We found 28112 price guide item(s) matching your search

Georgian mahogany eight day bracket clock, the twin fusee movement striking on a bell and signed Ward London, the case having brass pierced panels, feet and handle, overall height including handle 43cm

Georgian Irish brass inlaid mahogany table or bracket clock, the circular dial with Roman numerals and bearing maker's name Chancellor, Dublin with cast brass bezel, turned side columns, Gothic pierced sound panels and lion mask ring handles to sides, standing on bun feet. The eight day movement striking hours on a bell and having an engraved border to the back-plate, with pendulum and glazed back door, height 39.5cm

A MAHOGANY CHIMING LONGCASE CLOCK, the triple weight movement quarter chiming on eight bells, 14 1/2" arched brass dial with foliate centre inscribed "Time Weareth out Fancies"(sic), Roman and Arabic numerals, three small dials to the arch and bearing the name "Thomas Lister Halifax", the case with swan neck pediment and brass finials on fluted columns, fluted throat banding over arched panelled door flanked by fluted columns, panelled base with faux block work corners, on bracket feet, 95" high (Est. plus 24% premium inc. VAT)Condition Report: A marriage of case and movement, movement clean, case generally very good, no pendulum. Minute hand sticks at 7/8 minutes past the hour.

A MAHOGANY CASED MANTEL CLOCK, early/mid 19th century, the three train movement quarter striking on two bells, 6" enamel dial with Roman numerals and signed "Martin London", the domed oblong case with ebony stringing, and brass trim surmounted by a loop handle, pierced brass sound frets, moulded base and ogee bracket feet, 9" x 15 3/4" (to tip of handle) (Est. plus 24% premium inc. VAT)Condition Report: Appears to be in very good condition, movement clean, the dial has some very minor chips near winding holes, two minor paint chips near the number "V" which have been touched up and some mild crazing and scratches. String missing from pendulum

AN UNUSUAL OAK LONGCASE CLOCK SIGNED ETHERINGTON DRYFIELD, late 18th century, the movement in two sections with going train to the left, the hour and ting-tang quarter striking on three bells trains to the right, recoil anchor escapement, 11 1/2" white painted arched dial of unusual layout with side by side arrangement of separate hour and minute dials with Roman and Arabic numerals, painted landscape with figures before a cottage in the arch, the case with dentil moulded cornice and plain frieze on engaged columns, break arch door, plain plinth base and tall skirt, on bracket feet, 85" high, John Etherington is recorded as working in Driffield Yorkshire from 1775-1790 (Est. plus 24% premium inc. VAT)Condition Report: Movement appears to be in working condition, face good but signature re-touched. Case appears to be a marriage to movement, good bar loss of some blind fretwork to the frieze.

A BRASS CASED CARRIAGE CLOCK, c.1900, the single barrel movement with platform escapement, the silvered dial with Arabic numerals within a shaped gilded surround, the gilded Corniche style case with reeded loop handles and bracket feet, 7 1/4" to tip of handle, with maroon leather carrying case (Est. plus 24% premium inc. VAT)Condition Report: Appears to be in working order, some tarnishing to silvered dial, rubbing to gilded case, some scuffing to carrying case and strap handle split in two.

A STAINED WOOD CASED MANTLE CLOCK, in the Georgian taste, with silvered dial and chiming movement, raised on brass bracket feet, the arch top with brass handle. 40cm high

Edwardian inlaid mahogany bracket clock of lancet form with twin train dial, inlaid with boxwood stringing, on gilt metal animal paw feet, with handles, 38.5cm high.

Edwardian inlaid mahogany balloon-shaped bracket clock, with white enamel twin train dial, boxwood strung with satinwood patera, striking on a gong, on gilt bracket feet, 30cm high.

Continental oak-cased bracket clock, c. early 20th century, the arched shaped clock with twin reeded Corinthian pillars, glazed viewing window enclosing silvered twin train dial, with chime-silent and slow-fast subsidiary dials, named to Wm Hope (Late) Alexander, Hexham, striking on a gong, on gilt bracket feet, with carry handle, approximately 45cm high.

A CLASSICAL STYLE STRIKING MARBLE AND SLATE MANTEL CLOCK with Aesthetic style decoration, and an 18th century style bracket clock

A modern regency-style bracket clock by Knight & Gibbins of London, in a black lacquered chinoiserie decorated case, 30cm high.

A reproduction Tempus Fugit bracket clock in oak case, height 42cm.

A Victorian walnut bracket clock, c.1870, with an eight-day movement striking on a gong, the engraved silvered dial set with Roman numerals and inscribed 'BARRAUD & LUNDS, 41 CORNHILL, LONDON' and numbered '2517', the case with wrythen column pilasters and raised on a bracket, 52cm wide33cm deep93cm highCondition ReportSome splits, knocks and wear to case, with small losses and areas of repair. Some holes to side panels. A few slightly loose elements. General surface wear, scratches and tarnish to face. Minute hand a little misshapen. Ticks and strikes when wound, however we are unable to guarantee that this represents full and complete working order and would recommend inspection by a professional. General knocks and wear to bracket, with one terminal loose.

A Regency mahogany bracket clock, the square silvered dial inscribed ‘Holmes, London’, with spandrels with delicate floral engraving, the hour hand with a pierced heart finial, having a double chain fusee movement striking the hours on a gong, with bevelled glass side panels and raised on flat brass feet, with screw pendulum, door and winding key, 23cm wide 14.5cm deep 30.5cm highProvenance: The David Morris Collection.

A George III mahogany longcase clock, late 18th century and later, the eleven-inch dial with silvered chapter ring inscribed 'William Withers, London', with an eight-day movement, the flame mahogany case with gilt-brass mounts, on a plinth base with short bracket feet,57cm wide27cm deep270cm highProvenance: The Collection of the late Rosemary and Theo Cutting.This lot was on long-term loan to the Fitzwilliam Museum, Cambridge, until 2023. Exhibited early 2000s.Condition ReportHeight to the top of the arched pediment (without pagoda top) is 235cm.  Rrepair and restoration to case, with evidence of later timbers.  Elements of the base and hoop appear later, general 'small knocks, scratches and scuffs, with some repaired splits.  Tarnish and discolouration to metal.  General surface wear and some scratches to face.  Ticks and strikes the hour when wound, however we are unable to guarantee that this represents full working order and would recommend inspection by a professional.  Cheekboards appear built up.

A Victorian brass mounted and inlaid mahogany bracket clock, the enamel dial inscribed Thos. Moss Ludgate Street London 246, 29cm h (excluding handle) Veneer split and cracking on top, minor chips and scuffs consistent with age, minor chips to keyholes on dial

A French Boulle bracket clock, 19th c, inlaid with mother of pearl, giltmetal mounted dial, with enamel chapters, inscribed Hy Marc a Paris, 42cm h Gilt metal rubbed in places, no obvious losses or damage

VICTORIAN DOUBLE FUSEE MINIATURE BRACKET CLOCK - WORKING - 30CMS (H) APPROX

An ebonised German bracket clock with brass decoration, with a Lenzkirch movement striking on a coiled gong, 53cm high, with bracket***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Elliott mantle clock in an 18th century bracket clock style case.

A George IV Rosewood and Ormolu Mounted Bracket Clock, by James McCabe, Royal Exchange, London, No. 2186, the 4.375ins diameter silvered dial with Roman numerals, the dial centre finely engraved with leaf scroll ornament within finely pierced and engraved gilt brass slip to the eight day two train fusee movement striking and repeating on one bell contained in rosewood and ormolu mounted case with shaped top inset with three bevelled glass panels and with ornate ormolu shell and leaf scroll mounts, and scroll and leaf capped front pillars, raised on conforming leaf capped scroll feet, 13ins high Note: James McCabe recorded working Cheapside and Royal Exchange London - member of the Clockmaker's Company, 1781, Warden of the Clockmaker's company, died 1811.  The business was continued in the same name by his sons until 1883Externally the clock appears in excellent overall condition. We are led to believe it was subject to some restoration some years ago and is very bright and clean. There are no obvious cracks or chips to any of the glasses.  The gilding is in excellent condition. There are a couple of marks either side in the woodwork near the side glasses which appear to have been inserted at some earlier date but is worthy of note. The doors are in good condition.  The hinges appear original and function well.  Internally the mechanism is complete although we cannot warrant the originality of all components, it is clean and bright as to be expected after a restoration. The bell, hammers and pendulum appear original. The clock winds, runs and sets but should be regarded as untested.  The winding key and door keys are present. Overall a very nice example requiring no obvious expenditure.  Prospective bidders are strongly advised to study all images closely prior to bidding. 

A Modern Jaeger - Le Coultre "Atmos" Perpetuelle Timepiece, No.650497,  the 4.25ins diameter white finish chapter ring with raised Arabic numerals at three, six, nine and twelve o'clock, interspersed with numeral batons to the open brass framed movement, contained in lacquered brass and plexiglass rectangular case, 9ins high, with matching wall bracket, and original card carrying caseThe clock presents in good overall condition showing light marks to the exterior commensurate with age and usage but no obvious sign of damage or repair.  The bracket does have some marks and discolouration particularly around where it has been attached to a wall but this is acceptable for the age of the clock.  The case is glass fronted and the panel removed easily. There is no sign of damage to the clock and when the brake is released the clock functions correctly.  It does run and lock but should be regarded as untested.  Overall a very good example. Potential bidders are strongly advised to study all images carefully. The original cardboard outer box is present but the original packaging is not present and neither are the instructions.  The clock was consigned from a deceased estate, we have no further provenance or paperwork. 

A 19th Century Oak Longcase Clock by George Hallifax of Doncaster, the 12ins arched brass dial with Roman and Arabic numerals subsidiary seconds dial and date aperture to the matted dial centre, cast spandrels, to the eight days two train movement striking on a bell, contained in case carved with floral and leaf scroll ornament with moulded scroll pediment and turned columns to hood, fluted quarter columns to trunk, on plinth base with bracket feet 95ins high

A Late 17th Century Walnut and Marquetry Longcase Clock by Thomas Cruttenden of Yorke, the 10ins square brass dial with engraved centre and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with bold cast winged cherub head pattern spandrels, to the eight day two train five pillar movement striking on a bell contained in walnut and marquetry case, the rising hood with moulded cornice and spiral turned columns, trunk door inlaid with two shaped panels with flowers in a bowl, and with circular lenticel to centre, replaced plinth inlaid with similar floral panel, on bun feet 77ins high Note: Thomas Cruttenden recorded working London and York 1668-1698. He was apprenticed to Robt. Scignier in July 1668 and was then passed over to John Fromanteel until November 1677, free of The Clockmakers Company 1677. In 1680 he moved to York to establish one of the first important clock workshops in the North of England and became free of the City of York. He died in 1698. Provenance: Purchased Hotspur Antiques Ltd, 14 Lowndes Street, London SW1X 9DEExternally the clock presents very well indeed, showing wear commensurate with age and moderate usage.  There is some light shrinkage here and there on the veneer panels which is to be expected on a clock of this vintage. There is some light cracking on the door, and general chips and marks but no real areas of concern.  There is a nice patination. The item has been refurbished at some point but this would be historic. The two lower marquetry panels at the base of the trunk door have been replaced and the plinth base is later - the base has some marks. The marquetry retains good colour. The glasses have some marks but no obvious signs of damage or chips and may be considered original. The doors sits on its original hinges and functions correctly. Likewise the inner cabinet is in good condition. The weights appear original and are strung. The original winding crank is present. To the inside of the door there are various notations and pieces of information as shown in the images, relating to the clock.  The hood is in good condition, fits and locks correctly, the locking bracket appears to be original. No obvious sign of restoration but has had attention over the years on a historic basis. The mechanism and the fit is good and again appears to be contemporary with the case.  Some slight marks and one or two small wormholes, again historic, to the sides and lower hood plinth.  The dial is in very good condition but again at some point would have been re-silvered, but this is historic.  The engraving is complete and intact and the hands appear original.  The mechanism is complete although we cannot warrant the originality of all components. The clock winds, runs and sets but should be regarded as untested. The hammer and bell appear original. Overall a very nice example of this early clock. Please note we are unable to comment as to whether any additional movement would fit into the cabinet. This needs to be the decision of the prospective bidder.  Prospective bidders are strongly advised to view all images closely prior to bidding. 

19TH C. MAHOGANY SCOTTISH 8-DAY LONGCASE CLOCK, A & W. Marshall (Wishaw), swan neck pediment, painted 12in. Roman dial, subsidiary and calendar dials, elaborately decorated lunette depicting 'Domestic Happiness', spandrels decorated depicting Asia, America, Africa and Europe, hood with columns and pilasters, bow fronted door, panelled base, bracket feet, 220cms (h)Provenance: private collection PenarthComments: untested, dial restored, one winding hole missing brass surround, split to base

19TH C. MAHOGANY WELSH 8-DAY AUTOMATON LONGCASE CLOCK, C. Tyte (Swansea), 13in. painted Roman dial with rocking ship automaton, subsidiary dial and calendar aperture, spandrels painted with castle ruins, brass mounted columns and reeded pilasters, boxwood and checker strung case, tall bracket feet, 235 (h) x 49cms (w)Provenance: private collection Vale of GlamorganComments: untested, hood probably associated, brass capitals replaced, winding hole surrounds missing, pendulum rod broken, inspection advised

19TH C. MAHOGANY WELSH 8-DAY LONGCASE CLOCK, Mark Marks (Cardiff), 11in. painted Roman dial, arch and spandrels painted with Classical and Gothic ruins, subsidiary dial and calendar aperture, swan neck pediment, shank reeded columns, canted angles, arched front bracket legs only, 230 (h) x 48cms (w)Provenance: private collection PenarthComments: untested, minor restorations

EDWARDIAN MAHOGANY AND INLAID MANTLE CLOCKwith a shaped case and a circular silvered dial with Arabic numerals and an eight day movement, on bracket feet, 27cm high; together with another smaller modern mantel clock

A mahogany-cased 3-train bracket clock, with key, H38cm overall

An Edwardian inlaid mantel clock, the dial signed Maple & Co, and another mantel bracket clock.

A double weight walnut Vienna wall clock. Condition- case appears to be in good condition with no sign of woodworm, the number of the movement does not appear to match the one on the mounting bracket, the clock comes with a key.

A 20thC mahogany cased longcase clock, the brass dial with silvered chapter ring bearing Roman numerals, cherub spandrels, the hood with swan neck pediment and urn finial, the trunk with glazed panel, with pendulum and three weights, on bracket feet, 202cm high.

John Lee of Loughborough. An 18thC mahogany cased longcase clock, the brass dial bearing Roman numerals, eight day movement, with central moon decoration and raised spandrels depicting the four seasons, the hood with a moulded cornice above Corinthian column brass capped pilasters, the trunk with a panelled door flanked by further pilasters, on bracket feet, with pendulum and weights, 200cm high.

A 19thC oak cased longcase clock, the white enamel dial bearing Roman numerals and Arabic numerals and quarters, subsidiary seconds and date aperture, eight day, bell strike, with hand painted decoration to top depicting a thatched cottage, lake and figure with painted floral spandrels, the hood with inlaid swan neck pediment and finial, on cylindrical columns, on bracket feet, pendulums and weights, 212cm high.

A WILLIAM III/QUEEN-ANNE WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCK JOSEPH WINDMILLS LONDON, CIRCA 1700-05 The six finned and latched inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square gilt brass dial with subsidiary seconds, ringed winding holes and conforming calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and signed J. Windmills, London to lower margin, the angles applied with twin cherub and crown spandrels with foliate scroll engraved infill to the plate between, the case decorated with floral and foliate marquetry and with caddy top over glazed hood door with turned columns flanking the aperture, with concave throat moulding and trunk door centred with a lenticle and decorated with three-shaped panels incorporating central bird amid flowers, on conforming plinth base with decorated shallow skirt. 232cm high excluding later finials, 49cm wide, 26.5cm deep Provenance: Acquired August 1919, 'A fine Wm & Mary long case clock with bird & flower marquetry panels'The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers' Company as a free Brother on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at 'Swan Court, Mark Lane End, next Tower Street' by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; shortly after 1700 the firm became a partnership which lasted until Joseph's death in 1724. As a contemporary of Knibb, Quare and Tompion, Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers. Condition Report: The movement is in working condition however is due for a gentle clean/service as lubrication is somewhat dry/gummy and the plates are a little tarnished with some oil staining. The escape wheel and arbor are 19th century 'service' replacements otherwise movement appears essentially all original with no visible evidence of alteration or noticeable replacements. The centre movement pillar is not fitted with a latch all other latches are present. The dial plate retains old yellow lacquer surface which has mellowed/discoloured; it is a little dirty with a few spots of oxidation, the silvering is fairly heavily oxidised; the calendar ring is operational. The hands are replacements of incorrect design and size (with respect to the hour hand). The spandrels appear original and retain good strong gilding.The movement and dial retain the original seatboard which rests at the correct level within the case with no evidence of alteration confirming that the movement and dial are original to the case. The movement backplate has spare holes from a previous securing bracket which is no longer present - there are corresponding holes to the case backboard. The case has generally survived in original 'untouched' condition, The top board to the caddy superstructure, finials and blocks are 19th century replacements; and the 'box' beneath the caddy would have been faced with scroll-pierced fretwork which has bee substituted for a piece of dark veneer. The cornice frieze would have originally also been faced with fretwork - this has been replaced by a section of marquetry veneer which appears Dutch and most likely 'salvaged' from a piece of furniture. The hood door is in good condition; the hinges are unusual being externally mounted (to the right-hand side) however they appear original. The wooden column caps and bases conform with other known examples by Windmills; the lower right front is loose and also appears to be a later turning that the others. The crossgrain chin moulding to the left-hand side is missing a section around 6 ins in length. The rear of the caddy is open and was most likely originally closed with thick paper pasted over the aperture. The throat moulding has a small veneer chip to the rear left-hand edge and a small loss to the leading upper edge of the marquetry at the front otherwise are in good condition. The trunk door is straight with some slight springing to the edge moulding to top left-hand corner and some small localised losses to the marquetry (corresponding to slight movement in the carcass board clamp) towards the lower edge. The lock and hinges appear original and undisturbed. The sides of the trunk are in good condition - the left-hand side has a small veneer chip to the rear edge and evidence of some light historic worm infestation (long gone!). The right-hand side has some 'rubbing through' of the crossbanded veneer towards the front leading edge at the level of the lower door hinge. The plinth base is original and undisturbed retaining marquetry veneers in good original condition having only slight losses to the upper left-hand edge and towards the centre. The side veneers have horizontal shrinkage cracking (but are stable) and some historic worm damage. Unusually the clock retains its original skirting faced in marquetry. The design of the marquetry suggests that the skirt may have originally been taller, there are also veneer losses to the sides and some historic worm damage. Faults to the case are otherwise limited to minor bumps, scuffs, bruises and wear commensurate with age and use. The surface/colour is particularly good and untouched with the marquetry having raised 'glue' texture around the various elements indicating that the finish is old. The backboard retains all of its origiginal height continuing all the way to the lower edge of the base.Clock is complete with pendulum, original brass-cased weights, door key and a winder. Condition Report Disclaimer

A REGENCY BRASS AND EBONY-MOUNTED MAHOGANY BRACKET CLOCK THE DIAL SIGNED FOR JAMES WILSHIRE, LONDON, EARLY 19TH CENTURY The eight-day five pillar twin fusee bell striking movement with anchor escapement regulated by heavy disc-bob half-seconds pendulum, the backplate engraved with oval floral reserve within conforming borders, the 7 inch circular cream painted Roman numeral dial inscribed JA'S WILSHIRE, LONDON to centre and with strike/silent selection lever set behind a convex-glazed cast brass bezel, the break-arch case with carrying handle and single brass-edged pad to top and recessed brass-bordered panel beneath the dial, the sides with brass grille sound frets, on brass ball feet 41cm high with handle down, 25cm wide, 16.5cm deep Condition Report: Movement appears to be fundamentally original with no visible evidence of alteration or notable replacements (although the mechanism has not been removed from the case for detailed inspection). It will run and strike however the strike is slow/lazy indication that a gentle clean/service is required. The dial has overall flaking/losses to the finish as well as evidence of historic retouching/overpainting. The case is generally in very good original condition with faults limited to a small veneer repair (section of original veneer re-stuck) to the arch of the left hand side fret surround otherwise there are only a few minor bumps, scuffs and some light shrinkage cracking.Clock is complete with pendulum, case key and a winder. Condition Report Disclaimer

Dunhill brass repeater carriage clock having engine-turned face surrounding a white enamel dial, plain case, striking movement, on bracket feet, 17cm high, made in France and marked 'L'Epee', with box 

Large early 20th century mahogany cased bracket clock with square ormolu mounted brass dial. Approx. 48cms H reasonable used condition scuffs scratches not tested

Puckridge, London, a Georgian mahogany longcase clock,, the arched hood with spire finials, the trunk with arched moulded panel door flanked by canted angles on a box base with bracket feet, having a 30.5cm arched silvered dial with subsidiary seconds and strike /silent to the arch, signed Puckridge, London, 5271, the twin train eight day movement striking to a bell, 223cm high.

A Regency mahogany bracket clock, 54cm high

A 19th century French bracket clock and stand, brass inlaid tortoiseshell and gilt metal mounted, the embossed brass dial with white enamel medallions and blue Roman numerals, 8 day movement striking on a bell, sunburst pendulum, with key, 21 by 11.5 by 39cm high, with a matching serpentine fronted stand, 24 by 13.5 by 6cm high.

A 19th century bracket clock, white painted dial signed 'Jefferys and Ham, Salisbury Square, London', black Roman numerals, minute track, and with strike / silent dial, 8 day pillared movement striking on a bell, with brass finials to the arched case and raised on brass bracket feet, with two winding keys, case door key, and pendulum, 35 by 19.5 by 49.5cm high.Notes: in working condition.

James Stewart Armagh Three Weight Walnut Cased Longcase Clock, hood with arched top and door, reeded columns, trunk with a crossbanded door, crossbanded base on bracket feet, brass dial, with silver chapter ring, Roman numerals, minute aperture.

An early 20th century mahogany bracket clock - Beaver of Manchester, the case with fish-scale panels and raised on ball feet, brass dial set out in Arabic numerals, 40cm high

A William IV mahogany bracket clock - the case carved with flowers and foliage and chamfered corners, the cream painted dial set out with Roman numerals fitted to a twin train fusee movement, 35cm x 18cm x 48cm.

An 18th Century bracket clock in ebonised case. Roman brass chapter ring with applied spandrels and date subsidiary dial to arch. Rack striking on a bell and verge escapement. For restoration. No maker to dial or backplate. 45cm high

Highly decorative French bracket clock with delightful inset porcelain face and panels (for repair)

A good Georgian mahogany bracket clock by Flockhart, King Street, Covent Garden, London, with cream dial, eight day movement and strike action, 37 x 24cm

A mahogany eight day bracket clock with silvered dial, height 43 cm

A very fine quality Regency period English Bracket Clock, the circular top with brass flame finial and carved motif, the painted dial with Roman numerals and signed 'B. Edwards, 11 High Street, Shoreditch, London," substantial circular twin-fusee movement with anchor escapement striking on a bell, engraved back plate signed  "Edwards Shoreditch," the overall inlaid with attractive brass inlay, together with matching brass inlaid Wall Bracket, approx. 46cms (18") high. (2)

A late 19th Century mahogany Bracket or Mantle Clock, the arched top with brass carrying handle, over a circular brass dial with Roman numerals, on brass ogee bracket feet, 35cms (14") high. (1)

An unusual rosewood cased Regency period arched top Bracket Clock, with circular silvered dial, signed  "Grant, London" with Arabic numerals, above a bottom door with ornate brass inlay [label for Alfons Wiener, 17 South Richmond Street on reverse]. It's two-train chain fusee movement striking on a bell with an anchor escapement, with shaped plates, approx. 51cms (21"). (1)

A fine quality Victorian ebonised chiming Bracket Clock, the arched top with ornate brass acorn topped brass finials, the glazed door housing an ornate arched brass and silvered dial with chime subsidiary dials, the main chapter dial with Roman numerals, and stamped 'M. Anderson, Dublin,'  flanked either side with opened brass trestle frame and ornate handles, on shaped brass feet, approx. 47cms high x 44cms wide (18 1/2" x 17"). (1)

An oak cased 20th Century German made brass and steel dial Bracket Clock, the arched hood over glazed door, pierced decorated sides on a stepped base, approx. 41cms (16") high. (1)

An important early 18th Century Irish mahogany cased Grandfather Clock, of narrow proportions, the hood with broken arched pediment and carved rosettes, and half reeded Corinthian columns housing an arched brass dial decorated with mounts and signed  "Jon. Parker, Dublin," the arch with painted medallion of Winged Saint Figure, the trunk with panelled door on box base with bracket feet, approx. 229ms high x 41cms wide (90" x 16"). (1)

An Irish Provincial mahogany cased Grandfather Clock, the hood with arch top and sunburst satinwood inlay, over Corinthian columns with glazed door housing a painted dial with Roman numerals, signed  'Wallace, Limerick,' the frame with inlaid shaped panel door on box base with bracket feet, approx. 232cms (91") high. (1) Provenance: The Burke Family, Clonmel, Co. Tipperary.

A 19th Century French brass Mantle Clock, with champlevé panels and cornice, the circular dial with Arabic numbers, and retailer name "Benetfink & Co., London," on bracket feet, the works stamped A.D. Moujin, approx. 30cms (12") high. (1)

An attractive mahogany cased Mantle Clock, with swan neck pediment over an arched glazed door housing brass dial with Arabic numerals, with very fine three train fusee movement chiming the quarter on four plus one gongs, (with chime and silent, slow/fast dials in arch) on shaped bracket base, approx. 36cms (14") high. (1)

An important early 18th Century mahogany cased Bracket Clock, with square brass and silvered dial, the chapter ring signed  'Joseph Smith, Barthomley,' rectangular date aperture, fusee movement, with five fine  pillars, anchor escapement, the backplate profusely engraved with tulips, housed in attractive case with tall finials and egg n' dart mouldings, on bun feet, approx. 40cms high (16"). (1)