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Burr walnut veneered electrically re-wound bracket clock, the 6" brass dial signed Wenner Fecit to the matted centre, within a stepped case surmounted by a caddy top and ornate brass carrying handle, 14" high

Good and early mahogany miniature double fusee bracket clock, the engraved back plate fitted with a large cylinder wheel, striking on a bell, the 2" convex white dial inset into a gilded surround embossed with musical instruments and stylised foliage, within a moulded arched case with gilded arched side panels, surmounted by a pad top and acanthus sheath carrying handle, 8.5" high

Small contemporary mahogany bracket clock, the 3.25" brass arched dial signed Thwaites & Reed, Clerkenwell, London on a boss to the arch, within an arched case surmounted by an acorn finial 9" high

Good English mahogany double fusee bracket clock, the back plate with fine foliate engraving and the movement striking on a bell, the 6.75" arched silvered dial signed Robert Ward, Abchurch Lane, London, to the floral engraved arch with strike/silent and subsidiary seconds dials over a matted centre with calendar aperture within a stepped case, with glazed sides and pierced brass circular sound holes, surmounted by a caddy top and brass carrying handle, 20.5" high

Rosewood double fusee bracket clock, the movement striking on a bell, the 7.5" cream circular dial signed William Gregory, Basingstoke, within an arched swept case applied with foliate carvings, 18.25" high

Black Forest walnut double fusee cuckoo bracket clock, striking on a gong, the 5" convex white dial inset into a tablet surround decorated with a fox hunting scene, within a floral boxwood inlaid case surmounted by an arched pediment fitted with a cuckoo door, 19" high

Small mahogany two train bracket clock, the Lenzkirch movement striking on a gong, the 7" brass dial with silvered chapter ring and subsidiary slow/fast and chime/silent dials, within an arched glazed stepped case, 12.5" high

Good English ebonised double fusee bracket clock, the movement with pull repeat striking on a bell, the 6.75" cream dial signed Brockbanks, London, within a lancet case inlaid with boxwood lines, 15.5" high

Good small mahogany single fusee bracket clock, the 5" square silvered dial signed Birch, Tenterden, within a stepped case with foliate carved scroll top, 14" high

English rosewood double fusee Gothic bracket clock, the five pillar movement with shaped plates striking the hours on a bell, the 7" white painted dial signed J. Mackie, London, with strike/silence to the arch within a Gothic pointed arched case 20" high

Ebonised and ormolu mounted double fusee bracket clock, the back plate signed Payne & Co., 163 New Bond St. London no. 3250, striking on a gong, the 7" square brass dial with planished centre and silvered chapter ring; also signed Payne & Co., within a stepped case surmounted by a floral repousse caddy top and four foliate finials, 18.5" high

Maple two train ting tang bracket clock, the Lenzkirch movement striking the hours and quarters on two gongs, the 4.5" brass dial with silvered chapter ring and matted centre, within a stepped case with fluted canted corners, surmounted by a bell top with brass handle and four urn finials, 16" high

Mahogany three train bracket clock, the Gustav Becker movement striking on five rods, the 7" arched silvered dial with chime/silent subsidiary dial to the arch, within an arched pillared case, 16.5" high

German mahogany three train bracket clock, the movement striking on five rods, the 7.5" silvered arched dial with subsidiary slow/fast and chime/silent dials to the arch, within an arched case inlaid with boxwood lines, 15.75" high

Eight day longcase clock movement, the 12" brass arched dial signed Joshua Winnock, London, the matted centre with ringed winding holes and engraved with a classical urn on a boss to the arch, with associated oak hood and bracket

A REGENCY MAHOGANY BRACKET CLOCK the break arch case with pad top and gilt brass carrying handle above a convex white roman dial, signed Roberts, London, with bell strike, the door and sides with brass fish scale frets and brass ogee bracket feet, 16" high.

A 19TH CENTURY MAHOGANY BRACKET CLOCK the balloon shaped case with brass stringing, the white roman dial signed John Barwise, London, with bell strike and brass bun feet, 17" high.

A 19TH CENTURY FIGURED WALNUT BRACKET CLOCK having a white roman dial and gong strike, the movement signed Desbois, London, the case with inset panel and foliate scroll side frets and pad feet, 17" high.

A GEORGE III MAHOGANY BRACKET CLOCK the silvered break arch dial with strike/silent to the arch above a roman dial with subsidiary seconds, signed Robert Wood, London, the verge escapement with bell strike and pull repeat, border engraved and signed back plate. The bell top case with gilt metal handle and pineapple finials above foliate scroll side frets and ogee bracket feet, 18 ½" high.

A GEORGE III MAHOGANY LONG CASE CLOCK with break arch pediment and carved rose decoration, the dial with moon phase and second hand and painted flower decoration, signed James Waugh, Armagh No. 30, eight day striking mechanism, case with shaped panel door, fluted pilasters and canted corners, on bracket feet, 87" high overall (see illustration).

An early 19th Century longcase clock, by James Ritchie of Hull, with eight day movement striking to bell, the arched painted dial with date, seconds and moon phase, the hood with carved scroll pediment centred by a turned urn finial and door with blind fret border in mahogany case dividing pillars with gilt metal capitals, the case with a door shaped top and canted blind fret corners, on platform base with shaped apron and bracket feet, 96" high (illustrated)

A 19th Century ebonised bracket clock, by Hunt & Roskell, London, the fusee movement quarter chiming on eight bells and striking to gong, with repeat, the arched silvered dial with slow/fast, chime/silent to the arch and Roman numerals, the arched case surmounted with five gilt metal finials, the sides with gilt metal fret work panels and carrying handles, on scroll feet, 28" high (illustrated)

Mahogany bracket clock, 1810 - 1830, convex white painted roman dial signed Davies, Chester , twin-fusee four -pillar movement striking the hour on a bell, shouldered rectangular back plate, the case with a pineapple finial, brass line inlay and openwork side grilles. Height 49cm.

Oak longcased clock , square painted roman dial, 10", with floral spandrels signed Woodley, Kington, 30hour movement with anchor escapement and external countwheel, in a flat topped hood on cavetto shoulders, plain trunk, banded plinth on bracket feet. Height 196cm.

A BOULLE BRACKET CLOCK, the movement signed 'Luce a Paris'

A reproduction walnut cased bracket clock

A 19th century French boulle bracket clock, the dial with separate porcelain numerals and a striking drum movement, 51cm high, with an associated boulle bracket (2). Visit www.sworder.co.uk for larger image and condition reports.

A George III oak eight day longcase clock, the caddy top over 12" dial with subsidiary seconds and day of the month aperture, the chapter ring signed 'Martin White' and 'James Parson' surround by gilt corner spandrels, the trunk with split column decoration raised on bracket feet, 225 cm high.

An 18th German eight day mahogany longcase clock, the hood with broken swan neck pediment over 12" arch top dial, having subsidiary day of the month and second aperture, signed Christian Hintz Konigsberg, over rectangular trunk door, resting on bracket feet.

J & A Jump, a quarter striking three train fusee bracket clock, 19th Century, in an ebonised and brass mounted case, standing 25" high including the handle, the case in the style of George I with caryatids flanking the arched door, the brass dial mounted with a silver chapter ring and strike/silent ring in the arch. The dial and movement inscribed by the maker J & A Jump, 1 Old Bond Street, London No. 179. The quarters sounding on eight bells and the hours on a single bell, 64cm high.. Visit www.sworder.co.uk for larger image and condition reports.

Regency mahogany bracket clock by Frodsham, Gracechurch St, London

A late 18th century oak and mahogany longcase clock having square hood with painted dial and 30 hour movement by W Scales, Kendal, flanked by turned pillars over crossbanded and shaped trunk on square base and bracket feet

Twenty Two volumes relating to British clocks and clockmaking: Barder, Richard C. R. The GEORGIAN BRACKET CLOCK 1714-1830 Antique Collectors' Club, Woodbridge, 1st edition 1993, dj; Robinson, Tom THE LONGCASE CLOCK Antique Collectors' Club, Woodbridge, 1985 revised edition, signed by the author, dj; Dawson, Percy G., Drover, C. B. and Parkes, D. W. Early English Clocks Antique Collectors' Club, Woodbridge, 1st edition 1982; Rose, Ronald E. ENGLISH DIAL CLOCKS Antique Collectors' Club, Woodbridge, 2nd edition 1988, dj; Edwardes, Ernest L. The Grandfather Clock John Sherratt and Son, Altrincham, 2nd edition 1952; Baillie, G. H., Clutton, C., and Ilbert, C., A. BRITTEN'S OLD CLOCKS AND WATCHES AND THEIR MAKERS Bonanza Books, New York, reprint of the 7th edition of 1956, dj; Jagger, Cedric Royal Clocks Robert Hale, London, 1st edition 1983, dj and slipcase; Darken, Jeff (ed.) and others HOROLOGICAL MASTERWORKS AHS exhibition catalogue, Ticehurst 2003; Darken, Jeff (ed.) and others TIME & PLACE English Country Clocks 1600-1840 AHS exhibition catalogue, Ticehurst 2007; Royer-Collard, F. B. Skeleton Clocks N. A. G. Press Ltd, London, 2nd edition 1977, dj; Hana, W. F. J. English Lantern Clocks translated fron the Dutch by E. J. Tyler, Blandford Press, Poole 1979, dj; Nicholls, Andrew English Bracket and Mantel Clocks Blandford Press, Poole 1981, dj; Beeson, C. F. C. ENGLISH CHURCH CLOCKS , published by the author, undated; Loomes, Brian Country Clocks and their London Origins David and Charles, Newton Abbot, 1st edition 1976, dj; Loomes, Brian BRITISH CLOCKS ILLUSTRATED Robert Hale, London, 1st edition 1992, dj; Loomes, Brian COMPLETE BRITISH CLOCKS David and Charles, Newton Abbot, 1st edition 1978, dj; lloyd, Alan H.THE ENGLISH DOMESTIC CLOCK uninscribed but probably published by the author 1938; Cloutman, Edward ENGLISH & SCOTTISH MUSICAL CLOCKS AHS, Ticehurst 2000, dj; Smith, Alan (ed.) THE COUNTRY LIFE DOCTIONARY OF CLOCKS W. H. Smith reprint of the original 1979 edition, dj; Clutton, Cecil and Daniels, George Clocks & Watches IN THE COLLECTION OF THE WORSHIPFUL COMPANY OF CLOCKMAKERS Sotheby Parke Bernet Publications, 2nd edition 1980, dj; Tyler, E. J. Clocks & Watches Sampson Low, Maidenhead, 1st edition 1975, dj; Shaffer, Douglas H. THE SMITHSONIAN ILLUSTRATED LIDRARY OF ANTIQUES -Clocks Cooper Hewitt Museum, Washington, 1st edition 1980, dj, (22). Provenance: The Library of John Hooper. Visit www.dnfa.com for condition reports.

A collection of twenty various bracket, table and mantel clock keys, mainly 19th century. Including a foliate pierced and engraved table clock key of late 17th century design (repaired) and a five-pipe star key. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

A collection of assorted bracket and table clock parts and castings, 17th century and later. Including four square brass dial plates, a silvered chapter ring, a selection of verge contrate and escape wheel blanks, spandrels, 17th century design winding keys, bells, backcock castings, aprons and other related items (qty). Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

A selection of brass longcase, table and bracket clock case mount castings, 17th/18th century design, late 20th century. Including a set of early pattern Corinthian column, festoon swag and other longcase hood mounts; Knibb and Tompion pattern table clock mounts and small quantity of other related items. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.

A George III mahogany eight-day longcase clock, Barker, Wigan, circa 1780. The four-pillar rack and bell striking movement with sprung trip-repeat lever and 13 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and winged cherubs head and foliate scroll cast spandrels to angles, the arch with circular silvered boss signed Barker, Wigan flanked by dolphin cast mounts, the swan-neck pedimented case with carved rosette terminals above well turned columns to hood, shaped-top triple line bordered and crossbanded door flanked by quarter columns to trunk, on raised shaped-panel fronted plinth base with canted angles and ogee bracket feet, 128cm high. Probably made by the father and son partnership William and Daye Barker who are recorded in Loomes, Brian LANCASHIRE CLOCKS and CLOCKMAKERS as working from Wigan up to 1787. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A Victorian ebonised quarter chiming bracket clock, W. Thornhill & Co, London, late 19th century. The substantial four-pillar triple fusee movement chiming the quarters on a nest of eight bells and striking the hour on a gong, the 8.5 inch brass break-arch dial with oval silvered plaque signed W. Thornhill & Co., 144 New Bond St, London to the matted centre within an applied silvered Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, the angles with cherub head and scroll spandrels beneath CAMBRIDGE/WESTMINSTER chime selection and CHIME/SILENT dials within conforming mounts to arch, the break-arch case with central platform upstand and five brass vase finials above female caryatid mounted front angles and scroll cast and pierced side frets, on moulded base with foliate cast bracket feet, 68cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A mahogany eight-day longcase clock, Thomas Humber, Bristol, 18th/19th century. The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with scroll engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the angles with bird and urn pattern spandrels beneath silvered boss signed Thos. Humber, Bristol between dolphin cast mounts to arch, now in a parquetry banded arch-top case with shaped crest above fluted pilasters and wavy-edge door to hood, short trunk door flanked by quarter columns, on tall plinth base with bracket feet, 215cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

An eight-day longcase clock with penny moon, John Cooper, Whitchurch, 18th century. The substantial four finned-pillar rack and bell striking movement with 12 inch square brass dial with foliate engraved calendar aperture, ringed winding holes and penny moon within the subsidiary seconds dial to the matted centre, the applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes and signed Jo: Cooper, Whitchurch to lower edge, the angles with female mask and scroll cast spandrels, now in a walnut case with moulded cornice above integral pilasters and 12.75 inch aperture (now fitted with a brass mask for the current dial) to hood, crossbanded break-arch door to trunk, on plain plinth base with ogee bracket feet, 218cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

An Irish George III inlaid mahogany eight-day longcase clock, Shaw Williamson, Dublin early 19th century. The four-pillar rack and bell striking movement with 13 inch square white painted Roman numeral dial with subsidiary seconds dial and bearing signature SHAW WILLIAMSON, DUBLIN to centre, with Arabic five minutes and flowering fruit painted spandrels, the case with broken triangular pediment and cavetto cornice above fluted pilasters flanking dial to hood, short shaped-top door flanked by quarter columns with line outline panel beneath to trunk, on crossbanded and line bordered flame panel fronted plinth base with bracket feet, dial retouched, 221cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fine Irish George III mahogany eight-day longcase clock, David Gordon, Dublin, circa 1750. The four-pillar inside countwheel bell-striking movement with 13.5 inch square brass dial with ringed winding holes, subsidiary seconds dial, blanked-off calendar aperture, and ribbon shaped nameplate signed David Gordon DUBLIN to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, the angles with cherub head and foliate scroll cast spandrels, the case with scallop-shell centred swan neck pediment and lion's mask centred foliate scroll carved swollen frieze above stop-fluted Corinthian pilasters to the hood, the trunk with convex throat moulding and long break-arch door flanked by canted angles, on raised panel-fronted plinth base with bracket feet, some old repairs, 224cm high. David Gordon is recorded in Fennell, Geraldine A LIST OF IRISH CLOCK MAKERS as working in Dublin 1739-55. The current lot is almost identical to an example by Alexander Gordon supplied to John Corry for Castle Coole, Co. Fermanagh in 1748, illustrated in The Knight of Glin and Peill, James IRISH FURNITURE, page 256. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fine and rare first period brass lantern clock, unsigned, circa 1635. The short-duration posted countwheel bell- striking movement formerly with verge and balance-wheel escapement now with verge and external short bob pendulum (swinging to the left hand side of the clock), with external alarm to the iron backplate, the dial with alarm disc within winged angel mask and alternating thistle-and-flower foliate trail engraved centre with original iron arrowhead hand and applied narrow Roman numeral chapter ring with asterisk half hour markers, the corners decorated with leafy-spray infill, the frame with heraldic frets and cup-and-cover turned finials beneath domed bell bearer and conforming finial, with later pointed-arch glazed brass side doors, on inverted acorn feet, 42cm high, with a carved oak wall bracket. This rare early London-style clock can be stylistically dated to the 1630s and loosely compared to examples by makers such as Peter Closon, William Sellwood and Francis Foreman. However the winged angel mask engraved motif to the dial centre is reminiscent of clocks from a slightly earlier period (see Loomes, Brian Lantern Clocks & Their Makers pages 50-51). The thistle decoration is also unusual and suggests a tantalising possibility that the clock could have Scottish origins, indeed the frame castings and general design are related to the work of Humphrey Mills of Edinburgh (op. cit. pages 331-333). However as it appears that Mills never incorporated alarms into his clocks, the current lot is unlikely to have come from his workshop. The conversion from balance to short pendulum regulation was done early in the clock's life and in such a way as to enable the retention of the alarm mechanism which was often removed during such conversions (to allow for the pendulum to be placed at the rear of the clock). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A George III mahogany eight-day longcase clock, Jacob Heardman, London. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with bird and urn pattern spandrels beneath silvered boss signed Jacob Heardman, London flanked by dolphin cast mounts to arch, in a case with break-arch cornice and reeded Corinthian pilasters to hood above break-arch door flanked by fluted canted angles to trunk, the conforming plinth with shaped panel to front on double skirt base incorporating bracket feet with shaped apron between, 214cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fne George III mahogany bracket clock, George Tomkins, London, late 18th century. The five-pillar rack and bell striking twin fusee movement with verge escapement and border engraved backplate, the 7 inch single-sheet silvered brass Roman numeral break-arch dial with calendar aperture and signed George Tomkins London to the centre, the arch with subsidiary STRIKE/SILENT dial, the figured mahogany bell-top case of fine colour with brass handle and pineapple finials above circular and concave-topped rectangular brass fishscale frets to sides, on moulded base with brass ogee bracket feet, 47cm high excluding handle. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A George III mahogany table clock, John Waldron, London, circa 1760. The five-pillar twin fusee bell-striking movement with verge escapement, hour trip-repeat and delicate foliate-scroll engraved backplate, the 8 inch square single-sheet silvered Roman numeral dial (viewed through a brass-bezel lined 7.5 inch circular aperture to the front door) with calendar aperture, blued steel hands and signed John Waldron, Cornhill, London to centre, with Arabic five minutes and Strike/Silent switch at 12 o'clock, the mahogany bell top case with brass carrying handle above circular brass-bezel applied quarter veneered front door and rectangular side windows, on mounded base with brass ogee bracket feet, 43cm high excluding handle. Provenance: The property of a private collector. John Waldron is recorded as working in Cornhill 1765-82. The design of the current lot with the circular aperture in the front door only revealing the central section of the square dial was first introduced by John Ellicott in around 1760. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fine and rare Queen Anne ebonised bracket timepiece with pull quarter repeat and alarm, Christopher Gould, London, circa 1710. The five finned pillar single fusee movement with verge escapement, silent pull repeat on two bells and alarm, the foliate engraved backplate with external blued steel and brass ratchet-and-clicks for the spring barrel and signed CHR GOULD LONDINI Fecit within an elaborate shaped cartouche surmounted by an eagle, the 7 inch square brass dial with ringed winding hole, silvered alarm disc, fine pierced blued steel hands and herringbone-bordered false bob aperture further signed Chr. Gould, London to the matted centre, within an applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and Arabic five minutes, the angles with winged cherub head spandrels with foliate scroll engraved decorative infill between, the case with foliate cast handle to the inverted bell top with brass vase finials above fine foliate scroll pierced and chased gilt brass repousse overlaid rectangular side windows, on moulded base with brass disc feet, 36cm high excluding handle. Christopher Gould is generally regarded as one of the leading makers from the 'Golden Period' of English clockmaking. He was made Free of the Clockmakers' Company in 1682 but by 1713 had become destitute and received charity from the Company until his death in 1718. Christopher Gould's work invariably demonstrates a level of quality and elaboration that could only be afforded by the most wealthy of patrons. The current lot is no exception as the specification, with combination of silent pull quarter repeat and alarm, indicates that it was designed for bedroom use, suggesting that it was originally supplied to a very wealthy individual who was able to afford a clock reserved exclusively for the bed chamber. Provenance: Acquired by Alfred Loader (Greiner) circa 1910, thence by descent. (Full provenance available in the printed catalogue). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

A fine small George III ebonised bracket clock, Thomas Grignion, London, circa 1775. The six-pillar twin fusee rack and bell striking movement with verge escapement, rise-fall regulation and signed Thomas Grignion, Covent Garden, London to the finely engraved foliate scroll decorated backplate, the 5 inch single-sheet silvered brass Roman numeral break-arch dial with calendar and false bob apertures to centre beneath subsidiary regulation and STRIKE/SILENT dials to arch with recessed shaped signature plaque Tho.s. Grignion Covent Garden, LONDON above, the bell-top case with hinged brass carrying handle and brass ball finials above break-arch side windows and finely pierced fret infill to angles above dial, on brass ball feet, 36cm high excluding handle. Thomas Grignion was born in 1713. He worked in partnership with his father (who was previously employed in the workshop of Daniel Quare) from circa 1730 to 1750, continuing the business alone until 1775 when he went into partnership with his son, also named Thomas, until his death in 1784. Provenance: Acquired by Alfred Loader (Greiner) circa 1910, thence by descent. (Full provenance available in the printed catalogue). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

Art Deco Oak Cased Long Case Clock with 3 chromed weights, circular silvered dial with Arab numerals, dome topped case with full length glass door on plinth base with small bracket supports, chromed pendulum, chiming & striking on bars

A BOULLE WORK AND ORMOLU MOUNTED CLOCK BRACKET, the rectangular top on a downswept base with rococo style mounts, 141/2" wide

A REGENCY MAHOGANY AND BRASS STRUNG BRACKET CLOCK, with a convex white enamel dial, signed J.R. Saunders, Warminster, with an eight-day twin fusee movement, striking on a bell, the case surmounted by a pineapple finial, the sides with fish scale mounts, on short ball feet, 181/2" high.

A BRASS CASED LANTERN CLOCK, the silvered dial signed Smorthwait, Colchester, the dial surmounted by a bell and pierced panels, the movement with a single weight and anchor escapement, the clock on a carved oak wall bracket. on page 105. Provenance: Purchased by the vendor from Brian Loomes

A mahogany cased bracket clock James Walker London (8 day strike) 32cm

A 19thC brass inlaid ebonised bracket clock with moulded pagoda case, the painted dial having Roman numerals and marked Finnemore & Son No1060, the double fusee system striking a bell.

Edwardian French repeating carriage clock with column supports, folding handle on bracket feet, 17cm

G. Williams, Merthyr, 8-Day Striking Longcase Clock having painted arched dial with calendar and seconds dial, having painted rose and leaf decoration, in mahogany case having inlaid boxing and stringing, on bracket feet, 2m 21cm high overall

J. Unghans, Wuritenberg, Mahogany Cased 8-Day Westminster Chime Mantel Clock having circular silver dial with Arabic numerals, on bracket feet, 32cm wide, 34cm high

An 18thC brass dial 30 hour oak longcase clock, the dentil moulded cornice over square dial with silvered chapter ring & engraved silvered centre, elaborate gilt scroll hands, subsidiary seconds, rococo cast spandrels, the dial inscribed by John Wyld, Nottingham, the shaped case door with star inlay, the base also with star inlay on bracket feet, Height 85"

Johnson, London, A Regency mahogany bracket clock, the earlier eight-day, double fusee movement striking the hours on a bell with an anchor escapement and a fully engraved backplate of floral and rococo decoration, the round convex painted dial having black Roman numerals, blued steel moon hands and signed 'Johnson, London', the associated mahogany case having cut brass inlay and applied carved decoration to the front, brass fretwork and carrying handles to the sides and a 'dutch barn' top, height 44cm.

John Bryan, Shadwall, A Georgian mahogany bracket clock, the timepiece fusee movement having a verge escapement and tapered plates, the arched silvered dial engraved with black Roman numerals, Arabic five minute numerals, decoration to the arch and having blued steel hands, the bell top mahogany case having a brass carrying handle and glazed sides, height 49cm. *John Bryan was apprenticed to his father, also John, in Aldersgate and is then recorded as working in Shadwell, London becoming a freeman of the Clockmakers Company in 1773, when he took his son James as an apprentice, until his death in 1804.