We found 28112 price guide item(s) matching your search

A George III mahogany longcase clock, the arched pediment above arched brass dial, inscribed around the rolling moon phase 'I'm Moving While You're Sleeping', with Roman numerals to the chapter ring, subsidiary seconds hand, date aperture and eight day movement inscribed 'Jeremy Standring', with long arched door flanked by fluted quarter pillars to a plinth base and ogee bracket feet, height 228cm.Additional InformationPlease refer to additional photographs for condition report.

A George III mahogany longcase clock, the elaborate broken swan neck pediment with fret carved detail above arched name, brass and enamelled dial, inscribed 'Saml. Collier, Eccles', with rolling moon phase above chapter ring set with subsidiary seconds hand and date aperture, housing an eight day movement, the case with long arched door above a moulded plinth and ogee bracket feet, height 247cm.Footnote: Collier is registered as operating in Eccles circa 1770.Additional InformationPlease refer to additional images for condition report.

A George III mahogany longcase clock, the broken swan neck pediment above painted panels, with arched dial inscribed 'Ashtons Gee Cross', with rolling moon phase above silvered chapter ring set with Roman numerals, subsidiary seconds hand, date dial and eight day movement, above long arched door and plinth base raised on ogee bracket feet, height 253cm.Footnote: Ashton of Gee Cross is noted as operating in the second half of the 18th century.Additional InformationPlease refer to additional images for condition report

French kingwood and gilt metal mounted two train balloon shaped mantel clock and associated wall bracket, the movement back plate stamped with the Japy Freres et Cie trademark logo, striking on a gong, the 4.5" gilt metal dial with Roman cartouche enamel numerals, over a pendulum window, within a shaped case with foliate gilt metal mounts surmounted by a winged figure, 20.5" high without bracket (pendulum)

Miniature walnut bracket clock timepiece, the movement with fixed key wind and bearing the trademark logo CF (probably Charles Frodsham), also stamped Made in England, the 2.25" silvered chapter ring enclosing a matted centre under a silvered boss to the arch inscribed Tempus Fugit, within a stepped case surmounted by a foliate embossed brass basket top and carrying handle, 6.5" high

Good English mahogany double fusee bracket clock, the movement back plate signed J.W. Benson, Ludgate Hill, London, no. 11243, striking on a large gong and with locking pendulum, the 7" silver foliate engraved dial also signed J.W. Benson, London to the centre under a strike/silent subsidiary dial, within a rounded arched stepped case surmounted by four gilded floral finials and a carrying handle, 21" high (pendulum)

English mahogany double fusee bracket clock, the movement with pull repeat and signed Greenhow, Chelmsford on the back plate, the 8" convex cream dial also signed Joseph Greenhow, Chelmsford within a panelled rounded arched case, 17" high (pendulum and key) **The inside front of the clock bears the retail label of J. Schuler, 115d, City Road, London, E.C.

Good English rosewood double fusee lancet bracket clock, the 8" convex white dial signed J. Richardson, Manchester, the movement with foliate engraved back plate, locking pendulum and striking on a bell, within a lancet shaped case inlaid with geometric and floral brass motifs, 19" high (pendulum)

Good English ebonised double fusee bracket clock, the 6.5" silvered arched dial signed James McCabe, Royal Exchange, London no. 3209 to the centre under a strike/silent dial to the arch, the movement back plate also signed James McCabe, London no. 3209 and with locking pendulum, within a rounded arched stepped case inlaid with brass foliate motifs and surmounted by a square caddy top and ormolu pineapple finial, 22.5" high (pendulum and winding key)

English ebonised double fusee bracket clock, the 8" brass arched dial signed William Strong, London on a silvered arched plate to the matted centre with false bob pendulum and calendar apertures enclosed by a silvered chapter ring, with strike/silent dial to the arch, with foliate engraved movement back plate, within a stepped case surmounted by a caddy top with four ormolu pineapple finials and carrying handle, 22.5" high **This clock was featured in the September 2020 Clocks magazine in an interesting article written by Brian Loomes, which attempted to establish more about the maker and date of the clock. A copy of this magazine is sold with the lot

Fine English ebonised and ormolu mounted triple fusee verge bracket clock, the 6.75" silvered chapter ring enclosing a finely engraved foliate centre with calendar aperture, under two subsidiary chime/not chime and Lass of the Hill/A Song/An Air/A Minuet tune selector dials either side of a shaped plate possibly inscribed F.R & S, London, the verge movement with fine foliate engraved back plate and pull repeat playing on a nest of ten bells and striking on another within a stepped case with wavy glazed door, flanked by canted sides applied with foliate torso ormolu mounts, upon foliate scrolling cast feet and surmounted by a caddy top with five urn finials, 24.5" high (pendulum and keys)

Fine English mahogany triple fusee original verge bracket clock, the 8" brass arched dial signed John Gilbertson, Rippon to the silvered dial, with sweep centre date hand, with subsidiary strike/silent dial to the arch, the six pillar movement striking the quarters on a graduated set of three bells and the hours on a larger bell, the back plate finely engraved with scrolling foliage and with locking pendulum, the stepped case with cast cherub-head fretwork to the sides and brass carrying handles above, surmounted by a bell top and five classical turned brass finials, 24" high (pendulum and keys) This clock has been recently serviced and new lines fitted **There is a detailed write-up about this clock and the maker in the book by David F. Severs - Ripon's Clockmakers, Clockmaking in a Former West Riding Market Town, see pages 40-57 There is a further write-up about this particular clock by Leigh Extence of Fine Antique Clocks, which presents evidence that would indicate  Gilbertson 'bought-in' from the workshops of the well regarded maker John Taylor of London

Fine English mahogany double fusee bracket clock, the 7" brass arched dial signed Eardley Norton, London no. 2529 on a shaped silvered plate recessed under twelve o'clock, the matted centre with calendar aperture and the arch with a strike/silent subsidiary dial, the movement with pull repeat and fine foliate engraved back plate, within a stepped case surmounted by a caddy top and brass carrying handle, 21" high

Fine large and impressive English ebonised triple fusee bracket clock, the 11" silvered chapter ring signed J.C. Jennens, London enclosing a matted centre over an arched panel applied in relief with the figure of Father Time seated over a silvered plaque inscribed Tempus Fugit, the substantial movement with pull repeat and playing on a nest of eight bells, with hourly strike on a gong, the stylised foliate engraved back plate also signed J.C. Jennens, London, with locking pendulum and sunburst engraved bob within an impressive ormolu mounted stepped case with moulded arched square caddy top surmounted by a pineapple finial, 38" high (pendulum, winding and door keys)** This clock is in superb condition after a recent complete professional overhaul. However the movement has developed a small problem since that needs correcting and is explained in more detail in the condition report. The clock is illustrated in Britten's - Old Clocks & Watches, ninth edition, page 500, where it is listed as Jennens, J.C., c1790, London, chiming bracket clock (The Hague)

Fine and very rare English brass verge winged hook and spike lantern clock by or from the workshops of Edward East and signed Eduardus East Londini on the front fret, the three train posted movement striking on two bells, with verge escapement and anchor shaped bob oscillating between the plates, the 6.5" silvered chapter ring with hour and minutes chapter rings, enclosing a centre finely engraved with tulips and with central alarm dial and two iron hands, surmounted by pierced and engraved tulip frets, strapwork two bells and finial, 15.5" high (anchor shaped pendulum, three principal weights and an alarm weight); also with an associated antique carved oak bracket **This clock is sold with copious articles and letters from knowledgeable lantern clock experts who all agree that the clock was either made by or in the workshops of Edward East This clock was featured in two articles written by Brian Loomes in Clocks magazine in the October and November 2020 issues. Copies of these two magazines are included with the lot. Also included is the correspondence relating to this clock from Michael Turner at Sotheby's, David Thompson at The British Museum and Sir George White BT., F.S.A. when he was consultant keeper of the collection and library of the Worshipful Company of Clockmakers in London This clock was also sold by Sotheby's in their auction of Important Clocks, Watches, Wristwatches and Barometers on Thursday 13th October 1988 (lot 191) and a copy of this catalogue is included too There has also been a metallurgy test undertaken on the clock and a copy of this report is also included

Interesting English marquetry double fusee bracket clock, the 6.75" square brass dial signed Geo Wafs, London on an oval silvered plate to the matted centre enclosed by a silver chapter ring, the later movement with strike lever and aperture fitted to the back plate, within a stepped case surmounted by a caddy top and  ornate brass carrying handle, 17" high (pendulum & key)

Fine English ebonised triple fusee bracket clock, the 7" brass arched dial signed Paul Rimbault, Denmark Street, Soho, London 1771 to the silvered dial centre, with subsidiary calendar aperture, enclosed by a silvered chapter ring and surmounted by a later subsidiary dial to the arch with selection hand for ten bell chime/Whittington, chimes/eight bell chimes and strike/silent lever, the movement with quarter chiming train and playing on a nest of ten bells and striking the hours on another, with meandering foliate engraved back plate and locking pendulum, within a stepped case with gilded brass caryatid mounts to the four corners, surmounted by four gilt brass acorns, a caddy top and carrying handle, 21.5" high (pendulum & Key) ** This clock has been converted from verge to anchor escapement

Good English ebonised triple fusee bracket clock, the 7" silvered arched dial signed Ellicott, London no. 8404 to the dial centre and back plate, with chime/silent subsidiary dial to the arch, the movement playing on a nest of eight bells and striking the hours on another, within a rounded arched stepped canted case with gilt metal caryatid mounts, surmounted by a rounded arched cornice with four classical turned urn brass finials, 15.5" high (pendulum) (some repairs and restoration work required)

English mahogany triple fusee bracket clock, the 8" brass arched dial signed H. Marsh, London on the silvered chapter ring beneath 6 o'clock, enclosing a matted centre with false bob pendulum under a convex boss engraved with an eagle flanked by subsidiary strike/silent and eight bell/chimes dials, the movement playing on eight bells and striking the hours on another, with profusely foliate engraved back plate, within a stepped case surmounted by a caddy top, four brass acorn finials and a carrying handle, 22.5" high (pendulum & keys)

English mahogany double fusee bracket clock, the 7" brass arched dial signed Rob T. Burfield, Arundel to the foliate engraved dial centre, with calendar aperture and later slow/fast subsidiary dial to the arch, within a stepped case surmounted by a caddy top, four acorn finials and a carrying handle, 20" high, (pendulum) ** This clock has been converted from verge to anchor escapement

Fine English ebonised and brass mounted double fusee original verge bracket clock, the 7" brass arched dial signed Ellicott, London on the silvered chapter ring enclosing a matted centre with calendar aperture, with strike/silent subsidiary dial to the arch, the five pillar movement with pull repeat, Dutch half-hour striking and also signed Ellicott, London on the foliate engraved back plate, striking on two bells, within a stepped case, the canted corners with pierced caryatid mounts, surmounted by a caddy top and five flaming brass finials, 24.5" high (pendulum & key)

Mahogany single fusee bracket clock, the 8" white dial singed Webster & Son, Cornhill, London, the movement with locking pendulum, within a stepped pillared case with wavy foliate carved cornice, 17.5" high (pendulum and key)

Small mahogany single fusee bracket clock, the movement with locking pendulum, the 7.5" cream dial within a stepped case with foliate carved cornice, 14.5" high (pendulum and key)

English mahogany double fusee bracket clock, the painted white arched dial signed Simpson, Hadleigh to the centre, under a strike/silent subsidiary dial to the arch, the movement with pull repeat, with shaped engraved back plate and locking pendulum, within a rounded arched stepped case surmounted by a brass carrying handle, 16" high (pendulum & keys)

Good French Boulle and ormolu mounted two train bracket clock, the movement striking on a gong, the 5.25" gilt repousse dial with Roman cartouche enamel numerals, within a rounded arched ormolu mounted case surmounted by the standing figure of a semi-robed child, 25.25" high (pendulum)

Good English mahogany and inlaid double fusee bracket clock, the 6" convex cream dial signed Simson, Southampton, no. 852, the movement with locking pendulum and striking on a gong, within a panelled pillared stepped case surmounted by a scrolling foliate carved cornice, 14.75" high (pendulum)

Good English mahogany double fusee bracket clock, the 8" cream painted dial and movement back plate signed Barrauds, Cornhill, London with strike/silent dial to the arch, the movement with stylised engraved back plate and original matching locking pendulum, within a brass bound stepped case raised upon ogee bracket feet and surmounted by a rounded arched cornice and gilded brass carrying handle, 17.5" high (pendulum and key)

Framed arched clock plaque, the 9" cream dial  modelled in relief over two bears upon a painted garden background depicting butterflies and flowers, 6.5" high overall; also a gilded mask clock bracket, 12" high, 11" wide and 3 plastic chests of drawers suitable for storing small clock parts (5)

German mahogany ting-tang mantel clock and associated wall bracket, the W & H movement striking on two gongs, the 6" silvered arched dial with subsidiary slow/fast and silent/chime dials to the arch, within a stepped pillared case surmounted by a rounded arched cornice, 14.25" high (pendulum)

Rosewood single fusee bracket clock, bearing a Camerer, Cuss & Co. label stuck to the base of the inner back, the 5.5" cream dial within a foliate carved case surmounted by a wavy scrolled cornice, 13.75" high (pendulum and key)

Interesting continental easel verge bracket clock with cow tail pendulum, the 4" brass chapter ring within a brass surround repoussé with sea scrolls, foliage and shells, 9.75" high (pendulum)

Elliott of London small bracket clock timepiece, within a black lacquer chinoiserie decorated case surmounted by a carrying handle, 9.5" high; also another Elliott small eight day bracket clock, within an oak case, 8" high (2)

A Victorian mahogany and satinwood strung fusee movement mantle clock by Arnold & Lewis, Manchester, 7 inch dial, Roman numerals, makers name inscribed, twin 8-day wind-up keyholes, raised on brass bracket feet. 44cm H

A George III design gilt metal mounted mahogany musical bracket clock, 18.5cm silvered chapter ring, inscribed Sinclair, Harding and Bazeley, Cheltenham, Roman numerals, Arabic subsidiary numerals, three wining holes, triple fusee movement, alternating strike/silent, inset spandrels, the case quite plain, 47cm high over handle

A George III design walnut bracket clock, 14cm silvered chapter ring with Roman numerals, Arabic subsidiary, three winding holes, adjusting chapters for Whittington/Westminster/Winchester, Chime/Silent and Fast/Slow, inscribed Garrard, the movement Elliott, London, caddy top, the moulded door enclosing pierced trellis, skirted base, plinth feet, 45cm high over handle

A George III mahogany bracket clock, 20cm circular silvered dial, inscribed WR North Shields, Roman numerals twin-winding holes, eight-day fusee movement striking on a gong, the backplate signed William Robson, North Shields, the arched case inlaid with stars and outlined with boxwood stringing, brass carrying handle and ogee bracket feet, 40cm high

A post-Regency flame mahogany bracket clock, 20cm circular painted dial inscribed Hy Banister Late Grant, 75 Fleet St, London, Roman numerals, twin winding holes, eight-day twin fusee movement striking on a bell, the architectural case with sarcophagus cresting above a dentil cornice, concave frieze, skirted base, bun feet, 42cm high, c.1830

A Regency satinwood banded mahogany lancet top bracket clock, 19.5cm circular dial inscribed Ellicott & Taylor, Royal Exchange, Roman numerals, eight day movement striking on a bell, the case inlaid with meandrous ebony stringing and applied with a brass plaque inscribed The Gift of H. Bayley, to G.V. Rogers, Surgeon, West Meon, lion mask ring handles to sides, paw feet, 50.5cm high, 29.5cm wide, 19cm deep, c.1820

A Victorian gilt metal mounted oak bracket clock, 15cm arched brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, Slow/Fast regulating dial to arch, twin-winding holes, eight-day movement striking on two gongs, the architectural case with arched cresting flanked by finials, skirted base, lion paw feet, 44cm high, c.1880

A 19th century oak, mahogany and marquetry longcase clock, 33.5cm arched brass dial inscribed Thos Fielders, London, Roman and subsidiary Arabic numerals, subsidiary seconds dial, rolling moon phase to arch, one section painted with HMS Victory, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist inlaid with a shell patera, flanked by inset quarter-columns, bracket-form plinth base, 221cm high, 54cm wide, 27.5cm deep

A George II mahogany longcase equation clock, 33.5cm arched brass dial with silvered chapter ring inscribed William Scafe, London, the arch with rotating orb delineated to demonstrate the current difference between solar and mean time, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight-day movement striking the previous hour on two bells at the half hour, the flat topped hood with moulded cornice, rectangular door to waist, outlined throughout with boxwood stringing, ogee bracket feet, 214cm high, 52.5cm wide, 27cm deep, c.1745William Scafe, an eminent maker of considerable repute, was born son of a blacksmith at Bushley, Yorkshire in 1687, and was apprenticed to his father before moving to London c.1710 setting up in at the sign of the Clock in King Street later moving to Milk Street, Cheapside, and becoming free of the Clockmakers' Company in 1721, and served as its master 1749-1764. He had apprentices in 1735 and 1748 dying in 1765 (will proved 7th June). Despite his unusually long career, his clocks are remarkably scarce [see Loomes, B., The Mystery of William Scafe in Clocks Magazine (Jan. 1988) 16-18]

A George III oak longcase clock, 28.5cm square brass dial inscribed G Hallifax, Doncaster, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the case with spire finals above a glazed door flanked by spreading cylindrical columns with Corinthian capitals, rectangular door to waist, bracket-form skirted base, 223cm high, 51cm wide, 27cm deep

A Sheraton Revival satinwood crossbanded mahogany and marquetry longcase clock, 32cm arched brass dial with silvered chapter ring, Roman and subsidiary Arabic numerals, subsidiary seconds dial, Westminster chime/Silent to arch, the case with swan neck pediment above a frieze inlaid with an urn and scrolling acanthus, bevelled glazed door to waist, the base inlaid with a further urn, a wreath and ribbon-tied swags, bracket-form plinth foot, 236cm high, 51cm wide, 33cm deep

A Chinese hardwood bracket clock, 20cm enamel dial inscribed with Roman and subsidiary Arabic numerals, on a gilt ground chased with chrysanthemums within a border of trellis, twin fusee movement, the table screen form case pierced and carved with scrolling fruiting foliage, the base with scroll feet, 74cm high, c.1900

19th century majolica cased mantel clock of drum form, with dog of fo finial and mask handles, the silvered chapter ring with Roman numerals on ogee bracket feet, impressed and painted marks to base, 41cm high,Condition Report: The condition of the pottery case is good, but the lion has one missing ear and one ear is cracked and re-glued.Chapter ring is dull, probably silvered.There is no pendulum.

A Late Victorian/ Edwardian German Bracket Clock with Reeded Pilasters, Vase Finial and a Carved Detail, Eight Day Movement, 62cms HIgh

Inlaid mahogany longcase clock, the hood with architectural pediment, turned Corinthian columns, trunk with long door and ogee bracket feet, twelve inch arched painted with with hunting scene to the lunette and floral spandrels, signed Shepperley & Pearce, Nottingha, eight day movement striking on a bell, height 219cm, with pendulum and weights.Condition report:Thr hood has a short crack to the rightside, and a split to the bottom right rim of the hood. The main body of the clock is a little rubbed and scrached on the edges. The front door is warped and does not sit flat when closed. The base has a long crack just above where the inlay design is. The sides are a bit scrached in places. The face enamel is crazed all over and has some small chips to the edges and corners. It is sold as untested. The finial to the top of the hood is missing. Comes with pendulim and weights.

An impressive 19th century walnut cased gothic bracket clock with Westminster chime, the silvered dial engraved William Pickering of London, having fusee movement - 65cms high

Molyneux & Cope of London. A Regency brass inset repeating bracket clock, with enamelled Roman dial and brass inset arched case, unsigned twin fusee movement with anchor escapement, 30cm wide 17cm deep 46cm high

An 18th century brass bracket clock movement (only), having five pillars, twin gut driven fusee, and verge escapement, with bob pendulum and striking action (lacking bell), unsigned, h.19.5cmThe tape is holding a loose cog.

Miniatur-Laternenuhr, Fromanteel in London, 2. Hälfte 17. Jhdt. Rechteckiges Gehäuse aus Silber und feuervergoldetem Messing auf vier birnenförmigen Standfüßen. Ziffernblatt mit lateinischen Zahlen, gebläuter eiserner Zeiger. Auf dem Ziffernblatt gravierte Stadtszene mit Windmühle. Gehäuse mit tief gestochenem Rankendekor, unterhalb des Ziffernblattes signiert "Fromanteel". Bogen mit aufgesetzter niellierter Plakette mit Monogramm "PM". Gravierte silberne Werkstürchen mit Glaseinsätzen und gefederten Verschlusshebeln (eine Türe leicht defekt, Glas lose). Glocke in feuervergoldetem Glockenstuhl, gravierte seitliche Zierbleche. Spindelwerk mit kurzem Birnen-Hinterpendel. Stundenschlag auf Glocke. Revisionsbedürftig. Kettenzug mit silberummanteltem Bleigewicht. Auf originale Wandhalterung aus fein graviertem und feuervergoldetem Messing montiert. Höhe der Uhr 15,5 cm, mit Wandhalterung 21 cm.Ahasuerus Fromanteel (1607 - 1693), bekannter Londoner Uhrmacher, der als erstes das 1657 von Constantin Huygens erfundene Uhrpendel in englischen Uhren verwendete. A fine miniature lantern clock by Fromanteel of London, 2nd half of the 17th century Rectangular case of silver and fire-gilt brass, mounted on four pear-shaped feet. The dial with Roman numerals, one blued iron hand. A city scene with a windmill engraved on the dial. The case deeply etched with decorative tendrils, signed "Fromanteel" below the dial. The bow with appliquéd nielloed plaque, bearing the monogram "PM". Small movement access door in engraved silver, inset with glass panels, and spring-loaded locking levers (one door slightly damaged, the glass loose). The bell in a fire-gilt bell cage, an engraved plaque on the side. Verge escapement with a short, pear-shaped rear pendulum. Striking the hour on a bell. In need of repair. Pull chain with a silver-coated lead weight. Mounted on the original wall bracket of finely engraved, fire-gilt brass.Height of the clock 15.5 cm, including the wall bracket 21 cm.Ahasuerus Fromanteel (1607 - 1693) was a famous London clockmaker, the first to use the pendulum that was invented by Constantijn Huygens in 1657 in English clocks.

GROßE STOCKUHR, England, Ende 19. Jh., architektonisch gegliedertes Eichenholz Gehäuse Holzgehäuse massiv und furniert auf vier Metallfüßen, in der Front und an den Seiten reich mit feuervergoldeten Applikationen verziert, Messingfront mit aufgelegtem Ziffernring und Zierelementen, Werk rückseitig gestempelt: „A (Stern) B“, Schlag auf Tonfeder und achtfache Glockenbattarie. HxBxT: 69/42/24,5 cm. Alters und Gebrauchsspuren, läuft im Kurztest an, Schlagwerk überholungsbedürftig.| LARGE BRACKET CLOCK,England, late 19th century, architecturally structured oak case Wooden case, solid and veneered, on four metal feet, richly decorated with fire-gilt applications on the front and sides, brass front with applied numeral ring and decorative elements, movement stamped on the back: "A (star) B “, strike on gong and eightfold bell battery. HxWxD: 69/42/24.5 cm. Signs of age and wear, starts up in a short test, striking mechanism needs an overhaul.

Antique Bracket Clock, John Bryson- Edinburgh. [Comes with keys] [Non-runner] [Back door doesn't open]

Antique oak cased bracket clock, Movement by Kienzle- German made, Comes with key and pendulum. [40cm high] [Runs for a short time then stops] [May need a service]

TWO 20TH CENTURY ELLIOTT MANTEL CLOCKS, including one modelled as a bracket clock with Westminster & Whittington chimes, 25cm h (2)

A chiming bracket clock with bevel edged glass door on brass feet, 27cm high

A SCOTTISH REGENCY MAHOGANY DRUMHEAD LONGCASE CLOCKRitchie of EdinburghThe circular 13-inch dial with silvered Roman numeral chapter, seconds and date dials, centred by an enamel painted river view with a fisherman and castle beyond, the case with drum-shaped hood above a rectangular door flanked by fluted columns, on bracket feet, 209cm high, 48cm wide, 21.5cm deepFor further information on this lot please visit Bonhams.com

French bracket clock French bracket clock, 8-day movement with open escapement, Roman numerals to white enamel chapter ring above secondary dial reading day, date, month and year, both dials set in brass rectangular dial marked Olivant & Botsford, Manchester, mahogany case with white wood inlay to canted corners, door to dial with brass frame and bevelled glass.width 29cm (12"), depth 17cm (7"), height 43cm (17")

Early 19th Century clock bracket Early 19th Century wall bracket for a bracket clock, constructed from mahogany with rosewood veneer, the tapering bowed support with floral brass inlay decoration.39cm wide, 19cm deep, 29cm high

William Cozens & Son, London, bracket clock William Cozens & Son, London, bracket clock, double fuse, 8-day movement striking on single bell, painted dial with Roman numerals, figured mahogany case, caddy top with pineapple finial, fish scale grills to each side, back of case with gazed door, also associated mahogany wall bracket with brass gallery.47cm (`18")