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a Small Chiming Longcase Clock, the case with swan neck pediment ending with flowerheads and carved scroll work to the front, fluted columns, wavy shaped trunk door flanked by inset fluted pilasters, plain rectangular plinth with canted corners upon bracket shaped feet, 7-inch arched brass dial with silvered Roman chapter ring, the arch with silvered circular plaque bearing inscription "W Webester London", triple barrel movement with deadbeat escapement, chiming on five steel gongs, 143cm high See illustration

an Oak Thirty Hour Longcase Clock, signed Thos Lister, circa 1760, the case with flat top pediment, "later" made columns, rectangular trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel and upon bracket feet, 12-inch square brass dial with Roman and Arabic chapter ring, nicely engraved dial centre signed "Thos Lister", date aperture and "Halifax" rolling moon disc for lunar scale, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, "later" seatboard, 200cm high thomas Lister (senior) is recorded as starting his own clockmaking business in Luddenden, near Halifax in about 1740 until his death in 1779.

a Mahogany Eight Day Longcase Clock, the case with swan neck pediment, fluted columns with Corinthian capitals, "later" inlay to the case, wavy shaped trunk door flanked by inset pilasters and capped with Corinthian capitals, raised panel to the plinth with fluted canted corners and upon bracket feet, 12-inch arched brass dial with Roman chapter ring, dial centre with engraved scrollwork, arched date aperture and seconds dial, the arch with circular disc bearing inscription "Cooper Whitchurch", four pillar movement with anchor escapement and rack striking on a bell (dial associated to movement and associated to the case), 227cm high

a Mahogany Eight Day Longcase Clock, signed Burton, Kendal, circa 1820, the case with swan neck pediment, nicely inlaid with stringing throughout the case, arched door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon bracket shaped feet, 13-inch painted arched dial with Roman and Arabic numerals, dial centre with seconds, arched date aperture and signed "Burton, Kendal", green and gold coloured floral spandrels, the arch depicting a lady in dress within a landscape scene, four pillar movement with anchor escapement, rack striking on a bell, 224cm high See illustration emanuel Burton (Junior) is recorded as working in Kendal between 1790-1828. See Baillie (G H): Watchmakers & Clockmakers of the World, page 47

an Oak and Mahogany Eight Day Longcase Clock, signed James Butler, Bolton, circa 1780, the case with swan neck pediment and finely carved flower heads capitals, fluted columns, the trunk with blind fretwork, wavy shaped trunk door with mahogany crossbanding and flanked by inset fluted pilasters, rectangular plinth with canted corners and upon bracket feet, 13-inch square brass dial with Roman and Arabic numerals and signed "James Butler, Bolton", dial centre with scroll decoration, date aperture and seconds, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 223cm high See illustration james Butler was born in 1757 and worked as a clockmaker in Bolton, Lancashire until his death in 1809. See Loomes (Brian): Clockmakers of Northern England, pg 105.

German Bracket Clock, oak case, the dial with Roman numerals, eight day movement.

A modern George III design mahogany longcase clock,. the brass dial with silvered Roman numeral chapter ring, marked James Stewart, Armagh, the trunk with glazed door, the pedestal base on bracket feet

An early 20th century lacquered brass repeating carriage clock, retailed by Sorley of Glasgow, with enamel Roman numeral dial and two train movement striking on a gong, on bracket feet with original green leather case, 16cm high

A Victorian oak eight-day longcase clock, maker James Robertson of Dysart, the arched Roman numeral dial painted with huntsman and hounds, with subsidiary seconds dial and date aperture, the hood with swan neck pediment and column over a trunk and pedestal with bracket feet, 216cm high

A Regency crossbanded mahogany eight-day longcase clock, the circular enamel Roman numeral dial with subsidiary seconds and date dials, the arched hood with serpentin crest on a trunk with fluted pilasters and pedestal base on bracket feet, 220cm high

A Victorian mahogany eight-day longcase clock, maker james Gray of Balfron, the arched Roman numeral dial painted with sailing ships and spandrels representing the four continents, with subsidiary date and seconds dials, the hood with swan neck pediment, on a trunk with satinwood banded door, the pedestal base with splayed bracket feet, 234cm high

20th century Comitti walnut cased chiming bracket clock with German movement, 21 cm

A late 19th/early 20th Century mahogany cased bracket clock, the silvered dial with Roman numerals, the case with decorative inlay and out set pilaster columns, 14" high.

A * Maresd' Still life - a bracket clock, figurine, basket of roses, chamber candlestick and a mirror upon a table top, signed, oil on canvas, 22 1/2" x 28 1/2".

An Early XX Century Mahogany Bracket Clock, the eight day movement striking on a gong, stamped Junghaus, the silvered dial with Arabic numerals, the case of rectangular domed form, inlaid with bows and leafy swags, on bun feet, 43 cms high.

AN EDWARDIAN MAHOGANY INLAID DOME TOP MANTLE CLOCK with inlaid oval, brass handles and supported on brass bracket feet. 13 ins high.

A GOOD MAHOGANY CASED TRIPLE FUSEE BRACKET CLOCK BY SINCLAIR HARDING & BAZELEY, CHELTENHAM, with brass and silvered domed top dial, set within a figured mahogany case and supported on brass bracket feet. 17 ins high.

Puckridge, London, an early 19th century mahogany longcase clock having twin train eight day movement supporting a silvered arched dial, the case in the manner of Gillows, having ball finial and arched broken pediment over ormolu mounted half turned reeded pilasters, the three quarter length arched door flanked by quarter turned reeded pilasters above a box base on bracket feet. See Illustration.

A Georgian style walnut cased bracket clock by Elliott of London with Westminster and Whittington chimes; silvered chapter ring supported on a stepped base. 29cm high.

A Regency period mahogany bracket clock, by James Whitelaw, Edinburgh the white enamel dial with an 8-day fusee movement with anchor escapement and striking on a bell, the arched case with sound frets to the sides and raised on a moulded platform base with squat bun feet 26cm wide, 39cm high, 16cm deep

A Regency period mahogany bracket clock By Matthew Thornhill, London the arched white dial with subsidiary silent/strike and second dials, the twin train fusee movement with anchor escapement and striking on a bell, the back plate signed Mattw Thornhill, London, the arched case with a brass carrying handle and ogee bracket feet 26cm wide, 38cm high, 17cm deep

A Louis XIV period Boulle and gilt bronze mounted bracket clock By Baltazar Martinot, Paris the gilt dial with white enamel chapters, above the apron cast with two draped maidens and a cherub seated on a globe, supporting a plaque signed B. Martinot, A. Paris, the twin train movement with anchor escapement and back plate signed Baltazar Martinot, Paris, the domed case inlaid with brass scrolling foliage surmounted by an angel blowing a trumpet and flanked by classical caryatids, raised on toupie feet 43cm wide, 83cm high, 129cm deep

A fine Regency period mahogany and brass musical and quarter chiming bracket clock By Barrauds of London the enamelled dial with Roman chapters signed Barrauds, Cornhill, London and numbered '867', the arch with subsidiary dials for chime/silent and six tune selections, the similarly signed three train fusee and chain movement with anchor escapement, chiming the quarters on ten bells and playing one of six tunes at every hour on thirteen bells, the backplate and the pendulum bordered by foliate engraving, the pagoda top case with ball finials, fish scale fretted frieze above two similarly fretted door panels, the arched and glazed front between brass strung canted uprights flanked by twin pull-cords and leaf cast carrying handles, the skirted brass bound apron on brass ball feet 35cm wide, 65cm high, 25cm deep Literature: see Cedric Jagger, Paul Philip Barraud Antiquarian Horological Society 1968, and the supplement of 1979.

A Charles II period ebonised striking table clock By Henry Jones, London the lacquered brass dial with silvered Roman numeral chapter and angel mask spandrels, the matted centre with a date aperture, the movement with thick brass plates secured by seven baluster pillars, the twin train fusee movement with verge escapement and the back plate signed Henry Jones in the Temple and with a calibrated countwheel giving hour strike on a bell, within a panelled architectural arched ebonised case, raised on bracket feet 31cm wide, 44cm high, 14cm deep Note: the movement of this clock was exhibited at the British Clockmakers Heritage Exhibition at the Science Museum in 1952, catalogue number 91.

A George III period mahogany longcase clock the key fret carved swan neck pediment above brass dial with matted centre, subsidiary calendar aperture and seconds dial, the Roman and arabic chapter ring flanked by rococo cast spandrels, signed James Cowan to the arch, above a strike/silent lever with an anthemion and leaf scroll engraved escutcheon, between corinthian pilasters, the arched trunk door between caddy moulded uprights, on shaped apron and bracket feet the twin train movement striking the hours on a bell 223cm high

An early 19th century mahogany eight day longcase clock the twin train movement striking on a bell, the white enamelled dial with Roman chapter ring, subsidiary seconds and date dials, floral painted spandrels, with painted moonphase dial to the arch, the hood with swan neck pediment and gadrooned urn finials, above arched glazed door flanked by spirally reeded columns and demi columns, the case with triple arched trunk door flanked by spirally reeded columns, on panelled base with circular mouldings and bracket feet 236cm high

An 18th Century “North Country” oak longcase clock by Richard Scholfield of Rochdale, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, engraved dial centre and date aperture with dummy winding holes to the thirty hour movement striking on a bell, contained in plain oak case with moulded cornice and caddy top, plain turned columns to hood, the shaped trunk door flanked by plain quartered columns, on bracket feet, 84ins high

An early 19th Century oak cased longcase clock, the 13ins arched painted dial with domed centre decorated with Roman numerals, subsidiary seconds dial and date aperture, the arch decorated with a haymaking scene and cottages to spandrels to the eight day two train movement striking on a bell, contained in oak case banded in mahogany, shaped cresting and turned and fluted pillars to door, shaped trunk door and fluted quarter columns, on bracket feet, 88ins high

A late 18th/early 19th Century “North Country” mahogany longcase clock by Wilkenson of Preston, the 14ins square enamelled dial with Roman and Arabic numerals, subsidiary seconds dial and date dial, the spandrels decorated with birds and nests to the eight day two train movement striking on a bell, contained in mahogany case inlaid with boxwood stringings and crossbanded, moulded scroll pediment and plain turned pillars to hood, the shaped trunk door with plain quarter columns, on bracket feet, 87ins high (with slight damage to edge of dial and split to plinth)

An early 20th Century mahogany longcase clock of 18th Century design, retailed by H. Grantham of Manchester, the 10ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds and date dials and showing phases of the moon to arch, to the eight day two train movement striking on a bell, contained in mahogany case with arched and moulded cornice and turned and stop fluted columns to hood, shaped, crossbanded and figured veneered trunk door flanked by fluted quarter columns, astragal panelled plinth and on ogee bracket feet, 83ins high

A late 18th Century oak longcase clock by Baddely of Albrighton, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels finely engraved with leaf scroll designs to the eight day two train movement striking on a bell, contained in case later carved with a standing figure of a soldier, mask, leaf scroll and scale designs, with scroll pediment and turned and fluted pillars to hood, the shaped trunk door with fluted quarter columns, on bracket feet, 91ins high Note : Thomas Baddeley recorded working Albrighton 1795

A late 18th Century mahogany longcase clock by Henry Williams of Lancarvan, the 12ins arched brass dial, the wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and date aperture, with engraved and textured dial centre, showing phases of the moon to the arch and indicating high water at Aberthaw Key to the eight day two train movement striking on a bell, contained in mahogany case with shaped and moulded pediment and later fretted frieze panel and turned and fluted pillars to hood, shaped trunk door flanked by fluted quartered columns, on bracket feet, 85ins high Note : Henry Williams recorded working Llancarfan, born 1727 in Gloucestershire, active from 1753, died 1790

An 18th Century mahogany longcase clock by John Fladgate of London, the 12ins arched brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and with strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in mahogany case with caddy top and turned, fluted and brass stopped pillars to hood, arched trunk door and plinth with raised rectangular panel, on bracket feet, 92ins high Note : John Fladgate recorded working Conduit Street, London, Apprenticed 1743, Clockmaker and died 1781. For a period up to 1775 he was in partnership with Richard Wilder as Fladgate & Wilder. The business was carried on by his widow to 1793

AN OAK MANTEL CLOCK, GUSTAV BECKER the 13.5cms arched silvered dial with Arabic numerals, Regulation and Chime/Silent dials in the arch, the three train movement chiming on four gongs and striking on a larger gong, the case with twist turned pillars and ogee bracket feet, 33cms high (with pendulum & key)

AN OAK & MAHOGANY LONGCASE CLOCK, PETER BARRATT, St Day, the 33cms broken arch brass dial signed on a silvered medallion in the arch as above, with silvered chapter ring, Roman numerals, Arabic five minute intervals, matt centre with subsidiary seconds dial, gilt pierced foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters, panelled plinth and ogee bracket feet, 88" high (with pendulum, weights and case key)

A 19th century mahogany cased four glass bracket clock, having an unsigned silver dial with Roman numerals, scroll leaf engraved spandrels, twin winding holes for a brass four pillar chain driven twin fusee eight day movement, having anchor escapement striking on a bell, plain backplate, the case with bevelled glass plate and all raised on square feet (Illus.)

Junghans alarm bracket clock with gong and bell

A 19th Century Mahogany 8-Day Striking Longcase Clock having painted arched dial, with moon phase, seconds and calendar dial, having painted floral and leaf decoration, in mahogany case with inlaid ebony stringing, having bobbin supports, arched centre door flanked by half round turned columns, on bracket feet, 2m 4cm high

19th century mahogany and brass inlaid bracket clock with brass handle, eight day striking movement, by Finnigans Ltd., Manchester and Liverpool, 12.5" high

Regency mahogany and brass inlaid bracket clock with pineapple finial, eight day fusee movement, brass ball feet, James Price, London

A late 19th Century carved Walnut Bracket Cuckoo Clock, the architectural case with applied fruiting vine and bird mounts, to a fenced plinth on bracket feet, to a 4” dial with applied Roman numerals and carved bone hands, to a twin fuse wooden movement with back mounted count wheel and anchor escapement, with strike on a coiled gong and a further pair of cuckoo bellows

An early 20th Century Burr Walnut and Walnut cased 8-day triple fuse Bracket Clock, Winterholter and Hoffmier, the case with a moulded and fluted panelled top, surmounted by cast Brass foliate finial over an overhanging cornice to canted corners and pierced Walnut sound frets, with a single arched glazed door and further fluted base and raised on four bracket feet, to an 8” arched Brass dial surmounted by three subsidiaries for chime/silent regulation, and chime on 8 bells/chime on 4 gongs, to cherub mask cast and applied spandrels enclosing a silvered Roman and Arabic chapter ring with half hour markers to a matted centre, with blued steel hands, to a massive signed triple chain fuse movement numbered 1493 and united by four turned pillars with anchor escapement and strike on 8 bells and five blued steeled coiled gongs, height 24”

A mid 20th Century Mantel Clock, Bentina, the arched case on bracket feet to a Brass chapter ring enclosing a silvered chapter ring and pierced hands to an 8-day spring driven movement with strike on a coiled gong, height 8 ¾”

A mid 20th Century Walnut and line inlaid Mantel Clock, the plinth shaped case with stepped and scrolling sides on bracket feet, to a chrome bezel enclosing a silvered Arabic chapter ring and further silvered hands, to a brass movement with anchor escapement and strike on a coiled gong, height 9”

An early 20th Century Oak cased Timekeepers Clock, National Time Recorder Co Ltd, the typical Oak case with overhanging cornice to a glazed door, and plinth base with Wall Bracket, (Timekeeping mechanism removed), to a 9” painted Roman dial with outside minute track and 8-day spring driven movement, with anchor escapement, height 47”

An early 19th Century Mahogany and Boxwood line inlaid 8-Day Long Case Clock with moon phases, Smith of Norwich, the arched hood with two globe and spike finials, over free-standing gilt metal mounted Corinthian columns to an ogee throat and long trunk with canted corners flanking an arched long trunk door, to a panelled plinth base on bracket feet, to a 12”, 2nd period arched painted dial with moon roller over east and west hemispheres, to gilt highlighted floral spandrels enclosing an Arabic chapter ring with further Arabic quarters, and subsidiary seconds with date sector and blued steel pierced hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 87 ½”

A George III oak and mahogany cross banded longcase clock, with painted dial and thirty hour movement, the hood with broken arch pediment decorated with a dentil cornice above fluted pilasters and an arched panelled door, the trunk below decorated with cross banding and inlaid shell motif, flanked by reeded pilasters, raised on bracket feet, 19in. x 81in. high.

An oak bracket clock with carved fish scale decoration to the cornice above the silvered dial and roman numerals, with regulator and chime silent to the arch, enclosed by a glazed panel door, fitted eight day movement, by Lenzkirch, striking on five gongs, raised on a plinth base, 12in. x 18in. high.

An oak longcase clock with 11in. square dial bearing a plaque, inscribed "Newton, Hexham", with date aperture and roman numerals, fitted thirty hour chain driven movement striking on a single bell, the hood with flared cornice above the glazed panelled door, flanked by gilt metal mount pilasters, cross banded panelled door under flanked by canted corners, raised on bracket feet, 18in. x 83in. high.

A 19th Century mahogany longcase clock, the white painted dial with roman numerals, subsidiary seconds dial and date aperture, maker's name indistinctly inscribed, the arch painted with castle scene and sailing vessel with churches painted in the spandrels, fitted eight day movement, striking on a single bell, the case decorated with reeded moulded, raised on bracket feet, 20in. x 82in. high. See illustration

An early 19th Century mahogany longcase clock with white painted dial, inscribed "Robert Marshall, Greenside", fitted subsidiary seconds and date dials, painted with a spaniel flushing a pheasant to the arch, fitted eight day movement and striking on a single bell, the arched hood with glazed panelled door flanked by turned pilasters, a single cross banded panelled door to the trunk flanked by turned pilasters, raised on bracket feet, 21in. x 86in. high. See illustration

A Georgian mahogany longcase clock with 13in. square brass dial, inscribed "J. Thomas, Chester", seconds dial and date aperture fitted roman numerals and pierced steel hands, eight day movement striking on a single bell, the stained hood swan neck pediment above an arched panelled door, painted Old Father Time in oil, flanked by fluted pilasters, figured panelled door below flanked by fluted pilasters, raised on bracket feet, 19in. x 90in. high. See illustration

A late Georgian oak longcase clock with white painted dial and roman numerals, indistinctly inscribed J.N. Thompson, fitted an eight day movement, the case decorated with inlaid stringing and foliate motifs, raised on bracket feet, 19in. x 90in. high.

A 19th Century rosewood case fusee bracket clock, Inglish, London.

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK of 8 day movement striking on a bell, the painted dial with moon phase to the arch, black painted Roman numerals, seconds dial and date aperture, signed Cornelius Strange of Glasgow, the spandrels painted with fruit filled cornucopia; the hood with dentil moulded cornice and fret carved frieze, the trunk door flanked by wrythen moulded pilasters, on bracket feet, 200cms high. See Illustration

Victorian Gothic design oak cased bracket clock, the off-white dial having Roman numerals and signed Barwise, London, brass movement, 71.5cm high

19th Century French ormolu mounted Buhl clock bracket, 29cm wide

A George III eight day longcase clock, oak, later carved and ebonised, the 12Ó square brass dial signed J Stancliff Barkisland with outer ring of Arabic numerals, inner ring of Roman numerals, centred dated aperture and rolling moon, the movement striking on a single bell, the hood later carved with lunettes and scrolling leaves, the trunk now later carved, raised on shaped bracket feet, 201cm high

A late 19th Century white metal mantel clock, of Persian design, surmounted by a domed finial and crescent, having plated dial enclosing an 8 day movement striking on a gong, raised on four bracket supports, 28cm high - see illustration

A late Victorian carved oak bracket clock, having domed pediment above reeded columns flanking a bevelled glass door enclosing a brass spandril dial with steel chapter rings, strike silent and fast slow subsidiaries, the chiming movement striking on a gong with repeat pull, raised on a stepped plinth and bracket supports, with a carved wall bracket, 78cm overall