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A George III mahogany bracket clock, the brass five pillar eight day movement with verge escapement, striking hours on a bell with pull-repeat mechanism, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring framing a matt centre with dummy pendulum aperture, date aperture and applied silvered plaque inscribed `Thorne, London`, the back plate finely engraved with flowers and foliate scrolls, the case with bell-top and brass carry handle above fret panels and glazed doors on a moulded rectangular base and brass bracket feet, height approx 51cm, with case keys and winding key.

An early 20th Century French brass cased carriage alarm clock, the white enamel dial with Roman numerals above subsidiary alarm dial, the glazed case with swing handle, on bracket feet, height approx 14.5cm (lacking bell to base).

A late 19th Century French lacquered brass cased carriage clock with eight day movement repeating on a gong, the back plate with maker`s stamp of Margaine, the silvered dial with matt gilt chapter ring pierced to display black Arabic numerals, the glazed case with reeded swing handle and canted corners, on bracket feet, height approx 18.5cm, with winding key.

An early 20th Century French brass cased carriage clock with eight day movement striking on a bell, the enamel dial with Roman numerals and inscribed `Bryson & Son, Paris`, the glazed case with swing handle on bracket feet, height approx 16cm (back door with replacement brass panel), together with leather travelling case (faults).

A Regency figured mahogany bracket clock with eight day twin fusee movement striking hours on a bell, with pull repeat mechanism, the back plate inscribed `Newsom, Tottenham`, the similarly signed circular painted dial with black Roman numerals, the Gothic arched case with carved crockets and finials above a pair of embossed brass foliate and loose ring handles and pierced brass scale fret panels on a rectangular beaded plinth base and bun feet, height approx 47.5cm, with pendulum, winding key and case key.

An Edwardian mahogany longcase clock, the eight day movement chiming on gongs, the silvered broken arch dial with Arabic numerals, beneath subsidiary chime/silent and slow/fast indicators to arch, the case with boxwood and satinwood banding, the trunk door with glazed lenticle, on bracket feet, height approx 173cm, with pendulum.

A late 19th Century Black Forest carved softwood cuckoo bracket clock with twin fusee movement striking on a gong, the dial with Gothic Roman numerals, the case carved and pierced with birds and squirrel in oak branches, the base with fenced gallery decorated with fruiting vine, on bracket feet, height approx 61cm, with pendulum (minor faults).

A late 19th Century French lacquered brass four glass mantel clock with eight day movement striking on a bell, the two piece enamel dial with black Roman numerals and visible escapement, the glazed case with bevelled panels on a plinth base with bracket feet, height approx 35cm, with compensated mercury pendulum.

An early 20th Century lacquered brass carriage clock with eight day movement repeating quarters on a bell, the white enamel dial with black Roman numerals, the glazed case with swing handle on bracket feet, height approx 18cm, with red leather travelling case.

A late 19th Century French lacquered brass bowfront four glass mantel clock with eight day movement striking on a gong, the enamel circular dial with painted flower festoons and blue Roman numerals, the back plate stamped `A & N`, the glazed bowfront case on bracket feet, height approx 25cm, with pendulum.

A 20th Century brass lantern style clock of typical form, the circular dial with Roman numerals and inscribed `Thos Moore, Ipswich`, on turned feet, height approx 37cm, with weight and bracket (lacking pendulum).

An Edwardian brass mounted oak mantel timepiece in the form of a longcase clock, the cream chapter ring with Arabic numerals and inscribed `Alfred Mosley, Oxford`, the case with broken arch surmount, above applied masks, flower vases, lyres, scrolls and Cupid, the trunk with mercury thermometer, on a plinth base and bracket feet, height approx 50cm.

A late 19th Century brass cased carriage alarm clock striking on a bell, the dial with Roman numerals and subsidiary alarm dial, the glazed case with carry handle, on bracket feet, height approx 14.7cm (faults).

A William & Mary style stained faux walnut longcase clock with thirty hour movement striking on a bell via an outside countwheel, the square brass dial detailed `No. 178`, the chapter ring with Roman hours and Arabic outer minutes, cornered with mask and scroll spandrels, the hood with barley twist columns, the trunk door with circular glazed lenticle, on a plain base and bracket feet, height approx 210.5cm (faults), with a pendulum and weight.

A BRASS CARRIAGE CLOCK the rectangular dial with Roman numerals on bracket feet

A FRENCH BRASS REPEATER CARRIAGE CLOCK the rectangular case with enamel dial and roman numerals on bracket feet

WALL CLOCK, with brass face inscribed 'Willm. Flint, Ashford', weight driven bell striking movement, wooden wall bracket, face 21.5cm H x 15cm.

A carriage clock by Drew & Sons, London, with moulded cornice mounted by handle and white face with Roman numerals, on bracket feet, 8cm wide x 12cm high

A carriage clock by Drew & Sons, London, with moulded cornice mounted by handle and white face with Roman numerals, on bracket feet, 8cm wide x 12cm high

A late 19c French boullework bracket clock in waisted case decorated with ormolu mounts and surmounted by a vase of fruit and flowers, the 4""diam gilded dial has inset enamel numeral plaques with blue Roman numerals, below the dial is a glazed aperture decorated with an ormolu mask through which the sunburst pendulum can be viewed. The circular movement is rack striking on a bell, 13.5"" tall overall.

An unusual mantel clock with arched brass dial signed T Agius Melitae (Malta) fixed to a posted iron frame with brassed sheet side and rear covers, sitting on a wooden base with arcaded carving to the sides. The dial has a five sided arch and it is engraved all over with foliage, animals and birds and baskets of fruit and has an applied engraved chapter ring engraved with the above name. The case now contains a 19c British double fusee bracket clock movement rack striking on a bell, 13"" tall overall.

An oak early 20th Century bracket clock, Roman numerated chapter ring with 8-day Winterhalder & Hofmeier quarter striking movement on two gongs

An early 20th Century mahogany bracket clock with quarter striking Westminster Junghans movement, 8-day movement dated 1911, Arabic silvered dial, chime/silent and slow/fast dials

S B Gaze, London, est 1814-59, A Regency mahogany bracket clock with repeater mechanism, Roman numerated dial, 8-day twin fusee movement

A late Georgian/early 19th Century black lacquered ebonised bracket clock with silvered face, with Roman numerals, 8-day movement striking on two coiled gongs

A VICTORIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having hood with swan neck pediment, waist door and box plinth raised on bracket feet, 30 hour mechanism faced by a painted dial with dog and pheasant motif, 2.06m high

An oak early 20th Century bracket clock, Roman numerated chapter ring with 8-day Winterhalder & Hofmeier quarter striking movement on two gongs

An early 20th Century mahogany bracket clock with quarter striking Westminster Junghans movement, 8-day movement dated 1911, Arabic silvered dial, chime/silent and slow/fast dials

S B Gaze, London, est 1814-59, A Regency mahogany bracket clock with repeater mechanism, Roman numerated dial, 8-day twin fusee movement

A late Georgian/early 19th Century black lacquered ebonised bracket clock with silvered face, with Roman numerals, 8-day movement striking on two coiled gongs

Ansonia black marble effect iron mantel clock, Hac walnut cased mantel clock and a German bracket clock (3) Condition report: see terms and conditions.

A Mid 20th Century Bracket Clock, in mahogany veneer case of architectural design, 30 day movement striking on two gongs, with silver and gilt face and Roman dial. 37 x 31 cms, complete with keys.

An Edwardian mahogany and inlaid mantel clock, the shaped case with circular silver dial set with Roman numerals and with Gustav Becker eight day movement, raised on brass ogee bracket feet, height 41cm.

An early 19th century mahogany longcase clock, the broken swan neck pediment above arched painted dial set with date aperture, subsidiary seconds and eight day movement inscribed "R.Wyatt, Plymouth", above arched door flanked by fluted freestanding turned pilasters to a plinth base and bracket feet, approx 222cm. There is a Robert Wyatt listed as operating in London c.1811. CONDITION REPORT: Well restored throughout.

A mixed lot to include an African hardwood carved walking stick surmounted by an elephant and a cockerel, another walking stick, an eight day "Elsinor" onyx and gilt clock, a plaster angel bracket, and two rural Highland scene prints after R. SOUTHEY (6).

A Mid 20th Century Bracket Clock, in mahogany veneer case of architectural design, 30 day movement striking on two gongs, with silver and gilt face and Roman dial. 37 x 31 cms, complete with keys.

A LATE 19th CENTURY INLAID BURR WALNUT AND MAHOGANY LONGCASE CLOCK, MAPLE & Co. in 18th century style, the eight-day five pillar movement with 11" silvered chapter ring, Roman numerals and subsidiary seconds dial, signed Maple & Co. Ltd, London, the arch with `chime/silent` and `Westminster/chime on six gongs` levers and with scroll cast gilt-brass spandrels, the hood with moulded arch and brass mounted columns, the sides with pierced fret panels, the trunk with a panelled door centred by a chequered string inlaid triple lozenge, on a moulded cross-banded plinth base, raised on bracket feet. 2.29m by 0.57m by 0.36

A Gilt And Lacquer Work Finish Garrard Mantle Clock With Circular Dial Accompanied By A Matching Wall Bracket

An early 19th century English double fusée bracket clock, ebonised case, white dial with Roman numerals and secondary calendar dial, signed Matthius Harris Bath, the verge movement with pull repeat striking the hour on a bell, the pad top case with brass carry handle, moulded arch cornice, brass fish scale fretwork panels to front and sides with red silk backing, glazed rear door, convex glass to front dial cover, set on four brass bracket feet, 38cm high (handle down)

An early 19th century English double fusée bracket clock, ebonised case, white dial with Roman numerals and secondary calendar dial, signed Matthius Harris Bath, the verge movement with pull repeat striking the hour on a bell, the pad top case with brass carry handle, moulded arch cornice, brass fish scale fretwork panels to front and sides with red silk backing, glazed rear door, convex glass to front dial cover, set on four brass bracket feet, 38cm high (handle down)

Interesting gilt metal repeater carriage clock, the verge watch type movement striking on gong, the white dial signed H. Offenberger, in Wien, within a case with rounded sides and upon a bracket base, 5.5" high, within a fitted leather case

Good triple fusee bracket clock movement striking on a nest of eight bells, the movement back plate signed James McCabe, Royal Exchange London

Double fusee verge bracket clock movement striking on a bell, the 7" brass arched dial signed John Cowell, Royal Exchange, London, on a recessed aperture to the matted centre, with subsidiary strike/silent dial to the arch

Good English double fusee verge bracket clock, the movement with pull repeat, engraved back plate and striking on a bell, the 8" engraved silvered arched dial signed William Lindsey, London, with centre seconds and calendar hands, with subsidiary strike/silent dial to the arch, within a stepped case with moulded arched pediment and brass carrying handle, 18.75" high

Small Black Forest jockel type wall clock timepiece, the movement striking on a bell, the 2.5" enamel dial set within a carved surround, 5.5" high, with a wooden wall bracket

Good Viennese giltwood triple fusee verge bracket clock, the movement with pull repeat, striking on two bells and with engraved back plate, the 7" brass arched dial signed G E Gstatter in Wienn to the silvered chapter ring enclosing a matted centre with ringed winding holes, date and pendulum apertures and with three subsidiary dials to the arch within a stepped carved case surmounted by a caddy top, 19" high

Good French red tortoiseshell and bronze mounted two train balloon mantel clock with matching pedestal, the movement with outside countwheel striking on a bell in the top, the 9.5" convex white dial signed Le Roy a Paris, within a balloon shaped case applied with scrolling foliate bronze mounts, 44" high (including bracket) (pendulum) (a.f)

French two train verge bracket clock movement signed Musson Paris on the back plate with outside countwheel, the 6.75" brass dial with raised Roman and Arabic cartouche enamel numerals, enclosing an enamelled centre also signed Musson a Paris

Impressive large English mahogany quadruple fusee bracket clock, the substantial movement striking on a large bell and playing on two nests of ten and eight bells, the 9" wavy arched engraved dial signed T. Orr & Sons, Madras to the centre, the arch with silent/play selection lever and subsidiary strike/silent and tune selection dial to include God Save The Queen, The Clocks, Those Evening Bells and The Last Rose of Summer, within an associated heavily carved arched stepped case with applied grotesque masks, 26" high (a.f) (pendulum) *This clock is referenced in Rose (1978) - English Dial Clocks, pages 183 & 191 and bears the Thwaites & Reed no. 8439

Good English mahogany double fusee verge bracket clock, the foliate engraved back plate signed William Webster, London, the 7.25" silvered circular dial within a stepped case surmounted by a caddy top with brass carrying handle, 20" high (pendulum and key)

Ebonised double fusee verge bracket clock, the five pillar movement with foliate engraved back plate, the 7" brass arched dial with brass chapter ring enclosing a foliate engraved centre with false pendulum bob and calendar apertures, inscribed Francois Zelhorst, Brussels on a boss to the arch, within a stepped case surmounted by a caddy top and ormolu carrying handle, 23" high (pendulum)

Good bronze reproduction two train small bracket clock, the movement striking on a bell behind a brass back plate repousse with scrolling foliage, the 3" white enamel dial with centre seconds within a repousse foliate brass mask, with visible balance wheel escapement above twelve o`clock, within a glazed rounded arched pad top stepped case surmounted by a carrying handle, 11" high overall (key)

Mahogany inlaid double fusee bracket clock striking on a gong, the 5.5" silvered convex dial with slow/fast and silent/strike adjustment within a stepped pillared case inlaid with boxwood lines and butterfly motif, surmounted by a moulded arched cornice and pagoda top with five brass ball finials, 19" high (pendulum)

Mahogany single fusee bracket clock, the 7.5" convex dial signed Maple & Co. Ltd. London within a stepped arched case surmounted by a pad top and brass carrying handle, 16.5" high

Walnut two train bracket clock striking on a gong, the 6" brass arched dial with silvered chapter ring enclosing an engraved centre below a moon phase to the arch, within a stepped case with applied gilt metal mounts surmounted by a caddy top and brass carrying handle, 16.5" high (pendulum)

Good English double fusee bracket clock striking on a bell, the movement back plate signed Barrauds, Cornhill, London, the 7" painted arched dial signed Barrauds, Cornhill, London and with subsidiary/silent dial to the arch, within a rounded arched stepped case surmounted by a brass carrying handle, 17" high (pendulum)

Black Forest two train bracket clock, the Japy Freres movement with outside countwheel striking on a bell, the 4" wooden dial within a waisted case finely carved with foliage and birds, 23" high (pendulum)

English mahogany double fusee bracket clock, the pull repeat movement striking on a bell, the 8" silvered dial signed Barwise, London within a brass inlaid rounded arched stepped case upon brass ball feet, 16.25" high (pendulum)

English mahogany triple fusee bracket clock, the pull repeat movement striking on a large bell and playing on a nest of six others, the 8" painted arched dial signed Matlock, Bath and with subsidiary strike/silent dial to the arch, within a rounded arched stepped case upon brass ball feet, 16.5" high (pendulum)

Good English burr walnut double fusee verge bracket clock, the pull repeat movement striking on a bell and signed Thomas Hill, Fleet Street, London to the back plate, the 7.5" square brass dial signed Thomas Hill, Fleet Street, London on a silvered recessed aperture to the matted centre above a calendar aperture, within a stepped case with applied gilt metal mounts surmounted by a bell top, brass carrying handle and four brass acorn finials, 17.25" high