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A Mahogany bracket clock with single fusee movement and Brass inlay on bun feet

An inlaid Mahogany dome top bracket clock, dial marked Henry Borrell, London

Bing (Germany) large tinplate clockwork Open Tourer: Scarce example is dark green, with black trim and running boards, grey uniformed chauffeur figure, includes headlamp fittings, bright plated hubs with rubber tyres including rear mounted spare, substantial clockwork motor in working order with brake, steerable front wheels, opening tool box to right-hand running board, includes large clock type key, some light play wear but generally a Good Plus finish (some of the rubber tyres have slight flat spots and 1 Head Lamp been loose has bracket has been broken), 12"/31cm long.

Late 18th/early 19th century stained bracket clock with double fusee movement, the silvered dial with Roman numerals, striking on gongs 13½in. (33cm)

A 20th Century oak cased diminutive longcase clock with eight day movement chiming on gongs, the dial inscribed `Fenclocks, Suffolk`, the oak case with leaded glazed trunk door, on a plain base and bracket feet, height approx 151cm, together with a pendulum and two imitation weights (one glass panel missing).

A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with subsidiary seconds and inscribed `Bromley, Horsham`, the hood with fretwork and brass ball surmount above a glazed door and columns, the trunk with rectangular door, on a plain base and bracket feet, height approx 205cm, together with pendulum and weight.

An Edwardian mahogany cased mantel clock with eight day movement striking on a gong, the enamel dial with Arabic numerals, the balloon shaped case with boxwood stringing and circular fan inlaid panel on a moulded rectangular plinth and brass bracket feet, height approx 29.5cm, together with pendulum and key.

An 18th Century French boulle bracket clock and bracket, the clock with eight day movement striking hours and half hours on a bell via a numbered outside countwheel, the back plate signed `P.F. Le Doux, Paris`, the cast ormolu dial plate inset with twenty four enamel panels inscribed with black Roman hour numerals and Arabic minutes, the ormolu mounted and brown tortoiseshell balloon shaped case surmounted with a classical maiden seated upon an eagle above foliate mounts, the glazed front door applied with a recumbent classical maiden to the apron on foliate scroll moulded feet, height approx 93cm, together with original matching wall bracket, engraved pendulum and winder (restoration). Note: Pierre-Francois Le Doux is recorded working at Rue des Noyers, Paris between 1758-89. He died in 1792 aged 84.

An early 20th Century brass cased carriage clock with eight day movement striking on a gong, the back plate stamped `E.G.L.` maker`s mark, the enamel dial with Roman numerals, the glazed case with swing handle on bracket feet, height approx 14.5cm.

A 19th Century oak longcase clock case, the hood with moulded pediment and carved foliate surmount above a glazed door flanked by turned pillars, the trunk with arch door on a plain base and bracket feet, height approx 208cm.

A late 20th Century mahogany longcase clock, with eight day movement chiming on gongs, the break arch dial with rolling moon, the hood with a moulded pediment above a glazed door, the trunk with a leaded glazed door, on a plain base with bracket feet, height approx 180cm, together with a pendulum and three weights.

An Edwardian slate mantel clock with eight day movement striking on a gong, the circular gilt dial and enamel chapter ring with Roman numerals, the architectural case with arched pediment and inset with green veined marble, height approx 31cm, with a pendulum, together with an oak cased alarm clock with German movement, the case with dentil frieze above fluted pilasters, on bracket feet, height approx 38cm.

A late 19th Century oak cased mantel clock with eight day twin fusee movement striking on a gong, the square gilt dial, engraved with foliate decoration, the silvered chapter ring with Roman numerals and inscribed `Lawson & Son, Brighton`, the case with broken arch pediment above cast and pierced fret panels, flanked by carved columns, on a rectangular base and bracket feet, height approx 41cm, with a pendulum and two keys.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed `Alfred King, Chippenham`, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the trunk with crossbanded rectangular door above a similarly decorated base and bracket feet, height approx 226cm, together with pendulum, two weights and winder.

An early 20th Century plated mantel clock with eight day movement striking on a gong, the circular white enamel dial with blue Roman numerals, the domed case relief decorated with a panel of four putti in various pursuits within a gadrooned rim, raised on bracket feet, height approx 26cm, with a pendulum.

A late 19th Century German oak cased mantel clock with eight day movement striking on two gongs, the square gilt dial and silvered chapter ring with Arabic numerals, cornered by scroll spandrels, the architectural case with carved decoration, on a rectangular base and bracket feet, height approx 36.5cm, with a pendulum and key.

An early 20th Century mahogany cased mantel clock with eight day movement striking on a gong, the silvered dial with Arabic numerals, on bracket feet, together with a similar smaller mantel timepiece, with a key.

A 20th Century chinoiserie cased mantel clock with eight day movement striking on a gong, the circular silvered dial with Arabic numerals and inscribed `Mappin & Webb`, the domed case decorated with figures, buildings and trees, on a rectangular base and bracket feet, height approx 19cm, with a key.

A late 20th Century mahogany cased diminutive longcase clock with eight day movement chiming on gongs, the break arch dial with brass chapter ring with black Roman numerals beneath a boss inscribed `Tempus Fugit`, the hood with arched surmount, the trunk with glazed door on a panelled base and bracket feet, height approx 179cm, together with pendulum and three weights.

A late Victorian oak cased mantel clock with eight day movement striking on a bell, the circular gilt dial and enamel chapter ring with Arabic numerals and visible escapement, the rectangular case with stepped pediment, on gilt brass bracket feet, height approx 42cm, with a pendulum.

A late 19th Century silvered, gilt metal and porcelain clock garniture, the clock with eight day movement striking on a bell, the back plate stamped `A.1`, the porcelain rectangular dial and side panels painted with scenes of figures and boats in coastal landscapes against a blue ground with gilt overlaid white bead and red jewelled decoration, the chapter ring with black Roman numerals, the case with foliate surmount on a rectangular base and bracket feet, height approx 31cm, flanked by a pair of matching two handled urns, together with pendulum and key.

A. KERSHAW & SON, CIRCA 1918 VICKERS MACHINE GUN - CLINOMETER SIGHT (MARK III) with top mounted spirit level, brass japanned metal, 5 1/2" (14cm) long, together with a SPRING DRIVEN TIMING CLOCK with day and night settings, in grey metal cylindrical case with hinged lid and mounting bracket

A George III mahogany longcase clock with a 32.5cm brass dial signed 'Coats, Wigan', with subsidiary seconds and date aperture, cast rococo spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above a fretwork frieze, the plain wood columns above quarter columns, raised upon a plinth base with brickwork angles and ogee bracket feet, possibly Gillows, height 212.5cm (illustrated)

An Edwardian mahogany bracket clock with a 17cm silvered convex dial with Arabic numerals, two train Winterhalder & Hofmeier movement striking on two gongs, the case with a bell top with turned finial's, carved with pendant festoons and above fluted Corinthian columns raised on a leaf carved plinth base, 44x27x17.5cm

A Victorian oak bracket clock with a 17cm silvered dial, signed Bakers Wigan, with subsidiary seconds and chime silent dials in the arch, with mask and leafy spandrels, the substantial three train Winterhalder & Hofmeier movement striking on five gongs, with a shell and leaf carved bell top case, the side panels with blind fret carved panels decorated with flowers and leaves, raised on an inverted breakfront plinth base, 65x39x26.5cm (illustrated)

A brass carriage clock of small proportions by `London Clock Co`, with moulded cornice mounted by loop handle, white fac e, Roman and Arabic numerals, on bracket feet, 6cm wide x 8cm high x 5cm deep

A mahogany arched bracket clock, the brush metal face with applied chapter ring and Roman numerals, mechanism by Gustav Becker, Friburg, striking Westminster chimes, 25cm wide x 37cm high x 18cm deep

An early 19th century bracket clock with painted dial in a moulded mahogany case of upswept form, h. 45 cm CONDITION REPORT: case with splits, face with minor damage to key holes, no guarantee as to working order

A Victorian and later wall clock with single fusee movement in a moulded thuya wood case on an integral bracket, h. 50 cm CONDITION REPORT: significantly altered, some losses Cannot guarantee working order

A Japanned chinoiserie grandmother clock, circa 1900, the chiming eight day movement with two barrels, silvered face and Arabic numerals, the pagoda shaped pediment with finial, a shaped hood with canted corners and raised laquerwork decoration, raised on moulded bracket feet, 33 by 25 by 167cm high.

A German late 19th century oak cased bracket clock of architectural form with silvered chapter ring, eight day striking movement

A quarter chiming bracket clock and bracket, the 8 inch silvered dial signed Tupman, Charles Street, Grosvenor Square, subsidiary date dial, foliate engraved spandrels, the arch containing strike / silent, with three train chain, fusee movement with engraved borders and centred with a basket of fruit, chiming on a carillon of eight bells, in a break arch case flanked by brass inlaid fluted pilasters, fish scale grilles, single pad top with carrying handle, on ogee brass feet, 17in (44cm) high, with similar mahogany bracket. (2)

A mahogany quarter repeating verge bracket clock, 7 inch brass dial with mock pendulum and date aperture in the matted centre, mask and scroll spandrels, the arch with a silvered boss signed Robert Smith, London, the five ringed pillar movement with knife edge verge, florally engraved backplate, full quarter repeating on two bells, in an inverted bell top case with brass handle and block feet, 18in (46cm) high.

A GEORGE V SILVER AND TORTOISESHELL CLOCK IN THE FORM OF AN 18TH C BASKET TOPPED BRACKET CLOCK, THE CASE INLAID WITH ENGRAVED SWAGS AND HAVING SWING HANDLE, FITTED FRENCH TIMEPIECE WITH ENAMEL DIAL, LONDON 1911

A VICTORIAN MAHOGANY BRACKET CLOCK BY HENNESSY, SWANSEA WITH PAINTED DIAL AND TWIN FUSEE MOVEMENT IN CARVED CASE

A VICTORIAN MAHOGANY BRACKET CLOCK BY G HAMMOND, MANCHESTER WITH TWIN FUSEE MOVEMENT IN CARVED CASE

A 19TH C MAHOGANY BRACKET CLOCK WITH PAINTED DIAL AND TWIN FUSEE MOVEMENT IN BREAKARCHED CASE, PARTS ASSOCIATED

A mahogany cased Bracket Clock with silvered dial, 8-day Westminster Chimes movement marked Gustav Becker, 17in H

A Georgian style reproduction Bracket Clock with arched dial inscribed Tempus Fugit, in lacquered case having chinoiserie decoration on a black ground

A late 19th century German striking oak bracket clock, carved architectural case, silvered dial with subsidiary dials, three train movement, all on rectangular base with bracket feet.

A Continental polychromatic ceramic mantle clock in the Chinese style, circular dial, beaded bezel with mask side handles, on four bracket feet (A/F).

An early 20th century oak cased bracket clock with silvered dial

Early 20th century striking bracket clock in mahogany veneered casing fronted with reeded pilasters, Roman chapter ring and pierced brass spandrels behind bevelled glazed door, domed top with brass finials, remnant of label within stating 14 Day Strike Made in Wurttemberg, height 35cm, key and pendulum in office

William Ball, Bicester, an 18th century stained pine/oak 30hr longcase clock, the 25 cm square engraved brass dial with silvered chapter ring and single hand, 184 cm high Condition Report For restoration, appears complete, the case over-painted, the plinth/bracket feet missing

Johnson, London, a Regency mahogany bracket clock:, the earlier eight-day duration, double fusee movement striking the hours on a bell with an anchor escapement and a fully engraved backplate of floral & rococo decoration, the round convex painted dial having black Roman numerals, blued steel moon hands and signed Johnson, London, the associated mahogany case having cut brass inlay and applied carved decoration to the front, brass fretwork and carrying handles to the sides with a `dutch barn` top, height: 44cm.

George Grove, London, a mahogany bracket clock:, the eight-day duration, five pillar double-fusee movement striking the hours and half hours on a bell, the backplate with engraved border decoration and signed Geor. Grove, London, the eight-inch round convex painted dial with black Roman numerals, blued steel tulip hands and signed George Grove, Wood St, Cheapside, London, the dome topped mahogany case with inlaid stringing to the front, brass fishscale frets to the sides and standing on brass ball feet, height: 42 cm. * Biography George Grove is recorded as working in Wood Street from circa 1809 until his death in 1814. He was the son of the maker Richard Grove of the same address, a Freeman of the Clockmaker`s Company from 1760 until 1817.

Benjamin Jonas, Plymouth, a William IV mahogany bracket clock:, the eight-day duration, double fusee, five-pillar movement striking the hours on a bell, with border engraving to the backplate and pendulum bob, the painted eight-inch round convex dial with black Roman numerals, decorative blued steel hands and signed B. Jonas, Plymouth, the mahogany case with gadrooned pediment top surmounted by a wood and brass ball finial, with further ribbed moulding to the top, bottom and corners of the case, with cast brass floral and ring handles to the sides and brass fishscale frets, standing on gadrooned ball feet, height: 48cm. * Biography Benjamin Jonas is recorded as working in James Street, Plymouth Dock from circa 1812 and married Ann Ezekiel, sister of the Exeter engraver E.A. Ezekiel of whom he was named as a trustee of his will in September 1806. Interestingly a Philip Ezekiel is known to be working in Plymouth Dock in the same period.

A mid- Victorian bracket clock: having an eight-day duration, fusee timepiece movement, the round, white painted dial with black Roman numerals and blued steel clover hands, the curved top mahogany case with carved decoration below the top moulding and to the scroll sides, with a brass-edged inset panel to the base, standing on bun feet, height: 33cm.

Thos. Smith, London, a bell-top bracket clock: having an eight-day duration, five pillar, double fusee movement with a verge escapement, fully engraved backplate with c-scroll decoration and striking the hours on a bell, the arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, a matted centre with a subsidiary seconds dial and date aperture, with an inset silvered nameplate engraved Thos. Smith, London, with cast brass c-scroll spandrels to the four corners and blued steel hands, the arch with a subsidiary dial for strike/silent and further c-scroll spandrels, the fruitwood bell-top case with traces of ebonising, wood fretwork to the top corners, glazed side panels, surmounted by a brass carrying handle and standing on brass bracket feet, height: 51cm (handle up) Complete with wall bracket. * Biography There are a number of maker`s named Thomas Smith working in London during this period with the maker of this clock possibly the Thomas working in Princes Street, Aldgate having been apprenticed in 1763, or the Thomas known working in Kirby Street circa 1774.

Henry Beard, Bristol, a mahogany longcase clock:, the eight-day duration movement striking on a bell, with the twelve-inch painted arched dial, with black Roman numerals, floral decoration painted to the four corners, a subsidiary seconds dial and date aperture to the centre, blued steel hands and a moonphase disc set within the arch, signed by the maker Beard, Bristol`, the false plate to the dial is signed by the dialmakers `Walker & Hughes, Birmingham`, the mahogany case of typical Bristol form, with a swan-neck pediment and fluted pillars to the hood, wavy moulding to the inner aspect of the hood door, canted corners to the trunk, inlaid stringing decoration to the base and trunk door, standing on bracket feet. Height: 220cm. * Biography Henry Beard, born 1795, is recorded as working at 5, St John Street, Bristol from before 1836, and known to have been living at this address in 1851. He was the son of the carpenter William Beard and apprenticed to Thomas Palmer, jeweller on the 29th of August 1805, so presumably was free seven years later in 1812. Walker & Hughes were well-known makers of painted clock dials working in Birmingham from 1812 until 1835 when the partnership ended.

John Mends, Plymouth, a late 18th Century oak longcase clock:, the eight-day duration movement striking the hours on a bell, with the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and outer Arabic five minute markings, the matted centre with a large date aperture and a shaped plaque engraved with the maker`s name John Mends, Plymouth, with blued steel hands and shell cast brass spandrels to the four corners, the arch with a round convex boss engraved with a depiction of an eagle with dolphin spandrels either side, the oak and mahogany case having quartered fluted columns to the trunk with brass capitals, mahogany crossbanding to the door and base, further mahogany panels above and below the door, the hood having fluted columns with cast brass capitals and a swan neck pediment, all standing on bracket feet, height: 223cm. * Biography John Mends is recorded working as both a clock and watchmaker in Plymouth, Devon. He took out a licence on the 7th of May 1767 to marry Mary Clements of Stoke Damerel.

Jas. Lawson, Stirling, a mahogany longcase clock:, the eight-day duration movement striking the hours on a gong, the thirteen-inch round brass dial engraved with black Roman hour numerals, decorative half-hour markings, date and seconds subsidiary dials, tulip engraving to the centre and signed Jas. Lawson, Stirling, with decorative blued steel hands, the mahogany case with an arched top, fluted canted corners to the hood, fluted quartered columns to the trunk inlaid with shell decoration to an oval on the trunk door and with boxwood stringing to the case, with crossbanding to the base and standing on bracket feet, height: 206cm.

John Martin, Bristol a moonphase longcase clock:, the eight-day duration movement striking the hours on a bell, the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half-quarter markings and signed either side of VI o`clock John Martin, Bristol, the matted centre having a subsidiary seconds dial, date aperture with wheatear border engraving, the moonphase aperture to the arch with a silvered plate above engraved High water at Bristol Key, with cast brass urn spandrels to the four corners and arch, the blued steel hands now painted gold, the mahogany case with barley twist columns to the trunk and hood, a wavy moulding to the hood door, cresting to the hood and an inset panel with moulded edges to the base, standing on bracket feet, height: 214cm. * Biography John Martin is recorded as working in St Ewans Parish, Bristol becoming a Burgess in 1714 and voting in the Parliamentary elections of both 1722 and 1734. He had a number of apprentices, including Henry Hellier of Chipping Sodbury who joined him in February of 1719 and Thomas Bayley in May 1724 at a premium of ten guineas.

A Regency brass inlaid ebonised bracket clock, Wyatt, London, early 19th century, the five pillar twin fusee movement with anchor escapement, shouldered plates and striking the hour on a bell mounted on the backplate, the 5.75 inch square single sheet silvered brass Roman numeral dial signed WYATT, South Audley Street, London to centre, with fine heart pierced blued steel hands and foliate scroll engraved decoration to spandrels, the case with brass basket of flowers cast finial to the shallow gadroon carved cushion caddy resting on shallow stepped upstand above front with silvered brass angled fillet to glazed front door flanked by brass strip inset canted angles over apron now inlaid with foliate scroll motif, the sides with cast lions mask ring handles above rectangular brass sound frets, on moulded skirt base with compressed bun feet, 38cm (15ins) high. Henry Wyatt is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London in 1839, other records indicate that he was 55 years old in 1841 and shared the premises in South Audley Street with his family including his successor, John aged 19 years.

A Scottish William IV figured mahogany eight-day longcase clock, circa 1830, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and bearing signature W. ROBERTSON, FORFAR to centre, the case with ball finials to the shaped pediment above circular cushion moulded hinged glazed bezel flanked by rounded angles to hood, the trunk with shallow-arch crossbanded caddy-moulded doors flanked by conforming canted angles, on plain plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.

A Scottish Victorian figured mahogany eight-day longcase clock, Willocks, Brechin, mid 19th century, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Willocks, Brechin to centre, the case with ball finials to the shaped pediment above circular cavetto moulded hinged glazed brass bezel flanked by slender turned columns to hood, the trunk with shaped-top bowfronted flame figured door flanked by conforming columns standing on a swollen frieze, on panel outline plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.

A Regency rosewood bracket clock, with brass inset case, silvered Roman dial and unsigned double fusee movement, 15.25in.

A German 8-Day Fusee 5-Gong Quarter Striking Bracket Clock in oak case having round silvered dial with Roman numerals on brass feet, 36cm high

A Rosewood Double Fusee 8-Day Striking Bracket Clock having marquetry vase, floral, scroll and stringing decoration, arched top with brass acorn finials, silvered chapter ring with Arabic numerals on splayed feet, 43cm high, 33cm wide

Early C18th Georgian Single Train Fusee Bracket Clock in dark stained walnut? case by Fra. Dorrill London, turned pillar supports, fish scale side panels, lacquered gilt brass carrying handle to top, glazed rear door, ogee bracket supports, gilt mask corners, rectangular plates, simple bob pendulum, chain driven fusee, silvered chapter ring with Roman numerals, outer with Arab minute markers, dial engraved with castle flying pennant & figure with knapsack walking across bridge