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A Georgian style mahogany bracket clock with fusee movement, the brass break arch dial with silvered chapter ring beneath a silvered boss inscribed `Wm Sharplin`, London`, the caddy top with brass carrying handle above a break arch glazed door and two fretwork panels, on a stepped rectangular base and bracket feet, height approx 50cm, with a pendulum and key (alterations and restorations).
A 20th Century mahogany cased mantel clock with single fusee movement, the circular dial inscribed `Thos Richards, London`, the rectangular case with brass pine cone finial, above applied mouldings, flanked by a pair of glazed panels, on a plinth and brass bracket feet, height approx 31cm, together with a pendulum and key (alterations and restoration).
A George III and later oak longcase clock with thirty hour movement striking on a bell, the square brass dial with Roman numerals framing a matt centre with date aperture and applied oval boss inscribed `Wm Swinburne Alstone`, cornered with pierced foliate scroll spandrels, the hood with swan neck pediment and brass ball finial above a glazed door flanked with turned columns, the case with rectangular trunk door flanked by turned pilasters on a panelled base and outswept bracket feet, height approx 209cm, together with a weight (lacking pendulum, alterations and restoration).
A George III oak longcase clock with thirty hour movement striking on a bell, the square brass dial with Roman numerals and inscribed `Longhurst Steyning`, the hood with moulded pediment above a glazed door and turned pilasters, the case with rectangular trunk door on a plain base and bracket feet, height approx 193cm, together with pendulum and weight.
An 18th Century and later painted beech longcase clock with thirty hour movement striking on a bell, the brass square dial with silvered chapter ring and Roman numerals, framing a matt centre with engraved decoration and inscribed `Danl - Tribe, Petersfield`, cornered with pierced and cast foliate spandrels, the later case with moulded pediment and glazed door above a rectangular trunk door and plain base with shaped apron and bracket feet, height approx 208cm, together with pendulum and weight (alterations and restoration).
A George III oak and mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and indistinctly signed, cornered with shell spandrels beneath a seated boy and dog to arch, the hood with swan neck pediment above turned columns, the trunk with crossbanded door flanked by fluted corner columns on a panelled base and bracket feet, height approx 220cm (faults), together with pendulum and two weights.
An early Victorian carved oak `Gothic` chiming bracket clock, the triple fusee movement striking on a gong and a peel of eight bells to a engraved and silvered shaped arch dial inscribed GEOE EDWARD & SONS, LONDON & GLASGOW, with subsidiary dials for Slow / Fast and CAMBE CHIMES / 8 BELL CHIMES / NOT CHIME, the moulded edge door with confirming floret carved edge flanked by cluster columns with tapering pinnacles, pierced fret side panels, one destroyed and one missing, to a blind arcaded panel base, 27.25in (69cm) h. Replaced pendulum.
A French ormolu and boulle bracket clock, with an 8 day movement striking on a bell, the backplate signed Langlois A Paris, with a numbered count wheel, to a cast gilt dial with shaped enamel plaques painted Roman and Arabic numerals, the centre signed as back, the cartouche shape case surmounted with a figure of Hercules, 27in (68.5cm) h. Pendulum
A Victorian carved oak `Gothic` chiming bracket clock, the triple fusee movement striking on a gong and a peel of eight bells, to a engraved and silvered shaped arch dial signed CLERKE, 1 ROYAL EXCHANGE, LONDON, with a Strike / Silent lever above XII and a subsidiary SLOW / FAST dial above, the moulded edge door with carved leaf decoration, the case with cluster columns, faceted pinnacles with petal finials and with pierced fret sides, the base with blind arcading, 28.5in (72.5cm) h, together with the original bracket, 10.5in (26.5cm) h, 19.25in (49cm) w, 13in (33cm) d. (2) Pendulum, winding key and two door keys.
An early 19th century mahogany longcase clock, with an 8 day movement striking on a bell, to a circular painted 12 inch dial with subsidiary seconds dial, hand missing, inscribed Benj. Lautier, BATH, the arched hood with canted corners and a brass bezel, to a conforming trunk on bracket feet, 80in (203cm) h. Pendulum and two weights.
A mahogany longcase clock, the 8 day movement striking on a bell to a silvered 12 inch arched dial, with subsidiary seconds and date dials, inscribed Samuel Baggs, LONDON, engraved fan spandrels, the arch with a STRIKE / SILENT, the hood with globe and spire finials, reeded columns, replaced etched glass side panels, arch trunk door with reeded canted corners, the base on bracket feet, 91in (231cm) h. Pendulum, two weights, winding key and door key.
A George III carved mahogany longcase clock in Chippendale style, with an 8 day five pillar movement, striking on a bell, to a 12.5 inch arched brass dial, with a silvered chapter ring and subsidiary seconds dial to the matt centre with a shaped crescent plaque inscribed Jno. Fladgate, LONDON, above a pierced date aperture, the arch with a subsidiary Strike / Silent dial, the hood with brass urn finials to a blind fret panelled cresting with leaf supports, above a moulded cornice with protruding square corners, a dentil frieze above a blind fret panel and arched door flanked by moulded leaf scroll veluts, the shaped, arched and moulded figured trunk door to a panelled base on ogee bracket feet, 102in (259cm) h. Pendulum, weight, winding key and door key. See The Gentleman & Cabinet Maker`s Director by Thomas Chippendale, plate number CLXIII for a similar hood.
A George III ebonised striking bracket clock, the 7 inch brass dial signed Jno Meredith, London on a silvered plaque in the matted centre, mock pendulum and date apertures, the arch containing strike / silent subsidiary, the five pillar movement with verge escapement and trip repeat, backplate engraved in the chinoiserie manner, in a inverted bell top case, pineapple finials, on gilt block feet (all frets with later brass replacements), circa 1770, 18in (46cm) h.
A large 19th century ebonised bracket clock, arched silvered dial signed Robinson Bros., Ludlow, triple fusee movement chiming on eight bells and striking on gong, architectural case with brass finials, ormolu mounts and ormolu scroll feet, 25in. high; 16in. wide - with key and pendulum SEE FRONT COVER
Coates of Wigan, a late 18th/early 19th century mahogany long case clock, having urn scrolled and pierced pediment over square hood, enclosing brass, subsidiary and moonphase dials, supporting an eight day bell striking movement within reeded columns, the three quarter length flame veneered door flanked by quarter turned reeded and block pilasters above a box base on ogee bracket feet.
An Edwardian French mantel clock having an eight-day duration timepiece movement with a platform lever escapement, the backplate stamped with Le Lion de Belfort, being the trademark of the Franche-Comte maker Duverdry & Bloquel, the enamel convex dial having black Arabic numerals, blued steel hands and signed by the retailer ‘Bolton Smith, Manchester’, the small bracket clock-style case with green and gilt chinoiserie decoration surmounted by a brass carrying handle, height: 22cm (handle up) * Duverdry & Bloquel were founded in 1867 by Albert Villon under his name, being joined by Paul Duverdrey in 1887 with Joseph Bloquel becoming a director in 1910 on the death of Villon at which time the partnership’s name was adopted.
John Joyce, Ellesmere. A George III longcase clock, the arched dial painted with moon phases and with a silvered chapter ring, with eight day striking movement, the mahogany case with turned brass finials, shaped hood with turned pillars and fret frieze, the trunk with a panelled door and base on bracket feet, 268cm high overall.
18TH-CENTURY BRASS LANTERN CLOCK of pillared construction with domed bell above fretwork panels, the circular dial with numerals in black and inscribed indistinct maker`s name "RobcarP Hil (?)", mounted on stained teak wall bracket, with single lead weight, the clock 30cm high, 46cm high overall
An early nineteenth century mahogany North Country longcase clock, the movement of month duration, striking on a bell, the arched painted 14in dial decorated a coursing scene to the lunette and sporting scenes to the corners, the centre with subsidiary seconds and calendar dials inscribed Don (?) YORK, having Roman numerals, the hood with carved florettes to the swan neck pediment, the glazed door with lined pillars, the trunk with marquetry oval shell and satinwood banding to the shaped top door, angled blind fretwork corners, the base inlaid a sunflower, petal corners and satinwood banded panel, a shaped frieze on bracket feet. 7ft 10.5in (240cm).
A mid nineteenth century Welsh oak longcase clock, the eight day movement striking on a bell, having a painted arched 12in dial with subsidiary seconds dials and calendar aperture, Roman numerals, inscribed David Evan Llangonoyd, gilt flowers and painted fruit corners, the hood with mahogany banding, ebonised swan neck pediment with brass rondels and brass eagle ball finial, glazed door with brass capped turned ebonised pillars, the trunk with rosewood banded doors and mahogany veneered panels, brass Corinthian capped turned ebonised pilasters, the banded base on bracket feet. 7ft 3in (221cm).
A George III mahogany longcase clock by Robert Robertson, Perth, the arched dial painted with allegorical figures reprsentative of The Elements, circular face with Roman numerals, subsidiary seconds and date dials, eight day, two train movement with bell striking, the inlaid trunk with quarter pilasters above a square base and ogee bracket feet, 216cm high.
An early 20th Century mahogany cased miniature long case clock, the hood with ornate moulded broken arch pediment with rose decoration flanked by urn finials over a scrolling foliate decorated frieze and arched glazed door flanked by turned and reeded side pilasters, the main body with slim figured door surmounted by a scrolling foliate decorated frieze and flanked by quarter cut fluted side pilasters on simulated stonework bases, the base similarly decorated raised on ogee bracket feet, the three train quarter chiming movement with brass arch dial bearing silvered medallion inscribed "Tempus Fugit" over the silvered chapter ring with Roman and Arabic numerals within pierced scrolling foliate and mask decorated spandrels, 30 cm wide x 148 cm high (ILLUSTRATED)

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28112 item(s)/page