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A mahogany cased bracket clock early 20th century, with Junghans brass eight day coil strike movement, silvered arched Arabic dial with bevelled glass door, in an arched moulded case with brass carrying handle and brass bracket feet, applied presentation plaque to plinth, 12in. (30.5cm.) high.

A George III mahogany and brass mounted bracket clock, the caddy top surmounted by brass finials above an arched panelled door, having pierced gilded corners, figureheads and trailing foliage enclosing a brass spandrilled and steel dial, by John Taylor of London, having strike silent subsidiary and date aperture, twin fusee 8 day movement striking on a bell, foliate engraved back plate, raised on four brass bracket feet, 28.5cm wide x 50cm high - see front cover illustration

VICTORIAN CARVED MAHOGANY BRACKET CLOCK with steel Arabic numeral dial, the W & H movement striking on a gong, on block feet, 43cm high

A George III walnut cased bracket clock William Edwards, London, with bell top case and 7`` arch brass dial with silent/strike and silverized chapter ring with Roman and Arabic numerals and name plate and date, the eight day twin fusee movement with engraved back plate and striking on a bell, 46cm high

A Victorian “bracket” wall clock with oak case. From the late 19th century En estado de marcha 38x26x17 cm

An early 20th century mahogany cased arched top bracket style clock, the 6.5 inch white dial signed 'Goldsmith & Silversmiths Co, 112 Regent Street, London' within a ring of Roman numerals, the single panel front with brass moulded edge between fish scale pierced sides on four gilt metal bun feet, the eight day movement striking on a coiled gong, 36cm high,

A 19th century boulle bracket type clock by Japy Freres & Co the 4.5 inch gilded dial with enamel cabochons of Roman numerals under a figural finial in a balloon shaped case with gilt metal mounts on four short scroll feet, the eight day movement striking on a single bell with sunburst pendulum and boulle work to the interior of the door, 40cm high

Oak longcased clock banded in mahogany , painted broken arch dial with rolling moon, subsidiary seconds and date rings, Thos. Underhill, Albrighton , 8-day striking movement, in a swan neck hood with fluted columns on a quartered column trunk, set out plinth amd bracket feet, height 226cm (pendulum, two weights, brass finials, winding key).

Thomas Savage, London a mahogany bracket clock with an eight-day duration double-fusee movement striking the hours on a bell, the seven-inch round painted dial having black Roman numerals, blued steel ‘moon’ hands and signed ‘Thos Savage, London’, the arched mahogany case with a brass-edged inset panel to the front, brass cornucopia handles and fretwork to the sides and standing on brass ball feet, height 37cm.*Thomas Savage is recorded as working in London from his apprenticeship in 1788, becoming free of the Clockmakers Company in 1797 and bankrupt in 1835. His son, also Thomas, was free of the Clockmakers Company in 1825.

J &.S. Farr, Bristol a mahogany bell-top bracket clock, with an eight-day duration, double-fusee movement with anchor escapement striking the hours on a bell, the seven-inch arched painted dial having black Roman numerals, decorative blued steel hands and indistinctly signed ‘J.S. Farr, Bristol’, with a ‘strike/silent’ dial to the arch, the mahogany bell-top case having a brass handle and four ball finials to the top, brass inset corners, cast-brass fretwork to the front and glazed sides, standing on cast bracket feet, height 37cm.* Probably John & Stephen Farr, members of the Farr family of Bristol clockmakers, who were apprenticed to their father Stephen in August 1812 and who worked together at his shop in Tower Lane until 1822 having both been made Burgesses of the City in March 1820.

Thomas Hampson, Wrexham an oak longcase clock with the eight-day duration movement striking the hours on a bell, the backplate engraved with a D above L H surrounded with engraved stars, the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half quarter-hour markings, and signed ‘Hampson, Wrexham, 486’ either side of 30, the matted centre with engraved decoration to the date aperture, ringed winding holes and a subsidiary seconds dial, with decorative blued steel hands and female-head spandrels to the four corners, the oak case with crossbanding to the trunk door and base, three-quarter columns with giltwood capitals to the hood and a blind fret below the caddy top, standing on bracket feet, height 224cm.* Thomas Hampson of Wrexham is recorded as working in the High Street from before 1728 until at least 1748, his home known as ‘The Clock’. He was a prolific maker and numbered the majority of his clocks on the dial, as in this example. Two longcase clocks are in the Museum of Welsh Life, St Fagans with another two in Wrexham Museum. It is known that Hampson made the sundial for Llandderfel churchyard. His son Thomas carried on the clockmaking business and is known to have been working prior to 1772.

A late 19th Century walnut mantel clock with eight day movement striking on a gong, the gilt dial and enamel chapter ring with Roman numerals, the architectural case with classical frieze above moulded pilasters, on a stepped bracket base, height approx 36cm, together with a pendulum and key.

An early 20th Century walnut mantel clock with eight day chiming movement, the textured brass dial and silvered chapter ring with Arabic numerals cornered by foliate spandrels, the arched case with moulded foliate decoration above a glazed door flanked by reeded columns, on bracket feet, height approx 44.5cm, together with a key and pendulum.

A late 19th Century French brass cased carriage alarm clock, the white enamel dial with Roman numerals above a subsidiary alarm dial, the glazed case with swing handle, on bracket feet, height approx 16cm, together with a key.

An Edwardian oak mantel clock with eight day movement striking on a gong, the silvered dial with slow/fast indicator above Roman numerals, bordered by engraved scrolling foliage, the case with moulded arch pediment above cut corners and pierced fret panels to sides, on a plinth base and bracket feet, height approx 33.5cm, together with a pendulum.

A late 19th Century French gilt brass cased mantle clock with eight day movement striking on a gong, the dial with Arabic numerals and flower festoons, the case with seated cherub surmount above a pierced foliate scroll moulded dome top, applied with fruiting scrolls, flanked by Ionic columns on a stepped base centred with a lion mask, on bracket feet, height approx 40cm, together with pendulum and key.

A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with Roman numerals and date aperture and inscribed `Jno Carmalt Ringwood`, cornered by shells and scrolls, the hood with a swan neck pediment with brass rosettes above a glazed door flanked by columns, the trunk door with crossbanded decoration above a plain base, on bracket feet, height approx 200cm, together with pendulum and weight.

A Regency mahogany bracket clock, unnamed, with twin barrel movement and painted tin face, Roman numerals, and brass drop handles to the side, 47 by 35 by 14cm deep.

A late 19th/early 20th Century German walnut bracket clock, the case with ormolu finials, mounts and paw feet and having sound frets to the side panels, the movement striking on the quarter with arch dial having subsidiary slow/fast dial, inscribed MB on the backplate

An oak George III longcase clock by George Young, Lockerby, the painted face with Nelson, Arabic and Roman numerals, subsidiary second dial and date aperture, the eight day movement, anchor escapement and striking bell, the swan neck pediment with urn finial over arched door flanked by Doric columns, shaped trunk door flanked by fluted quarter columns, plinth base on bracket feet, 216cm high

A mahogany and inlaid trunk dial clock, the circular head with white painted dial, Roman numerals and glass panelled door, flanked by foliate bracket, label to inside `New Haven Clock Co, Anglo American Clocks`, 42cm wide x 70cm high

A Georgian mahogany bracket clock by William Robins, London, the arched white painted face with Arabic and Roman numerals, subsidiary date dial with strike and silent dial, the eight day movement with striking bell (movement converted)

A George IV mahogany and crossbanded longcase clock, circa 1830, the swan neck pediment arched hood on spindle supports opening to reveal enamel dial, with subsidiary seconds dial, with date aperture painted with a rustic scene of a family and three children, Roman numerals, the dial inscribed `J Williams, Newcastle`, painted spandrels of ladies in different seasons, the mood phase arched with naval scene, the arched door on plinth base and bracket feet, the dial 32cm d, 220cm h

Early C20th Mahogany Marquetry Inlaid Long Case Clock with 3 train time/strike 8 day movement, silvered chapter ring with Roman Hour Markings, Arabic second minute markings, gilt spandrels with cherubs, crowns, case supported on bracket supports, lower plinth with marquetry panel of bell flowers & swags, door inlaid with torch & bell flower & writhen decoration, small presentation plaque to main trunk

A simulated walnut bracket clock with pierced metal mounts and brassed carrying handle, the circular brass and silvered dial with Roman numerals surmounted by a painting of a country house, together with a brassed anniversary clock with glass dome, a cast metal "Cat and Mouse" money box and an etched glass shade (PART ILLUSTRATED)

An early 20th Century brass cased carriage clock, the circular silvered dial with Arabic numerals to a single train movement, housed within a glazed sided case on bracket feet

A RED CHINOISERIE EFFECT MANTLE CLOCK, MADE BY ELLIOTT ENGLAND, THE CLOCK HAVING A GILDED FACE AND BLACK ROMAN NUMERALS AND BEING ON BRACKET FEET

A late 19th century French bracket clock with ebonised case inlaid with brass and tortoiseshell, white enamel dial with Roman numerals, eight day movement with hour repeater - H33cm, W27cm

A 19th century French oak cased bracket clock with eight day movement striking on bell, automaton to top, gilt metal Roman deity below dial - H50cm, W29cm

A Walnut Encased English Bracket Clock With Arched Silvered Dial

A Victorian carved walnut bracket clock, the quarter chiming movement striking on two gongs, the case surmounted by a pagoda type pediment with finials and broken pediment, the arch top brass face with silvered dial ring flanked by twist columns on a shaped spreading plinth standing on four small turned feet, movement need attention, 60cm high

An imposing late Victorian carved oak bracket clock, the quarter chiming movement striking on two gongs, the substantial case having a carved faux tiled roof pediment, balustrade and finials, the silvered square face flanked by columns, pierced sides and back, supported on a plinth base standing on four bun feet, 80cm high

A late 18th century mahogany longcase clock, unsigned, the 36cm square painted face with rolling moonphase and subsidiary calendar, eight day two train movement striking on a bell, contained in shell inlaid case with quarter columns, the hood with moulded scroll pediment and finials, turned columns, shaped trunk door, on short ogee bracket feet, 245cm high

An early 19th century oak eight day longcase clock, the painted arched top 14" dial with subsidiary day of the month and second aperture, the hood with broken swan neck cornice and free standing columns over shaped trunk door, resting on bracket feet, 232cm high.

A Georgian Bracket Clock with finely engraved arched, silver dial inscribed William Gill, Hastings, subsidiary seconds dial and date aperture, twin train striking movement, finely engraved brass back plate with basket of flowers and leafage scrolls, etc, in mahogany case with brass carrying handle and pineapple finials, 18in

AN OAK LONGCASE CLOCK by James Paterson, Banff, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals and chased with trailing flowers, signature shield to arch, secondary dials, the case with scrolled pediment having brass roundels on turned columns, arched door, panel base and bracket feet, 82 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by Joseph Batty, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial chased with foliage and with Roman and Arabic numerals, secondary dials and penny moonphase, the case with caddy top and moulded cornice on turned arched door flanked by quarter columns, panel base and bracket feet, 82" high (Illustrated)

AN OAK LONGCASE CLOCK by Thomas Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, painted moonphase and calendar dial, the case with swan neck pediment on turned columns and with brass rosettes and eagle finials, arched door flanked by quarter columns, panelled base and bracket feet, 86 1/4" high (Illustrated)

AN OAK AND MAHOGANY LONGCASE CLOCK by James Speight of Tong, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" arched dial painted with birds, fruit and flowers, and with Roman and Arabic numerals, secondary dial, the case with scrolled pediment on turned columns and with brass roundels and gilded ball finials, waved throat moulding over arched door flanked by quarter columns, panel base and bracket feet, 88 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by Samuel Lawson, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with foliate scrolls and a deer, calendar aperture and painted half moonphase, the mahogany banded case with moulded cornice on turned columns, arched door flanked by quarter columns, canted panel base and bracket feet, 83" high (Illustrated)

A MAHOGANY LONGCASE CLOCK by Thomas Bland, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched dial with Roman numerals and painted with flowers and fruit and with sail ship in the arch, secondary dials, the case with stringing and satinwood banding, scrolled pediment with roundels and brass finials on turned columns, canted trunk with arched door having a marquetry patera depicting Britannia, panelled base and ogee bracket feet, 90 1/2" high (Illustrated)

Late eighteenth/early nineteenth century oak and mahogany long case clock, the hood with swan neck pediment, the trunk with spiral turned pilaster, mahogany banded and inlaid door and panel under and on bracket feet, the thirty-hour movement inscribed `White - Tewkesbury`, with painted spandrels, 203cm

The movement from an old bracket clock

An early 20th Century inlaid mahogany mantel clock retailed by Walker & Hall, of low arched form, with brass ogee bracket feet, 21cm x 16cm high

"Regency bracket clock with painted dial and 8 day fusee movement, 38x 28cm w"

A 19th century bracket clock, the 20 cm diameter silvered dial signed WILLM LATCH, NEWPORT, fitted a twin fusee movement striking on a bell, in a shaped mahogany case decorated acanthus leaves, 51 cm high See illustration

Mahogany cased eight day bracket double fusee bracket clock by Scott of Huddersfield, brass dial with silvered chapter ring to twin train movement striking on a bell, date aperture, strike silent in the arch, engraved brass back plate, 22in. (56cm)

19th Century Irish eight day triple fusee ebonised repeating bracket clock by West & Son. Dublin, the base with gilt metal mouldings, brass dial with subsidiary chime/silent, slow/fast and chime on eight bells/ westminster chime, triple train, the movement striking on six bells and chime, inscribed `Presented by Penelope H. Colles to Dr. Charles Ball, In grateful remembrance of his kindness to her son` PROVENANCE: By direct family descent from Sir Charles Bent Ball (1851-1916), fellow of the Royal College of Surgeons of Ireland for his pioneering work in surgery, first baronet Ball of Merrion Square, Dublin and Lieutenant Colonel in the Royal Army Medical Corps. Penelope Colles:- Died 17th June 1915 (aged 82) Only son Abraham Richard Colles - Died 29th June 1899 (aged 36) 24 x 13 x 8in. (61 x 33 x 20cm)

An Edwardian oak bracket clock with a silvered dial in a carved case, brass carrying handle, 40cm high

A teak mantel clock by Elliot, the square dial bearing the name W. Mansell of Lincoln, with Westminster chime, bearing presentation plaque on carved bracket feet, 31cm wide.

Comitti, London, a modern mahogany and marquetry bracket clock in George III style, with the brass stamped movement bearing the name Franz Harmle on bun feet, 25cm high.

A mid 19th Century rosewood wall clock on integral scroll carved wall bracket, the circular enamel dial with dead beat fusee timepiece movement, 51 cm high

Richly veneered German walnut bracket clock by Lenzkirch with ting-tang striking, gilded ornamentation and blue-steeled hands

An Edwardian inlaid mahogany aneroid barometer, circular-shape with silvered dial, 9in. also in include a Georgian-style mahogany bracket clock with quartz movement, 13in. high

A Louis XV-style bracket clock, with convex enamel dial, in red lacquered case, bell-striking movement, complete with bracket, clock 17in.

Georgian and later musical bracket clock with twin fusee movement and verge escapement striking on six bells, engraved silvered break arch dial with subsidiary 'song, minuet and jigy' dial, signed - 'W M Johnson, London', in an ebonised caddy top case with ball finials and swing handle, 55cm overall to handle

Victorian bracket clock with eight day chain-driven fusee movement, white enamel dial, signed - Newson Halesworth, in a walnut veneered case with dome top and carved floral decoration, standing on four bracket feet, 30.5cm overall height

Early nineteenth century eight day longcase clock, by Ortelli of Buckingham, with painted arch dial with lunar phase decorated with moon and galleon at sea, the spandrels painted depicting allegories of the four Continents, the circular dial with subsidiary seconds, calendar aperture and Roman numerals, in an inlaid mahogany case with swan-neck pediment, turned columns with brass Corinthian capitals and inlaid shell paterae, on bracket feet, 231cm high

A 19th Century 12" painted dial from a longcase clock, signed Jas. Sayer Bewdley, with date aperture and detailed with a scene of a saling boat, with a 30-hour movement and mounted to a later wall bracket.

A late 19th Century slate and green marble mantel clock with circular enamelled dial with Roman numerals to a single train movement and a 1920`s oak bracket clock with three quarter chiming movement, the circular silvered dial inscribed "Parsons Ltd Bristol" (2)