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A late 19th/early 20th Century German Gustav Becker mahogany bracket clock

A Kieninger of Germany EBONISED mahogany cased musical bracket clock, in the 18th century style having AN arched brass dial with rolling moonphase, silvered main dial with Arabic numerals, subsidiary seconds dial and date dial, the corners with strike/silent indicators and having three winding holes for an eight day three barrel going musical movement striking on nine bells, signed to the backplate, the immaculate case with bevelled glazed panels throughout, raised on brass ogee feet

A 20TH CENTURY  Comitti of London  mahogany cased inlaid spire shaped mantel /bracket clock with inset brass Franz Hermle westminster chiming movement. 

19TH CENTURY WELSH OAK 30 HOUR COTTAGE LONG CASE CLOCK marked: 'Dav'd Jones, Bullfa, Cavo', having broken swan neck pediment to the hood over arched aperture flanked by baluster pilasters, moulded and shaped waist door, flanked by reeded angles on a panelled base with bracket feet, arch painted face decorated with birds and shells with man o' war to the centre, Roman numerals and arched aperture. The face 15" x 11" approx. Thirty hour movement strikes on one bell. Overall 2m 10cm high approx. Includes pendulum and single weight. (Possibly David Jones, Caeo, see 'Clock and Watch Makers in Wales' by Iorwerth C. Peate, page 51.)(B.P. 24% incl. VAT) CONDITION REPORT: Face has been well repainted apparently, the case overall in clean condition commensurate with age, movement appears to have been restored.

19TH CENTURY WELSH MAHOGANY EIGHT DAY LONG CASE CLOCK, having broken swan neck pediment with brass ball and spike finials over arched aperture, flanked by reeded pillasters, the waist with pointed arch moulded shell inlaid door, flanked by quarter reeded pillasters on a satinwood, strung outlined panel base with ogee bracket feet. Arch painted face with country scene and floral spandrels, Roman numerals, seconds dial and date aperture, marked: Wolfe Ansell, Pontypool. 16" x 11 3/4" approx. Eight day, two train movement striking on one bell. Overall 220cm high approx.(B.P. 24% incl. VAT)(B.P. 24% incl. VAT) CONDITION REPORT: In good overall condition, face having been very well repainted, the case with good patination and colour.

LATE 18TH CENTURY WELSH OAK 30 HOUR LONG CASE CLOCK marked: Jones and Bamford, Neath, the hood with broken swan neck pediment over arched aperture, flanked by plain turned pillasters, the waist with arch moulded door flanked by reeded, canted angles, plain panelled base on later bracket feet. Arch painted face with Arabic numerals, painted with fantastic birds to the arch with stylised spandrels, date aperture. 40 x 27cm approx. Thirty hour, single train movement striking on one bell. Overall 214cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: The face is rather grubby but appears original, some crazing and wear to numerals, the case of a medium colour and in fair condition, split to base panel, the bracket supports are added. Includes pendulum and single weight.

19TH CENTURY 30 HOUR OAK LONG CASE CLOCK, marked: Nicholas, Daventry and having broken swan neck pediment above square aperture flanked by baluster turned pillars, the waist with plain moulded door flanked by reeded uprights, panelled cross banded base on bracket feet. Square painted face with Roman numerals and floral spandrels, date aperture, 12" square approx. Thirty hour single train movement striking on one bell. Overall 210cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Includes single weight and pendulum, case of good medium colour, crack to the base, wear to the face, some losses to cross banding in places, side moulding detached.

EARLY 20TH CENTURY MAHOGANY THREE TRAIN LONG CASE CLOCK, having broken swan neck pediment to the hood, above arch aperture flanked by reed pilasters, waist door with bevel glass panel on a panel base with ogee bracket feet, hood and base decorated with inlaid vase and swag decoration, silvered Roman chapter ring and gilt metal spandrels. The face 14" x 10". Three train drum movement striking on gongs. Overall 220cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Appearing in good clean condition, a little dry in places, includes pendulum.

19TH CENTURY WELSH MAHOGANY 30 HOUR LONG CASE CLOCK marked: H.H. Curtis, Neath, the domed hood with finials above arched aperture above flanked by baluster turned pillars, plain cross banded rectangular waist door on a cross banded panel base and bracket feet. Arch painted face with study of Durham Cathedral and ruined abbeys to the spandrels, Roman numerals, seconds dial and date aperture. Thirty hour movement strikes on one bell. The face is 18" x 12.5", the case overall 2m 25cm approx. Includes weight and pendulum.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in good condition commensurate with age, a little dry in places, hard knocks and bumps, particularly to angles, face clear, appears missing one finial.

19TH CENTURY EIGHT DAY LONG CASE CLOCK, having broken swan neck pediment above arched aperture flanked by reed pillasters, pointed arch moulded door to the waist with moulded quarter pillasters on a panelled base with bracket feet. Arch painted face with rolling moon, Roman numerals and arched date aperture with florally painted spandrels, unnamed, face 18" x 12.5" approx. Eight day two train movement strikes on one bell, 218cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: The case is a little pale and dry but no serious damage noted, wear and tear commensurate with age, the face is very grubby and has been poorly repainted at some stage, unnamed, includes two weights and pendulum.

An early Victorian mahogany bracket clock with twin fusee movement, in carved arch top case, 19" high, and wall bracket for same

A Jaeger Le Coultre Atmos clock, circa 1970, having green faux marble front and side panels, Roman numeral chapter ring, balance wheel and spirit level below, serial number 361850, 8 1/2" h x 7 1/4"w, together with wall bracket and original box

A made up English, eight day striking, large bracket clock, the movement with fusee and recoil anchor escapement, broken arched silvered dial with Roman chapters and subsidiary calendar dial below the figure 12, signed in a recessed reserve, 'Benjm Flight London', the arch above painted with interior 'Musical Gathering', the figures automated and in period costume, rectangular mahogany case in Regency style with fluted corner spandrels above the arched glass panels, chased, gilt brass ball feet and lifting handles to the sides, 29 1/2"h

A George III long case clock, arched dial, subsidiary second hand and date aperture with a swan neck top, the dial flanked by turned columns with canted trunk door, crossbanded in mahogany, terminating in a box base on bracket feet A/F

Ball clock bracket and various other clock brackets

19th Century rosewood dressing table box, a carved wood clock bracket and other items

EDWARDIAN BRACKET CLOCK, oak architectural cased bracket clock with brass satin finish face and coiled bar strike, 15.5" high

An Edwardian oak and brass dial German Bracket Clock for Morath Bros., Liverpool, the arched dial with three movements, and embellished with decorative ormolu mounts, the glazed door over a stepped base with brass scroll feet, approx. 37cms (14 1/2") high. (1)

A mid-19th century rosewood and mother of pearl inlaid striking bracket clock, the enamel dial signed Willm. Dobbie, Falkirk, Clock Maker to the Queen, height 48cm.

A Victorian oak 8 day chiming bracket clock, height 41cm.

An early 20th century German bracket clock with pendulum and key.

Tunnell, Fleet Street London, a Regency mahogany bracket clock: the eight-day duration, double-fusee movement striking the hours on a bell with the shaped backplate having engraved border decoration, the eight-inch round silvered dial engraved with black Roman numerals and engraved to the centre with the maker's name Tunnell, Fleet Street, London, with brass moon hands, the mahogany case having brass inlaid decoration to the front, with further inlay and scroll stops to the canted corners and brass fishscale side frets, surmounted by a brass carrying handle to the curved top and all standing on brass ball feet, height 43cms (handle down) 50cms (handle up).* Biography A John Tunnell is recorded as free of the Clockmakers Company in 1814 and a Liveryman from 1826, quite possibly moving to Deptford, Kent prior to 1847 where he is still recorded in 1849.

A mid-nineteenth century mahogany clock bracket: the curved tapering base with satinwood crossbanding and scroll moulding to the end-stop, height 32cms, top 35cms x 22cms.

Rivers & Son, London, a Georgian ebonised verge bracket clock: the eight-day duration, five-pillar movement having a verge escapement and striking the hours on a bell with pull repeat and having a fully engraved backplate, the seven-inch round enamelled dial having black Roman hour numerals, Arabic outer five-minute numerals and signed Rivers & Son, London, with decorative blued steel hands, the ebonised case having a full opening front door with brass fret work below and brass edging, brass side frets, a three-pad top with brass mounts, surmounted by a brass carrying handle and standing on brass bracket feet, height 34cms (handle down): 38cms (handle up).* Biography David Rivers is recorded as working in Sweetings Alley, London being free of the Clockmakers Company in 1766 with the business becoming Rivers & Son in circa 1782 with an address in Cornhill, where they were successors to Daniel de St. Jeu, Clockmakers to her Majesty. David died in 1815.* Notes Reference: Brian Loomes, Watch & Clockmakers of the World; NAG Press, 2006.

Robert Sutton, Stafford, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell with a wood rod to the pendulum, the thirteen-inch break-arch brass dial engraved to the solid centre with the maker's name Sutton, Stafford and with cast brass female-head corner spandrels, the chapter ring engraved with black Roman numerals, large Arabic five minute numerals, with decorative blued steel hands and a sweep seconds hand, the arch showing the date and phases of the moon to a finely painted disc showing two moons, with a landscape picture to one side and a seascape to the other unusually depicting a sailing and steam ship, a feature seen on another Staffordshire moon disc, the mahogany case with finely fluted free standing pillars to the trunk and hood, a shaped top to the door, with three shells inlaid to the frieze above the door and further shell inlay to the four corners of the base and to the plinth below the trunk pillars, the swan-neck pediment to the hood fronted with three panels of blind fretwork, with side blocks, a ball-and-spire brass finial and brass paterae, the case standing on cabriole bracket feet, height 236cms.* Biography Robert Sutton is recorded as working from circa 1769 when he took John Chambley as an apprentice followed by William Gilbert in 1779. Various watches were recorded stolen from his premises in 1774 and 1781. He is known as a maker of fine longcases, with one in particular being an exceptional musical example with the dial showing the saint's days, holy days and the Gods of the four seasons along with an annual calendar.Another example, with a wooden movement showing the influence of the great John Harrison who had previously worked in the area, is on display at The Collection, Art & Archaeology in Leicestershire where it is stated: Although influenced by Harrison, Sutton remains an outstanding craftsman and innovator in his own right. Reference: Joseph McKenna, Clockmakers & Watchmakers of Central England, Mayfield Books, 2002.The rear of the moon disc and the frontplate of the movement are both signed, one scratched, the other punched, by the clockmaker Thomas Pear of Stafford who is recorded as working at 4, Marston Road, Stafford, from before 1880 until at least 1896 and beyond. This mark would indicate that he carried out some repairs/restorations on this clock.

19th Century mahogany bracket clock, with strike and chime movement

A late 19th century gilt metal mounted mahogany eight day bracket clock height 65cm

A Victorian bracket clock by Curtis & Horspool, Leicester, with ebonised case of domed architectural form, 8 day movement striking on twin coils, stamped 'W&H Sch 1', cast brass acorn finial, the textured brass dial applied with gilt spandrels, silvered chapter ring with black Roman numerals, Slow/Fast dial above, pierced brass sides, raised on cast brass scroll feet, a/f some losses, 28 by 21 by 40cm high, with winder key, case key and pendulum.

A modern mahogany and brass cased Warmink Wuba bracket clock with eight day movement, moon phase and Roman numerals, 18 by 14.5cm by 25cm high.

A 19th c. Mahogany cased Longcase Clock by F.J. Wild of Dundee, having swan pediment hood with turned columns, painted face with Roman numerals, second hand (missing) and date hand, short door case with half turned column detail, on lower cross-banded section, standing on bracket feet, 85'' high x 20'' wide x 10'' deep

A late 19th Century Richard & Co brass cased carriage clockThe four glass clock with straight sided architectural casing raised on bracket feet adorned with a arched geometric scroll handle and an engine turned dial with a gilt white metal enamel dial with gilt Roman numerals, stamped with R & Co makers mark verso, 15cm high.

A Charles X French bracket clock, the eight-day movement striking on a bell and signed Lesieur, the gilt metal face depicting a sea battle, with Roman numerals, within an ormolu figural case modelled as a dolphin, on an oval plinth with swag and ribbon frieze and moulded acanthus leaf borders, on bun feet, h. 42 cm CONDITION REPORT: Provenance: purchased from Christies in 1993- Sacombe Park Sale from King Street, London. Included in a Phillips Inventory in 1998.

BRASS LANTERN CLOCK, the dial with 6 1/2" chapter ring and single steel hand in an engraved scrolling frame and beneath a boss inscribed Wm. Gill Maidstone, on a brass movement with anchor escapement, beneath pierced fretwork and steel bell, with weight, pendulum and wooden bracket, height of clock 36cm

REGENCY MAHOGANY BRACKET CLOCK, the brass dial with 8" chapter ring, inscribed Thos Farr, Bristol beneath Music Silent and chime selection dials, to include King of Romes Waltz, Ella Rosenberg, Russian Dance, Waterloo Dance, Duke Wellington, Evening Hymn and Bath Waltz, on a brass, twin fusee, eight day, repeating movement chiming to a nest of eleven bells and striking to a single bell, the brass inlaid domed case with glazed front and back doors, the sides with silk lined, brass, fish scale grilles, with key and pendulum, height excluding finial 63cm

Elliott London mahogany bracket mantle Clock GARRARD LONDON clock is ticking but no warranty given measures approx 8.5ins tall

An oak hanging clock, barometer, wall clock, bracket, Victorian copper warming pan plus a box of books

A long case clock movement, mounted on a mahogany bracket, the square brass dial, with single finger, Roman numerals and pierced spandrels engraved Harry Bush Wincanton, on a bracket with scroll supports, dial size 10.75ins x 10.75ins

Winterhalder and Hofmeier Walnut Cased Bracket / Mantel Clock of Good Proportions. c.1880's. Good Condition and Working Order with Key. 12.5 Inches High - 31.5 cm & 7.75 Inches Wide.

A late 19th century mahogany bracket clock by Kenneth Maclenan, London. With single pad top, brass carry handle, brass fish-scale side frets, brass ogee bracket feet and rounded arched pediment framing the dial. Brass spandrels frame a round enamel face with Roman numeral chapter ring. Subsidiary dial for the months and a strike/silent adjuster. The backplate is engraved with an intricate foliate design. Double fusee movement with anchor escapement, striking on a six bell carillon and a single hemispherical bell. With pull chord quarter repeater. 36 x 26cm.

A mid 18th century mahogany bracket clock by Christopher Moon of London. With three pad top and brass carry handle, brass fish-scale side frets and brass bracket feet. The semi-circular arched dial has brass spandrels, silvered chapter ring with Roman and Arabic numerals, two subsidiary dials one for strike/silent, one for months of the year. A cutaway in the centre of the dial reveals the maker's name. The back-plate is engraved with the central motif of a phoenix surrounded by swirling foliate design. Double fusee movement with verge escapement striking on a single bell, with quarter repeater pull chord. 42 x 28cm.

An 18th century mahogany bracket clock by Edmund Poole*, Limehouse, London. The case with arched pediment with brass carry-handle, brass ogee bracket feet and brass fish-scale side frets. Framing a silvered dial with both Roman and Arabic numerals and the maker's name. The back A-plate is intricately etched with floral detail, swags and vase. Single fusee movement with verge escapement. 23 x 17cm. *Circa 1720-30. Part of the clockmaker's guild 1722 - 27.

A Jaeger Le Coultre Atmos clock, circa 1970, having green faux marble front and side panels, Roman numeral chapter ring, balance wheel and spirit level below, serial number 361850, 8 1/2" h x 7 1/4"w, together with wall bracket and original box

A late 19th/early 20th century oak bracket clock having an 8 day movement by Gustav Becker, gilt dial with silvered chapter ring, having Roman numerals, chime/silent dial, housed in an oak carved case, 16 1/2"h

A late 19th century German two train fusee bracket clock, the 8 day movement by Winterhelder & Hofmeier, housed in an oak, arched top case and having a silvered dial with Roman numerals, 13 1/2"h

An early 20th century longcase clock, the Winterhalder chiming movement, striking on eight gongs with a 12 1/2" brass dial, inscribed Thomas Wells, London, with gilt metal spandrels, subsidiary seconds at 12, silvered chapter ring with Roman and Arabic numerals below, a strike/silent, with three weights and a pendulum, the mahogany case having an arched top, turned pillars, gilt metal Corinthian columns over a glazed, panelled door and box base, raised on bracket feet, 81" h

An early 20thC brass cased miniature carriage clock, with articulated handle, rectangular body, 3.5cm wide back plate with Roman numeric dial fronting a visible keywind movement, in a five piece glass case, on stylised bracket feet, (with handle raised) 12cm high, 5cm wide, 5cm deep.

LARGE EDWARDIAN ROSEWOOD CHIMING BRACKET CLOCK, SEARLE & CO., LONDON EARLY 20TH CENTURY the domed top with a carved coat of arms, ribbons and thistles, supported by fluted columns flanking a gilt dial with silvered Roman number chapter ring and subsidiary dials, signed SEARLE & CO., 78 LOMBARD ST. LONDON, the repeating movement striking on eight bells and five gongs, with Whittington and Westminster chimes, the plinth base with plaque PRESENTED BY W. B. ROSS COLLINS/ CHAIRMAN OF COUNCIL/ 1960 42.5cm wide, 64cm high Provenance: Ex. Wynches, Much Hadham, Hertfordshire Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

GEORGE III EBONISED BRACKET CLOCK, RICHARD CORLISS, STOCKPORT 18TH CENTURY the bell top case with a brass handle above an arched dial with the painted figure of Chronos to the arch, the silver chapter with Roman and Arabic chapters and a mock pendulum aperture and one winding hole, the non-striking movement with anchor escapement and an engraved backplate 46cm high (handle up), 25cm wide, 18cm deep

REGENCY BRASS-BANDED MAHOGANY BRACKET CLOCK EARLY 19TH CENTURY the arched top fitted with a handle, enclosing a cream enamelled dial with Roman numerals, inscribed DWERRYHOUSE/ LIVERPOOL, the engraved movement signed SIMON SAMUEL/LONDON, with an anchor escapement and striking a bell, raised on gilt ball feet 41cm high (handle down)

GEORGE III OAK LONGCASE CLOCK 18TH CENTURY moulded cornice over a glazed panel above a brass dial inscribed 'George Booth, Manchester', flanked by columns, over a shaped panel door with lenticle, raised on a moulded plinth base with bracket feet 49cm wide, 223cm high, 24cm deep Provenance: The Collection of a Lady of Title

LATE VICTORIAN OAK CHIMING BRACKET CLOCK AND STAND, RETAILED BY JOHN BOYD, GLASGOW LATE 19TH CENTURY in the Baroque style, the arched Roman number dial with subsidiary 'Strike/Silent', 'Fast/Slow', and 'Chime on eight Bells/Chime on four Gongs' dials; the pedestal stand with an arcaded gallery above panel sides and moulded base raised on bracket feet Clock 230cm high overall

REGENCY MAHOGANY BRACKET CLOCK CASE EARLY 19TH CENTURY, THE MOVEMENT LATER the moulded arched top case with recessed brass handles, enclosing an arched painted dial with Roman numerals, indistinctly signed with three winding holes, flanked by spiral reeded quarter columns, with a later Winterhalder & Hoffmeier fusee movement and anchor escapement 18.5cm wide, 40cm high, 18.5cm deep

LOUIS XV STYLE BOULLE MARQUETRY BRACKET CLOCK 19TH CENTURY with waisted case with gilt bronze mounts, the glazed door enclosing white enamelled chapters with Roman numerals, signed ETIENNE CHAMPION/ A PARIS, on C-scroll feet, the movement striking a bell, also signed 68.5cm high Provenance: Ex. Blair Drummond House, near Stirling Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

GEORGE III OAK LONGCASE CLOCK 18TH CENTURY with broken swan neck pediment over a later brass and silvered dial flanked by columns, above a shaped trunk door and plinth base raised on ogee bracket feet 49cm wide, 208cm high, 25cm deep

An early 20th century bracket clock

Miners lamp, copper lidded pot, Flintoff clock, brass wall bracket and cooper pan, (5)

Luxor black painted bracket clock, with bracket 46cm.

An early 20th Century Zenith bracket clock, by Turler Zurich-Bern, black painted surround and heightened in gilt, on a bracket support 51 cm high without bracket

A gilt spelter mantle clock, the white enamel face with black Roman numerals, French drum movement, incised in an ornate bracket case surmounted by a knight standing against a ruin, 38 cm high

A late 19th century gilt metal mounted mahogany eight day bracket clock height 65cm