We found 28112 price guide item(s) matching your search

R. Schofield, Rochdale, an early 18thC oak and mahogany longcase clock, with a shaped top, square reeded pillars to the hood and case, on bracket feet, the square brass dial with four false winding holes, with a 30-hour, four pillar movement, 225cm H.

A late 18thC oak longcase clock, with dentil moulded and pillared hood, with crossbanded rectangular door, with fluted quarter inset pillars, plain base, shaped apron and bracket feet, the 30cm brass dial having cast spandrels, the chapter ring having Roman hour and Arabic minute numerals, marked Arch Lawrie?, the chased and matted field with date aperture, 30 hour movement, 209cm H.

L & I Michael of Swansea; a c1780 arched dial longcase clock, the broken swan neck pediment with Corinthian columns and shaped door frieze opens to reveal painted arched dial set with Roman numerals and subsidiary seconds dial and Roman date chapter enclosing a twin-train movement striking on bell, supported in a narrow-door canted-cornered case, on ogee bracket feet, height approx 230cm.

A George III mahogany and satinwood cross banded and box wood and ebony strung longcase clock, the broken scroll swan neck pediment centred by a reeded urn finial above an arched glazed door and flanked by baluster pilasters enclosing a 12 inch arched brass dial with foliate engraved centre and subsidiary seconds dial and silvered date aperture, the silvered chapter ring with Roman and Arabic numerals and engraved 'Joseph Veale Mevagissey', within foliate and c-scrolled cast spandrels, the silvered boss centred arch engraved with an eagle and the motto Tempus Fugit, flanked by dolphin spandrels, 8-day movement striking on a bell above a full length cross banded trunk door with two reeded roundels applied to the case on either side between canted angles over an ogive moulding and box wood and ebony strung base and bracket feet, 226cm high

A large Edwardian brass cased carriage clock, with a white porcelain disk dial painted with black Arabic numerals, with etched gilt metal spandrels, bevelled glass panels and a looping brass handle, all raised on short bracket feet, 16.5 cm high (excluding handle).

A George III mahogany longcase clock the broken scroll swan neck pediment centred by an urn finial above an arched glazed door flanked by blind fretwork canted angles and glazed side windows enclosing a 12” arched brass dial with subsidiary seconds dial and date aperture and matted foliate engraved centre the silvered chapter ring with Roman and Arabic numerals and foliate cast spandrels rolling moon phase in the arch and inscribed ‘Benjamin Bell, Uttoxeter’ eight day movement striking on a bell above a narrow ogee arched top full length trunk door flanked by fluted quarter pilasters over a concave border and ribbed indented panel base and raised on a shaped plinth and bracket feet, 231cm high.

A George III cottage long case clock, later carved, the broken scroll pediment above an arched glazed door flanked by plain pilasters enclosing a 10.5 inch arched brass dial with date aperture and Roman numerals and outer ring of Arabic numerals, inscribed ‘R D Todd, Scarbro’, mask and foliate open work cast spandrels, the arch centred by a sunburst boss and dolphin spandrels, 8-day movement striking on a gong, the later carved case with arched door carved with a crowned king and foliate motif over a lunette carved ogive moulding and further head and shoulders portrait to the base, on a shaped apron and bracket feet, 214cm high

A 19th century double fusee bracket clock, the 8" white enamelled dial with black Roman numerals, signed N. Sharp London, set within a flamed mahogany veneered case with scrolling carved mounts below a swept fluted pediment with a central carved roundel, with felt-lined pierced brass arched side panels below looping lion's mask brass handles, raised on squab bun feet, 42 cm high, 29 cm wide, 15.5 cm deep.

A MAHOGANY CASED BRACKET CLOCK BY GUSTAV BECKER, white porcelain face with Roman numerals, side pillars, brass fittings, arched top, height approximately 30.5cm (pendulum only)

AN EARLY 19TH CENTURY OAK, ROSEWOOD AND MAHOGANY BANDED AND INLAID LONGCASE CLOCK, broken swan neck pediment with central triangular finial, the painted arched 31cm dial with lunar phase mechanism and spandrels emblematic of the four Continents, Roman numerals, subsidiary seconds and date dials, 8 day movement, named Jas. Smith, Coventry, the trunk door with triple arched detail, the base on bracket feet, with pendulum and weights, height of clock 231cm

A Georgian-style ebonized and brass mounted Bracket Clock, with eight-day triple fusee movement chiming quarters on eight bells and striking hours on a gong, the foliate engraved silvered brass arch dial with 'chime/silent' and chime selection subsidiary dials to arch above black Roman hour numerals, the ebonized case with lantern top and brass finials above a pair of foliate handles and pierced and cast fret panels, on a moulded plinth base with cast foliate scroll feet, 16in (40.5cm) high, with pendulum, winder and case key.

Country made oak and pine long case clock, arched top with modern movement and dial, lenticle door and bracket feet, H202cm

A late Victorian oak cased bracket clock with architectural design, silvered Arabic dial, 8 day striking movement, 41cm tall

An early 20th century mahogany cased bracket clock with silvered face and Arabic dial, scrolled top

An Edwardian Oak Encased Bracket Clock With Arched Silvered Dial

A Victorian inlaid mahogany bracket clock with silvered dial, pendulum and key

An Odo bracket style mantel clock, brass dial, twin winding holes, Roman and Arabic numerals, striking, key

A Garrard & Co Elliot bracket clock, silvered dial, brass spandrels, ornate hands, Roman numerals, stained mahogany case, bun feet Condition Report: Unfortunately we are unable to guarantee the working order, however, at the writing of this message a 'ticking' sound is emitted. see additional images

An oak bracket clock, silvered dial, Roman and Arabic numerals, 35cm high over handle

A good quality contemporary bracket type musical clock, with mahogany case fitted with a Franz Hermle musical movement

A small Edwardian bracket clock

A small reproduction bracket style clock, miniature clock and a quartz wall clock

Robert Burfield, Arundel, a late-18th century mahogany long case clock, the case with two-stage moulded and Greek key cornice supported by reeded columns, the waist-panel door with moulded border, raised on a plinth and bracket feet, the arched brass 12" dial with foliate spandrels, recessed second and calendar subsidiaries and strike/silent in the arch, the five-pillar 8-day movement striking on a bell, 240cm high.

An Elliott walnut cased bracket clock, brass dial with silvered roman numeral chapter ring, keyless wind movement from back, 28cm.

A mahogany cased 8 day bracket clock striking hourly on a bell. With relief work brass dial mask and silvered chapter ring. Clock 54cm.

A 19TH CENTURY INLAID MAHOGANY BRACKET CLOCK, labelled Camer Kuss & Co., 18 Uxbridge Road, Sheppards Bush, London, with arched top, glazed door, and silvered dial flanked by angled corners, fretwork side panels on outset base. 62.5cm high

A FRENCH GILT BRASS TRAVEL CLOCK, 19th century, in original fitted case, surmounted with reeded swing handle, over a silvered and gilt metal dial with blued steel hands and Arabic numerals, flanked by Corinthian pilasters on bracket feet, 21cm high (to handle)

IRISH GEORGE III MAHOGANY LONGCASE CLOCK, by Charles Craig, Dublin, the hood with architectural cabinet and single glazed panel door enclosing a brass dial inked with Roman and Arabic numerals, signed, the waisted trunk section with fluted quadrants and solid panel door on plinth bass and bracket feet. 234 cm high

A 19TH CENTURY FRENCH GILT METAL CARRIAGE CLOCK, the rectangular case surmounted by a swing handle, the white enamel dial with roman numerals above a small second hand face, the case with glass panels and fluted Corinthian columns raised on a stepped plinth base and bracket feet, 20cm high (including handle)

19th Century mahogany cased arch top bracket clock, silvered dial, Roman numerals, chime, silent and speed adjuster dials, German chiming time piece by Winter Halder and Hoffmeier, 37cm high

Jaeger le Coultre Atmos clock and bracket in working order but no warranty given with booklet

Heavy metal, face stamped VICTORIA LONDON. Working. Separated wrought iron mounting bracket.A large clock in working condition, manufactured for use on a ship or for mounting on a building or street infrastructure. Clockface stamped VICTORIA LONDON, with large Roman Numerals to mark hours and standard numerals to mark seconds. Ornate gilt crest at top, with motifs of gears. Heavy black wrought iron bracket brace and mounting hardware included. Issued: Early 20th c. Dimensions: 24"H x 16.5"W Country of Origin: England Condition: Age related wear; restoration to finial

English mahogany double fusee verge bracket clock, the 7" brass arched dial signed Thomas Hatton, London on the foliate engraved centre plate, enclosed by a silvered chapter ring and surmounted by a strike/silent dial, the movement with locking pendulum, within a rounded arched stepped case surmounted by a foliate bronze handle, 18" high (pendulum and keys) (alterations)

English mahogany double fusee bracket clock, the 7" brass arched dial signed Theops Holdred, London on a shaped plaque to the matted centre with false bob and calendar apertures, also with strike/silent dial to the arch, the movement with foliate engraved back plate, within a stepped case surmounted by a caddy top, four brass turned finials and a carrying handle, 21.5" high (pendulum and keys) (alterations)

Good English flame mahogany triple fusee bracket clock, the 8" silvered arched dial signed Thomas Best, Wimpole Street, London with strike/silent dial to the arch, the movement back plate signed Thomas Wright, Wimpole Street, Leicester Square, the movement playing on a nest of eight bells and striking on another, with locking pendulum, within a rounded arch stepped case inlaid with brass lines, 19.25" high (pendulum & keys)

Ebonised double fusee bracket clock , the 8.5" square brass dial signed Adam Miles, Molly Millards Lane, Wokingham, Fecit on an oval silvered plaque to the matted centre, within a stepped pillared bevelled glazed case surmounted by a gilt metal handle, 17" high (no pendulum)

Mahogany double fusee bracket clock, the 8" convex white dial signed B. Lautier, Bath, the movement with locking pendulum and striking on a bell, within a rounded arched case inlaid with brass lines and central stylised foliate motif, 16.5" high (pendulum and keys)

Good English double fusee drumhead bracket clock striking on a bell, the 8" silvered dial signed Parkinson & Frodsham, Change Alley, London, the movement back plate also signed and with locking pendulum, within a panelled scrolling case, 17.5" high (pendulum)

Gothic oak triple fusee large bracket clock, the 8" silvered dial signed Hunt & Roskell, London, the substantial movement striking on a large gong and with locking pendulum, within a panelled turned pillared stepped carved case surmounted by foliate terminals, 30" high (pendulum and winding key)

Mahogany double fusee bracket clock striking on a bell, the 8" white dial signed Chas Brookes, Stamford, within a stepped case with applied foliate mounts and wavy pediment, 17" high (pendulum and wall bracket)

Mahogany double fusee bracket clock striking on a large gong, the 7" silvered dial within a stepped case inlaid with foliate brass motifs and surmounted by a gadrooned caddy top with brass carrying handle, 21" high (pendulum)

Small mahogany double fusee bracket clock striking on a gong, the 5.5" silvered dial signed Hamilton & Inches, Edinburgh, within a stepped case inlaid with brass lines and bearing a presentation plaque to the plinth, 12" high (pendulum) *The presentation plaque is inscribed 'Presented...to the Rev. T.A. Warnock, B.A. on his appointment...to St George's parish Church, Edinburgh, May 1914'

Walnut double fusee bracket clock striking on a gong, the 7.5" silvered dial signed Josh. Penlington, Liverpool, within a scrolling foliate carved stepped case, 19.5" high (pendulum)

German light oak double fusee small bracket clock striking on a gong, the 4.5" foliate engraved dial with strike/silent subsidiary dial to the arch, within a stepped rounded arched case, 13.25" high (pendulum)

Mahogany double fusee bracket clock, the 8" convex cream dial signed Simmons, London, the movement back plate also signed, striking on a bell and with locking pendulum, within a rounded arched case inlaid with boxwood lines, 16.75" high (pendulum)

Oak double fusee bracket clock striking on a gong, the 6.5" silvered dial signed Smith & Sons, Clerkenwell, within a stepped pillared case surmounted by a rounded arched pediment, 17" high (pendulum)

Mahogany double fusee bracket clock striking on a gong, the 6" foliate engraved rounded arched dial signed J.J. Stockall & Sons Limited, London, within a pillared stepped rounded arched case, 13.75" high (pendulum)

Mahogany double fusee bracket clock striking on a bell, the 7.5" white dial within a foliate carved scrolling case, 20.5" high (pendulum)

Mahogany double fusee bracket clock striking on a bell, the 8" silvered dial within a foliate carved scrolling case, 19" high (pendulum)

Mahogany double fusee bracket clock striking on a bell, the 6" convex white dial signed Jno. Carr, Swaffham, within a rounded arched stepped case inlaid with brass lines, 16" high (pendulum)

Mahogany double fusee bracket clock, the 8" white dial signed Loudon, 16 Blackfriars St, London, the movement with pull repeat and striking on a gong, within a foliate carved stepped case with scrolling pediment, 18.5" high (pendulum)

Mahogany double fusee bracket clock striking on a bell, the 8" convex white dial signed Shepperley, Nottingham, within a stepped case inlaid with stylised foliate brass motifs and surmounted by a rounded arched pediment, 16.75" high (pendulum)

Good double fusee bracket clock striking on a bell, the 8" cream dial signed E. Hofmeier, Wandsworth, the movement with foliate engraved back plate and locking pendulum, within a mahogany panelled case inlaid with brass lines and surmounted by a triangular pediment, 18" high (pendulum) *This clock bears a retail label from Camerer, Cuss & Co inside the base

Oak boardroom double fusee bracket clock striking the hours and quarters on five gongs, the 9" brass arched dial with subsidiary slow/fast and silent/chime dials over a silvered chapter ring enclosing a matted centre within a foliate carved breakfront stepped case surmounted by a caddy top, 28" high, (pendulum and winding key)

Mahogany double fusee bracket clock striking on a bell, the 8" silvered dial within a stepped case surmounted by a caddy top and brass finial, 20.5" high (pendulum)

Oak drumhead double fusee bracket clock, the 9" gilt chapter ring signed Webster, Queen Victoria St and enclosing an engine turned centre, the movement also signed on the back plate, striking on a large gong and with locking pendulum, within an applied foliate and egg and dart carved case, upon a stepped plinth, 17" high (pendulum and winding key)

Walnut double fusee bracket clock and bracket, the 8" cream dial signed Turner & Sons, Surbiton, the movement with locking pendulum and striking on a gong, within a stepped carved case surmounted by an angular triangular stepped pediment, 21.5" high (pendulum and winding key)

Mahogany double fusee bracket clock, with 6" convex silvered dial, the movement striking on a gong and with locking pendulum, within a rounded arched inlaid case, 13" high (pendulum)

Good mahogany double fusee bracket clock, the 6" silvered dial signed Barraud & Lund, Cornhill, London, no. 1499, with pierced heart shaped hands, the movement also signed on the back plate and with pull repeat, striking on a gong and with locking pendulum, within a pillared stepped case surmounted by a triangular moulded pediment, 18" high (pendulum)

Arts & Crafts style ebonised double fusee bracket clock striking on a gong, the 5.5" square silvered foliate engraved dial signed Desbois, London on the chapter ring, within a carved pillared gallery case with stepped pediment, 15" high (pendulum and winding key)