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Unusual French mahogany two train calendar bracket clock, the movement with outside countwheel striking on a bell, the 3.75" white dial over apertures displaying days of the week, days of the month and months of the year, within an inlaid stepped case supported upon ogee bracket feet, 18.5" high

Good English mahogany triple fusee bracket clock, the movement striking and playing on six bells and striking on another, the 7.5" white arched dial signed Matlock, Bath with strike/silent subsidiary dial, within a rounded moulded arched case, 16.5" high

Good English ebonised and gilt metal mounted triple fusee boardroom clock, the movement with pull/repeat striking on a large gong and playing on eight bells, the 7" brass arched dial with a silvered chapter ring enclosing a matted centre under subsidiary chime/silent and chime on eight bells/Westminster chimes dials, within a stepped pillared case with gilt foliate mounts, surmounted by a moulded rounded arched top with four pineapple finials, 23" high; with ebonised wall bracket (pendulum, door key, winding key)

Good English ebonised double fusee verge bracket clock, the five pillar movement with pull repeat playing on a nest of six bells and striking the hours on another, also with profusely foliate engraved back plate, the 7" brass arched dial signed Stephen Rimbault, London on an arched plate to the matted centre with false pendulum bob and calendar apertures, also with strike/silent dial to the arch, within a stepped case supported upon stepped ogee ormolu bracket feet and surmounted by a caddy top with brass carrying handle, 21" high

Mahogany three train bracket clock, the Gustav Becker movement striking on eight rods, the 6.75" arched brass dial with chime/silent subsidiary dial over a silvered chapter ring, within a stepped case surmounted by a moulded arched pediment, 15.75" high (pendulum, winding key)

Oak two train bracket clock, the movement striking on a bell, the 6.5" brass arched dial signed John Smith, London on a silvered plaque to the matted centre, with ringed winding holes under a moon phase to the arch, within a gilt metal mounted arched stepped case surmounted by four acorn finials, pad top and brass carrying handle, 15.5" high (pendulum)

Walnut two train bracket clock, the movement striking on a gong, the 6.5" brass arched dial signed Alexander Cumming, London on an arched silver plate to the matted centre with ringed winding holes, under a moon phase to the arch, within a gilt metal mounted stepped case surmounted by a caddy top and brass carrying handle, 18" high; (pendulum and winding key)

English oak three train bracket clock, the movement playing on four gongs and striking on another, the back plate and 5" brass dial signed Jonathan Walker, 230 Regent Street, London, no. 5923, the silvered chapter ring enclosing a matted centre beneath subsidiary chime/silent and slow/fast dials within a stepped case surmounted by a moulded arched cornice and brass carrying handle, 13" high (pendulum, 2x winding key and door key)

Ebonised single fusee 14" wall dial clock signed Cillett & Co, Croydon, within a foliate carved and reeded turned surround over a fixed plinth bracket, 29" high overall (pendulum)

English ebonised bracket clock case with aperture for a 6" arched dial, with pierced brass fish scale upper spandrels and sides, surmounted by a caddy top and brass carrying handle, 17" high

Ebonised bracket clock case with aperture for a 7" arched dial, the stepped case surmounted by a bell top and brass carrying handle, 19.5" high

James Hewitt - Sunderland. A mid 18thC longcase clock, the arched dial with gilt metal spandrels, surrounding a silvered chapter ring with engraved centre, with an eight day, four pillar movement striking a bell, in figured mahogany case with blind fret decoration, on ogee bracket feet, 220cm high

A late 19thC French onyx and brass mantel clock garniture, the four glass clock with a ceramic dial bearing the name Bertori Boulogne and painted with swags, the turned candlesticks on bracket feet, the clock 29cm high.

A reproduction mahogany bracket clock, by Comitte, London

James Hardy & Co., Aberdeen, a Scottish inlaid mahogany cased 8 day longcase clock, the 12" brass and steel dial, signed in the arch, with subsidiary seconds and date calendar, engraved with scrolling foliage and with spandrels cast with masks, mythical beasts and scrolls, the urn topped hood with swan neck pediment above free standing tapering fluted pilasters, the trunk with fluted quarter columns flanking a figured door centred by a floral motif, the base with shaped apron and raised on bracket feet, with weight, pendulum and case key. 2.12m

Walker, Workington, a mahogany and oak cased 30 hour longcase clock, the 14" dial painted in the arch with ships, the hood with swan neck pediment and free standing pilasters, the broad case raised on bracket feet. 2.35m

Louis XV style boulle and gilt bronze bracket clock Louis XV style boulle and gilt bronze bracket clock, second half 19th century, the finial capped case depicting a young warrior with spear in hand, above a circular clock with gilt dial and enamel Roman numerals, the base mounted with a gilt classical figure holding a key depicted with a dog, and rising on stylized gilt cabriole legs, 41.5"h x 19"w x 8"d

French gilt bronze and marble mantle clock French gilt bronze and marble mantle clock, 19th century, executed by E. Vittoz et cie and cast by E. de Labroue, the dome case surmounted with an urn finial flanked with winged putti above the well cast case centered with the enamel dial signed Anne. Mon E. Vittoz Cie. above E. De. Labroue Fde Bronzes, A Paris, rising on a graduated marble base terminating at the ormolu bracket feet, 21"h x 12"w x 6"d

English ormolu mounted bracket clock English ormolu mounted bracket clock, having a gilt bronze handle surmounting the dome case with ormolu reserves housing the silvered brass dial rising on inswept feet, 26"h x 15"w x 11"d

English inlaid bracket clock, 19th century, in an inlaid ebonized case with ormolu mounts surrounding the brass and silvered dial wi... English inlaid bracket clock, 19th century, in an inlaid ebonized case with ormolu mounts surrounding the brass and silvered dial with bell and Westminster chimes, rising on compressed ball feet, 30"h x 16"w x 10"d

Regency tall case clock, first quarter 19th century, the mahogany hood with a finial capped pediment above the turned pilasters flan... Regency tall case clock, first quarter 19th century, the mahogany hood with a finial capped pediment above the turned pilasters flanking the single door opening to the paint decorated dial, the lower case with band inlay flanking the carved quarter columns and centered with quartersawn oak panels rising on bracket feet, signed J. Blake (?) Leighton on Dial, 97"h

An oak mantel clock with Westminster chime and an oak bracket clock case

A late 19th Century walnut bracket clock

A mahogany and oak eight-day striking long case clock with an arched 32 cm brass dial signed `James Wood Dorchester` above a shaped shell inlaid trunk door and stepped base on bracket feet with pendulum and weights 2.27 m tall missing glass to hood and in need of restoration

A 19th century large silver dialled bracket clock with Westminster chimes, movement marked `Junghans`

A REGENCY MAHOGANY CASED BRACKET CLOCK by Grimalde & Johnson, The Strand, London, the circular dial with Roman numerals, with an eight-day two-train movement striking on a bell, the backplate with decorative border and engraved signature, with two-train fusee movement with pull repeat striking on a bell, the Gothic case with arched top, the dial flanked by twin cluster columns with pinnacle tops and turned legs, 15.5" high

A Georgian style mahogany cased bracket clock, the silvered dial with Roman numberals and eight-day striking movement

A FRENCH GILT SPELTER AND ONYX BRACKET CLOCK, early 20th Century, surmounted with a figure of ‘La Brise’ after Perron, height 65cm (key and pendulum)

Early 20th century triple train bracket clock, the silvered dial marked `Elkington` with Chime/Silent dial, faux tortoiseshell case, 20

A Regency mahogany lancet cased Bracket Clock with circular enamel dial inscribed Cheltenham maker, twin train fusee movement, with repeater striking on bell, the case with brass inlay, ring handle on ball feet, 14 1/2in

English bracket clock with quarter striking triple fusee movement on eight bells and five gongs, Westminster and Whittington Chimes, engraved silvered dial with secondary fast / slow regulator, chime silent and chime selector, in an oak architectural case with fluted pilasters, dentil moulding and swan neck pediment with carved rosettes standing on four bracket feet, 66cm overall height

Victorian Westminster chime bracket clock with six pillar, triple fusee movement on five gongs, engraved silvered break arch dial, signed J. W. Benson Ludgate Hill London, with subsidiary strike silent dial, in a Gothic architectural Cathedral-style oak case with Gothic window, pierced side frets, 75cm overall height CONDITION REPORT Good overall condition. Movement clean and working. Silvered dial is streaked. Case good condition, no visible signs of any major damage

George III bracket clock with eight day movement, striking hours and half hours on a bell, circular white enamel dial, signed Jno Savage, Shrewsbury, in a shallow caddy top walnut case with tall pointed finial, inlaid brass decoration, 1cm lion-mask ring-handles and pierced side frets, on four ball feet, 55cm overall height CONDITION REPORT General overall condition good. Movement clean. We are unable to confirm if the movement is in full working order. Dial has minor wear around winding holes. Case is good. Veneer is cracked around dial on front between 11 and 12 and 6 and 7. Veneer on base is slightly rippled and has been repaired on back below door. Veneer is also marked below fret on right hand side and there are signs of repair above and below inlaid brass decoration to base

A late 18th/early 19th Century mahogany longcase clock by Robert Dalgleish of Falkirk, the 13ins arched painted dial with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in fitted mahogany case with moulded scroll pediment and turned and fluted columns to hood, with shaped trunk door and conforming quarter columns on bracket feet, 92ins high, with winding key for same Note : Robert Dalgleish recorded working until 1820

A 19th Century oak longcase clock by William Ross of Dover, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a view of a three masted sailing ship and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case with moulded cresting and plain turned pillars to hood, arched trunk door, on bracket feet, 85ins high Note: William Ross appears in Dover Apprentices lists as starting his indentures in 1827, but nothing else is known

An early 18th Century longcase clock by John Hough of High Leigh, the 10ins square brass dial with single hand and silvered chapter ring, to the thirty hour movement with outside locking plate striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door and on bracket feet, 79ins high Provenance : Purchased from Brian Loomes and illustrated in his book - "Brass Dial Clocks"

An twin train eight day brass carriage clock with gong strike, retailed by J Vincent of Weymouth, late 19th/ early 20th century, of rectangular form, central white enamel dial with Roman numeral hours and enclosed by brass case containing clear bevelled glass panels, raised upon moulded rectangular base and four bracket feet, 12cm high, in leather case.

A George III style mahogany cased bracket clock, eight day striking movement, on a gong, 43cm high

A REPRODUCTION PARCEL GILT CAST METAL BRACKET CLOCK IN FRENCH 18TH C STYLE, A COMPOSITION STATUETTE OF NIKE AND A COMPOSITION STATUETTE OF A BACCHANTE

A Georgian style eight day bracket clock, with gilt metal finials and scroll feet, 40cm.

A 19thC oak longcase clock signed Jonathan Giff of Burstwith, the hood with swan neck pediment, with arched enamel dial painted with the Good Samaritan and cottage scenes, on bracket feet, 58cm wide, 228cm high.

EARLY 20TH CENTURY MAHOGANY GRANDMOTHER CLOCK with arched silvered Roman numeral dial, on bracket feet, 173cm high

A large and impressive French ormolu mounted Boule work clock and bracket with enamelled dial, stamped Thuret, Paris

BRACKET CLOCK, 18th century and later with tortoiseshell clad oak case, silvered chapter ring and gilt spandrels, inscribed 'Speyer, London', bell striking movement, 50cm H. (as found)

Mid 20th Century quality bracket clock in the Louis XV style black lacquered marquetry finish case with convex white enamel dial and West German movement striking on two bells 36cm

A Mahogany Hanging Wall Clock (no movement) having raised carved, floral, leaf and scroll decoration, white enamelled dial with Roman numerals, with bracket, 90cm high

A 19th century mahogany bracket clock

A mahogany part case for a wall clock, a rosewood bracket, a large circular wall clock - lacks dial

A late 19th century French brass cased mantel clock, the swing loop handle above an all over decorated main body centre with a circular white enamel dial set with Roman numerals and eight day movement flanked by caryatid supports to splayed bracket feet, height 24cm.

A c.1900 Continental eight day wooden cased mantel clock, the circular dial set with Roman numerals above bracket feet, height 43cm.

An early 19th century oak and mahogany crossbanded longcase clock, the hood with broken swan neck pediment above half cut pilasters and arch painted dial set with Roman numerals, inscribed "Thos Glase Bridgenorth", with short arched inlaid door, rectangular plinth base and bracket feet, with eight day movement, height 217cm.

A mahogany bracket clock, brass face

Winterhalder & Hofmeier, Schrwazenbach an ebonised quarter chiming bracket clock, the triple-fusee movement chiming the quarters on eight bells or four gongs and the hour on a further gong, the backplate stamped W&H, Sch, 1886, for the maker, with the brass seven-inch arched dial having a raised silvered chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with the two lower cast spandrels of cherub-head form and the further two of C-scroll form, the arch with three subsidary dials for regulation; strike/silent and Chime on Eight Bells/Chime on Four Gongs, the ebonised bell-top case with further cherub-head spandrels set within the door, carytids with grotesque masks to the corners, cast mounts to the plinth, with floral mounts to the top and four cast urn finials to the top corners and surmounted by a further large urn finial, standing on brass claw feet, height 70cm.* Anton Winterhalder founded the business in Schwarzenbach, Germany in 1810 taking Anton Hofmeier into partnership in 1850, with the company finally closing upon the death of Linus, last son of Winterhalder, in 1930. The movements and clocks made by this firm are often believed to be the among the best produced in Germany at this time.

Nathaniel Brown, Manchester, an 18th century longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial with a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, flame half-hour markings and the makers name Nathl. Brown, Manchester, with cast-brass female-head spandrels the matted dial centre with a subsidiary seconds dial, date aperture and engraved with foliate decoration, with decorative blued steel hands, the oak case with crossbanding to the shaped trunk door, base and hood door, the caddy top hood with two brass ball-and-spire finials, full pillars to the front with giltwood capitals and a fretwork frieze below the top moulding, standing on bracket feet, height 218cm.* Nathaniel Brown is recorded as working in Manchester from circa 1750 until circa 1800.

John Carlyon, Falmouth, an 18th century oak longcase clock the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, fleur-de-lys half-hour markings and engraved either side of VI o’clock with the makers name John Carlyon, Falmouth, the matted centre with a subsidiary seconds dial and date aperture with engraved foliate decorative surround surmounted by a ho-ho bird, with wheat-ear border engraving , decorative blued steel hands and cast-brass urn spandrels to the four corners, the arch with a silvered boss engraved with a depiction of the sun, the oak case with a break-arch trunk door, turned three-quarter columns to the caddy-top hood with the plain base standing on bracket feet, height 226 cms.* John Carlyon is recorded as working in Falmouth in the early 18th century having married Ann Jenkins in 1729. He put his name to a marriage bond in 1740.

William Webster, London, a walnut bracket clock with an eight-day duration, double-fusee, five-pillar movement striking the hours on a bell, converted from verge escapement to anchor escapement, the backplate engraved with C-scroll decoration and the makers name Wm Webster, Exchange Alley, London, the eight-inch square silvered dial en-graved with a repeat of the makers name, with black Roman numerals, Arabic five-minute markings, strike/silent to the top left-hand corner and with decorative blued steel hands, the later 17th century style case with a caddy-top, cast brass mounts and brass carrying handle, height 44cm (inc. handle)

18TH CENTURY CHINOISERIE LACQUERED EIGHT DAY LONGCASE CLOCK, by Charles Clay of London, having flat hood with arched aperture, arch waist door and panel base on bracket feet. The case overall decorated with sepia and gilded chinoiserie designs. Arch brass face with seesaw automoton featuring two gentlemen to the arch, the face with silvered chapter rings, having Roman numerals, seconds dial and date aperture with pierced gilded foliate spandrels, marked Chas Clay London. The face 17" High x 12". Eight day movement striking on one bell. Overall 88" High.

19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, by Richard Foote of Faversham, having arched moulded hood with arched aperture flanked by spirally turned columns, the waist with arched door flanked by quarter spirally moulded pilasters on a panel base with bracket feet. Arch painted face decorated with flowers to the arch and the spandrels, Roman numerals, seconds dial and date aperture. The face 18" x 12.5". Eight day movement with false plate, two train movement striking on one bell. 84" High approx.

19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by Thomas Davies of Morriston, the case overall with checker bandings and having arched hood with ball and spike finials above arched aperture flanked by wrythen turned pilasters, the waist with rectangular moulded door flanked by quarter moulded wrythen pilasters on a panelled base with bracket feet. The face painted with cottages and castle ruins and having Roman numerals, seconds dial and date aperture. Eight day movement striking on one bell. The face 18" x 13.5" overall. 90" High.

EARLY 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, by J Wells & Sons of Solihull, the hood with broken swan neck pediment and brass eagle finial above square aperture flanked by reeded columns, the waist with mahogany banded and shell inlaid door flanked by quarter reeded pilasters on a crossbanded panel base with bracket feet. The face with floral spandrels, Roman numerals and painted swan decoration with date aperture. Thirty hour movement strikes on one bell. The face 12" Square.