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A Georgian mahogany bracket clock, circular dial with Roman numerals. Maker William Hurst

A William IV c1820 twin fusee bracket clock in a rosewood case with a crested top and applied carving to the front, with a chamfered rectangular plinth raised on four bun feet, canted case corners with brass inlay, silk backed brass sound frets to the sides and a fully glazed door to the rear, with an 8� silvered circular dial, engraved Roman numerals, minute track and non-matching steel hands, cast brass bezel and flat bevelled glass, eight-day striking movement striking the hours on a bell. With Pendulum and pendulum lock. Dimensions: Height: 44cm  Length/Width: 34cm  Depth/Diameter: 18cm

George Gray England 18. Jh. George III Bracket Clock mit Repetition. Kensington. Ende 18. Jh. Holz, ebonisiert; Messing, graviert, reliefiert und gebürstet. H. 40,5 cm, B. 26,5 cm, T. 16,5 cm. Zustand Momentan nicht lauffähig. Vierseitig verglaster Holz-Corpus auf Eckfüßen mit oberem Messinggriff. Zifferblatt mit versilbertem Zifferring von arab. und röm. Ziffern, Pendellinse, Datumsanzeige, zentrale Eisenzeiger, zwei versilberte Anzeigenringe zur Feinregulierungen in Rundbogen, mit Signatur 'George Gray Kensington'. Messingvollplatinenwerk mit floraler Gravur, ohne Schlüssel, Pendel mit Federaufhängung, Glockenschlag -

James Taylor (Ashton-under-Lyne 1724 - 1813). Große George III Bracket Clock mit Mondphase. London. Um 1770. Holz, ebonisiert; Messing, graviert, reliefiert und gebürstet. H. 53,5 cm, B. 35,5 cm, T. 23,5 cm. Zustand Momentan nicht lauffähig. Zweiseitig verglaster Holz-Corpus auf Blattvoluten-Füßen mit oberem Messinggriff. Zifferblatt mit versilbertem Zifferring von arab. und röm. Ziffern, Zentral-Eisenzeiger, Datumsanzeige, polychrom gefasste Mondphasen-Anzeige, bez. 'James Taylor London'. Messingvollplatinenwerk mit Gravur-Dekor von Ranken und einer Feder-Krone. Pendel mit Federaufhängung, 2-Wochenwerk, Viertelstunden-Schlag auf Doppel-Glocke (je ein Hammer), Repetition. Seitlich Schallgitter mit detailreichem Relief-Dekor, Eckbeschläge in Form von Blütenranken und weiblichen Hermen. Angaben laut Rechnungskopie in Höhe von 32.000 DM Peter Heuer, Antike Uhren, Bremen datiert Mai 2000 -

A mid-18th century walnut cased bracket clock, the case with caddy top and brass swing carry handle, over an arched brass dial and signed Richard Baker Londini Fecit to a silvered disc, the silvered Roman chapter ring flanked by cast brass spandrels, having matted centre, twin ringed winding holes and rolling date dial, the eight day brass verge fusee movement being gut driven and striking on a bell, the backplate finely engraved with flowers and foliage within a border and signed Richard Baker Londini Fecit, with bob pendulum, the case with glass sides and raised on ogee bracket feet, h.45cmRestored.Arch cut from separate brass plate.Height 45cm (handle down), width 26cm, depth 18cm.

An early Victorian mahogany bracket clock, the case with applied leaf and flower carvings, the restored circular white enamel dial signed CRISPE 48 CRAWFORD ST., twin winding holes for an eight-day gut driven fusee movement, having anchor escapement and striking on a bell, unsigned to the backplate, case h.44cm

A Mahogany Striking Table Clock, signed E.Bellion, Liverpool, circa 1850, arched pediment, acorn side finials, side sound frets, carved floral and swag mounts, 8-inch convex painted dial with Roman numerals, twin chain fusee movement with an anchor escapement and striking on a bell, 51.5cm high, with later associated wall bracketCase with scratches in parts, case with small cracks in parts, some surfaces appear dry and need polishing, movement needs cleaning, with pendulum. Later associated wall bracket.

A Mahogany Striking Alarm Table Clock, signed Chas Broomhall, London, circa 1780, inverted bell top pediment, acorn finials, carrying side handles and fish scale side sound frets, bracket shaped feet, 8-inch arch brass dial with a silvered Roman and Arabic chapter ring, dial centre with a recessed silvered plaque signed, date aperture, central alarm disc, arch with strike/silent selection dial, twin fusee movement with a Verge escapement and striking on a bell, bob pendulum, movement backplate with scroll and floral engraving, 54cm high Case with minor chips in parts and small cracks to veneers. later added fish scale side frets, metal surfaces are discoloured, dial with small scratches and discoloured, end of the minute hand is broken and missing, movement is dirty and needs cleaning.

A 19th century light oak and cut brass cased bracket clock, having a French movement, the dial inscribed examined by Dent, London, 33cm high

Thwaites & Reed of London Bracket Style Clock, Tander Westminster chimes movement, on stepped base, 21cm wide,

Horological Reference Library. An extensive collection of books & journals relating to horology, to include 285 issues of the Horological Journal, 1987-2009 (from Vol. 129, No. 7 to Vol. 150, No. 12); The Deacon Family of Leicestershire Clockmakers, second edition, by P. A. Hewitt, 2008, signed by John Tornton; A History of the Leicestershire Electrical Manufacturing Company GENT, by Colin F. Reynolds, 2005, signed by the author; The Great George Liver Clock on The Royal Liver Friendly Society Building Liverpool, by Colin F. Reynolds, 2007, signed by the author; The Smiths of Derby: A Journey Through Time, by Max Craven, 2011, signed by Bob Betts; Clock Repair: A Beginner's Guide, by Ian Beilby, 2010; John Watts: Stamford Clockmaker 1610-1707, by Michael Lee, signed; The Bracket Clock, by Deryck Roberts, 1982; Hobson's Choice, limited edition numbered 888/2000, by Charles Hobson, 1982; The British Horological Institute, Conservation of Clocks & Watches, by Peter B. Wills, 1995, signed by four contributors; Ormskirk Clockmakers & Watchmakers, by Anthony Daly, 2006, signed by the author; Hints & Tips for Clockmakers & Repairers, Vol. I, by John Wilding, 1986; The Construction of a Weight Driven Brass Alarm Clock, by John Wilding, 1987; The Clock Repairer's Handbook, by Laurie Penman, 1985, signed by the author, and others, together with Clock Repair & Advanced Clock Repair DVDs by John Tope. Full list of titles available on request. Condition generally appears very good, but varied, collection sold as found with all faults, in three cartons (3)

A George III oak crossbanded, ebonised and marquetry strung 8-day longcase clock by James Green, Nantwich, scrolling foliage broken pediment mounted brass globe finials, arch shaped glazed inlay hood flanked by pilaster columns, enclosing 13.5inch brass and silver chartered dial, Roman hourly numerals, Arabic minute and date aperture numerals, secondary dial and twin wind up keyholes, mounted with brass foliate spandrels, above a serpentine top panel door enclosing weights and pendulum, flanked by quarter carved canted corners , raised on carved bracket feet. 200cm H

A Georgian mahogany cased bracket clock, the silvered arched dial inscribed John Wightwick, London, height including handle 18ins

An early 20th century bracket clock by Winterhalder & Hofmeier with arched brass dial in a lancet inlaid case, with brass presentation plaque, height 33.5cm.

Chater & Livermore, A George III mahogany bracket clock, the arched painted dial with strike/silent facility and calendar niche, the twin fusee movement striking on a saucer bell and with engraved backplate, height 40cm, width 29cm, depth 21cm.Lot 1705This clock was owned by the vendor's father for many years and will require attention.The upper panel supporting the handle is detached and has veneer loss and the brass surround is loose.The pull repeat works and strikes but the clock currently does not appear to work.

Table clock after 18th century English Bracket models. Late 19th-early 20th century.Wood decorated with chinoiserie.Swiss movement.With key.Needs overhaul of machinery. Some old xylophages. Slight lack of polychromy.Measurements: 47 x 29 x 19 cm.Desk clock, bracket type, with the wooden case painted with chinoiseries based on folkloric characters among vegetal designs. The dial, in gilt metal, is decorated with spandrels in dynamic openwork. Gilt metal pinnacles finish off the structure. It has a front with a simple architectural composition, raised on a moulded base and topped by a slope with curved corners. The dial is numbered in Roman numerals (for the hours) and Arabic numerals (for the minutes). A second dial is engraved with the inscription 'Tempus fugit'. The handle finish makes the watch easy to carry.

George III Bracket Clock, signed Simpson Wigton. England, second half of the 19th century.Mahogany case with bronze appliques.Silver dial with gilt bronze spandrels.With key.In running condition, but in need of refinishing. Some old xylophagus.Measures: 44 x 27 x 17 cm.English table clock, bracket type, with the dial signed "Simpson Wigton". It has a front with a simple architectural composition, raised on a base with a cut-out skirt and finished off with a slope of curved angles. The front of the clock has classical foliate compositions, with vegetal latticework on the sides. The dial is numbered in Roman numerals (hours) and Arabic numerals (minutes). Above the dial, with a silver-plated disc, is a second dial with a chiselled eagle and the engraved inscription "Tempus fugit". The handle finish gives the piece great functionality and makes it easy to carry.Bracket clocks of English origin date back to the 1960s, when the pendulum was applied to the clock, replacing the previous "foliot" regulator or balance wheel. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This is how transportable watches came into being. These were short case pieces, which housed inside them a mechanism held between two thick plates and containing, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name.

A modern Italian style bracket clock with bracket, with floral decoration to the gilded case and applied Roman numerals, the dial signed 'Palais Royal', on shaped scrolling feet, height of clock 43cm (2).

BULLE; an early 20th century mahogany cased electric mantel clock, the silvered dial set with Arabic numerals and signed John Hodgson Halifax, on bracket feet, height 31cm.Additional InformationScuffs, pitting and wear to the case and dial, the fingers are slightly bent, scratches, scuffs, obviously the clock is not functioning.

An Edwardian inlaid mahogany balloon shaped timepiece, the enamelled dial set with Roman numerals on four brass feet, height 24cm, and an early 20th century oak bracket clock, the enamelled dial set with Roman numerals, height 25cm (2).

WILLIAM GALLOWAY DALRY; an early 19th century longcase clock, the hood with urn finial flanked by broken swan neck surmount and pierced decoration above a pair of Corinthian columns flanking the glazed door, painted face with an oval portrait of Britannia above the dial, set with both Arabic and Roman numerals with two further subsidiary dials, the case with rectangular door flanked by quartered carved columns with bracket feet, height 222cm, complete with key, pendulum and weights.Additional InformationThe clock is not currently working. 

An early 20th century mahogany longcase clock of small proportions, the silvered dial with chased scrolling decoration and applied chapter ring bearing Roman numerals and plaque, signed Mappin & Webb 172 Regent Street, the case bearing a single band of blind fret decoration above the oval shaped glazed door above an inlaid panel, on bracket feet, height 180cm.Additional InformationWe offer no guarantee of working order, losses to the moulding on the doors, scuffs, knocks and marks to the veneer.

John Moore & Sons, London 19thC fusee bracket or mantel clock, the silvered dial with Roman numerals with name and number 15654 to centre, in oak case with hinged back door, H49cm

Adams, 36 Lombard Street London, Georgian 19thC twin fusee bracket or mantel clock striking on a bell, the painted dial having Roman numerals, the arch top case with inlaid and decoration, raised on ball feet, overall height 48cm

Jonathan Carr, Deptford 19thC rosewood cased mantel or bracket clock with twin fusee movement, striking on a bell, the painted dial having Roman numerals, H49cm

19thC mystery clock, the two train movement swinging from a bracket mounted on a glass panel and striking on a gong, height of dome 37cm

A FRENCH BRASS CASED CARRIAGE CLOCK, the twin barrel repeater movement with platform escapement striking on a gong, enamelled chapter ring with Roman numerals inset to a plain gilt surround, in Corniche style case with reeded loop handle, faceted banding and bracket feet, 7" to tip of handle (Est. plus 21% premium inc. VAT)appears to be in very good condition but movement is not working

A FRENCH BRASS CASED CARRIAGE CLOCK, 20th century, the twin barrel repeater movement with platform escapement striking the half hour on a gong, white enamel dial with Roman numerals inscribed Reid, the gilded case with scrolled loop handle, Corinthian column corner posts and moulded base with bracket feet, 7 1/4" to tip of handle (Est. plus 21% premium inc. VAT)Appears to be in working order, hairline cracks to dial, case good, all glass intact

A MAHOGANY LONGCASE CLOCK, signed James Butler, Bolton, the thirty hour movement within anchor escapement and outside count wheel, striking on a bell, 13" brass dial with Roman and Arabic numerals, the silvered centre chased with foliate scrolls and sailship, seconds dial and calendar aperture, the case with turned wood finials on scrolled pediment, verre eglomise panelled frieze on turned columns, arched door flanked by turned quarter column, canted base and bracket feet, 87 1/2" high (Est. plus 21% premium inc. VAT)Movement clean, but a marriage to case, dial good but wear to silvering of centre, beautifully patinated case in very good condition but lacking base moulding

A Regency mahogany bracket clock signed Rob (sic) Gask, Horncastle, the break arch case with brass swing handle and brass fish scale side grilles, encasing the 17cm painted dial applied with Roman numerals and centred with the makers name, below a strike/silent indicator, enclosing the twin fusee movement striking on a saucer bell, the back plate and pendulum with a conforming chased foliate border, 41cm highCondition reportLight scratch marks to the clock dial particularly around key apertures, dial possibly later.Clock runs when wound however no guarantee of working condition, evidence of refurbishment and restoration, front and rear door glasses are later.Light wear to the case only with minor tarnishing to the brass fittings. 

A George III mahogany and satinwood cross banded eight day longcase clock signed T Wainwright, Overton, the twin swan neck pediment over a pair of free standing pilasters flanking the 34cm break arch silvered and brass dial with painted moon phase, centred with a subsidiary second dial and date aperture, along with the makers name, enclosing the two train movement striking on a saucer bell, the case with conforming pilasters flanking the shaped door over the lower board inlaid with satin wood banding, raised upon bracket feet, 236cm high, two weights and pendulumCondition reportMinor split to bottom board, with small chip to the case by the lock, back board is later.Movement appears well maintained although it is probably a marriage to the dial and is un tested with no guarantee of working condition. Overall the clock case and hood appears to be in good condition having undergone a degree of restoration with later repairs throughout. 

Small ship's clock, with metal stand. Fluted crown. White dial, Arabic numerals, pear-shaped hands.Measurements: 30.1 mm (bracket diameter); 13.6 mm (watch face).This piece belongs to the personal collection of Don Juan José Ontalva (Chinchón, 1930- Madrid, 2019), a famous watchmaker from Madrid, descendant of several family generations dedicated to the world of watches. During his career he achieved a high degree of precision and skill, becoming the master of other watchmakers. He is currently recognised for numerous works, including the commissioning and restoration of the Billeter astronomical clock, located in the Congreso de los Diputados (Congress of Deputies).

An early 19th century mahogany longcase clock with crossbanded decoration, the hood with brass finials and brass mounted turned ebonised pillars, arched full length door with canted reeded side pillars to the trunk, on bracket feet, arched painted dial with moon phase to the arch,  day striking movement by W Preddy, Langport, height 225cm  (weights and pendulum)

An early 19th century oak and mahogany longcase clock, with swan neck pediment and reeded side columns to the hood, arched full length door and quarter reed side pillars, on bracket feet, arched painted dial and 8 day striking movement

Early to mid 20thC bracket style clock. The gong striking movement by Garrard in three-glass case with brass-mounted handle and finials, brass dial with roman numerals (33cm high)Condition ReportSurface scratches, scuffs and knocks to the wooden case. Some splits and areas of loss to the veneer on the sides. Split to door near top hinge, front two finials are detached but present. Accretions and polish residue. Hands move when wound but it appears the striking movement is not working. Unable to say whether in full working order. Some fading and discolouration. Some scratches, accretions and tarnishing to dial. General wear and tear.

A George III ebonised and brass-mounted bracket clock,late 18th century, by William Bull of Stratford, Essex, the domed case with a carry handle, enclosing a four-pillar eight-day movement striking on a bell, with pull repeat, the backplate with foliate engraving, the front door concealing strike/silent, the whole raised on brass ogee bracket feet, the bracket with a moulded edge and stepped base, complete with two keys,clock 37.5cm high59cm high overall A similar example can be seen in Cescinsky & Webster, 'English Domestic Clocks', p.306, a copy of which is included, in addition to a previous insurance valuation.Condition ReportHas been serviced by a professional clockmaker in 2002 and Summer 2022. Some very small old spits to the domed top of the case. Some wear to the ebonised finish. There is a chip to the corner of the bracket, with other knocks and marks.Additional measurements Width 27.5cm Depth 18.5cm the clockWidth 31.5cm Depth 20cm overallfrom the limited view of the movement, it appears to be a verge escapement. 

An ebonised musical bracket clock,late 19th century, with an urn finial over an arching brass dial with silvered chapter ring below two subsidiary dials, the movement striking on a series of gongs, raised on short cast feet,41cm wide29cm deep72cm highCondition ReportKeys and winders present. Ticks when wound, although this is no guarantee of full working order. The strike and chime functions don't appear to be working at present. Pull repeat string is broken. There is a level of dirt, dust and some minor oxidisation to metal components within the movement, suggesting that the clock may not have been serviced for quite some time. We would recommend inspection by a professional. Small splits, knocks, tiny chips and wear to case. Please see additional photos. 

An Early 20th Century Walnut Cased Balloon Clock with Inlaid Lyre and Floral Swags, Brass Bracket Feet, Movement Stamped for Marque Deposee, 34.5cm High 

Set of four books:-ROBERTS, D., The bracket clock. David & Charles, 1982.-LOOMES, B., Complete British Clocks. Newton Abbot, London & North Pomfret: David & Charles, 1978.-THOMPSON, D., Clocks. Ed British Museum publications LDT.-MERCER, V., John Arnold & Son, chronometer makers, 1762-1843. Ed. Antiquarian Horological Society, 1972.Measurements: 25 x 20 x 20 x 3 cm; 25 x 20 x 1.5 cm; 24.5 x 16.5 x 2 cm; 24 x 17 x 2.5 cm. Set of four books specialising in watches. The books belong to the personal collection of Don Juan José Ontalva (Chinchón, 1930- Madrid, 2019), a famous watchmaker from Madrid, descendant of several family generations dedicated to the world of watches. During his career he achieved a high degree of precision and skill, becoming the master of other watchmakers. He is currently recognised for numerous works, including the commissioning and restoration of the Billeter astronomical clock, located in the Congress of Deputies.

Set of four books:- ROBINSON, T., The longcaseclock. Antique Collector's Club, Woodbridge, 1985.- BANDER, R., The Georgian Bracket Clock, 1714-1830. Antique Collector's Club, Woodbridge, 1985.- AA.VV, Early English Clocks, Antique Collector's Club, Woodbridge, 1982.- GOODISON, N., Barometer 1680 -1860 a history of domestic barometer and their makers, Cassell, London, 1969.Sizes: 28 x 22 x 22.5 x 3 cm; 28 x 22.5 x 2.5 cm; 28.5 x 22.5 x 2.5 cm; 28 x 22 x 22 x 3.5 cm.Set of four books specialising in watches. The books belong to the personal collection of Don Juan José Ontalva (Chinchón, 1930- Madrid, 2019), a famous watchmaker from Madrid, descendant of several family generations dedicated to the world of watches. During his career he achieved a high degree of precision and skill, becoming the master of other watchmakers. He is currently recognised for numerous works, including the commissioning and restoration of the Billeter astronomical clock, located in the Congress of Deputies.

Boulle style clock; France, late 19th century.Gilt bronze, ebonised wood and brass marquetry. Similar to tortoiseshell.Measurements: 51 x 30 x 18 cm.The clock has a gilt dial, with Roman numerals enamelled in cobalt blue on porcelain, and stands on a bracket decorated to match, also with marquetry. The set consists of a clock and bracket, modelled on André Charles Boulle's designs, made around 1800. The design follows the models created by André Charles Boulle (1642-1732) during the reign of Louis XIV. It is decorated with the artist's own marquetry, in ebony and metal, and important motifs in relief and rounded bulge, including figurative elements, which in the case of Boulle's furniture were carved pieces in wood, here already applied bronzes more typical of the style of the period. The decoration is completely Baroque, in the style of the French decorative arts of the last period of Louis XIV's reign. This is because this period was key in the development of the decorative arts in the period of Louis XVI, as designers and artists turned their gaze to the Regency style, the transition from Baroque (classical) to Rococo (anti-classical), in search of formulas for the transition from the Rococo style to the new Neoclassical. Thus, we see a great importance of classicist figuration, with allegorical figures adorning the front and the finial, as well as fantastic figuration derived from baroque chinoiserie, an architectural structure that is also baroque, chromatic contrast typical of Boulle and a profusion of motifs such as turnstones, leaves, masks and classical vases that seem to have been taken directly from the ornamental background of French classicist baroque. Even the basic material, ebony wood, can be related to that period, as it was the most popular wood in Baroque furniture. However, the profusion of gilding speaks of a different period, somewhere between the neoclassical and the Empire.

Bracket clock; late 19th-early 20th century.Rosewood and gilt bronze.Chronograph with chime. Measurements: 59 x 28 x 18 cm.Bracket clock made of rosewood which is structured on four bronze legs conceived with a design inspired by classicism. The wooden body with a rectangular structure finished off in the form of a semicircular arch, has a hinged door with a glass that allows you to see inside where the dial with Roman numerals and richly ornamented with incised plant motifs can be seen.Bracket clocks of English origin are notable mainly for their mechanism, but also for their decoration. This type of clock originated in the 1960s, when the pendulum was applied to the clock, replacing the previous "foliot" regulator or balance. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This was the origin of the watches known in England as brackets, i.e. portable watches. These were short cases which housed a mechanism held between two thick plates and contained, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name. This bracket was a separate piece that was usually made at the same time, with decoration to match the clock. Later, however, the base and clock began to be made separately.

Bracket clock, following models from the first half of the 18th century.Ebonised wood and gilt bronze appliques.In running condition.It has later period pieces and a 20th century dial.Measurements: 55 x 38 x 26 cm.Bracket clock made of wood is structured on four bronze legs conceived with a classicist-inspired design. The wooden body with a rectangular structure finished off in the form of a semicircular arch, has a hinged door with glass that allows the interior to be seen, where the dial with Roman numerals and richly ornamented with incised plant motifs can be found.Bracket clocks of English origin are notable mainly for their mechanism, but also for their decoration. This type of clock originated in the 1960s, when the pendulum was applied to the clock, replacing the previous "foliot" regulator or balance. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This was the origin of the watches known in England as brackets, i.e. portable watches. These were short cases which housed a mechanism held between two thick plates and contained, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name. This bracket was a separate piece that was usually made at the same time, with decoration to match the clock. Later, however, the base and clock began to be made separately.

Edwardian Bracket Clock; late 19th century.Ebonised wood. Gilt bronze appliques.Eight-day movement.Measurements: 51 x 25 x 16 cm.English bracket clock with ionised wood case and gilt metal applications in the form of tracery on the sides. The structure is architectural, with a semicircular arched façade and a convex truncated pyramid-shaped dome, topped with a bronze ball, a motif that is replicated on the pinnacles and the feet. The numbering is Roman numerals. Bracket clocks of English origin are notable mainly for their mechanism, but also for their decoration. This type of clock originated in the 17th century in the 1960s, when the pendulum was applied to the clock to replace the previous foliot regulator. This change made it necessary to provide the mechanism with a case to protect it from shocks that could alter its movement. This was the origin of the watches known in England as brackets, i.e. portable watches. These were short cases which housed a mechanism held between two thick plates and contained, as the driving force for each train, a combination of a hub and a snail. These clocks were originally intended to be placed on a bracket, hence their English name. This bracket was a separate piece that was usually made at the same time, with decoration to match the clock. Later, however, the base and clock began to be made separately.

A reproduction time piece of the Benjamin Franklin clock of 1757, the plate numbered' 613', on a wooden bracket, 18cm wide x 40cm high overall, complete with pendulum and weight.The cruck in need of replacement. The movement in need of a clean and some minor restoration and repainting.

BRACKET CLOCK, Victorian oak, of large proportions gilded brass arched dial with winged cherub spandrels, the face with 'chime/silent' and 'slow fast' dials, 65cm H x 42cm W, 95cm H with bracket.

Victorian oak baroque revival mantle clock/barometer. With decorative carved pediment above an enamel dial with Roman numerals and second segments. Flanked by two tazza's above a circular barometer set within an architectural form and raised on a base with bracket supports and shaped skirt, H54cm

A good quality early 20th century mahogany-cased eight-day mantle clock: the dial with Arabic numerals above a central marquetry-style decorative flower, raised on ogee-style bracket feet, the movement striking on a gong (26.5 cm high)Condition Report: The clock appears to be overwound so there might be some slight attention needed. The woodwork appears in good condition, the movement looks OK. There are minor scratches on the surface of the silvered dial where the hour hand has rubbed the dial. 

An early 20th century mahogany, chequer-strung and marquetry bracket-clock: the shaped gilt-metal neoclassical finial above a pagoda-style top and a 3.5" dial with Arabic numerals and signed Walker & Hall Ltd, raised on ornately cast cabriole legs, decorated with acanthus to the knees (26cm high)Condition Report: Although the clock didn't come with a key we have found a match and it appears (although there are no guarantees) to be running well.

A 19th Century W&H. Sch carved oak bracket clock

19TH CENTURY WELSH 8-DAY OAK LONGCASE CLOCK, Kirkham, Holywell, 11 1/4in brass dial with matt centre, subsid. secs & calendar aperture, later carved (possibly associated) Renaissance style case, long door with glazed aperture, bracket feet, 216cm high

19TH CENTURY WELSH OAK & WALNUT 8-DAY LONGCASE CLOCK, John Thomas, Newcastle Emlyn, 13in painted dial with, subsid. secs & calendar aperture, hood with turned pillars, shaped door with shell surmount, panelled base, bracket feet, 132cm high

GOOD EARLY 19TH CENTURY SOUTH WALES WALNUT LONGCASE CLOCK, Meredith, Merthyr Tydfil, painted twelve inch moon phase dial, subsidiary seconds, calendar aperture, break arch hood and leaf carved columns, marquetry inlaid case, cross banded base, short bracket feet, 229cms highComments: some veneer losses, bracket foot repaired, dial worn, pendulum bob damaged, pendulum spring missing, movement in need of restoration.

EARLY 19TH CENTURY MAHOGANY 8-DAY LONGCASE CLOCK, George Lefever, Wisbeach, 12-in brass dial with subsid. seconds, square hood above arched door between stop-fluted canted angles, square base, bracket feet, 220cm hComments: finials replced, hammer repaired, wires replaced, dial screws replaced.

FINE LATE 19TH CENTURY 8-DAY MAHOGANY MUSICAL LONGCASE CLOCK, Maple & Co. Ltd, 10 1/2in floral engraved brass dial with silvered chapter ring, subsid. secs, strike/silent in the arch, triple-sprung chain-driven movement striking 8 bells & 4 gongs, Chippendale-style case with pierced cornice hood with & blind fret frieze, acanthus scrolled anglesm, long moulded door between cluster column pilasters, balustroid base, bracket feet, 257cm highComments: left side of case below hood bracket reglued. Pendulum present.

19TH CENTURY CHESHIRE 8-DAY MUSICAL MAHOGANY LONGCASE CLOCK, L.J. Fryer, Winsford, 12 1/2in brass moonphase dial with silvered chapter ring, engraved centre, subsid. secs, 3-train movement striking 8 bells, chequer strung hood with square section reeded pillars, shaped moulded door with acorn surmount, between reeded pilasters, panelled base with redded canted angles, bracket feet, 231cm highCondition Report:Width at the base is 56cm'sWidth at the middle is 44cm'sWidth of hood 56cm'sCould not find any damage.Not currently runningVeneer of door is starting to crackNo worm

An F. W. Elliott striking bracket clock, retailed by Garrard & Co Ltd, London, gilt decoration dial with Roman numerals and blued hands, key and certificate, 18cm x 27cm x 12cm

Winterhalder & Hofmeier, a late 19th century German walnut 8 day bracket clock, the silvered dial with Roman numerals the case with inlaid brass details, the movement signed and striking on a gong, pendulum, key, 51cm.

Dutch Bracket Clock - A 20th century Franz Hermle three train musical bracket clock in a mahogany veneered case, striking on bars, height 14.5cm, width 20.4cm.

A bracket clock with brass double fusee clock movement with a later oak case and brass face with Roman numerals. Approx 50 cm.