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An eight day striking bracket clock with brass dial contained in a oak case

An oak three train bracket clock with broken arched top and barleytwist columns enclosing an arch brass dial and silvered chapter ring

An oak three train bracket clock with barleytwist columns, the silvered arch dial having fast/slow and chime/silent

A late Victorian mahogany bracket clock, with ormolu embellishments, having a pineapple finial to the pagoda top and with similar finial to each corner in turn above the arched door enclosing the brass dial with advance and retard mechanism to the arch and with two-train striking movement flanked by canted angles with caryatid mounts, the rectangular stepped base with further ormolu mounts and raised on scrolling paw feet. Width 16ins.

An early 19th century mahogany cased bracket clock, having a brass carrying handle to the arched hood and in turn above the glazed door enclosing the arched painted dial with Roman numerals and advance/retard, strike/silent subsidiary dials to the arch with two-train fusee movement by M. Pearson, Fleet Street, London, flanked on either side by quarter round fluted columns with brass capitals and with pierced grilles to either side on rectangular base raised on bracket feet, the rear of the movement being foliate engraved. Height including carrying handle 17ins.

A late 19th/early 20th century oak bracket clock, the domed hood with torch finial to either side in turn above the arched glazed door enclosing the silvered brass dial with Roman numerals and advance and retard mechanism to the arch and with three-train fusee movement, flanked by caryatid and foliate ormolu angles and with rectangular stepped base raised on scroll feet. Width 12ins.

A Regency mahogany longcase clock, having a pagoda top above the arched hood in turn above the 12in. circular silvered dial with subsidiary date and seconds dial and eight-day striking movement by Pitt & Goater, London, having a five-pillar movement and with brass bezel to the convex glass flanked on either side by canted fluted corners with brass insets and in turn above an arched trunk door with applied moulding and well figured flame mahogany veneers also flanked by canted angles being fluted and with brass inserts and with conforming base raised on bracket feet. Height 85ins.

A George III oak longcase clock, having a moulded cornice above a blind fretwork frieze in turn above the 9.5in. silvered brass dial with Roman numerals, subsidiary date aperture and cherub spandrels and inscribed "Will Snow 222" and with thirty-hour movement, the glazed door flanked by half round pillars and with arched trunk door beneath and conforming base raised on bracket feet. Height 80ins.

A 19th century mahogany longcase clock, of large form, having a swans neck pediment above the glazed door enclosing the 14in. arched painted dial with Roman numerals, subsidiary date and seconds dials and eight-day striking movement by R. Sutton, Whitehaven and with sheaf binding scene to the arch and windmills to each spandrels, flanked by turned columns and in turn above the short shaped trunk door also flanked by turned columns and with conforming base raised on bracket feet. Height 91ins.

A George III oak and mahogany crossbanded longcase clock, having a moulded cornice above the glazed door enclosing the 12in. square brass dial with Roman numerals, subsidiary Arabic numerals, date aperture and subsidiary seconds dial and with eight-day striking movement and inscribed "Torkington, Newcastle", flanked by fluted pillars with brass capitals with shaped crossbanded trunk door also flanked by fluted columns and with conforming base raised on bracket feet. Height 81ins.

A fine quality Georgian English twin fusee bracket clock circa 1800 by James Payne of Fosters Lane, London. The well figured mahogany case with a brass carrying handle to the arched top inset with three raised rectangular brass edged panels. The round dial above two pierced brass cloud form panels. The whole raised on brass ogee bracket feet. 16" high. Together with a Regency mahogany wall bracket, the platform top inlaid with ebony and decorated with coloured roundels. The bracket with scrolling supports and a central brass lions panel.

A good 19th century open mahogany eight day long case clock by M Moody of Cambridge striking on a bell. The arched top with triple brass finials and applied jewelled decoration. Revealing a painted dial with a church and cottages. The case flanked by turned pilasters and an arched top door, raised on a shape bracket plinth. 88 1/2" high.

A good quality Victorian eight day mahogany long case clock. The arched top hood with a broken swan pediment supported on carved and turned column flanking an arched top dial with a moon face wheel. Hand painted with scenes of castles and cottages. The case with turned and fluted columns flanking a triple arched top door. Raised on squat ogee bracket feet. The whole inlaid with cross banding decoration. 93" high.

An ebonised chiming table clock, circa 1775, 8-inch dial with rococo spandrels, finely matted centre with calendar aperture and central alarm disc, signed on a silvered plaque Aynesh Thwaites, London, the arch with a silvered and painted moon disc, the three train fusee and chain movement with convertion to anchor escapement, chiming on a nest of eight bells and striking on a further bell, foliate engraved backplate signed in a cartouche as the dial in cyrillic, the case with bell top, brass carrying handles and pineapple finials, glazed side panels, moulded base and brass bracket feet; together with a later associated wall bracket Clock 52cm. 20.5in. high Bracket 32cm. 12.75in. high

A late 18th century oak longcase clock, the hood with swan neck break arch pediment, the circular glazed door flanked by open reeded columns, the trunk with long arched door crossbanded in mahogany, flanked by quarter reeded columns, the conforming base with bracket feet, the 13in circular brass dial with Arabic and Roman numerals signed 'Hills, Sheffield', the thirty hour movement striking on a bell, 86in (219cm) high.

An oak cased longcase clock, the mid 18th century 30 hour movement striking on a bell to a 10in square brass dial, the centre inscribed Thomas Shinn, Mathan No.169, to cast mask spandrels, the later case with a moulded cornice and turned columns flanking a glazed door, the waist door with a moulded edge and pointed top, the base with a moulded apron and bracket feet, 6ft 5in (195.5cm) high.

A George III mahogany longcase clock, an 8 day movement stiking on a bell to a sivered arched dial signed William Chisholme, Aberdeen. the hood with a swan neck break arch pediment, open reeded columns, above an arched flame figured door, to a conforming base and bracket feet. 86"(219cm) high

An early 19th century longcase clock, the hood with a plain architectural pediment, a circular glazed door flanked by canted corners above a conforming trunk, long flame figured door and base, on bracket supports, the eight day movement striking on a bell with a white enamel dial and Roman numerals, signed Taylor & Son, Bristol, 81in (206cm) high.

A 19thC cross banded mahogany longcase clock with swan neck and turned pillared hood, short trunk door enclosed by quarter inset reeded columns, cross banded base with bracket feet, painted dial having a church in landscape to arch, rose spandrels, Roman numerals, subsidiary seconds ring and marked "Pearce, Grantham", 8 day movement striking on a bell 88" high.

A late 19thC mahogany bracket clock with dome top, 6" silvered dial with Roman numerals marked "Benett, London", 8 day musical movement striking on 4 plus 1 gongs 14" high.

An Edwardian mahogany bracket clock with silvered arch dial having Arabic numerals, silent/chime rondel, slow/fast rondel, 8 day Junghens musical movement striking gongs, 12" wide 14" high

A large late 19th century bracket clock case of architectural design

A MAHOGANY BRACKET CLOCK, late Victorian, arched case, silvered arabic dial, height 26cm, (key and pendulum)

William Barlow - Ashton long case clock 8 day movement striking on single bell, painted arched dial decorated with 4 seasons, secondary minute dial and date aperture, rolling moon figured mahogany case with cluster columns, white wood string inlay, original ogee bracket feet. 252cms, 99ins high

S. Furtwengler - Llenelly, c1870 long case clock eight day movement striking on single bell which has recently been refurbished, painted arched dial decorated with sailing boat, lighthouse, mahogany case canopy with swan neck pediment trunk with carved columns, the case decorated all over with black and white herring bone inlays, base standing on ogee bracket feet, 230cms, 91ins high

George III fruitwood bracket clock the broken arch case with top handle and side grilles (feet lacking), twin fusee five pillar movement striking on a bell, slightly engraved back plate, on holdfast, white painted face with strike/silent to the arch, London maker illegible, replacement hands. Height 41cms (pendulum, no keys)

An Inlaid Mahogany Bracket Clock with Brass Dial

An Oak and Ormulu Mounted Bracket Clock with Silvered Dial Having Roman Numerals

A 19th century Louis XV design boulle work mantel clock, with rococo scroll ormolu mounts and gilt dial with tablet numerals, 17.5ins including matching bracket

A Regency mahogany and rosewood repeating bracket clock, with painted Roman dial signed Slater, Burslem and twin fusee movement, 19.5ins

A chinoiserie style wall clock bracket, with blind fret decoration, 12ins and another clock bracket, with pierced trefoil supports, 12ins

An English brass lantern clock, signed on the oversailing chapter ring Richd Tyler Wallingford, and engraved to the centre with flowers and scrolls, having single pierced hand and posted movement with verge escapement beneath dolphin frets and turned finials crowned by bell, with pointed finial, 33cm h 18th c; with a brass sleeved weight and oak bracket. Old restoration/replacements; lacking the side door

A George III mahogany bracket clock, the painted dial signed SHARP Tower St London and with arabic chapters and subsidiary date dial, a STRIKE/SILENT ring to the arch, the two train fusee movement with engraved brackets and backplate centred by a plume of feathers, in a break-arch case of fine colour with brass mouldings, swing handle and side frets, on ogee feet, 39cm h. Large spot of flaking and some marks and scratches to the dial. The movement original, complete and presumed to be in going order. Apparently recently cleaned. The case of particularly attractive figure and colour. The brass furniture original although the lacquer very discoloured. The glazed rear door to the case restored but to an acceptable standard

A French Boulle marquetry bracket clock, the giltmetal dial with enamel chapter plaques in cartouche shaped case inlaid with engraved brass scrolls and strapwork on a ground of red stained shell, the domed top crested by the seated figure of a child, the movement with circular plates and outside countwheel, stamped in an ellipse W H TOOKE SUCCR DE FL HAUSBURG A PARIS, 41cm h, late 19th c . In fine condition

A George III oak longcase clock, the 12inch brass dial signed to the centre Robt Bowers Chester, with subsidiary seconds dial, two winding holes, circular date aperture and giltmetal spandrels and eight-day movement, in mahogany banded case with brass mounted swan-neck pediment and fluted pillars, the shaped door flanked by conforming pilasters, on panelled base and bracket feet, 222cm h. A few old worm holes around the door, the dial discoloured but the movement and dial original, minor vertical split in the panel to the base but in overall good original condition and in need of superficial or cosmetic work only

A George III oak longcase clock, the 12inch painted dial signed T Benbow Northwood, with subsidiary seconds dial, date sector, pierced hands and roman chapters, with gilt spandrels and lunar work to the arch, having eight-day movement in crossbanded and inlaid case, the swan neck pediment, and door conforming with brass mounted fluted pillars and pilasters, bracket feet, 217cm. The paintwork to the dial rather rubbed in places, the hands repaired/replaced, the glass to the door cracked, small chip to the crossbanding near the top of the hood and at the corner of the door, the movement and dial original, the works apparently complete with weights and pendulum

A George III oak longcase clock, the 11inch brass dial signed on an oval tablet to the matted centre Hugh Lough PENRITH, with date sector and roman chapters, rococo spandrels, pierced steel hands and thirty hour movement, having stepped cavetto cornice and turned pillars enclosed by a notched full length door, on conforming base and bracket feet, 205cm h. Movement and dial associated and with faults although largely complete. The case of fine colour and in sound original condition, a vertical split in the base, the plinth-feet old replacements, with a weight but no pendulum, a small hole in the left hand side of the trunk of this longcase.

A 19th century North country mahogany eight day longcase clock, the swan neck pediment above an arch glazed door enclosing a 14 inch arched painted dial with moon phase, figural painted spandrels and secondary seconds and date dials, with four pillar bell striking movement flanked with spiral moulded columns above an arcaded trunk door flanked with similarly moulded uprights, standing on a plinth base with bracket feet and a shaped apron, 280cm high

A Mahogany Striking Bracket Clock, signed Francis Walker, Maryport, circa 1830, the mahogany veneered case with carved decoration to the front, pierced side frets, 8 inch circular white painted dial with Roman numerals and signed "Francis Walker Maryport", twin fusee movement with anchor escapement, rack striking on a bell (bell missing), {42cm high}

A Victorian Mahogany Striking Bracket Clock, the mahogany veneered case with carved decoration to the front, pierced brass sound frets and carrying handles to the sides, 8-inch circular painted dial with Roman numerals, blued steel spade hands, twin fusee movement with striking on a bell, movement secured in the case by two brackets, {46cm high}; together with associated wall bracket

A Mahogany and Brass Inlaid Bracket Clock with Pull Repeat, signed Grohe, Wigmore Street, London, circa 1835, the mahogany case with brass inlay, slopping pediment with central brass pineapple finial, plinth upon brass ball feet, 8 inch silvered dial with Roman numerals, steel moon hands, twin fusee movement with anchor escapement and strike on a gong, movement and dial signed, {59cm high}

An Ebonised Striking Bracket Clock, signed Gabl. Holland, Coventry, circa 1760, the ebonised case with bell top and brass carrying handle, pierced brass sound frets to the sides and moulded plinth, 8 inch brass arched dial with silvered chapter ring, rococo spandrels, matted dial centre with mock pendulum, date aperture and signed 'Gabl. Holland Coventry' on a silvered plaque, the arch with regulation dial, strike/not strike positioned dial edge 10 o'clock position (now none active), five pillar movement with verge escapement, rack striking on bell, engraved foliate decoration to backplate, {53cm high to the hilt of the handle}

An Oak Thirty Hour Longcase Clock, signed Simpson, G Bridge, circa 1770, the case with stepped top pediment, mahogany crossbanded trunk door flanked by inset pilasters, the plinth with mahogany crossbanding upon bracket feet (plinth slightly shortened), 12 inch square brass dial, silvered chapter ring with inner date ring with corresponding central date hand, the engraved centre field with dummy winding holes, two cartouches inscribed with initials and signed "Simpson G Bridge", four pillar movement with anchor escapement and count wheel strike on bell, {207cm high}

An Oak and Mahogany Thirty Hour Longcase Clock, signed H Fisher, Preston, circa 1775, the flat top pediment with brass capped columns, wavy shaped trunk door with mahogany banding and inlaid around the border, flanked by mahogany veneered canted corners and a conforming plain plinth, upon bracket feet, 13 inch square brass dial with silvered chapter ring, dial centre with floral engraving, date aperture and dummy winding holes, four pillar movement with anchor escapement and outside countwheel striking on a bell, {207cm high}

An 18th Century Longcase Clock with square brass dial, silvered chapter ring, inscribed Arch Coats, Wigan, 8-day movement, date aperture in oak case having swan neck surmount and fluted columns to hood, cross-banded door, on bracket feet

A late Victorian brass cased lantern clock of "17th Century" design, the 6.5ins chapter ring with engraved dial centre inscribed "Robert Lench, Stradishall", with single hand to the eight day single train movement with anchor escapement and passing strike, contained in case of traditional pattern with turned uprights, turned finial, fretted twin dolphin pattern crestings, on turned feet, 15.5ins high, and later wall bracket for same

A late 18th Century mahogany longcase clock by Richard Mason of St. Albans, the 12ins arched brass dial with Roman and Arabic numerals to the chapter ring, strike/silent dial to arch, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case with shaped and moulded pediment and fretted frieze panel, turned, fluted and brass stopped columns to hood, shaped trunk door, the plinth base with raised panel of shaped outline, cant corners, on bracket feet, 95ins high (dial formerly part silvered and case repolished) .

Late 19th.Cent. Walnut Cased Ting Tang Striking Bracket Clock (German) Carved Embossed Detail, Turned Finials, Gilded Mounts

Late Victorian mahogany cased mantel clock, having three train fusee movement chiming on eight bells with gong hour strike, brass arch dial with silvered chapter ring, Roman numerals, matted centre field, cast spandrels, three subsidiary dials, chime/silent, Westminster and eight bells, chiming movement set in mahogany case with cast gilt mounts and finials, dial flanked by reeded canted corners with inset brass and standing on ogee bracket feet, maker J.C.Jennens & Son., Great Sutton Street, London, height 63cm.

An attractive French reproduction rococo design bracket clock, gilt lacquered casing decorated with counting couple and floral bouquets chased brass mounts with coiled bar strike, 18" height.

An 18th century one month longcase clock circa 1730, the 12 inch brass dial with cast woman's head spandrels, silvered Roman numeral chapter ring, subsidiary seconds dial and date aperture, the associated flame mahogany case circa 1900, the hood with brass capped fluted column supports, over an arched door, plinth base and bracket feet, 208cm high x 52cm wide x 27cm deep

1920s walnut grandmother clock, with 8 day striking movement, the 7 inch arched brass dial with subsidiary seconds, date aperture and revolving date ball housed in moulded arched hood over feather banded and over moulded trunk door on boxed base with bracket feet, stands 56cm high including brass face pendulum and 2 brass cased weights, no keys to case or movement

Late 19th century French ormolu mantel clock, in Louis XIV style, the domed top above circular dial inset with white enamel hour numerals, above a swept base, on 4 bracket feet, the twin train brass movement with anchor escapement striking on a gong, for restoration, 58cm high

Modern Regency design mahogany bracket clock, makers Comitti, London, with circular enamel Roman numeral dial, the arched case having brass pineapple finial, lions mask handles and ogee bracket feet, 30cm high, 18cm diameter

Victorian burr walnut clock bracket, of rectangular form with a scrolled support, 37cm wide

Edwardian mahogany bracket clock with 8 day striking and chiming movement, with arched engraved steel dial within gilt slip with strike silent and slow/fast subsidiary dials, the case with fluted columns and fluted foot rail on reeded bun feet, stands 39cm x 30cm

A GEORGE III MAHOGANY WATCH-STAND of long-case clock design, with swan-necked pediment, narrow trunk and stop-chamfered base, on bold shaped plinth with. Integral ogee bracket feet, 38.8cm, (15.25in) high

A FINE EDWARDIAN INLAID-MAHOGANY LONG-CASE CLOCK in the Sheraton Revival style, the hood with swan-necked pediment and brass ball-and-spire finial, Corinthian columns with gilt-brass capitals and base-mounts, fretted panels to the sides, the front inlaid in boxwood and harewood with a central urn within foliate scrollwork, the trunk having an oval glazed panel to the front with similar scrollwork spandrels, and rectangular glazing to the sides, the base also similarly inlaid, on shallow bracket feet, the 8-day three-train movement striking and chiming on nine tubular gongs, having a brass and silvered arched dial with Arabic hour numerals to the chapter ring, subsidiary seconds dial to centre, "Strike/Silent" and "Whittington/Westminster" selection dials to the arch, and having cherub-and-scroll spandrels and similar scrollwork ornament to the centre, the whole 249cm, (98in) high, (complete with three brass-covered weights, pendulum with brass bob and crank key

A GEORGE I OAK LONG-CASE CLOCK CASE, having a flat hood with square door, the plain trunk with arch-topped door,on a plain base with deep shaped apron and integral bracket feet, sold with AN EARLY 18TH-CENTURY BRASS-DIALLED SINGLE HAND MOVEMENT, signed "POWLEY, ASBY" [Westmorland], the 25cm, (10in) dial having a matted centre with circular date aperture in concentric surround, framed by a brass chapter ring with Roman numerals, the spandrels having well-cast female figures, emblematic of the Seasons, 214cm, (84.25in) high (sold with weight and pendulum) (probable 'marriage' of case and movement)

A GEORGE III MAHOGANY-CASED LONG-CASE CLOCK, the hood having a scroll-fretted swan-neck pediment with central turned urn finial and plain columns, the finely-figured arched trunk door crossbanded in fruitwood, between fluted quadrant columns, the base, with canted corners having a crossbanded panel, on shallow bracket feet, the 30-hour movement, with hourly striking on one bell, having an arched dial painted with an exotic bird to the arch and floral spandrels, the centre having Roman hour and Arabic minute numerals, secondary seconds dial and scroll-pierced hands, signed "Eml Burton/KENDAL", 218.5cm, (86in) high