We found 28112 price guide item(s) matching your search

A 19th century longcase clock, Glasgow, makers name rubbed, the enamelled dial with Roman numerals and two subsidiary dials, the arch decorated with 'The Cottars Saturday Night', the spandrels decorated with 'BURNS', 'RAMSAY', 'SCOTT' and 'FERGUSON', the twin train four pillar movement striking on a later gong, enclosed within a rectangular hood with scroll carved surmount, the trunk with rectangular panel door above a rectangular base with bracket feet, weights, pendulum and key present, 226cm high.

An early 20th century small oak cased bracket clock (af).

A George III mahogany mantel clock by S. Dunn of London, the 8ins diameter painted domed metal dial with Roman numerals to the eight three train movement, striking, chiming and repeating on nine bells, with engraved borders to the back plate, contained in mahogany case with square swept-in top with five turned brass urn pattern finials, fretted brass panels to sides, the front door inlaid with bold marquetry leaf ornament, the sides with folding handles and brass fish scale grilles and on brass ogee bracket feet, 23ins high Note : Possibly Samuel Dunn recorded working London from 1787

A George III mahogany table clock by Budgen of Croydon, the 6.75ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, the matted dial centre with date aperture and strike/silent dial to arch, with gilt moulded scroll spandrels to the eight day two train movement with bulbous turned pillars and back plate engraved with musical trophies striking on a bell, contained in mahogany case with inverted bell top surmounted by five gilt brass urn pattern finials and with pierced brass brackets to cresting, folding handles to sides above brass fish scale grilles, on brass ogee bracket feet, 22ins high Note: A Thomas Bugden recorded working Croyden 1735 and a John Bugden recorded working Croyden 1828-1851

An early 20th Century oak and brass mounted miniature longcase timepiece, the 2.25ins diameter silvered dial with Roman numerals to the French eight day timepiece movement with later balance escapement, contained in solid oak longcase clock style case with cast brass panels to front and on bracket feet, 15.5ins high

A 1920s dark oak "Grandmother" clock, the 8ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice and spiral turned columns to hood and panelled trunk door, the centre carved with stylised floral ornament, the plinth with shaped quatrefoil panel, on ogee bracket feet, 69.5ins high

A 1920s oak "Grandmother" clock, the 11.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice to hood, and glazed trunk door and fielded panel plinth, on bracket feet, 68ins high

A mid 18th Century oak longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, with cast mask and leaf scroll spandrels all within engraved leaf pattern borders to the eight day five pillar movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, on shaped bracket feet, 77ins high Note : Thomas Jenkinson recorded Sandwich, born 1691, died 1755

A late 18th Century mahogany longcase clock by James Lock of Bath, the 13ins arched painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels enamelled in colours with floral sprays and gilt oval, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and carved giltwood leaf paterae, slender turned pillars to hood, shaped and moulded trunk door flanked by fluted quarter columns, the plinth base crossbanded in mahogany, on bracket feet, 92ins high Note : James Lock recorded working in Bath 1780

A 19th Century French bronze clock bracket cast with Renaissance ornament and the head of a bearded gentleman with a ruff, 8.75ins wide x 11.5ins high, signed "T. Brisson"

A mahogany bracket clock,having a gilt knop finial, the silvered dial with Roman and Arabic numerals, inscribed for Thomas Best, London, with date, month and day apertures, with lunar moon phase to the base, the double fusee movement striking the hours and half-hour on individual bells,59cm high

A George III inlaid mahogany bracket clock, the enamelled dial inscribed 'Chancellor, London', the eight-day movement striking the hour, with a repeater, the backplate inscribed 'Chancellor, London', raised on brass claw and ball feet, 7in dial, 46cm high

2 mixed brass lanterns, glass bowl ceiling light, a pair of table lamps and a brass desk lamp "Mahogany cased bracket clock 38cm high x 23cm long, Chinese screen and kitchen scales 72cm high x 83cm long

Friesland clock movement together with painted metal dial, gilt crestings & bell (all loose) an oak bracket clock with 3/4 striking movement & 3 further clocks

An oak mantle clock by Enfield "Early c20 Mahogany inlaid bracket clock and bracket with brass dial, Arabic numerals and chime

Late Victorian carved oak bracket clock, the dial with silvered chapter ring & subsidiary dials, "Fast/slow and Chime/silent. 46cm H

A late 19th century German bracket clock with walnut case, with spiral twist and other applied detail enclosing a broken arch brass dial with silvered chapter ring and 8-day striking movement

A 19th century mahogany bracket clock overlaid with brass detail, enclosing a convex dial and single train fusee movement by J Sowter, London

A late 19th century walnut bracket clock, the case with applied spindle mouldings and further carved detail, enclosing a square silvered dial and 8-day striking movement

A 1950's Floral Decorated Bracket Clock with Clockwork Movement.

A FINE 19TH CENTURY MAHOGANY GILT BRASS AND SATINWOOD INLAID BRACKET CLOCK the rectangular arched hood painted dial and Roman numerals inscribed "Hunter and Son Fenchurch Street London"

Late 19th century French rosewood cased bracket clock, H18cm

A good George III Bryant & Son, London mahogany cased bracket clock, the square arched dial with silvered chapter ring bearing Roman and Arabic numerals, date aperture and strike silent feature to arch, within raised pierced foliate gilt brass spandrels signed Bryant and Son, London, repeating striking double fusee movement with verge escapement and foliate engraved brass back plate, the bell top case with gilt brass carrying handle and pine cone corner finials, glazed arched front and back doors as well as glazed side panels, raised on gilt brass ogee bracket feet, 53cm h.

A George III oak 8 day longcase clock, the 12" square arched enamel dial painted with Roman numerals, minute track, subsidiary seconds dial and calendar aperture. Painted with wheat leaves to spandrels and a hunting scene to arch, signed C. Last Acle, the four pillar striking movement with anchor escapement, the hood with wavy fret cut pediment and turned finials above a glazed door flanked by a pair of freestanding column supports above the trunk with arched door, on box base raised on bracket feet. With weights, pendulum and key. 207cm high.

Black Forest Oak Leaf Decorated Clock Bracket 

EDWARDIAN EIGHT DAY MANTEL CLOCK, MAHOGANY CASE WITH HERRINGBONE STRINGING AND DECORATIVE INLAY, WHITE ENAMEL DIAL WITH ARABIC NUMERALS, STANDING ON BRASS BRACKET FOOT

ANTIQUE BRACKET CLOCK WITH PENDULUM MOVEMENT MARKED ' LENZKIRCH AGU 56'. MAHOGANY CHAMFERED TOP CASE WITH CARRY HANDLE AND DECORATED BRASS STRINGING TO FRONT. 6 1/2" DIAL WITH ARABIC NUMERALS. CHIMES ON THE HOUR ON A PAIR OF COILED GONGS. 38CM.

A good oak bracket clock with a silvered chapter ring and ting tang striking on two gongs - Height 33cm x Width 24cm - Movement stamped W and H Sch

A French Louis XV black ormolu-mounted Boullework bracket clock, brass inlaid tortoiseshell case, with Cupid decoration on the door, gilt dial with enameled tablet numerals and brass rococo mounts. A drawing of a queen in a Venetian background features at the ceiling of the interior of the clock's chamber. Probably a drawing of Queen of Cyprus, Caterina Cornaro. H61cm, W42cm, D17cm. Missing the bracket and top finial. In need of restoration. c18th century. Weight: 10.66Kg Reserve:€800 In-House Packing & Shipping Worldwide.

EARLY TWENTIETH CENTURY QUARTER STRIKING MAHOGANY MANTEL CLOCK retailed by James Weir, Glasgow, unsigned three train movement striking on four coiled gongs, the signed silvered dial with Roman numerals and three front winding holes, blued steel hands, the arched mahogany case with inlaid border to front, on bracket feet, 49cm high

LARGE EDWARDIAN INLAID BRACKET CLOCK with shaped top, black Roman numerals on silvered dial, Junghans quarter chime movement, raised on two front brass ball feet and two rear squared feet, with key and pendulum, 43cm high

A late Victorian carved mahogany clock bracket supported by Prince of Wales feathers.

A French Louis XV boulle rosewood mounted bracket clock by Edme Baillot, mid 18th century and later, engraved Edme Baillot Paris to movement, brass foliate inlay with wall mount bearing bird surmount (a/f), 106cm high

A GEORGE III EBONISED BRACKET CLOCK BY BENTLEY AND BECK, ROYAL EXCHANGE LONDON, the white enamelled dial dated 1765, with strike/silent dial above, with an eight day two train movement, striking on a bell, the back plate signed 'Bentley and Beck, Royal Exchange London', the arch topped hood with gilt metal carrying handle and fish scale side panels, 17.5" high. See illustration.

A GEORGE III EBONISED AND ORMULU MOUNTED AUTOMATON AND MUSICAL BRACKET CLOCK, by Robert Henderson, the enamelled dial signed 'Robert Henderson, 8 St. Martins Court London', with subsidiary strike/silent dial and dial numbered 1-4, all above an automated scene of figures processing before a fine house, the three train movement signed to the back plate 'Robert Henderson, St. Martins Court, London', with all-over engraved decoration and musical movement playing on eight graduated bells, with an inscription tablet, 'Presented to Lord Richard Grosvenor MP, by 264 members of Parliament, in recognition of the ability, the courtesy, and the high spirit of honour, with which he discharged the duties of Whip to the Liberal Party, in the Parliament 1880-1885', 20" high. See illustration. Provenance: Lord Richard Grosvenor and thence by descent

A mid 20thC lacquered brass cased carriage clock, having bevelled glass panels and a folding top handle, on a bracket plinth; the gong strike movement faced by a white enamel Roman dial 6''h

A late 19thC ebonised, red boulle cased bracket clock with brass mounts, having a pagoda top, surmounted by an urn, flanked by finials and arched, glazed doors, on a moulded plinth and cast brass feet; the bell strike movement faced by a brass dial with enamelled Roman numerals 23.5''h

A 20thC Middle Eastern lacquered brass and finely cast white coloured metal cased mantel clock, having a domed top with finials, straight sides, between outset corner pillars and a bevelled glass door, on a stepped bracket plinth; the 8 day gong strike movement faced by a painted Arabic dial 15''h

An early 20thC decoratively engraved lacquered gilt metal cased carriage clock, having bevelled glass panels and a folding top handle, on a bracket plinth; the French movement with a repeater and bell, faced by a painted white enamel Roman dial inscribed A Pittar Lattey & Cie, Government Place, Calcutta 6''h

A mid 18thC walnut and marquetry longcase clock, the hood having an arched top, a blind fret carved frieze and turned pillars, over a bullseye glazed door, on a box base with flower and foliage ornament, on bracket feet; the 8 day nine bell strike movement with a brass and a silvered Roman dial, subsidiary seconds & a date aperture inscribed William Gib, London 90''h

A William IV mahogany longcase clock, the hood having a swan neck pediment over a recessed panelled door with carved quadrant flanks and a box base, on bracket feet; the 8 day bell strike movement faced by a silvered Roman dial with subsidiary seconds inscribed Alex Millar, Alex Wyllie, Mont Rose 82''h

An early 18thC walnut longcase clock, the hood having a moulded pediment, over an arched door with turned pillars and rectangular door box base, raised on a bracket plinth; the 8 day bell strike movement faced by a brass dial with subsidiary seconds and a date aperture with a silvered Roman chapter ring inscribed James Blackborow, London 89''h

A Regency style bracket clock with enamel dial and brass fittings, movement replaced by a battery

An Edwardian mahogany cased bracket clock by W J Vincent, Worthing, with shell inlaid case, the silverised dial with Roman numerals, the eight day movement striking on a gong

A late 19th century mahogany cased, 8 day dome top bracket clock, with Westminster chime, brass movement by Gustav Becker.

A reproduction 1977 commemorative bracket clock, by Elliott.

A Comitti of London mahogany bracket clock, white enamel dial, Roman numerals, twin winding holes

A 19th century continental mahogany cased marquetry inlaid bracket clock with gilt dial

William IV mahogany cased double fusee bracket clock, the white enamelled dial with Roman numerals and marked 'Griffith', striking on a bell, on plinth base and bun feet, 45cm high,

AN OAK LONGCASE CLOCK, signed Caygill, Askrigg, the eight day movement with anchor escapement and outside count wheel striking on a bell, 11" arched brass dial with Roman and Arabic numerals, calendar aperture, chased scroll centre and painted arch depicting game shooting, the case with dentil moulded broken pediment on turned columns, blind fret frieze, mahogany banded arched door flanked by fluted quarter columns, panel base and ogee bracket feet, 88 1/4" high

A BRASS CASED CARRIAGE CLOCK, the twin train movement with cylinder escapement striking on a bell, the white enamel dial with Roman and Arabic numerals, calendar dial, in Corniche style case with loop handle and bracket feet, 6 3/4" to tip of handle

AN OAK LONGCASE CLOCK signed John Hartley, (Halifax?), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with a sunburst over a colonnade (possibly Masonic), calendar dial, the case with moulded cornice on baluster turned columns, arched door flanked by quarter columns, panel base and bracket feet, 82 1/2" high (Illustrated)

AN IMPRESSIVE EARLY GEORGIAN TABLE CLOCK by Joseph Windmills, London, early 18th century, the single fusee movement with verge escapement, foliate engraved back plate with cartouche inscribed "Jas Windmills, London", 12" arched brass dial, silvered chapter ring with Roman and Arabic numerals, signed Windmills, London, matted centre with mock pendulum aperture, calendar dial to arch with sunburst, the glazed case with caddy top surmounted by a pierced brass fret and finials, brass side handles, moulded base and bracket feet, 18 1/2" x 9 3/4" x 32" (Illustrated)

A MAHOGANY LONGCASE CLOCK, signed Thomas Warburton, Bollington, the eight day movement with anchor escapement striking on a bell, the 14" arched painted dial with Roman numerals and painted moonphase, secondary dials and spandrels depicting buildings, the fine quality case with scrolled pediment and blind fret spandrel surmounted by turned brass finials, fluted columns, blind fret frieze, arched panelled door flanked by fluted quarter columns, canted base and bracket feet, 98 1/2" high (Illustrated)

A 20th century gilt cased carriage clock, signed Charles Frodsham London, with white enamelled dial, bevelled glass face on bracket plinth

A late 19th Century French alabaster and gilt metal mantel clock, in the classical manner, the arched top surmounted by cherub and butterfly, flanked by urn finials, circular Roman numeral dial supporting an 8 day movement striking on a bell, flanked by classic maiden columns, on an inverted breakfront base terminating in bracket supports, raised on a gilt wood plinth, 20cm wide x 43cm high

A George III oak mahogany cross-banded and boxwood strung long case clock, the hood with scroll arch pediment and turned columns enclosing a painted dial with rolling moon face and 8 day movement, William Lines of Warwick, shaped trunk panelled door with central paterae above a stepped box base terminating in ogee bracket supports, 226cm high

LATE EIGHTEENTH/EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID ROLLING MOONPHASE LONGCASE CLOCK, signed Edward Shepley, Manchester, the 14 1/4" painted dial with romantic scene and four line verse to the centre, enclosed by figural spandrels and set beneath the moonphase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, free standing stop fluted forecolumns, above a flame cut long trunk door with shaped top and fluted forecorners, raised on a chamferred base with bracket feet, the whole decorated with fan and boxwood line inlays, 94" (232.8cm) the dial with three hands and brass pointer, only the hour and minute hands appear to be engaged

EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)

GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high