We found 28112 price guide item(s) matching your search

Thirty hour wall clock, the 10" square bass dial with matted centre and silvered chapter ring signed G. Horsnaile, Warfield, with contemporary steel bracket

An early 19th Century Longcase Clock, the painted arch dial inscribed "Morrell, Whitby" with 30 hour movement in mahogany case with swans neck pediment and on bracket feet. 7'2" (214cms) high.

An Edwardian Bracket Clock with steel and brass dial and striking movement in architectural design domed oak case on bracket feet. 17" (43cms) high.

A George III oak longcase clock with thirty hour movement, the circular enamelled dial with roman and arabic numerals and calendar aperture, (maker's name indistinct), the swan neck pediment above a chamfered corner trunk, on bracket feet 212cm high

An early 19th century mahogany chiming longcase clock By W.Lakin (?) Tamworth the three train movement striking the hours on a bell and chiming on a nest of eight graduated bells, the arched hood with circular glazed door enclosing a roman enamelled dial with subsidiary seconds dial, the arched trunk door between quadrant corners, on panelled base with ogee bracket feet, the whole decorated with crossbanding and ebony stringing 212cm high

A 20th century walnut cased bracket clock with dome top and urn finial, the 5.5 inch arch dial with strike/silent and fast/slow dials and Roman numerals, the eight day movement striking on gongs, 50cm high

A 20th century walnut cased bracket clock with gilt arch dial and silverised chapter ring with Roman and Arabic numerals, the German Lenzkirch eight day movement striking on two gongs, 41cm high

A George III mahogany bracket clock, T Green, Liverpool (circa 1880), the bell top case carrying handle and corner cone finials and glazed sides and door, the 7 inch arch painted dial with strike/silent in arch and Roman and Arabic numerals and date indicator, the eight day double fusee movement striking on a bell and with engraved backplate signed Tho. Green Liverpool, 47cm high

Jaeger-LeCoultre Atmos mantel clock, the brass cased clock with glazed panels and open view mechanism raised on bracket feet, complete with carrying case

Regency period brass and ebonised mantel clock, the circular white enamel dial with Arabic numerals, in domed top case with face mask and griffin brass overlay, raised on bracket feet, 30cm high

An antique mahogany pocket watch stand in the form of a Georgian bracket clock, 8 1/2" high.

A BRASS GREAT WHEEL SKELETON CLOCK, the single fusee movement with anchor escapement, 3" enamelled dial with Roman numerals, raised on turned tapering supports, under glass dome, with moulded rounded oblong mahogany base, on bracket feet, 20th century, 17" high

A LONGCASE CLOCK by Thomas Radford, Leeds, the eight day movement with anchor escapement, arched dial painted with flowers and with Roman and Arabic numerals, secondary dial, painted moonphase with landscape and seascape, in inlaid mahogany case with stringing and chequer banding, scrolled pediment with finial on fluted Corinthian columns, arched door flanked by stop fluted quarter columns, canted base and bracket feet, 97" high

An early 20thC German walnut bracket clock of fourteen-day striking movement, the architecturally inspired case with a pagoda top, behind a broken pediment mounted with urn finials, the arched brass dial with silvered chapter ring and flanked by twist pilasters, on a moulded base with bun feet, 25" high.

A Victorian flamed mahogany bracket clock of carved and shaped form case with painted dial with Roman numerals and marked Mallett, Jersey, eight day double fuseé movement striking a bell, 21½" high.

A STAINED PINE LONGCASE CLOCK the 30.5cms (12") painted broken arch dial with roman numerals, seconds dial, calendar aperture, spandrels in the form of castle and abbey ruins, the arch with cattle watering, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with flat pediment on turned pilasters, long broken arch trunk door, plain plinth and bracket feet, 196cms high (with pendulum and weights)

AN OAK & MAHOGANY LONGCASE CLOCK CASE with ASSOCIATED BLACK FOREST DIAL & MOVEMENT the case with broken swans neck pediment, part ring turned pillars, cross banded trunk door and plinth and bracket feet, 208cm high the associated Black Forest 30 hour chain driven movement with tic-tac escapement and painted wooden broken arch dial, 30cm, with pendulum & weights

A GEORGE III MAHOGANY BRACKET CLOCK, the brass dial signed "Eardley Norton, London 221", with a silvered chapter ring with inner date pointer, with gilt spandrels and silent/strike dial above, the two-train movement striking on a bell, with an elaborately engraved backplate, the case with all over brass and ebony inlay, 231/4 " high. Provenance: Private collection, London.

Good quality Regency bracket clock with circular white enamel dial, double fusee movement striking on bell with brass inlaid mahogany dome, top case with gilt brass side handles and pierced side grilles on ball feet, 48cm

Good quality late Victorian striking carriage clock with white enamel dial, gilt brass case with swing handle, bevelled glazed sides on bracket feet, 17.5cm

Edwardian Twin Astrel double fusee bracket clock with silvered circular dial in domed oak case with pierced side grilles on bun feet, 37cm

Early nineteenth century oak longcase clock case (no movement) with swan neck pediment, circular glazed dial aperture and crossbanded decoration, shaped door flanked by reeded pilasters on bracket feet, 214cm

George IV eight day longcase clock with painted arched dial decorated with river scenes, subsidiary seconds and date dials by J Trotter, Gateshead, in inlaid mahogany case with fretwork cornice on bracket feet, 230cm

A Regency Rosewood Four Light Bracket Clock having twin fusee movement striking a bell with hour repeater, standing on bun feet, 11½ ins (29 cms) in height.

A Fine George III Mahogany Bracket Clock by Jno. Roberts St James's London. The 6 inch (15 cm) brass dial having a matted centre housing pendulum swing & calendar apertures, encircled by a chapter ring engraved with Roman numerals counting the hours and an outer ring of Arabic's counting the minutes, with scrolling Rococo spandrels adorning the corners and a strike/silent and seconds ring located in the arch amidst decorative foliate engraving and inscribed maker's name Jno. Roberts, St James London. The twin fusee movement striking a bell with a rising pendulum and ornately engraved back-plate. The flame figured case having a bell-shaped pediment with gilt brass carrying handle to the top and fir-cone finials surmounting the corners. Standing 19 ins (28 cms) high on bracket feet (original unrestored condition).

A Splendid Louis XV Period Lacquered Bracket Clock with Bracket by Jacques Bothezeau Paris. The balloon case having a raised pediment and swept wall bracket painted with an abundance of flowers on an apple green ground and embellished with fine ormolu mounts cast in the form of asymmetric sprays of foliage & crested rocaille scrolls. The pediment surmounted by a crown of swirling flowers & stylized foliage. The spring driven movement striking a bell and having an 11 inch (29 cms) enamel dial with a segmented border of numeral panels, 47 ins (120 cms) overall in height.

A Large Painted Bracket Clock & Wall Bracket. The enamel dial signed Marschall Hger. de la Cour AVONAUESCHINGEN . The case and bracket decoratively re-painted with sprays of roses on a pale green ground and having embossed sheet brass mounts with a bouquet of flowers surmounting the top. The movement striking two bell. 41 ins (104 cms) overall in height.

C19th Painted Dial 8 Day Long Case Clock marked to dial Pembroke Dock, arched dial with scene of lady feeding hens, secondary seconds dial, date aperture, case on small shaped bracket supports, stained pine with reeded moulding to trunk, hood with broken arch pediment, shaped baluster columns

A circa 1900 French brass cased carriage clock of small proportions, the swing loop handle above white enamelled dial set with Roman numerals and bracket foot base, 8 cm high

A circa 1900 French brass cased carriage clock, the swing loop handle above white enamelled dial set with Roman numerals and raised on a bracket foot base, with leather travelling case, clock 12.5 cm high

An XVIII Century Oak Longcase Clock, with 30 hour movement, by C. Fletcher, Rotherham, with stepped cornice, square 30 cms diameter dial engraved with birds and flowers, on bracket feet, 208 cms high.

A XIX Century Oak and Mahogany Longcase Clock, of eight day movement striking on a bell, the painted dial with Arabic numerals, two subsidiary dials and signed Stonehouse, Leeds, flower painted spandrels with a religious scene, the hood with swan neck pediment and plain pilasters, the crossbanded trunk door of Gothic form, flanked by canted corners, on a deep plinth with shaped bracket feet, 235 cms high.

A XIX Century Mahogany and Rosewood Longcase Clock, of eight day movement striking on a bell, the painted dial with Roman numerals, subsidiary dial and calendar aperture, signed Beal & Son, Sheffield, painted to the arch with a shipping scene, the hood with a swan neck pediment, baluster turned pilasters, the trunk door flanked by canted corners, on a deep plinth with bracket feet, 227 cms high.

J Atkinson, a 19th Century mahogany and satin wood cross banded longcase clock, the twin train movement supporting Roman and date dials above three quarter length door within canted reeded pillisters, box base and bracket feet 209cm.

J Beale, Twickenham, an early 19th Century mahogany long cased clock having a twin train eight day movement, supporting arched enamel Roman dial above, three quarter length door and box base on bracket feet, 220cm.

Maple & Co, London, a mahogany cased bracket clock having pineapple finial and enamel Arabic dial with French movement the case decorated with gilded flowering horn ring handles and on ball feet, 36cm x 20.5cm.

Redshaw, Newcastle, a mahogany crossbanded oak eight-day longcase clock, mid 18th century, the four finned pillar inside countwheel bell-striking movement with 11 inch square brass dial with calendar aperture to the foliate engraved matted centre within an applied Roman numeral chapter ring with foliate half hour markers and signed Redshaw, Newcastle to lower edge, the angles with mask and scroll cast spandrels, the case with ogee moulded cornice above reeded pilasters to hood, rectangular trunk door and on plinth base with ogee bracket feet, 196cm high.

A bracket clock with silvered dial.

A Regency three pad bracket clock, mahogany, the engraved back plate signed Recordon, London, the 7" white dial indistinctly signed with damage to the enamelled finish and deterioration of the numerals, the arched three pad case with extensive sun bleaching and shrinkage to the veneers, the twin fusee movement striking on a single bell (at fault), 33cm high. Louis Recordon is listed as working 1778 Ð 1824 having succeeded Emery at his premises in Cockspur Street.Ê He retired in 1795, but the firm continued to make high quality wares

A George III and later eight day, longcase clock, oak, the 12 inch brass and silvered dial signed J. M., Hythe with outer ring of Arabic numerals, inner ring of Roman numerals, centred subsidiary seconds dial and date aperture, the caddy top hood with front corner corinthian columns over a plain rectangular narrow trunk door on a planked base and tall bracket feet, 214cm high (with repairs and renewals)

A George III eight day longcase clock, the 13 inch arch brass dial signed Samual Hartley Salop with associated eight day movement striking on a single bell, the hood with arched glazed door flanked by tapering fluted front corner hood pilasters over a shaped crossbanded long trunk door between quarter fluted front corner pilasters on a box base (lacking short bracket feet) (at fault), 218cm high

A late George III thirty hour longcase clock, the 12 inch square repainted face signed Thomas Gilbert, Rugeley, with ring of Arabic numerals and centre date aperture, the hood with swan neck pediment over half fluted front corner hood pilasters above a short crossbanded trunk door flanked by quarter fluted front corner trunk pilasters on a box base and short bracket feet, 205cm high

A thirty hour longcase clock, oak, crossbanded mahogany, the 11 inch square painted dial (restored) signed Plimer, Wellington, with ring of Roman numerals and centre date aperture, the hood with swan neck pediment over three quarter fluted front corner hood pilasters above a long narrow crossbanded trunk door with conch shell inlay on a planked base and short bracket feet, 215cm high

An early 19th century mahogany longcase clock, the pagoda top hood centred with a blind fretwork panel and three acorn finials above reeded columns, the circular 16 inch enamel dial signed "Reynolds Spalding" with seconds dial and Roman numerals, with 8 day four pillar movement, the trunk with reeded quarter pilasters, raised on a rectangular plinth and short bracket feet, door loose, some damage to plinth veneer, 240cm high

An early 19th century oak and mahogany longcase clock, the hood with swan neck pediment and eagle finial and Corinthian columns, the break arch 13 inch dial signed "Ino, Barber Nottm" with painted floral spandrels and octagonal pastoral scene to the arch with 8 day four pillar movement, centre calendar, the trunk with canted corners and oval inlay to the door, the plinth with circular stringing banding and bracket feet, 213cm high

A Regency ebonised bracket clock and bracket, the triple pad top with handle above 17.5cm (7 inch) enamel dial with pierced moon hands and centre seconds, two spandrels below and brass frets to both sides, the foliate scroll backplate signed "Robt Best London" and with central swivel bracket for pendulum holdfast, with twin fusŽe movement, all raised on worn gilt ogee feet, 32cm (12.5 inches high) with handle folded; with matching wall bracket 23cm high, 30cm wide

A late George III mahogany bracket clock. the 5in white enamel dial with twin winding arbors and marked 'William Evel, Bath', the twin train eight day fusee movement striking on a bell, the backplate etched with foliate arabesques, the cavetto moulded flame mahogany top with pine-cone finials, the glazed sides with brass loop handles, the mahogany door with chased foliate pierced corner spandrels, the whole raised on ogee bracket brass feet. 38cm high

A George III mahogany longcase clock. By James Miller, Alloa. the twin train movement striking on a bell, the swan neck pediment with brass rosettes above a rococo cast brass and matted dial with silvered chapter ring, subsidiary seconds dial and calendar aperture, signed 'James Miller Alloa', to the arch, the arched trunk door between reeded quadant corners, on panelled plinth and bracket feet. 218cm high

A Regency mahogany bracket clock and bracket en suite. the 6 inch steel dial with twin winding apertures, strike/silent switch and marked 'Ellicott London' the eight day twin train fusee movement striking on a bell, back plate with inscribed maker's cartouche, the stepped top with a brass loop handle, above glazed sides, the case with brass stringing and feet, 40cm high together with a brass string tapered flame mahogany wall bracket. 24cm high

A large Victorian walnut bracket clock The silvered dial inscribed 'J.W.Bell, Leeds' with a triple fusee movement, striking the quarters on two bells with applied foliate and fruiting vine decoration 49.5cm high

An Edwardian balloon case bracket clock the mahogany case inlaid with a shell, with a double fusee movement, striking the half hours on a bell 45cm high

A mahogany wall clock, with a twin fusee movement striking on a gong, the back plate stamped 'W&H Sch (Winterhalder & Hofmeier),' with a 12 inch dial, the case with applied scroll foliage and a false bracket, 22.5in (57cm) h; pendulum and winding key

A George III mahogany and ormolu mounted chiming bracket clock, with a triple fusee movement and replaced verge escapement striking on nine bells, the engraved back plate inscribed 'SPENCER & PERKINS LONDON,' with a 7 inch enamel dial inscribed the same, above a subsidiary date dial, with a floral painted shaped surround, the case with a conforming shaped hinged door, hinged fabric backed pierced and chased side doors, side carrying handles, the bell top with urn finials, 26in (66cm) h.

A reproduction faux tortoiseshell and gilt brass bracket clock, with bracket, striking on two bells, 23.5in (57cm) h, 8.25in (21cm) the bracket.

An George III mahogany bracket clock, with a twin fusee movement and verge escapement with bob pendulum and striking on a bell, the engraved backplate inscribed 'Wm. Webster, Exchange Alley, London.' with a silvered 8 inch square dial having a pendulum aperture and inscribed 'Wm. Webster, London.' with a Srike/Silent lever to the top left corner, the case with gilt brass mounts and an inverted bell top with circular aperture door, 19.75in (50cm) h.

A George III mahogany repeating bracket clock, the twin fusee movement with a verge escapement and striking on a bell, the foliage engraved back plate with a bob pendulum, with an arched brass dial and silvered chapter ring, the matt centre with pierced aperture and silvered plate inscribed 'Joseph Rose & Son, London', with date aperture, the arch with Strike/Silent dial, the case with a bell top having brass carrying handle and bud finials, glazed doors and side panels on ogee bracket feet, 20.25in (51.5cm) h; later winding key. Joseph Rose & Son, London working 1765-1784

A George III mahogany repeating bracket clock, with a verge escapement and twin fusee movement, striking on a bell, with a bob pendulum, having a scrolling leafage, shell and urn engraved backplate, the 7inch circular enamel dial inscribed 'Chas Howse, London', enclosed by a hinged door, panelled sides and an inverted bell top with later handle, flame urn finials on ogee bracket feet, 17in (43cm) h; restored. Charles Howse, London apprenticed 1750, Clock Maker's Company 1761, Master of the Clock Maker's Company 1787-1804

An 19th century rosewood and brass mounted repeating bracket clock, with a twin fusee movement striking on a blued gong, with a 6inch silvered dial, inscribed 'Upjohn, South Street, Exeter', having a strike/silent lever above XII, the case with a panelled front, pierced scale side panels, a stepped top with ring handles, 2nd quarter of the 19th century, 14in (35.5cm) h; pendulum, winding key and door key

A George III mahogany longcase clock, with and 8 day five pillar movement striking on a bell, with a 12 inch arched brass dial having a silvered chapter ring and subsidiary seconds dial, the silvered centre engraved and inscribed 'Conyers Dunlop, London,' above a date aperture, the arch with a Strike/Silent dial, the case with a pagoda hood and stop fluted columns to an arched trunk door with stop fluted quarter pilasters to a panelled base with bracket feet, 99in (251.5cm) h; pendulum, two weights. Conyers Dunlop, London 1725 - 79.

An ebonised bracket clock, with a single fusee movement and a 7inch dial with brass chapter ring, the centre engraved 'Tempus Fugit', the case with a caddy top and brass mounts, movement and case associated, 16.25in (41cm) h; pendulum and winding key