We found 28112 price guide item(s) matching your search

Edwardian inlaid mahogany two train bracket clock in Georgian style with silvered Roman face, key and pendulum.

Mahogany bracket clock by Sinclair Hardy

A mahogany cased bracket clock by Camerer, Kuss & Co, London, with arch pad top and painted tin dial, on a plinth base and brass feet, enclosing a chain driven twin fusee movement chiming on a gong, 39cm high (pendulum and two case keys). Illustrated

Henry Yeomans, Nottingham, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman hour numerals, five-minute Arabic outer numerals, a subsidiary seconds dial, date aperture, with a depiction of the four-seasons painted to each corner, a rural scene painted within the arch depicting a shepherd resting with his sheep and signed to the centre with the maker's name H. Yeomans, Nottingham, with decorative brass hands, the mahogany case with inlaid stringing and cross-banding to the base and trunk, canted corners and a shaped top to the trunk door, the hood with further inlaid stringing, turned columns with brass capitals and a swan-neck pediment with brass paterae and a ball-and-spire finial to the centre, standing on bracket feet, height 227cm, including finial. * Biography Henry Yeomans is recorded as a clock and watch maker, silversmith and jeweller working at various addresses in Clumber Street, Nottingham; number 19 in 1825, number 27 in 1853 and number 15 from 1864.

John Lee, London, a lacquered longcase clock: the eight-day duration, five-pillar movement (fifth pillar missing) striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the maker's name John Lee, London, with cast-brass female and c-scroll spandrels to the four corners, and a strike/silent dial within the arch with cast-brass dolphin spandrels either side, with blued steel hands, the green lacquered case with raised chinoiserie decoration, the hood having a pagoda top with ball-and-spire finials to either side, a brass eagle-and-ball finial to the centre and three-quarter columns with cast brass capitals, the trunk with typical Oriental scenes to the break-arch door, the base with further decoration and standing on replaced bracket feet, height 243cm (not inc. finial) * Biography There were various makers named John Lee working in London at this time, with the most likely maker of this clock being either a John Lee who was apprenticed in 1719, becoming free of the Clockmakers Company in 1737 or another apprenticed in 1734 becoming free of the Clockmakers Company in 1745. * Provenance: Kingsnympton Park, Devon.

A Victorian carved oak chiming bracket clock: the eight-day duration, triple-fusee movement striking the hours on a gong and the quarters on a further eight gongs, the arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, and Arabic outer five-minute numerals, with three silvered subsidiary dials to the arch for regulation, chime/silent and Chime on Eight Gongs/Chime on Four Gongs, with decorative blued steel hands and applied cast-brass spandrels, the oak case having scroll and foliate carved decoration with mask-heads to the edge, foliate decoration to the caddy top with a central mask, repeated to the carved side frets to each side, height 58cm.

An early twentieth century small pad-top bracket clock: with an eight-day duration, single fusee timepiece movement, the brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and signed either side of VI o'clock with the name Chas. Fox, Bournemouth, with cast-brass cherub-head corner spandrels, the arch with a silvered boss engraved Tempus Fugit, the small mahogany case having three mahogany pads to the curved top, fret-work to the sides, with a brass carrying handle to the top, and standing on bracket feet, the rear having an applied presentation plaque engraved 'An Affectionate Token, Rev. Canon H. Barton R.D. and Mrs Barton on Their Silver Jubilee from the Congregation of St Luke's Church Parkstone, March 1920-1945', height 30cm.

A 19th Century oak and mahogany longcase clock by Robert Joyce & Sons of Ruthin, the 13ins square painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels decorated with flowers to the eight day two train movement striking on a bell, contained, in oak and figured mahogany case with scroll pediment and triple cluster columns to hood, shaped and crossbanded trunk door flanked by moulded columns, the base with raised astragal panel and on bracket feet, 87ins high Note : Robert G. Joyce recorded working Ruthin 1856-1887

A 20th Century black japanned "grandmother" clock, the 4.75ins arched brass dial with silver chapter ring with Roman and Arabic numerals, to the eight day French two train movement striking on a bell, contained in black lacquer case of 18th Century design, decorated in gilt with chinoiseries, on ogee bracket feet, 73.5ins high

An early 19th Century French ormolu cased mantel clock, the 4ins diameter, white enamel dial with Roman numerals, inscribed Burrington of Exeter to the eight day two train movement with silk suspension striking on a bell, contained in arched top case surmounted by a lyre and with battle trophies mount to front and flanked by standing figure of a Greek warrior with ornate helmet and on rectangular base with paw feet, 16.75ins high, (bell bracket in need of repair and ormolu rubbed in places)

An early George III mahogany longcase clock by Thomas Cackett of Cranbrook, the 12ins arched brass dial wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre to the eight day two train five pillar movement striking on a bell, contained in mahogany case, with shaped cresting, above arched and moulded cornice, turned and fluted pillars to hood, shaped trunk doors, and on bracket feet, 88ins high, (included brass finials) Note: Thomas Cackett recorded working in Cranbrook in 1748, retired 1774

A late 18th Century oak and mahogany longcase clock, the movement inscribed "Robert Cornish of Dartford", the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial with date aperture to the eight day two train movement striking on a bell, contained in associated oak and mahogany case, with scroll pediment and slender turned pillars to hood, shaped trunk door flanked by fluted quarter columns and on bracket feet, 88ins high, (movement and case associated and in need of restoration)

A late Regency period mahogany bracket clock, with twin chain fusee movement, back plate inscribed 'Carter, 61 Cornhill, London', striking on a bell, 39cm high

MAHOG CLOCK BRACKET

A mahogany cased eight day Elliot bracket clock with brass arched dial having silvered chapter ring, Westminster quarter chime.

An early 20th century walnut cased bracket clock with a brass dial, 36cm tall

A 1960s 18th Century style walnut cased bracket clock with eight day movement and moon phase on scroll feet, height 22cm

An early 20th Century French brass carriage clock with Arabic floral dial on foliate bracket plinth, height 11cm

An Edwardian line inlaid and chequer strung mahogany lancet clock with eight day movement together with a similiar mantle clock on brass bracket feet, height 14cm. (2)

Edwardian Domed Mahogany and Inlaid Cased Bracket Clock

A JUNGHANS EARLY 20TH CENTURY MAHOGANY CASED BRACKET CLOCK, having 8-day chiming movement with brass circular dial and Arabic numerals with visible speed regulation dial and chime/silent indicator, raised on brass ball feet, 37cm high

A late Victorian bracket clock by Dent, the twin fusee movement within a figured walnut, foliate fretwork and brass mounted case with an ogee moulded base on squab feet, the enamelled face with Roman numerals and labelled 'Dent, 61 Strand, London, 1467', h. 49 cm *Edward John Dent (1790-1853) was the founder of Dent & Co. and is most famous for his work in producing 'Big Ben'. After his death in 1853, the firm was continued by his successors and worked from 4 Royal Exchange and 61 Strand between 1886 and 1904. CONDITION REPORT: Some losses to enamelling, case very good for age, working order not guaranteed. Pendulum and winding key present, a good service should be enough to get it working in our opinion. (see pictures provided)

EARLY TWENTIETH CENTURY TWO SIDED STATION CLOCK the signed 24 inch frosted dials with Arabic numerals, painted steel hands, contained within a circular steel case with wall mounting bracket

Oak jewellery box, oak mantel clock case, 8-day movement, jewellery box and reproduction bracket clock. Condition report: see terms and conditions

Large Edwardian striking mantel or bracket clock in inlaid mahogany case 18" tall x 11.5" wide

Edwardian striking bracket clock in inlaid oak case

Edwardian striking bracket clock in walnut case

Reproduction Georgian style chiming bracket clock with brass and silvered dial and moon face in mahogany case

Edwardian striking bracket clock in oak case with brass and silver dial

Striking bracket clock in oak case with silver dial

Striking bracket clock in mahogany case with black and brass dial

A mahogany longcase clock, second quarter 19th century, the hood with broken scroll pediment above an arched glazed door, flanked by double half rope twist pilasters enclosing a 14 inch arched white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, rolling moon phase in the arch, floral painted corners, marked Thos Bott and Co., Liverpool, eight day movement striking on a bell above a triple fronted arch top three quarter length crossbanded trunk door, flanked by rope twist pilasters above a crossbanded panel and base board on shaped apron and bracket feet, 222cm high.

A George III oak longcase clock, later carved, the ogive moulded cornice, lunette carved above an arched glazed door flanked by barley twist pilasters enclosing an 11.5 inch engraved brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and date aperture in the centre, the dial inscribed William Barnish, pierced cherub mask spandrels, and cherub and fruit basket crown in the arch, eight day movement striking on a bell above a foliate carved shaped top trunk door lunette carved moulding and lozenge carved base board and raised on shaped bracket feet, 211cm high.

An Edwardian ebony cased bracket clock, in Georgian revival style, the arched case enclosing an arched dial with silvered chapter ring and Roman numerals, subsidiary chime silent and chime on eight bells/Westminster chimes dials in the arch foliate pierced spandrels, the chapter ring inscribed F Williams, London', three winding holes, triple fusee movement striking on eight graduated bells and gong, fish scale side grills and swing handles, fluted Corinthian column pilasters to either side of the case and finials and raised on bracket feet, 40cm wide, 21cm deep, 46cm high

A George III mahogany longcase clock, late 18th century, the arched hood with broken scroll swan neck pediment centred by a reeded flame and urn finial above blind foliate carve frieze and arched glazed door enclosing a 13 inch brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial, foliate engraved centre, cherub spandrels with disc in the arch marked Tempus Fugit, eight day movement striking on a gong the hood with fluted pilasters above a foliate moulding and full length trunk door with shaped door flanked by fluted quarter pilasters over a base board and canted fluted corners on shaped bracket feet, 205cm high.

An oak and rosewood crossbanded cottage longcase clock, early 19th century, the square hood with broken scrolls, swan neck pediment above a glazed door flanked by turned pilasters enclosing a 12 inch white enamel dial with Roman numerals marked Parlow Montgomery above a curved date aperture painted with figures and classical ruins to the corners, 30 hour movement striking on a bell above a three quarter length crossbanded trunk door with foliate lozenge inlaid central motif showing a bird and mother of peral flowers, the door with shaped top above a plain panel and conforming crossbanded base board with lozenge motif and on bracket feet, 202cm high.

A George III oak cottage longcase clock, late 18th century, the square hood with ogive cornice and blind fret carved frieze above a glazed door flanked by turned pilasters and enclosing an 12 inch engraved brass dial inscribed Hinksman Broseley with silvered chapter ring Roman numerals and Arabic seconds ring, subsidiary seconds dial and date dial and foliate engraved to the centre, foliate cast spandrels, 30 hour movement striking on a bell above an ogive moulding and long trunk door with shaped top over a further plain panel and on bracket feet, 205cm high.

The Regal Century bracket clock by Sewills, specially created in celebration of her Majesty, Queen Elizabeth the Queen Mother bearing a rectangular plate (commission for Mary Vaudrey) number 046/100 limited edition with nine bell triple chime movement, the 7 1/2 inch silvered dial with silvered chapter ring outer month date dial and four inner dials for months, seconds, days and phases of the moon, against a matted centre within a glass arched polished 14ct. gold plated brass and bevelled glass mirrored case, 34cm high, 28cm wide, 20.5cm deep along with a key and owner's handbook.

An early 20th century French brass carriage clock, the white enamel dial with Roman numerals, subsidiary seconds dial below six, dial signed 'G. Detoughe, Paris', the corniche case raised on bracket feet, strikes on a bell. H. 11cm

A Regency mahogany eight day bracket clock, double fusee movement with shaped plates, plate signed Molyneux, London, strikes on a bell, the round convex dial with Roman numerals, indistinctly signed to dial, brass fish-scale sound frets to sides, a gadrooned top surmounted by a cast brass pineapple finial and standing on brass ball feet. H. 49cm

Victorian mahogany bracket clock, with chevron banding, casket top, white enamelled dial with Arabic numerals, a French cylinder movement, signed A.D. Mougin, striking on a gong, 31cm.

Victorian bracket clock with eight day twin fusee movement striking on a bell, with white painted dial and Roman numerals, in a mahogany case with carved floral cresting and mounts, on brass bracket feet, 44.5cm high (pendulum present), together with an associated rosewood bracket

Fine quality early 19th century English bracket clock with eight day timepiece movement, signed - Arnold & Dent, London, gilt metal dial with engine-turned decoration and Roman numerals, signed - Arnold & Dent 84 Strand, London, no. 111, in an ormolu case of waisted form, with rococo scroll and foliate decoration, stylised grape and vine finial with four scroll feet, on a shell, foliate stand, 31cm overall height (key and pendulum present)

Good quality late 19th / early 20th century French carriage clock with eight day repeating movement striking on a gong, backplate signed - E. M. & Co., circular silvered dial with Arabic numerals and gilt metal filigree centre, silvered mask, in brass case with Corinthian columns and swing handle, on bracket feet, 19cm high overall (two keys present)

An Edwardian mahogany bracket clock.

A 1920/30s dark oak bracket clock.

An early 20th Century light oak bracket clock.

A Fine Quality Chippendale Style Miniature Mahogany Long Case Clock. The case richly carved with scrolls of acanthus, rosette whorls and gadrooning, with flaming urn finials surmounting the swan neck pediment, fluted Corinthian style columns flanking the dial and a shaped trunk door flanked by recessed quarter columns and brickwork leading down to the bracket feet. The 5¼ ins (13.5 cms) brass dial with decorative gilt spandrels, a silvered chapter ring and a roundel to the arch engraved 'Tempus Fugit', 47½ ins (121 cms) in height.

A Fabulous Quality Chippendale Style Flame Mahogany Long Case Clock. The case richly carved with scrolls of acanthus, rosette whorls and gadrooning, with flaming urn finials surmounting the swan neck pediment, fluted Corinthian style columns flanking the dial and a triple arched trunk door flanked by recessed quarter columns and brickwork leading down to the ogee bracket feet. The 10 inch (25.5 cm) brass dial having elaborately cast gilt spandrels, a silvered Westminster /Whittington chimes ring in the arch above a silvered chapter ring encircling the matted centre with seconds subsidiary ring. 85 ins (216 cms) high.

A Fabulous George III Flame Mahogany Eight Day Longcase Clock by Burtt Wade of London. The 11¾ ins (30 cm) brass dial having a silvered roundel in the arch engraved with the maker's name above a silvered chapter ring encircling a matted centre with subsidiary seconds dial and calendar aperture. The corners and arch adorned with Rococo scrolling spandrels and mounts. The case having a pagoda hood with fretted roundel to the top and gilt brass pineapple finials either side above fluted columns inset with brass reeds. The trunk with a shaped door edged in moulding, flanked by recessed quarter columns, on moulded base and bracket feet, 92½ ins (235 cms) in height.

Early 18th century bracket clock, double fusille, verge escapement, striking on a bell possibly by John Ellicott in ebonized case 38 cms x 27 cms x 16 cms

A REPRODUCTION BRACKET CLOCK with Tempus Fugit brass-effect dial bearing silvered Roman numeral chapter ring by Rotherhams, 26cms high; together with a Sheraton-revival kidney shaped mahogany twin-handled tray

A 19th Century mahogany cased wall clock, painted dial inscribed 'Freebody Ryde', single fusee movement, carved acanthus decoration below with integral wall bracket - diameter of dial 20cm, height of clock with bracket 42cm.CONDITION REPORTpainted dial showing damage, movement not tested, mahogany veneer in reasonable condition

A late Victorian carved oak aneroid barometer, (replacement thermometer), and a faded mahogany dome top bracket clock with gong striking movement (2)

An early 20th century French brass carriage clock, the rectangular enamel dial set with circular chapter ring with Roman numerals, on bracket feet, height 9.5cm, and a mahogany floral inlaid wheel barometer, diameter 20cm (2).

A Regency mahogany and brass inlaid bracket clock, the arched case above painted dial inscribed "Alexd Purvis, North Audley St. London", housing an eight day single fusee movement raised on brass paw feet, height 34.75cm. CONDITION REPORT: The dial has been repainted but this is crazed and cracked throughout, two horizontal old repairs to veneers to the front and the brass detailing has possibly been replaced. General wear to the case. Sold with a pendulum, door key and winding key. The clock has come from a collection where the gentleman has had them running up until recently.

WINTERHALDER & HOFFMEIER; an early 20th century mahogany cased and glazed eight day mantel clock with silvered rectangular face and circular chapter ring set with Roman numerals and with two further subsidiary dials, movement stamped with maker's mark, on bracket feet, height 26cm. CONDITION REPORT: With key and winder. Bleached case but overall in good condition.

A large quantity of clock parts in various states of disrepair, entirely for restoration including wall clocks, movements, bracket clocks, mantel clocks, domes, etc.

A Regency mahogany and brass inlaid bracket clock, the pagoda top above circular white enamelled dial set with Roman numerals inscribed "J. Peck, Wellingbro'", housing an eight day single fusee movement, raised on four bun feet, height 38.5cm. CONDITION REPORT: Sold with pendulum, winding key and keys for both front and back. The dial is repainted. There are three horizontal splits and old repairs to the veneer to the front of the clock, heavy wear by the side entry point for the key and a split up the right hand side to the veneer. General wear commensurate with age. The clock has come from a collection where the gentleman has had them running up until recently.

A Victorian oak bracket for a clock, the floral and leaf carved frieze flanked by Gothic quatrefoil pierced sides beneath a dentil cornice, interior dimensions 38 x 26cm.