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Oak striking bracket clock with silvered dial

A late Victorian oak cased triple train, twin fusee bracket clock by Wales and McCullogh of London, the eight-day movement with full or Westminster chimes, mounted on its original wall bracket

Early 20th Century mahogany dome top bracket clock, the silvered dial inscribed ' Tempus Fugit ' with Roman numerals, the two train movement striking on a gong

19th Century French brass mounted wall clock embossed with figures kneeling having circular enamel dial inscribed Marty Gautrens, the two train movement striking on a bell with a later green painted wall bracket with winder (lacking weights)

Double sided G.P.O. clock, the painted dials in an octagonal painted case with hinged metal wall bracket (modern construction with quartz movements)

Small brass hook and spike lantern clock in early 18th Century style, the 4in dial with Roman numerals inscribed William Carter, Cambridge (with later wooden wall bracket) CONDITION REPORT There is evidence of later alteration and addition to this clock.Particularly the fretwork archesThere are some vacant holes in the top, bottom and face plates, but we understand some elements of it are original

Regency ebonised and gilt brass mounted bracket clock the rectangular case with pineapple finial and a stepped surmount, ring side handles and ball feet, the circular painted dial with Roman numerals, the two train fusee movement striking on a bell, together with a matching bracket CONDITION REPORT Sides are not accessible to photograph

Continental ebonised bracket clock, the square brass dial with silvered chapter ring, Arabic and Roman numerals, with a single train verge movement inscribed Joannes Graf CONDITION REPORT The case has been recently 'restored' and re-painted but not sure whether this is genuinely old or not.Movement and dial appear antique

Regency mahogany black line inlaid and gilt brass mounted bracket clock, the arched case with brass carrying handle, the circular painted dial with Roman numerals, signed Desbois and Wheeler, Grays Inn Passage, the two train fusee movement with hour repeat function striking on a bell raised on brass ball feet, 15ins high excluding handle CONDITION REPORT Overall all ok condition, some old veneer repairs with some cracking to veneers from age, escutcheon has half missing and ebony missing from side grill

19th Century ebonised ormolu mounted arched top bracket clock, the gilded and enamel dial with Roman and Arabic numerals and subsidiary fast / slow dial, with a two train fusee movement striking on a gong

Early Victorian figured mahogany bracket clock, the case with applied, carved and floral decoration above a plinth, the painted dial with Roman numerals, signed Whitehead and Son, Sevenoaks with a single train fusee movement

Victorian pollard oak bracket clock, the Gothic design case with a pierced surmount and tracery door flanked by cluster columns, the relief decorated gilt brass dial with Roman cartouche numerals and miniature Arabic minute numerals, the two train fusee movement, quarter striking on two gongs, signed to the back plate Dent, London, 22ins high overall CONDITION REPORT Sides are not accessibleMovement is twin fusee

A George III mahogany cased longcase clock, by Valentine Downs, Louth, circa 1780, the eight-day movement striking on a bell, twelve-inch brass break-arch dial with silvered chapter ring engraved with black Roman numerals, five minute Arabic numerals and minute track, the matted dial centre with engraved decoration, inset subsidiary seconds dial, date aperture, cast brass floral spandrels to the four corners and engraved steel hands, the arch having a silvered boss engraved 'Vale. Downs, Louth' and further c-floral spandrels, the hood with broken swan neck pediment centred by a brass orb finial, dentil moulding, reeded columns with brass capitals flaking the glazed door, the trunk with applied quarter columns with brass capitals flanking a full length trunk door with pointed arch and inset escutcheon, raised on shaped bracket feet, with winder, pendulum and two weights, 46.5 by 27 by 243cm high.

An early 19th century oak long case clock, engraved brass dial with applied spandrels, 30 hour movement chiming on a bell, hood with broken swan neck pediment and turned columns flanking the glazed door, crossbanded case, raised on small bracket feet, with one weight, pendulum and key, 46 by 22 by 212cm high.

Mahogany cased German bracket style clock, the arched top over a silvered dial with Roman numerals and slow fast and chime dials, flanked by barley twist pilasters, on four bun feet, 35cm high

French bracket clock, the domed top surmounted by a bronze cherub over a gilt circular dial with enamelled Roman numerals, the case with ormolu mounts, striking on a gong, movement possibly stamped M* 758, all raised on four pointed feet, complete with stained wooden bracket with gilt metal angel, (2) clock height is 60cm and 90cm with bracket

19th century walnut cased mantle bracket style clock, the domed top with turned finials over a brass dial with Arabic numerals, the movement striking on a gong, 48cm high

German Art Nouveau Golden Oak Longcase Clock made in Wurtenberg, brass cased weight driven movement with visible brass cased pendulum, circular dial with black painted Arabic numerals, domed top, on raised high bracket supports (no key)

A Large Continental Oak Cased Three Train Bracket Clock, circa 19th century, the glazed door enclosing a gilt metal and silvered dial with slow-fast and strike-silent subsidiary dials, above Roman numerals, striking on a gong, stamped PHS to works, raised on four bun feet, 36.5cm high

An English bracket clock, James McCabe, Royal Exchange, London, with break arched painted dial with strike/silent ring to the arch, the twin fusee movement striking on a bell, signed on the back plate, with brass hand, frets and ogee feet, 42cm excluding handle

An early 20th Century Gustav Becker inlaid mahogany bracket clock

A late 19th Century musical bracket clock with pull cord striking on eight graduated bells with circular silvered chapter ring and matted centre incorporating two subsidiary dials Chime/Silent and Westminster eight bells, enclosed by a bevelled glazed door in simulated rosewood case, figural gilt metal corner mounts on scroll bracket feet, height 63cm

A George III oak and mahogany longcase clock, 33cm arched painted dial with Roman numerals, the arch painted with an allegory of autumn, the hands pierced and engraved with acorns, date aperture, 30 hour movement striking on a bell, rustic swan neck pediment, rectangular door to waist, bracket feet, 221cm high, c.1810

A late 19th century oak bracket clock, silvered chapter ring inscribed with Arabic numerals, twin winding holes, eight-day movement striking on a gong, c.1890

Knight & Gibbons contemporary bracket clock with eight day Kieninger spring-driven movement, Westminster, Whittington and St. Michael chimes striking on eight gongs and strike-silent, white enamel dial with Roman numerals, in a chamfer-top mahogany case with inlaid stringing and pierced side frets, originally retailed by Harrods, in original packing with catalogue and instructions, 35cm overall height (keys present) CONDITION REPORT Case and mechanism very clean and good order, appears to function correctly although no guarantees are given as to it's operation and accuracy of timekeeping

Georgian-style German bracket clock with striking and chiming movement, in mahogany-finished case

An Edwardian inlaid mahogany striking bracket clock stands 14" tall, 101/2" wide

A large boulle and gilt decorated clock bracket 17" wide

Thomas Martin London bracket clock of diminutive size,with single fusee movement, the decorative back plate signed Thomas Martin London, with an arched silver and brass dial in a black lacquered and marquetry case, approx 16" high 9" wide

John Ellicott London circa 1750, a large bracket clock in figured walnut case with double fusee movement striking on bell, with arched silver and brass dial, 30" high overall, 16" wide

An Edwardian bracket clock in oak case with square brass and silver dial and striking movement, 16" tall, 12" wide

SMALL BRACKET CLOCK

Reproduction lantern clock on bracket, dial signed Thomas Moore, Ipswich

A 19th Century German walnut bracket clock

A 19TH CENTURY REGENCY DESIGN GILT METAL CASED MANTEL CLOCK, of plain form with starburst surround to the silvered dial with Roman numerals, inscribed "Knight Birmingham", lower frieze of acanthus leaves over plain bracket foot base, (with pendulum), 29cm high, 10cm diameter

A 1920's Oak Musical Grandmother Clock, with a arched hood, glazed astragal door, panelled base, on bracket feet, with arched silver dial, Roman numerals.

A Regency style bracket clock, wall bracket, ship in bottle, torch, Indian brass cruet set etc (1 box)

An Edwardian inlaid bracket clock

An Edwardian mahogany eight day bracket clock, Archibold Haswell, London

A Bakelite tin field bracket clock

A 19th century mahogany longcase clock, the arched hood with brass globe finials above a short trunk door, box base and bracket feet, the 30.5cm dial painted with floral spandrels, inscribed to the arch "Wm Carter, Salisbury", with Roman numerals, calendar dial and seconds subsidiary dial, 214cm high

A Victorian walnut bracket clock, architectural case outlined with boxwood and ebony stringing, c.1880

An Aesthetic walnut bracket clock, with a single fusee movement, the dial inscribed 'Barraud & Lunds, 49 Cornhill, London' and numbered '4836', 46cm high

SAMUEL DIXON, 23 CORNHILL, LONDONA FINE VICTORIAN EBONISED TRIPLE FUSEE BRACKET CLOCK, the arched top with flame and urn finials, side carrying handles and pierced sound frets, floral and mask front canted corners, scroll feet, pull repeat cord, 8-inch silvered dial with a Roman chapter ring, three dials for chime/silent, fast/slow and full chime/Westminster chime, large triple fusee movement chiming on a nest of eight bells and striking the hours on a gong. 65cm high

A CONTINENTAL GILT-METAL MOUNTED WALNUT BRACKET CLOCK, LATE 19TH CENTURY, with two-train movement, the case with caryatid mounts. 63cm

AN OAK THIRTY-HOUR LONGCASE CLOCK, JAMES TODD, BRADFORD, the 10½-inch square brass dial with date crescent, the hood with flat top and columns, the trunk with simple long door and panel base with bracket feet. 201cm

A good 19th century German three train boardroom/bracket clock by Winterhalder & Hofmeier, the gilt arched dial with silver chapter rings, with chime on eight gongs dial, chime on four gongs dial, chime in silent dial and slow fast dial, with eight gong musical movement, the case profusely carved with scrolled acanthus, masks and roses, key and pendulum, 58cm high

Burr walnut cased bracket clock, the brass dial with silvered chapter ring with Roman numerals and cherub embossed spandrels, with a Lenzkirch movement signed 1 million and numbered 274111, striking on five gongs, 29cm high including handle

An ornate 19th century continental brass cased mantel clock, surmounted by an eagle, the enamel chapter ring showing Arabic numerals, decorated with masks and foliage, standing on ogee bracket feet, having an eight day movement, 45cm high

A Regency style mahogany and brass mounted bracket clock, the case surmounted by five pineapple finials, the broken arch dial with pierced brass spandrels and silvered chapter ring showing Roman hours, on brass paw feet, having an eight day movement, 62cm high

An 18th century and later oak cased longcase clock, the dial with pierced brass spandrels, the brass chapter ring showing Roman hours and Arabic minutes, with date aperture, signed J Sandford, the case flanked by quarter turned pilasters, standing on bracket feet, 215cm high

An oak cased Bracket Clock with two train movement by Ansonia Clock Co, USA

A 19th Century ebonised bracket clock, dial marked C.P.Wehlan & Co, with Lenskirch movement

An oak cased striking bracket clock

19th Century oak and mahogany longcase clock by William Burch of Glastonbury, the hood with swan neck pediment, square glazed door flanked by plain pillars, the trunk with long door and standing on bracket feet, square painted dial with Roman numerals and calendar aperture, 30 hour movement Condition:

A modern walnut domed bracket clock with ormolu face and Arabic numeral markers.

A modern mahogany domed bracket clock with ormolu mounts, pineapple finials and lions paw feet, brass face with two subsidiary dials and Arabic numeral markers.

A George III Irish provincial oak and mahogany longcase clock, 33cm square brass dial inscribed James Black, Sligo, Roman and Arabic numerals, subsidiary seconds dial, mask and leafy scroll spandrels, eight day movement striking on a bell, the hood with three orb and eagle brass finials, shaped rectangular door to waist, brass capped columns and quarter-columns, shaped apron, bracket feet, 233cm high, c.1800The maker is probably the James Black who also signed clocks from Dublin 1756-1772 who, like many makers of the time, was occasionally peripatetic

A George III mahogany longcase clock, 33cm arched painted dial inscribed Clitherow, Prescot, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment applied with lotus roundels, reeded Doric columns, shaped rectangular door to waist flanked by reeded quarter-columns, ogee bracket feet, 220cm high, c.1805William Clitherow was a member of a well-known Lancashire clockmaking dynasty, and was working at Prescot outside Manchester from 1795 to 1825.

A modern German mantel clock, in a mahogany case with Westminster chime on bracket feet, 25cm W.