATE 18TH CENTURY 30 HOUR LONGCASE CLOCK the 28.5cms square painted dial with decorative floral spandrels and date aperture, in mahogany case the hood with moulded pilasters flanking the dial door, full length trunk door and on low bracket supports, 192cms high

A Regency Mahogany Brass Inlaid Bracket Clock, by Henry Brown, the moulded top with brass pineapple finial, the circular painted dial with Roman numerals and twin fusee movement striking on a bell, raised upon low brass ball feet

A 19th Century French carved walnut cased bracket clock, with a circular ogee enamel dial, the twin train movement with outside count wheel striking the hour and half hour on a bell, the profusely carved case with an inset Medusa mask, back of the dial engraved Freres Du Lomin a Paris. With matching scrolled bracket (2)

A MAHOGANY BRACKET CLOCK dial cream painted, signed Frodsham, Gracechurch St., London, movement chain fusee, striking on a bell, case arched inset with brass fillets, 16in. (41cm.) high See illustration

A MAHOGANY BRACKET CLOCK dial 6 3/4inch silvered chapter ring, calendar aperture and signed on a crescent Joseph Martineau & Son, London, strike/silent ring to the arch, movement with pull repeat, the back plate engraved with foliate scrolls, case the moulded arched top with three rectangular panels, brass fish scale panels to the side, all with brass fillets and mounts, 15in. (38cm.) high See illustration

VICTORIAN MAHOGANY LONGCASE CLOCK, by Humphreys of West Auckland, the swan-neck pediment above a pair of turned baluster columns flanking an arched painted dial with subsidiary seconds dial, decorated with foliate spandrels under a village scene, thirty hour movement, the trunk with small rectangular door, raised on bracket feet. 2.27m.

GEORGE III MAHOGANY LONGCASE CLOCK, the moulded cornice supported on turned columns flanking an engraved brass dial with Roman and Arabic numerals and subsidiary dial, the spandrels mounted with Classical figures, thirty hour movement, the slender trunk with ogee arched door above a plain moulded base, raised on shaped bracket feet. 2.13m

A 19th Century mahogany and inlaid Continental bracket clock, triple barrel movement striking to three bells, white enamel dial, the case with cushion top, decorative fret to sides and fluted Corinthian columns to the front corners, the case door with gilt metal spandrels over an inlaid frieze of ribbon and harebells, complete with bracket, clock height 22 1/2" (2)

An 18th Century long case clock, by H. Ivison, Carlisle, the thirty hour movement with arched dial painted with a bird to the arch and floral spandrels, date aperture, in oak case with mahogany cross banding, swan neck pediment on turned columns, reeded quarter columns to the trunk, panelled canted base, on bracket feet, 86" high .

A long case clock by R.B.Kirby, Malton, the eight day movement with arched painted dial depicting a country landscape with female figure and dog, and buildings to the spandrels, date aperture and seconds dial, in oak and mahogany cross banded case, having ball finials, fluted columns, the shaped door with ebony inlay and canted corners, panelled base and bracket feet, 86" high

A Late Victorian Bracket Clock, the silvered chapter ring with Arabic numerals, fitted an 8 day movement, in a mahogany case with bun feet, 25 cm

Ganthony, Royal Exchange London mahogany bracket clock, double fusee movement, the back plate engraved with leaf scrolls, the broken arch case inlaid with brass leaf scrolls, raked pediment and brass acorn knob, applied with lion mask ring side handles, convex white painted face with Roman numerals, raised on gilt ball feet.

German bracket clock by Winterhalter & Hofmeier, circa 1890, square oak case with bevelled glass sides, silvered face engraved John Hall & Co, chapter ring with roman numerals and slow/fast strike/silent dials, two train movement striking the quarter on two coils. Height 275mm. (Pendulum and two keys).

Cottage oak long case clock, the hood with swans neck cornice and plain columns with square brass face, named Jas. Brindley, Newcastle, applied spandrels, engraved field with subsidiary seconds, eight day movement striking the hour on a trunk with reeded corners and shaped top door on set out plinth and bracket feet. Height 198cm, 78in.