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19th Century oak longcase clock by Edward Glase of Bridgnorth, the hood with swan neck pediment and reeded pillars, the trunk having a short door with mahogany crossbanding and inlaid decoration, standing on bracket feet, the arch shaped dial with moon phase, subsidiary seconds dial and calendar aperture, signed, 234cm high

19th Century Dutch marquetry inlaid walnut bracket clock having allover foliate and chequered inlay and standing on carved paw feet, the later dial having a silvered chapter ring with Roman numerals, 66cm high

19th Century French buhl cased bracket clock by Vincenti et Cie having cast ormolu foliate design finial, conforming mounts over brass inlaid red tortoiseshell, the relief decorated gilt dial having white enamel chapter ring with Roman numerals, brass movement striking on a gong, 64cm high

George III mahogany crossbanded oak longcase clock by James Webster of Salop, the square hood with reeded pillars, trunk having a long door with conch shell inlay, standing on bracket feet, the brass dial having a silvered chapter ring with Roman numerals and with conforming calendar aperture, engraved foliate decoration to the centre, signed, eight day striking movement, 203cm high

A 19th Century ebonised and gilt Aesthetic movement bracket clock, with painted spandrels of four seasons in the manner of Godwin, having eight-day fusee quarter chiming and striking movement on bells and gong by William Tucker Bristol, 25 1/2" high (illustrated)

A late 20th Century Mahogany cased triple barrel Bracket Clock, retailed by Woodford, the arched case with canted corners and raised on squat bracket feet, to an arched brass dial with applied silvered boss and chapter ring, with further applied spandrels and black painted hands, to a brass triple spring barrel driven movement, with strike on eight rods for Whittington/St Michael/Westminster chimes, height 13 ¼”

An early 20th Century Mahogany and gilt highlighted 8-Day Bracket Clock, the overhanging cornice surmounted by a shaped pediment with shell detail over a brickwork frieze and reeded columns, to a stepped plinth base and cast brass bezel with convex glass enclosing a 7 ½” engraved Roman silvered dial, with outside minute track and steel hands, to a rectangular brass plated movement with anchor escapement and strike on five blued steel coiled gongs, height 18”

A mid-20th Century Mantel Clock, the arched case surmounted by a brass carry handle, over an arched brass door with bevelled glass, to a moulded plinth base, and raised on outswept bracket feet, to a 5 ¾” silvered arched dial, with applied Arabic chapter ring and blued steel hands, to a replacement Smiths movement with strike on a coiled gong, height 14”

A nineteenth century gilt brass mounted ebonized table clock, by James Whitelaw of Edinburgh with five pillar twin fusee bell striking movement silvered arch dial, pineapple finials and raised on ogee bracket feet, 24".

A nineteenth century French walnut cased eight day bracket clock with ormolu mounts.

A French brass carriage clock with enamel Roman numeral dial, on bracket feet, 15cm high

A Victorian figured mahogany 8-day longcase clock, the arched enamel dial named George Lumsden of Pittenweem, with swan neck hood, convex inspection door, on bracket feet, 220cm high

A Victorian mahogany 8-day longcase clock, with swan neck hood and enamel arched dial, the trunk with concave door, on bracket feet, 220cm high

A Victorian ebonised bracket clock By Barrie, Edinburgh, in the George II style the arched dial signed Barrie, Edinburgh, with subsidiary second/strike dial and fret pierced spandrels, the 8-day movement with anchor escapement and striking on a gong, the domed case with loop carrying handle, and pierced sound frets, raised on a moulded plinth base with toupie feet 30cm wide, 51cm high, 18cm deep

A George III oak longcase clock By Jo Kirkwood Redpath with eight day movement, the arched brass dial and chapter ring with Arabic and Roman numerals, subsidiary second dial and date aperture, surrounded by spandrels, the swan neck pediment with brass urn finial over column flanked door, moulded trunk door, plinth base, raised on bracket feet

A George III mahogany longcase clock By C. Brotherston, Dalkieth the arched enamel and painted dial with Roman numerals, subsidiary date and second dials, with eight day movement, the swan neck pediment over door flanked by fluted columns, inlaid trunk door flanked by fluted quarter columns, plinth base raised on bracket feet 224cm high

A Scottish George IV longcase clock By Inglis, Glasgow the arched dial painted with subsidiary second and date dials, with figural spandrels depicting the four Continents and a battle scene, the 8-day movement striking on a bell, the hood with a moulded cornice and reeded pilasters, the crossbanded case raised on later bracket feet 46cm wide, 209cm high, 23cm deep

A large old Slate Bracket Mantle clock with double pillar feature either side

A Walnut finished Bracket clock with two train movement

An 18th century-style bracket clock with three train striking movement, h. 39 cm

An Edwardian early 18th century-style bracket clock with three train striking movement in a moulded oak case, h. 43 cm

A good quality walnut and brass mounted bracket clock with Junghans movement, the case with carved finials and gilt metal figural mounts.

A walnut cased German bracket clock.

AN EARLY 20TH CENTURY MAHOGANY CASED BRACKET CLOCK BY GUSTAV BECKER, of eight day chiming movement, the arched silvered dial with Roman chapter and chime/silent subsidiary dial to arch, the classical case with moulded arched pediment and fluted pilasters with foliate capitols, on a moulded bracket foot, 42cms high

A late nineteenth century German mantel clock, the eightday movement striking on a gong, having a chased circular silver dial with Roman Numerals, the ebonised cartouche shape case with gilt bronze mounts, 13. 5in (34cm) high, together with a walnut clock wall bracket, with ormolu mounts, 9in (23cm) wide. (2).

A mid-18thC oak longcase clock, with moulded pillar hood with verre-eglomise frieze, quarter inset trunk with full length and shaped door, moulded and panelled base with bracket feet, the 30cm brass dial having applied rococo spandrels, silver chapter ring with Roman hour and Arabic minute numerals, the matted centrefield engraved and bearing date crescent, marked Sl. Lawson KEIGHLEY, thirty hour movement, 205cm high.

A George II style small mantel clock, with a timepiece movement, by Mercer, St. Albans, England, with a brass dial, silvered chapter ring, "tempus fugit" to the arch, walnut case, with embossed brass caddy top with carrying handle and four finials, on bracket feet, 19cm high, 20thC.

VICTORIAN BRASS MOUNTED EBONISED MUSICAL BRACKET CLOCK the brass dial with Roman numerals and subsidiary chime/silent dial, the case with two brass carrying handles above fretwork side panels, 40cm high

JAMES McLAREN BRASS DIALED MAHOGANY CASED EIGHT DAY LONG CASE CLOCK circa 1890s, the dial with Roman numerals, seconds dial and date aperture, the swan neck pediment hood with glazed front flanked by column supports in waisted case with bracket feet

English mahogany double fusee bracket clock, the movement striking on a bell with pull repeat, the 6" gilded metal dial signed Edward Halsall, Bristol, within an arched carved panelled case, 12.5" high

Small contemporary mahogany bracket timepiece with Rotherham`s English movement, the 3.5" brass arched dial within a stepped case surmounted by a caddy top and brass carrying handle, 9.5" high; also a small gilt metal timepiece manufactured by The British United Clock Co. Ltd, Birmingham & England, the 1.5" cream chapter ring and gilded centre within an ornate cast case, 4" high (2)

Good mahogany triple fusee boardroom clock, the movement striking and chiming on eight bells and five gongs, the 8" brass arched dial with chime/silent, slow/fast and Whittington/Westminster subsidiary dials to the arch over a silvered chapter ring enclosing a matted centre, within a traditional bracket style case with caryatid and foliate brass mounts, surmounted by a stepped bell top and five acorn finials, 27" high

Contemporary Continental two train bracket clock, the 6" cream dial signed Le Castel over a visible pendulum, within a gilded floral and green painted case, 23" high overall

Good English mahogany double fusee bracket clock, the movement striking on a bell, the 7" arched silvered dial signed Thompson, London, with strike/silent and subsidiary calendar dials, within a plain stepped brass bound case surmounted by a moulded arched cornice and brass handle, 18" high

Large oak double fusee Gothic bracket clock, the movement and dial signed Dent London, no. 1158 playing on eight bells and striking on a gong, the 7.75" white dial with strike/silent lever, within a lancet shaped case with Gothic fielded panels, 19" high

Mahogany two train bracket clock, the movement striking on four brass rods, the 7.25" engraved silvered arched dial within a stepped pillared case inlaid with stylised foliage and harebells and surmounted by an arched top, 16.5" high

Good mahogany triple fusee bracket clock, the movement chiming on eight bells and striking on another, the 8" cream dial signed David Samuals & Son, Goodmans Fields, London, within a flamed case with arched pierced brass fish scale side panels and foliate ring handles, surmounted by a wavy arched top and stepped rectangular pediment with pineapple finial, 24" high

Interesting and unusual mahogany lancet bracket clock, the French movement with pin wheel escapement, striking on a bell, the 5" convex cream dial signed Barwise, London, with centre seconds and Arabic calendar numerals, within a lancet case inlaid with boxwood lines, 15" high

Gothic single fusee cast iron bracket clock, the 5.25" convex silvered dial within a panelled case decorated with applied Gothic tracery and surmounted by a crenellated top with three urn finials, 16" high

Good English ebonised double fusee bracket clock, the movement striking on a bell and with finely engraved foliate back plate, the 8" silvered arched dial signed Simson, London, with strike/silent dial to the arch, within a stepped case with canted corners and surmounted by a caddy top with brass carrying handles, 22" high overall

Small burgundy painted and gilt bordered clock bracket decorated with sprays of roses, 11.5" wide

Large ebonised clock bracket, 21" wide

Various tools and spares including staking set, punches and clock hands; also a clock stand and bracket

An early 19th Century mahogany bracket clock having a brass loop handle over arched case, the circular enamel dial named Le Palstrier, facing a twin fusee bell striking and repeating movement, the whole on cast gilt metal bracket feet, 39 cms.

A Louis XV style ormolu striking mantel clock, the finial in the form of a seated cherub on a cloud playing a lyre, the case with scrolling foliage and four leaf-capped scroll supports on a shaped platform with pierced apron and bracket feet, fitted a circular white enamel dial signed Honegger and having an eight-day movement striking on a bell, the case stamped BD352 (Beurdeley), 43.25cm (17") high. Provenance: Sotheby`s, 12 June 1987, lot 596, see illustration

An early 19th Century ebony bracket clock the arch top case with handle to the top inlaid brass stringing and with pierced grilles to the sides, fitted a convex white enamelled dial with Roman numerals inscribed Cha`s White London and having an eight-day single fusee movement, 45cm (17.75") high, see illustration

A mahogany case eight-day longcase clock, the moulded cornice above a painted tin frieze and glazed door flanked by free standing columns, the trunk fitted a long door with a ogee shaped top, the canted base on shaped bracket feet, the square painted moonphase dial with date recorder signed E Winstanley, Wigan, the dial 34cm (13.25") wide

A Regency mahogany bracket clock with moulded arch top, the frieze with ebonised inlay and with ebonised stamping and ribbed decoration, having arch top grilles to the sides, the white enamel convex dial with Roman numerals and signed Grimalde & Johnson 431 Strand London, fitted an eight-day brass fusee movement with repeat striking bell, the back plate inscribed Grimalde and Johnson Strand 431, London, 45cm (17.75") high, see illustration

A Victorian Gothic bracket clock, the arched mahogany case with carved cornice and free-standing compound columns flanking a glazed arch panel door, on gadrooned feet, the silvered dial signed Whitmore & Son, Northampton and with Roman numerals, fitted a twin fusee movement with repeat mechanism, 58cm (22.75") high and the mahogany bracket for the same, see illustration

A Jaeger Le Coultre Atmos Clock, with silvered chapter ring, black Arabic numerals and dagger hands, having chromium mounts and bell drop case no 7681, 22.75cm (9") high, the plinth engraved `With one thousand thanks from Lupino Lane and Jack Eggar`, complete with mahogany bracket. Note: Lupino Lane and Jack Eggar produced many musicals in the West End, perhaps the most famous was `Me and My Girl` immortalizing the Noel Gay song `The Lambeth Walk`, see illustration

An inlaid Edwardian small mahogany bracket clock in Regency style with brass mounts, the convex white dial signed R. H. Halford & Sons, 43 Fenchurch Street E.C. NOTE. This clock was bought from Messrs. Shoolbred, Tottenham Court Road, in 1928. It is listed as Sheraton clock and cost 3 guineas. (See illustration)

A good red boulle cased bracket clock in Louis XV style with embossed circular gilt dial and blue and white Roman numerals, the case with engraved brass and chased gilt bronze mounts. Maximum height including putto finial and bracket 43ins. (See illustration)

A George III eight-day mahogany long case clock, the silvered arched dial signed John Oldis, Dorchester, the arch engraved with an eagle and Tempus Fugit, the case with swan neck pediment, chased gilt brass mounted columns and splayed bracket feet. Height including eagle finial 102ins. (See illustration)

A late Regency period flame mahogany veneered eight day repeating bracket Clock, the dial with Roman numerals and signed Frodsham, Gracechurch Street, London, with twin fusee movement and striking on a bell, raised on gadrooned bun style feet 15½" high, illustrated back cover

A Gothic wall shelf, and a walnut clock bracket

A Victorian oak and mahogany eight day longcase clock, the re-painted 13 inch arched dial signed `Evans & Brown, Shrewsbury`, with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, later painting to the arch and spandrels, the hood with swan-neck pediment over an arched glazed hood door, between leaf carved front corner turned hood pilasters, over a short trunk door with central lozenge inlay, between short front corner turned pilasters, on a crossbanded box base and short bracket feet, 233cm high

A basket top ebony bracket clock, late 17th century, Benjamin Merriman, London, surmounted by a twin S-scroll handle on the pierced basket top, decorated with foliage and figures within four finials, over a moulded edge, the front door applied with repousse mounts, on a flared moulded base with compressed bun feet, the 6½ inch square brass dial with centred false pendulum aperture signed `Ben Merriman London`, over two winding holes and a date aperture, the chapter ring with inner ring of Roman numerals, outer ring of Arabic numerals, with winged cherub corner spandrels, the engraved back plated signed `Ben Merriman London`, within scrolling foliage, the twin fusee movement with verge escapement , the movement lacking its bell and repeat mechanism, 45cm high, 25cm wide, 17.5cm deep Note: Brian Loomes `Watchmakes & Clockmakers of the World` Volume 2 lists a Benjamin Merriman, London (B.CC. 1682 - 1734) of St. Martins` Ludgate C.W

A LATE VICTORIAN OAK CASED CHIMING BRACKET CLOCK with arch brass dial and silvered chapter ring, presentation plaque and pineapple finial, 13" high.

A VICTORIAN MAHOGANY BRACKET CLOCK having an arched silvered dial with strike/ silent dial, engraved decoration and Roman numerals, signed Ross Exeter and on the back plate, the case with carved acanthus and simulated bamboo decoration, 14" high (see illustration).

A GEORGE III EBONISED PEARWOOD BRACKET CLOCK having an arched painted dial with strike silent and Roman numerals decorated with strawberries and summer flowers, signed Rich. D. Biggs Romsey, striking movement with repeat mechanism, the case with brass carrying handle, grille sides and back and on bracket feet, 18" high (see illustration). Note: Richard Biggs is recorded in Britten`s as being in Salisbury, Romsey and London 1776 to 1800.