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GEORGIAN STYLE WALNUT SINGLE FUSEE BRACKET CLOCK with passing strike, the 6” square brass dial within a figured case with brass grilles to the sides (repairs and alterations), 19.5” high

MAHOGANY VERGE BRACKET CLOCK, the double fusee movement with pull repeat and signed John Taylor, London, to the engraved back plate, the 8” arched brass dial similarly signed and with chime-silent and date subsidiary dials, the case with broken arch pediment, 20” high

OAK DOUBLE FUSEE BRACKET CLOCK striking on a gong, the 8” circular white dial signed S. Smith & Son, 9 Strand, London within a brass inlaid case surmounted by a broken arch pediment, 17” high

Double fusee bracket clock, the 8” square brass dial signed Ward, Richmond, and within an ebonised ogee case, 16.5” high

Double fusee bracket clock with pull repeat on five bells and engraved back plate, the 7” brass dial signed John Gouth and with silent-strike at 12 and within a fruitwood case, 17.5” high (repairs and alterations)

DOUBLE FUSEE BRACKET CLOCK, converted from verge, the engraved back plate signed Peter Walker, London, the 7” brass dial with aperture for false bob pendulum and calendar aperture, the ebonised case with foliate gilt metal mounts and surmounted by a basket top, 17” high (repairs and alterations)

DOUBLE FUSEE BRACKET CLOCK, the back plate engraved with Prince Wales feathers and foliate scrolls, the 7” silvered dial signed Abel Panchaud, Oxford Street, with strike-silent dial to the arch and calendar aperture, the ebonsied case surmounted by a bell top, 19.5” high, together with an ebonised wall bracket (illustrated inside front cover)

MAHOGANY THREE TRAIN BRACKET CLOCK chiming the quarters on gongs, the 9” floral engraved silvered dial with regulator and chime-silent dials, the case inlaid with floral arabesques and surmounted by an arched pediment, 24.5” high

MAHOGANY THREE TRAIN BRACKET CLOCK, striking the quarters on gongs, the 7” brass dial with regulator and chime-silent subsidiary dials within a carved case flanked by ionic pilasters, 19” high

MAHOGANY DOUBLE FUSEE BRACKET CLOCK, the 8” circular white dial signed J. Waldek, London within a floral sheathed case surmounted by a swept pediment, 17” high

MAHOGANY DOUBLE FUSEE BRACKET CLOCK the 8” circular silvered dial signed Hornby, Liverpool within a cross banded lancet case inlaid with brass motifs, 18.5” high

Oak cased two train mantel clock with silvered dial and visible pendulum, 12.5” high together with a walnut wall bracket

EBONISED DOUBLE FUSEE BRACKET CLOCK, the movement converted from verge escapement and with engraved back plate, the 7” brass dial signed Marmaduke Storr, London, with strike-silent dial to the arch and calendar aperture to the matted centre, the case surmounted by a bell top and carrying handle, 22” high

George III oak long case clock the broken arch brass face named James Green Nantwich the chapter ring enclosing subsidiary seconds dial and date aperture two train striking movement in swan neck hood with plain columns on corner column trunk and set out base raised on ogee bracket feet. Height 201cm. (pendulum 2 weights)

A mantel timepiece of Georgian bracket clock form, 9 1/2" high.

A 19th bracket clock with an 8" painted dial signed Camerera Cuss & Co, London contained in a mahogany case 19" tall, in working order.

An impressive carved mahogany "Junghans" eight day chiming bracket clock 9in tall.

An Edwardian mahogany cased bracket-style clock, the eight day movement with Westminster chime, the arched brass dial with anodised chapter ring, chime / silent and slow / fast dials, the case arched to top and with brass carrying handle, on brass bracket feet, 15" high.

A late 18th Century longcase clock, by Booth, Hull, the painted arched dial depicting a castle and allegorical figures to the spandrels, with eight day movement having seconds and date dials, in oak and mahogany cross banded case with swan neck pediment, on fluted columns, shaped door flanked by quarter pilasters, panelled base and bracket feet, 89" high.

A REGENCY MAHOGANY BRACKET CLOCK by Budgen of Croyden, London, the eight day five pillar twin fusee movement with anchor escapement striking on a bell, enamel dial, in mahogany oblong case with brass pineapple finial on stepped top, the fascia with inset brass trimmed spandrels, grilled sides with ring handles, fluted banding and bun feet, 19 1/4 high

A LONGCASE CLOCK, the eight day movement with arched brass dial, moonphase painted with coastal scenes, the spandrels with allegorical figures, secondary dials and calendar aperture, in mahogany case crossbanded with stringing, scrolled cornice on fluted columns, panelled door flanked by similar columns, canted panel base and bracket feet, 92 high

A HUNGARIAN SILVER GILT AND LAPIS LAZULI TABLE CLOCK of urn form with cherub surmount, two rotating pink porcelain bands indicating hours and minutes, entwined snake about the base with its head as pointer, raised on canted square plinth, a fawn on each corner and with putto scenes in relief, on bracket feet, 20th century, 8 high, in folding case

A LONGCASE CLOCK, the eight day movement with anchor escapement, white enamel dial with secondary dials, unsigned, in mahogany case, the circular top with scrolled leaf and fruit carved surmount, canted tapering trunk with carved brackets and arched panelled door, panel base and bracket feet, 19th century, 79 3/4 high

A LONGCASE CLOCK by William Coulton, York, the eight day movement with arched brass dial with secondary dial, calendar aperture, in oak case, the arched and moulded cornice on turned pilasters, arched door, panel base and bracket feet, 87 high

A LONGCASE CLOCK by J Pratt, Askrigg, the thirty hour movement with enamel dial painted with birds and flowers, secondary dial, in oak and mahogany crossbanded case, the moulded cornice on turned columns, arched door on canted trunk, panel base and bracket feet, 84 high

A LONGCASE CLOCK by W B Dewhurst, Clitheroe, the eight day movement painted with a fisher girl and fishing boats, secondary dials, in oak and mahogany crossbanded case, scrolled pediment on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 88 high

A LONGCASE CLOCK by Peter Grimalde, London, the eight day movement with anchor escapement having circular white dial with secondary dials, in mahogany case with brass reeding, the arched hood with moulded cornice having waisted surmount and turned finials, arched door, panel base, shaped apron and bracket feet, 85 high

A VICTORIAN BRACKET CLOCK, the eight day triple train movement striking on eight bells and five gongs, arched gilded dial chased and pierced with scrolling foliage, three secondary dials and label for J.J. Stockall & Sons, Clerkenwell Rd, E.C., in rosewood and floral marquetry case, the arched pediment with turned finials on fluted Corinthian columns, fluted apron, moulded base and bun feet, 26 1/2 high

A Georgian style Bracket Clock by Hamburg Amerikanische, with striking movement, in mahogany case having satinwood urn inlay and stringing, turned side columns having brass capitals, in need of restoration

John Clowes, London An ebonised bracket clock, the square dial with a silvered chapter ring and cherub spandrels, having a twin fusee striking movement, now with anchor escapement and bob pendulum. The back plate engraved with scrolling flowers and “John Clowes, Londini, Fecit”. The bell top case with a lacquered brass carrying handle, pineapple finials and fish scale side frets, dial 5I", case 15"/38cm

Jno. Marr, Falkirk A George III mahogany cased eight day longcase clock, the painted dial with Roman hours, signed to the centre having a subsidiary seconds dial and calendar dial below, within spandrels decorated with Scottish military figures, the case with a swan neck pediment enclosed by a panelled door on swept bracket feet, the twin train movement with an anchor escapement, striking on a bell, 235cm overall

A Jaeger Le Coultre “Atmos” clock, in a gilt metal and glass case, with wall bracket, original case and instructions, 23.5cm

Six assorted boxes of clock movements, parts, accessories etc, including a lantern clock bracket, frame and cover

A mahogany longcase clock, having arched and reeded inset pillared hood, full length trunk door and bracket feet, the 11" painted dial having a galleon to the arch, rose painted spandrels, Roman hour numerals and subsidiary seconds and date rings, and painted L Springfield, Grantham, eight day movement, striking on a bell, 78" high

A George III oak longcase clock, having dentil moulded cornice with fruitwood columns, cross-banded trunk door and bracket feet, the painted 11" dial having floral spandrels, Roman hour numeral, arabic minutes and date crescent, thirty hour movement striking a bell, 78" high

A German Neuberger, parcel gilt and painted bracket clock and bracket, 20" high plus bracket

Wassell & Halford 43 Fenchurch St. London an oak Gothic case chiming bracket clock the case of architectural ecclesiastical form with arched silvered foliate-engraved dial with slow/fast above and chime/silent lever below the substantial brass fusee movement with name-engraved backplate and chiming on four bells and striking on a gong all upon a shaped stepped plinth base 59cm high; together with the matching oak wall bracket 43cm high (2)

An Edwardian chiming mantel clock by the Northern Goldsmiths Company Darlington the breakarch mahogany case with arched pierced side frets and fret-panel rear door silvered foliate scroll engraved dial with strike/silent and chime/silent subsidiaries the substantial brass fusee movement with machine-engraved plates chiming on four gongs and striking on a further gong all upon a stepped plinth and brass ogee bracket feet 39.5cm high

A Victorian mahogany bracket clock, striking on bell, and having enamelled circular Roman dial, in carved arched case (a.f.), H 32.5cm W 26cm

A late 19th/early 20th century carved mahogany cased eight day striking bracket clock with Winterhalter & Hoffmeyer movement, brass carrying handle and bracket feet.

A late 18th century walnut and marquetry inlaid eight day longcase clock, the arched dial with silvered chapter ring, subsidiary seconds and date aperture, signed by Clementson of Duntstable, the dial flanked by inlaid pilasters above long panel door with inlaid floral marquetry, with shaped apron and bracket feet, height 219cm. Brian Loomes lists Clementson of Duntstable as c.1785.

GUSTAV BECKER MAHOGANY BRACKET CLOCK, the case with arched pediment supported on fluted columns, raised on bracket feet, the silvered dial with Roman numerals and strike/silent dial to the arch, movement stamped "Gustav Becker Freiburg". 42cm

GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, early 19th Century, by C. Fletcher, Rotheram, with swan-neck pediment flanking a brass eagle finial over carved bound fasces, above a floral-painted arched dial with Roman and Arabic numerals, flanked by fluted brass-mounted columns, the trunk with arched crossbanded door centred by an inlaid shell between fluted quarter columns, raised on bracket feet, 30 hour movement. 2.33m by 0.55m by 0.26m

19th CENTURY MAHOGANY LONGCASE CLOCK, by John Hughes, Carnarvon (sic), with swan-neck pediment above a white-painted enamel arched dial decorated with exotic buildings, with rolling moon phase in the arch, subsidiary seconds dial and date aperture, Roman numerals and eight-day movement, the hood with paired spirally fluted pilasters and columns, the trunk with panelled door between spirally fluted quarter columns, raised on ogee bracket feet. 2.39m by 0.62m by 0.26m Note: John Hughes was the son of Hugh Hughes, a well-known Welsh watch and clockmaker. He is believed to have been active between 1844 and 1863.

An early 20th Century oak eight day longcase clock, the square dial with a silvered chapter ring and subsidiary seconds dial bearing plaque 'Goldsmiths & Silversmiths Co. Ltd, 112 Regent St London', with mask and scroll gilt metal spandrels, the hood with blind fret-work frieze, the trunk with shaped burr wood door, raised on ogee bracket feet.

A 19th century mahogany bracket clock the circular enamel dial with Roman numerals and twin winding holes the movement striking on a bell the case surmounted by a pagoda finial 58cm high

An early 19th century oak longcase clock the square painted dial signed ÒWilliam Burch MaidstoneÓ and with a calendar and seconds subsidiary the thirty-hour movement striking on a bell above a waisted panelled door on shaped bracket feet (adapted) 196cm high

An early 19th century mahogany longcase clock the arched painted dial with seconds and calendar subsidiary dials and signed ÒKemp RotherhitheÓ the hood flanked by fluted columns above an arched panel door on bracket feet 198cm high

*A William IV mahogany bracket clock case with a later 19th Century movement, having original silvered metal dial with black roman numerals, the movement with plain backplate, striking on a gong and with twin chain fusee, the case with arched top and with acanthus leaf mouldings, 42cms high x 32.5cms wide

A Boulle style bracket clock and wall bracket height of clock and bracket 30 1/2"

A "MYNUEL PARIS" 17/18th century bracket clock, the movement with verge escapement striking on a bell and signed by Mynuel, the boulle case surmounted by a bronze figure of Old Father Time 44" tall. Please note Mynuel worked in Paris between 1693 and 1750 and has a clock in the Wallace collection and the Louvre

A BRASS LANTERN CLOCK dial 6 1/2in. (16.5cm.) dia., movement anchor escapement striking on a bell, case of conventional form, one pierced cresting signed Tho. Muddle, 12in. (30cm.) high, together with an oak bracket set with a lion mask

An Edwardian Bracket Clock, the square brass dial with silvered chapter ring and Arabic numerals, fitted an 8 day movement striking on a gong, in a stained oak case with carved decoration, 32 cm

A Longcase Clock, the 33.5 cm arched square painted dial signed Thomas Morpeth, Hexham, having Arabic numerals, and calendar aperture, the spandrels painted with fruit and flowers, the arch with a basket of flowers and birds, fitted a 30 hour movement in an oak case, on bracket feet, 202 cm high See illustration

Black japanned long case clock of small size, having dome top, the gilt face with scroll decoration, Whittington and Westminster chimes, twin train movement, by Fenton Russel & Co, Edinburgh; the case decorated with Chinoiserie motifs and to the door and base, bracket feet, 1.69m

A 1930's Georgian style bracket clock with silvered dial and presentation plaque connected to the British Legion

A Jaeger-Le-Coultre 'Atmos' gilt metal cased mantel clock, the white dial with black Roman numerals, the case with reeded columns on bracket feet, height approx 24cm, within original fitted case.

A late 20th Century mahogany diminutive longcase clock, with eight day chiming movement, the arched dial with silvered chapter ring and Roman hours, the case with arched moulded pediment above a glazed door, the trunk with arched door, on bracket feet, height approx 158.5cm.

A Louis XV style red tortoiseshell and brass boullework bracket clock with eight day movement striking on a gong, the brass dial with raised hour plaques above an apron inscribed 'Andreas Lehner, Monachy Fecit', the case with pineapple finial above a glazed door and side panels within boullework borders filled with figures, bird, lattice and foliate scrolls, on scroll legs, height approx 61.5cm (faults).

A 19th Century carved oak longcase clock, with eight day movement striking on a bell, the painted arched dial with date aperture, subsidiary second dial and painted with landscapes and buildings, the hood with swan neck pediment and glazed door flanked by columns the trunk with a shaped door, on bracket feet, height approx 223.5cm (alterations and restoration).