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Walnut bracket clock, oak mantel clock and a mahogany clock

19th century walnut triple fusee repeating bracket clock, by Reinhold Schnekenburger of Mulheim brass dial with pierced spandrels subsidiary slow/fast chime/silent with silvered chapter rings to triple train movement striking on five chimes back of movement engraved with flower and monogram R S M 281510

19th century mahogany dome topped bracket clock with single fusee movement, the painted dial with Roman numerals, London maker, 40cm x 27cm x 15cm,

Late 19th century oak cased bracket clock, the brass and silvered dial with twin train movement, Roman numerals, Chime/Silent and Fast/Slow dials and non-matching bracket, 46cm x 33cm x 24cm

An early twentieth century German mahogany bracket clock, with three winding holes, Chime/Silent aperture, Arabic numerals

A late 18th century mahogany bracket clock by James Smith of London with caddy top and brass carrying handle, Sheraton style fan lunette spandrels to the door, on ogee bracket feet, with glass side and back panels, the arched brass dial with pierced cast floral spandrels, strike/silent dial to the arch, silvered chapter ring, inset date indicator, with twin train fusee movement, verge escapement, bob pendulum and acanthus engraved backplate, striking on bell, on later bracket of tapering form, height of clock 22"

A 19th century miniature brass carriage clock with replacement swing handle, square reeded side pillars and bracket feet, having white enamel dial and 8 day movement with lever platform escapement, height 3"

A late 19th century mahogany cased lancet top bracket clock with boxwood line and floral motif inlay, on moulded plinth and 4 brass bun feet, with silvered dial and 3 barrel German movement striking Westminster chimes on coiled gongs, height 15", on non-matching ebonised carved scroll bracket

A mid George III ebonised bracket clock by John Rigby, London, with bevelled bell top, oval acanthus carrying handle, 4 pineapple finials, canted reeded side columns with 1/3 brass stopping, pierced fish scale panels to the side, front and back lined with red silk, moulded plinth and 4 brass bracket feet, the arched silvered dial with strike/silent dial to the arch and inset date indicator, twin fusee movement with replacement anchor escapement striking on bell, with engraved signed back plate, height 21½"

A late George III ebonised bracket clock by James McCabe with brass acanthus and line inlay, the arced top surmounted by brass pineapple finial on 2 concentric circular pads, having twin ring side handles, pierced Gothic brass side panels on cream silk, on square plinth bases and 4 ball feet, with white painted dial, subsidiary strike/silent dial to the arch, twin train fusee movement, anchor escapement, striking the hours on a bell, and the quarter full Whittington chime on 8 bells, on matched carved and scrolled ebonised bracket, height 28"

A mid-19th century French green boulle and ormolu cased mantel clock in the Louis XV manner, the pyramid pediment surmounted by a classical floral urn finial, the side panels of pierced and fretted brass, the glazed front panel revealing a sunburst pendulum with face mask mount below, on shaped rococo bracket feet, the chased gilt dial with raised individual enamel numerals, having 8 day French movement with count wheel striking on gong, lettered 'Martin & Co, P T', number 780, height 15"

A late 18th century ebonised bracket clock by Joseph Dodds, London, the caddy top with brass carrying handle, the door with pierced brass quarter panels lined with pink silk, the sides with glazed panels, having circular silvered dial with inset date indicator and twin train 8 day fusee movement with verge escapement striking on bell, with engraved back panel, height 20", with matched ebonised bracket on twin scroll supports

An early 19th century ebonised lancet top bracket clock by Young, Dundee, having brass beading and extensive brass acanthus and flower inlay, with twin brass ring handles and Gothic arch side panels lined with cream silk, on plain rectangular plinth and 4 ball feet, with circular painted dial, twin train fusee movement with pull hour repeat and border engraved back plate, striking on bell, height 20", on later carved scroll bracket (front panel a.f.)

A mid George III arch top mahogany bracket clock with brass ring handle on brass mounted pad top, 4 turned vase finials, reeded brass mounted corners, front quarter panel and similar arched side panels with fish scale brass piercing lined with pink silk, on moulded rectangular plinth and brass bracket feet, having circular painted dial with twin train fusee movement striking on bell, the back plated with engraved border, height 19"

A Regency period rosewood bracket clock by W Mayo, Manchester, with brass finial on stepped conical base, the case having brass moulding, gilded canted side columns, twin brass handles with pierced brass side panels lined with cream silk, on rectangular plinth and turned pad feet, circular painted dial and 8 day single train fusee movement, height 20", on tapering mahogany bracket

A reproduction walnut cased dome top bracket clock with brass dial, silvered chapter ring, movement chiming on gong, by Conitti, London

An 18th century oak longcase clock with boxwood and ebony line inlay, the hood with swan neck pediment and turned side columns, the trunk with arched full length door and quarter reeded side pillars, on bracket feet, with square brass dial and 8 day striking movement by Wm Eastwood, Burnley, height 83"

A William IV brass inlaid carved mahogany bracket clock A William IV brass inlaid carved mahogany bracket clock, the dial inscribed for William Packer, London, circa 1830, the five pillar twin fusee bell striking movement with anchor escapement and holdfast for the large lenticular bob pendulum fitted to the shouldered backplate , the 8 inch circular cream painted Roman numeral convex dial bearing signature W'M. PACKER, 376, OXFORD ST. to centre and with pierced blued steel moon hands within hinged cast brass convex glazed bezel, the shaped-top case with stylised draped gadroon carved pediment and brass rosette centred line inlaid half round ebonised baton moulded frieze over applied stylised leaf carved decoration to quadrants around dial and brass strip inset canted front angles, the sides with brass ring handles above rectangular brass repeating Gothic-arch pierced ruby glazed blind frets, the rear with rectangular glazed door, the base with apron panel decorated with applied carved leafy spray within brass line inlaid border flanked by acanthus scrolls, on moulded skirt with brass ball feet, 46.5cm high.

A French lacquered brass carriage clock with push-button repeat, Unsigned A French lacquered brass carriage clock with push-button repeat, Unsigned, late 19th century, the eight-day gong striking movement with silvered platform lever escapement and stamped with serial number 621 to backplate, the circular white enamel Arabic numeral dial with blued steel spade hands set within a rectangular frosted gilt brass mask , the bevel glazed case with hinged angular scroll outline handle above moulded cornice and shaped-outline canted angles, on ogee moulded base incoprating fluted channels to each side and squat bracket feet, 14.5cm high.

A Regency mahogany bracket clock, the arched case with brass ball topped pyramid cresting, and four finials, gilt metal caryatid mounts to the front angles, side carrying handles above arched pierced scale side frets, the silvered dial with strike silent to the arch, engraved chapter ring, and signed 'Carter, 38 Cheapside, London', with unsigned twin fusee bell striking movement, on four ball feet 60cm (23in)

A George III burr oak longcase clock, Robt. Scholfield Junr. Rochdale, the hood with later carved swanneck pediment, 14 3/8inch (36.5cm) brass dial inscribed above the arch 'The Moon and Stars by Night', moonphase disc, engraved seconds dial and date aperture, scroll mask spandrels, the silvered chapter ring marked 'Time Flies' at 12 o'clock, with 8 day 4 pillar movement, the trunk with reinforced cheeks, shaped top door flanked by quarter pilasters, shaped panel fronted plinth, on bracket feet 234cm (91in) cheeks later reinforced or strengthened. Repairs to the arch frame of the dial and crack to the lettering piece; movement rebushed and cleaned; old seat board; two side mouldings loose; movement not tested.

A Georgian design burr walnut cased bracket clock, with 8-day movement and ormolu mounts, height 16".

A black lacquered and chinoiserie decorated 8-day mantel clock, the dial signed J E Beale Ltd., Bournemouth, raised on brass bracket feet, height 9".

An 18th century ebonised bracket clock, the arched brass dial with engraved scene of a naval battle, inscribed 'Mandevill Somersall, London' in arch, with visible pendulum disc, alarm dial and date ring, the twin fusee movement with crown wheel escapement, back plate also engraved with maker's name and Rococo scrollwork, 52cm high, movement incomplete

* A George III Longcase Clock, the brass dial with ormolu spandrels, seconds and date rings, and inscribed "John Williamson, Dublin", with eight day movement; the mahogany case with a broken arch dentil cornice centred with a carved shell, the hood with fluted turned pilasters, the trunk with quarter round reeded pilasters, arch top door and bracket feet, 8' (244cms) high. Provenance Hotham Hall, York

A late 19th Century Bracket Clock, the steel dial inscribed 'Collingwood & Son, Sunderland' with German movement and gong strike in domed mahogany case, with brass handle, fret carved panels and brass ball feet. 15" (38cms) high.

John Ogden, Darlington: an oak longcase clock, with brass roman dial, subsidiary seconds, associated movement, vacant date aperture case with swan neck pediment and fluted quadrants, bracket feet, 85 1/2in. high.

A reproduction Georgian style bracket clock in a burr walnut case with electronic movement

An Edwardian oak bracket clock, the arched silvered dial with regulator and chime/silent selector and a further oak cased mantle clock with two train movement

James Reynolds, London: a handsome George III mahogany longcase clock, the arched brass dial with silvered roman chapter ring, outer arabic numerals, subsidiary seconds dial and date aperture, matted centre, strike/silent dial to the arch, foliate spandrels, five pillar movement with anchor escapement, case with arched top and brass finials, glazed door below flanked by fluted brass filled columns, arched waist door flanked by fluted part brass quadrants, panel base on bracket feet, 88 1/2in. high. See illustration

A cased set of plated knives, a part set of plated forks, a boxed Stag miniature bracket clock, an eastern wool saddle bag, a fur trimmed academic robe, etc

An oak bracket clock,19th century, in an architechtural case, the silvered dial inscribed 'Barraud and Lunds, 49 Cornhill, London, 4867', with single fusee movement, 47cm high

A Regency mahogany bracket clock, by James McCabe, Royal Exchange London, the silvered dial with a strike/silent dial, scrolling engraved decoration, maker's name and no. 2123, the movement striking the hours on a gong, the case with carved applied mouldings,71cm high

A Regency mahogany gilt brass mounted bracket clock,by William Robson, Cripplegate, London, the musical eight-day triple fusee movement, striking the quarters on a single bell, and playing the tone on eight graduated bells, with a repeater, the convex glazed door opening to reveal a painted dial below three further dials with a repeater, 'Strike/Silent', 'Slower/Faster', 'Chime Fast/Chime Slow', the backplate inscribed 'William Robson, Cripplegate, London',63cm high

An early 20th Century mahogany cased miniature longcase clock timepiece, the 4ins diameter cream enamelled dial with Roman numerals signed J.H. Le Roy, Rue St. Martin, Paris, the solid mahogany case with shaped and moulded top, the shaped centre panel inlaid with oval amboyna panel flanked by slender turned uprights, on bracket feet, 23.5ins high Provenance : Part of the remaining stock of Gaby's Clocks, 140 High Street, Tenterden, Kent TN30 6HT. Clock movement has been fully restored.

A late 19th Century American walnut cased shelf or bracket clock, the 8ins diameter cream painted dial to the two train movement striking on a gong, contained in case of architectural design with crenulated cresting, 29.5ins high (dial damsged) and with bracket for same

An oak longcase clock by Jas. Warren of Canterbury, the 12ins square painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the spandrels decorated with wild strawberries to the eight day two train movement striking on a bell, contained in later oak case with moulded cornice and plain turned pillars to hood, the trunk door carved with flowers and leafage, on bracket feet, 82ins high Note : James Warren recorded working Canterbury 1767-1793, or his son James Warren Jnr, Apprentice 1785, working to 1832 Provenance : Part of the remaining stock of Gaby's Clocks, 140 High Street, Tenterden, Kent TN30 6HT. Clock movement has been fully restored.

A CONTINENTAL OAK LONG CASE CLOCK CASE, the hood with arched pediment and a central basket of flowers, trunk with a single panel door and standing on short bracket feet

A BOX OF VARIOUS MISCELLANEOUS TREEN to include a cuckoo clock pediment, a carved oak bracket, a turned salt box etc

A Georgian bracket clock having cherub decoration and name 'Geo Clerke, London' to dial, with pendulum

A 19TH CENTURY FRENCH GILT BRASS TRAVELLING CARRIAGE CLOCK, within a fitted case, the swing bracket handle above a circular enamel dial with arabic numerals and bevelled glass panels (with key). 17cm high

A 1920's oak grandmother clock, silvered Roman numeral chapter ring and movement striking on six gongs, back plate initialled D.R.G.M, on bracket feet, 173cm

A George III inlaid oak eight day longcase clock by Richard Deaves of Whitchurch; circular dial signed and with Roman numerals and cross hatched centre, movement striking on a bell, with inlaid door flanked by fluted corner pilasters, on bracket feet (detached), 204cm

A Sanderson of Carlisle 18th century oak longcase clock, the square brass dial (w.12") signed and with date aperture, brass chapter ring with Roman and Arabic numerals flanked by corner cast spandrels, the 30-hour weight driven four pillar movement striking on a bell, the case with carved frieze, quarter turned fluted pilasters to a boxbase on bracket feet, h.206cm

A late Regency rosewood and brass inlaid bracket clock, the restored convex dial signed 'Benson, Ludgate Hill, London', having twin winding holes for an eight day brass wire driven fusee movement, with anchor escapement striking on a bell, and pull hour repeat, the case with brass inlays showing Gothic influence and having fishscale pierced grilles, h.50cm Condition Report / Extra Information Fully restored Finials and hands replacement Dial overpainted

A late 19th century German oak bracket clock, the case of 'English design' having brass inlays, flaming torch finials and lacquered brass columns flanking silvered dial with Roman numerals, twin winding holes for a Winterhalder & Hofmeier eight day brass movement striking on two gongs, the case with further cast brass fretted panels and raised on ball feet, h.57cm

Two 19th Century gilt velvet top clock stands of serpentine outline together with a similar wall bracket and a turned hand screen (4)

A small 19th century brass carriage clock with white painted dial by E Seaton Torquay, striking on a gong, together with a similar carriage clock and a French carriage clock in bracket style case, height 16cm (3)

William IV mahogany bracket clock having turned finial to gadrooned top above stepped pediment, chamfered case to stepped plinth and bun feet, painted dial in Roman numerals marked RIMMINGTON LUBENHAM, the single chain driven movement with anchor escapement 52cms high

A GEORGE III MAHOGANY BRACKET CLOCK by J. Purnell, the white painted dial with Roman numerals, signed "J. Purnell, 13 Seymour Street, Custom Square", with a two train movement striking on a bell, in a mahogany case with gilt-metal pineapple finials and resting on ball feet, 21" high

A GEORGE III MAHOGANY LONGCASE CLOCK, the white painted dial signed "Rivers & Son, Cornhill, London" with subsidiary strike/silent dial and seconds dial, with an eight day two train five pillar movement striking on a bell, the arch top hood above a conforming tall trunk door between canted corners, on a conforming base with bracket feet, 83" high. See illustration

Bracket Clock three train movement Condition report: see terms and conditions

Edwardian striking bracket clock with brass and silver dial in oak case

Edwardian bracket clock in walnut case with square brass and silver dial and striking movement

Large Edwardian bracket clock in walnut case with arched brass and silver dial with striking movement

A Georgian design bracket clock with eight-day movement

An Elliot, London small bracket clock in mahogany case with brass feet

A Dutch chime Elliott bracket clock with brass dial and cherub spandrels including bracket shelf

A fusee bracket clock reproduced after the style of Thomas Tompion, the silvered chapter ring over gilt engine turned centre dial, large beetle and poker style hands and cherub spandrels adorn the dial

A George III mahogany longcase clock, with swan neck and dentil moulded pillar hood, with full length trunk door, plain moulded base and bracket feet, the 30cm square arch brass dial engraved with floral and shell spandrels and having strike / silent dial to the arch, Roman hour and Arabic minute numerals, subsidiary seconds ring and date aperture, marked John Safley, NICOLSON'S PARK EDIN. R, 8-day movement striking a bell, 225cm high.