We found 28112 price guide item(s) matching your search

A 19TH CENTURY INLAID MAHOGANY LONGCASE CLOCK with architectural pediment and blind fret frieze, the engraved brass dial flanked by fruited pillars, the case with quarter reeded pillasters, boxwood stringing and raised on bracket feet. 237cm high

AN EDWARDIAN OAK CASED BRACKET CLOCK, with applied cast brass mounts

A GEORGE II EBON CASED BRACKET CLOCK, by R. Henderson, the domed top with brass carrying handle above a single, arched glazed door enclosing an engraved glass dial with applied brass spandrels, flanked by grill panel sides and raised on bracket feet, 47cm tall

A C20th Dutch lantern clock on bracket.

A German eight day bracket clock in marquetry inlaid kingwood case and with gilt metal mount and striking half hourly on a bell.

Jaeger-LeCoultre Atmos 'Classic' clock gilt and burnished case, white round dial with Roman numerals, with optional wall bracket, (220.0007.03), W20cm, H22.5cm, D15.5cm

A large double sided station clock formerly from Shrewsbury Station, Shropshire, each 59cm perspex dial with a glass front and enclosing a 24 volt electric mechanism, retaining original wall bracket, 146cm long

A large double sided station clock formerly from Shrewsbury Station, Shropshire, each 59cm perspex dial with a glass front and enclosing a 24 volt electric mechanism, retaining original wall bracket, 146cm long

An early 19th century eight day ebonised bracket clock, the Roman numeral enamel dial signed John Grant, Fleet Street, London, above a subsidiary seconds and movement striking on a bell, the shaped case mounted with a cast and lacquered brass figure of Father Time, 63cm

A Regency rosewood cased fusee mantel clock, with gilt brass pineapple finial, above a silvered dial signed Thomas Richards London, the door with brass moulding, the single fusee movement with plane back plate, on plinth base and bracket feet, 35cm H

A GOOD 19TH CENTURY FRENCH GREEN ONYX AND CHAMPLEVE ENAMEL FOUR GLASS CLOCK with serpentine top, caryatid supports, eight day movement striking, supported on bracket feet. 13.5ins high.

A 19TH CENTURY MAHOGANY BRACKET CLOCK by GRIFFITH with white dial, eight day movement, striking on a single bell with bun feet. 17ins high.

C18th Oak 8 Day Longcase Clock, 12" brass dial with cherub spandrels marked Carlisle Lowrie circa 1770, date aperture, steel & brass pendulum, hood with broken arch pediment, acorn centre finial, trunk & case extensively carved with strapwork & fans, on small ogee bracket supports

C18th Mahogany Cased 2 Train Bracket Clock by J Benbow Northwood, part silvered dial engraved with flowers, twin fusee chain driven movement, alarm mechanism, strike silent, secondary central dial marked with compass points 5, 10, 15 & 20, inset ivory escutcheons (John Benbow recorded born 1696, died 1806)

A quantity of miscellaneous items, to include: two large hessian sacks, a lacrosse stick, brass door handles, novelty cigarette lighter, a wall mounted mahogany clock bracket, a large blue glass vase and other items.

A George III Oak Longcase Clock the arched hood with reeded pilasters and three brass finials above an arched carved door and upon bracket feet, the brass dial inscribed Turner and Son, Rochford and with subsidiary seconds dial and date dial, and with strike silent, the two train eight day movement striking on a bell

A George III Oak Long Case Clock, the arched hood with tuned pilasters above an arched door, the base with ogee bracket feet, the brass dial inscribed George Brown Beverley with Roman and Arabic numerals and with subsidiary seconds dial and date aperture and with strike silent, the two train movement with anchor escapement striking on a bell

A Mahogany Clock Bracket, together with a pair of burr walnut bookends and a mother of pearl inlaid rectangular plaque

A 19th Century Bracket Clock, the silvered dial with Roman numerals and with three train musical movement raised upon low brass feet, 40 cms tall

A small walnut bracket clock with platform lever escapement. 9' high

A late 19th Century gilt ebonised bracket clock of Baroque form (key and pendulum)

A large collection of assorted clock parts, comprising mechanisms for mantle clocks, bracket clocks, together with alarm clocks, mantle clock shell, various dials, plus various spares and repairs etc

An Elliott Garrard miniature bracket clock

A late 19th Century French gilt metal bracket clock with inset sevres style plaques (key and pendulum) (3)

A gilt metal clock with putto mount on wooden bracket

An oak cased bracket clock with 8 day movement striking on a chime together with a mahogany cased mantel clock and a 1930's deco mantel clock

Edwardian Westminster chiming bracket clock with silver dial in oak case 16" tall x 11" wide

Good quality small reproduction bracket clock with silvered dial, 7.5" high, 6" wide

Edwardian bracket clock in walnut case converted to electric movement

BRACKET CLOCK. Bracket clock marked J Weller

A modern bracket clock.

FINE GEORGE III MAHOGANY LONGCASE CLOCK by Richard Marsh, Ipswich, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 12 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial at twelve, brass spandrels, pierced brass hands, encased in an architectural dentil hood with doric columns, contained in a waisted mahogany case, on plinth base with bracket feet, 237cm

EDWARDIAN LONGCASE CLOCK OF GEORGE III DESIGN by R. Andrew, Denny, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed arched 12 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary seconds and calendar dials at twelve and six respectively, painted pierced steel hands, encased in an arched hood with doric columns, contained in a waisted mahogany case outlined with boxwood stringing, on plinth base with bracket feet, 210cm high

GEORGE III OAK COUNTRY MADE LONGCASE CLOCK by Pike, Barnstable, the unsigned weight driven thirty hour movement with anchor escapement striking on a bell, the signed 12 inch painted dial with Roman numerals, calender aperture at six, pierced steel hands, contained in a waisted oak case, on plinth base with bracket feet, 192cm high

FINE GEORGE III MAHOGANY REPEATING BRACKET CLOCK maker James Cowan, Edinburgh, the signed brass twin train fusee movement striking on a bell, the engraved arched 8 inch brass dial with Roman numerals and two front winding holes, strike/silent dial to the arch, pierced blued steel hands, the arched mahogany case summounted by two brass finials, the body with two pierced side panels backed with yellow canvas, glazed front and rear doors, on stepped plinth base, 48cm high

UNUSUAL AMERICAN ANSONIA CHALET STYLE OAK MANTEL CLOCK early twentieth century, signed two train movement striking on a coiled gong, the gilt enamel dial with Roman numerals, two front winding holes, steel hands, the oak case with stepped plinth base, on bracket feet, 48cm high

EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK the unsigned eight day two train movement with anchor escapement striking on a bell, the arched 12 inch painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial and calendar aperture at twelve and six respectively, painted pierced steel hands, the arched hood with swan neck pediment and doric columns, contained in a waisted oak case, on plinth base with bracket feet, 227cm high

EARLY TWENTIETH CENTURY CHINESE STYLE BRASS DESK CLOCK unsigned keyless wind movement, the gilt guilloche dial with stylised Arabic numerals, steel hands, set within a brass case with pierced scrolling foliate decoration, the base with painted ceramic tile, on bracket feet, 19cm high

A 19th century carved oak cased bracket clock decorated with animal and male heads, brass and silver dial with seconds dial (some old faults to case), (examine). (R39)

A Garrard reproduction Elliott bracket clock with gilt and silver dial, inscribed Tempus Fugit and Garrard & Co. Ltd, Regent Street, London with original presentation box and Certificate of Guarantee, circa 1988.

A George II mahogany cased bracket clock by Anthony Marsh, the silvered break arched dial signed Anthy Marsh opposite Y bank of England, London with Arabic Numerals and subsidiary seconds, square date aperture and visible moon face movement, the double Fusee movement with striking bell the back plate heavily engraved and signed, Anthy Marsh opposite Ye Bank Of England, London and glass back. The mahogany case with carved panels, brass pineapple finials and carrying handle (21.5 inches overall). Anthony Marsh son of John Marsh, a wheelwright of Stow on the Wold, Gloucestershire was apprentice to Abraham Acton on 7 June 1714. He was made free of the clock makers company on 5 October 1724 and became a Steward of the company on 17 July 1745. This clock has been in the same family since the 19th century.

Fine quality early 18th century bracket clock of small proportions, eight day movement with single fusee and pull-quarter / hour repeat on two bells, verge escapement with bob pendulum, finely engraved backplate with flower vase and foliate decoration, brass break arch dial with pierced flower, vase and foliate spandrels, finely matted centre with false pendulum and separate calendar aperture, single winding hole and silvered chapter ring, break arch with face mask spandrels and silvered disc, signed - Mattw. Holland, London, in an ebonised dome-topped case with pierced side frets and red silk backing, central scroll carrying handle, 33cm overall height (door key and winding key present) CONDITION REPORT General overall condition very good. Movement is clean and in full working order, has been fully overhauled at some time. Case has some wear and domed top is cracked

Regency period bracket clock with eight day twin chain fusee movement striking on a bell, adjustable pendulum, white enamel dial with Roman numerals and pierced hands, in a mahogany dome-top case with inlaid brass and ebony stringing, on a flared plinth, together with separate mahogany bracket, clock 42cm overall height, bracket 40.5cm wide (winding key and pendulum present) CONDITION REPORT General overall condition good. Movement dirty but appears to be in working order. Enamel dial has some damage around edge and winding holes are chipped. Case is good. Some minor damage and cracking to veneers. Rear door is damaged bottom corners and near lock

Late 19th / early 20th century miniature bracket clock with German movement, signed - W. & H. Soh., striking hours and quarters on two gongs, silvered arched dial and chapter ring with subsidiary strike silent dial, in a burr walnut dome-top case with ivory stringing, on four ball feet, 16cm overall height (key present) CONDITION REPORT General condition reasonable, movement is clean and escapement moves but we are unable to say if it is in full working order. Silvering on dial is worn and chapter ring is worn through to base metal. Hour hand is detached but present. Case is quite worn. Veneer has some surface damage and cracking. Rear door interior silk has damage near top. Front door slightly distorted. Outer frame is very dirty and door itself difficult to open

A Mahogany Cased German Bracket Clock with Brass Carrying Handle having Eight Day Chiming Movement. Subsidiary Dials for Chime/Silent and Fast/Slow. 40cm High

A French Ormolu Mounted Boulle Work Bracket Clock with Original Bracket. Clock 40.5cms, Bracket 17.5cm High

An 18th Century oak longcase clock by John Rigg of Gisbrough (Guisborough, North Yorkshire), the 11ins square brass dial with added arch, with silvered circular plaque worded "Phillp. Pickring" and dated 1749, the silvered chapter ring with Roman and Arabic numerals and with date aperture and matted dial centre to the thirty hour brass framed movement striking on a bell, contained in 19th Century dark oak case with moulded and fluted cornice and plain turned pillars to hood, the trunk door carved with the head of a king, flower and leaf ornament and conforming leaf carved borders and plinth, on bracket feet, 85ins high. Note : John Rigg recorded working Guisborough circa 1750

A early George III Scottish mahogany longcase clock by Robert Clidsdale of Edinburgh, the 14ins arched brass dial with silvered chapter ring with Roman numerals, matted dial centre with subsidiary seconds dial and cast mask, urn and leaf scroll pattern spandrels to the eight day three train movement striking and quarter chiming on nine bells, contained in mahogany case with moulded scroll pediment, cast brass circular paterae and later fretted panels and with slender turned and fluted pillars to the hood, the shaped trunk door veneered in figured mahogany and crossbanded, flanked by fluted quarter columns, the plinth inlaid with bandings and with reeded cant corners, on bracket feet, 93ins high. Note : Robert Clidsdale (Clydesdale) recorded working Edinburgh, Apprenticed 1738, working until 1786

A walnut cased "Granddaughter" longcase clock, the 7ins square brass dial with chapter ring with Roman numerals and matted dial centre inscribed "David Hall, K. Lynn" to the eight day two train movement with brass plates and heavy ringed pillars striking on a bell, the movement complete with full length pendulum and two heavy weights, contained in walnut case of 18th Century design, the moulded top with twin pineapple finials, twin fretted frieze panels and turned and fluted pillars with Corinthian capitols to hood, shaped trunk door flanked by fluted quarter columns with Corinthian capitols, on ogee bracket feet, 54ins high

Sewills of Liverpool, a Trafalgar commemorative bracket clock, the eight day quarter repeating movement with silvered dial marked Roman numerals beneath a moonphase, mahogany cased, h:32cm

A Victorian figured walnut bracket clock case only, showing Gothic influence, having glazed door and back and fret carved sound panels, h.69cm, w.46cm

An Ansonia bracket clock, 41cm tall, together with a Westminster mantle clock

A 19th Century gilt brass and ebonised bracket clock with triple fusee movement and pull repeater cord, the body having four brass finials to top with column decoration to sides of face, with two gilt finish fret work and red fabric panels to sides of body, all on four bracket feet, the face having gilded spandrels with a silver tone chapter ring with black Roman numeral hourly markers with minute track border plus Arabic numeral minute markers with two subsidiary dials above for chime/silent and Westminster Chimes/Chime on eight bells, the movement having triple chain driven fusee movement with 8 bells plus coiled gong, rear plate of movement having a heavily engraved design, movement and face having no visible makers names or markings.

An early 20th Century Charles Frodsham miniature bracket clock, with oak body on four bracket feet with brass handle, the brass face having silver tone chapter ring with black Roman numeral hourly markers with minute track border and reading ‘Chas Frodsham London, by appointment clockmakers to H.M. The King’ to upper face, movement stamped to rear Made in England, height 17cm.

An Edwardian mahogany cased bracket clock with double fusee movement, the case having domed top with carved decoration on stepped base with gilt handles to the sides plus knopped feet to base, the cream painted dial having black Roman numeral hourly markers with minute track border, movement unmarked, height 38cm.

A 20th Century mahogany cased bracket clock, the face having ornate design to corners, the silver tone chapter ring having black Roman numeral hourly markers with minute track border, plus Tempus Fugit roundel to top, fitted with an 8-day movement, height 25cm.

An 18th century walnut longcase clock, with canopied hood, brass dial with silvered chapter ring, and chased spandrels with moonphase and high tide indicator at Bristol Key, second hand and calendar window, longcase door to a box base on bracket feet, eight-day striking movement by Joshua Hewlett, Bristol, height 225cm

An early 19thC figured, crossbanded and satinwood string inlaid mahogany longcase clock, the hood having a swan neck pediment and wrythen carved pillars, the trunk with a pendulum door, on a box base and bracket feet; the 8 day bell strike movement faced by a painted Roman dial with fox hunting scenes, subsidiary seconds and a date aperture inscribed 'Thos Owen, Haverfordwest' 88''h RSB

A George III oak and crossbanded mahogany longcase clock, the hood having a swan neck pediment, over fluted and turned columns, above a panelled door, between canted flanks, on a box base and bracket feet; the bell strike movement faced by a Roman dial 88''h LSM

A Regency mahogany bracket clock by Edward Baker of London, with pagoda shaped top surmounting an off white roman dial with makers signature, believed to be that of the Edward Baker who submitted chronometers for trial at Greenwich 1822-1834. The shaped body on step base to flattened bun feet 55cm H