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AN EDWARDIAN MAHOGANY AND SATINWOOD INLAID BRACKET CLOCK with arched silvered dial with strike/silent dial and with Roman numerals, the striking movement on a shaped mahogany bracket, 16 1/2" high.

John Downs, Swansea a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture and signed `John Downs, Swansea`, with rural cottage scenes painted to the four corners and a moon-phase disc within the arch, the mahogany case having various inlays and stringing and having a short door with shaped top and with various inlays and stringing, the hood having a swan-necked pediment with a brass `vase` centre finial, and with florally carved columns to the trunk and hood, all standing on bracket feet, height: 244cms. * John Downs is recorded as working in Swansea in the early 19th century.

A Regency mahogany and brass banded bracket clock with stepped top and brass pineapple finial surmount, eight-day striking movement, white enamel dial with Roman numerals by Thomas Warwick, Birmingham, on fluted and square block base and ball feet, with brass carry handles, 21" high

An Edwardian mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds, beneath a silvered boss to arch inscribed `Richard Gregg, London`, the hood with inlaid shell patera surmount flanked by brass ball and eagle finials, above a glazed door and fluted columns, the arched trunk door with oval inlaid patera repeated on the base within crossbanded border, on bracket feet, height approx 207cm, together with two weights and a pendulum.

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing an engraved matt centre with subsidiary seconds and date aperture, beneath a silvered boss to the arch inscribed `Jn Barr, Port Glasgow`, all cornered with pierced gilt spandrels, the hood with swan neck pediment flanking a scallop shell surmount above a glazed door and fluted columns, the trunk with double arched door, flanked by fluted chamfer cut corners, on a plain base and bracket feet, height approx 201cm, together with two weighs and pendulum.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date aperture beneath a rolling moon to arch and inscribed `John Collier, Cheadle`, the hood with swan neck pediment surmounted by three brass ball and eagle finials, above a glazed door flanked by inlaid columns, the trunk with triple Gothic arched door on a chamfered base and ogee bracket feet, height approx 247cm, together with two weights and pendulum.

An early 20th Century brass cased carriage clock with eight day movement striking on a gong, the enamel dial with Roman numerals, the case with swing handle on bracket feet, height approx 16cm, with leather carrying case.

A late 19th Century gilt brass carriage clock with eight day movement striking on a gong, the cream enamel dial with white circular Arabic hour plaques and inscribed `W.R. Bullen, London St, Norwich`, the glazed case with reeded swing handle on bracket feet, height approx 17.5cm, together with a key.

A late 19th Century brass and porcelain mantel clock with eight day movement striking on a gong, the painted porcelain dial with Arabic numerals above a scene of a courting couple with woodland and building beyond, signed `Koene`, the case with arched surmount above a pair of pillars on a pedestal base and bracket feet, height approx 28cm, together with pendulum and key (lacking back door).

A late 19th Century brass four glass table clock with perpetual calendar and moonphase, the eight day movement striking on a bell, the backplate stamped with `GVE Rey Jr` and `J. Marti`, supporting a compensated mercury pendulum, the two piece white enamel dial with Roman numerals and visible brocot escapement, above a further enamel dial annotated with months of the year to circumference, enclosing subsidiary day, date and moonphase, each set within a foliate engraved gilt brass surround, the bevel glazed case with moulded top and base on bracket feet, height approx 40cm.

A 19th Century French brass one piece cased carriage clock with eight day repeating movement striking on a gong, the white enamel dial with Roman and Arabic numerals and inscribed `Klaftenberger, 157 Regent Street, London`, the backplate with `DC` maker`s mark for Drocourt and inscribed `Klaftenberger, Paris 12764`, the glazed case with swing handle on bracket feet, height approx 16cm, together with key and leather carrying case.

A late 19th Century rosewood and brass mantel timepiece with eight day movement, the white enamel dial with black Roman numerals, the bracket clock style case with carrying handle and ball feet, height approx 17cm.

A late 19th Century German oak bracket clock with eight day movement striking the hours and quarters on five gongs, the brass dial with subsidiary slow/fast and chime/silent indicator dials above a silvered chapter ring and matt centre, surrounded by cast and pierced gilt scroll spandrels, the backplate stamped `W&H Sch` (Winterholder & Hoffmeier), the dome top case profusely carved with masks, foliage and scrolls, the front with bevelled glazed door flanked by a pair of carved mask and scroll fret panels on a breakfront base and bracket feet, height approx 57cm, together with a pendulum.

An Edwardian mahogany cased mantel clock with eight day movement striking on a gong, the white enamel dial with Roman numerals, the arched case flanked with a pair of brass columns, on a plinth base and bracket feet, together with a pendulum.

An early 19th Century brass five pillar twin fusee bracket clock movement, striking on a bell with anchor escapement and pull repeat facility, the backplate and brackets with wheatear engraved decoration, fitted with a painted iron dial with Roman numerals, dial diameter approx 20.5cm.

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a foliate engraved silvered centre with date aperture and inscribed `John Tickell Crediton`, cornered with gilt spandrels beneath a silvered boss to arch inscribed `Tempus Fugit` above an eagle, the arched hood with brass pineapple finials above a glazed door and Corinthian columns, the crossbanded rectangular trunk door flanked by Corinthian corner columns on an inlaid base and bracket feet, height approx 220cm, together with pendulum and two weights.

An Art Deco walnut diminutive longcase clock with eight day chiming movement striking on gongs, the silvered chapter ring with Arabic numerals, the quarter veneered trunk on a concave shaped base and bracket feet (lacking pendulum).

VICTORIAN WELSH OAK EIGHT DAY LONGCASE CLOCK, by W Hopkin, "Llandilo" having broken swan pediment above arched aperture flanked by baluster turned pillars, the waist with baluster turned pillars flanking crossbanded arch moulded door on cross banded panel base with bracket feet. Arch painted face with Roman numerals, seconds dial and date aperture decorated with country scenes and cottages. The face 19" x 13.5". 90" High overall.

EARLY 20TH CENTURY OAK THREE TRAIN ARCHITECTURAL BRACKET CLOCK, having strap work pediment above rectangular aperture flanked by reeded corinthium column pilasters on a simulated stone work base with stepped plinth. Brass face with silver chapter ring and silent chime and slow fast rings. Three train brass movement striking on two gongs. 21.25" High x 15.75" Wide.

LATE 18TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, indistinctly named, the flat hood now with added broken arch pediment, square aperture flanked by turned pillars, the waist with quarter pilasters flanking shaped waist door and a panel base with bracket feet. Square painted face with Roman numerals and floral spandrels, having seconds dial and date aperture. Face 13" Square. 83" High overall.

19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, having cut down swan neck pediment above arch painted face, with seconds dial and date apature, moulded arch waist door on panel base with bracket feet. Un-named. The dial 18" x 13.5". 86" High overall.

An Air Ministry gimble mounted Azimuth Circle No.4 compass with fixing bracket, and an antique mounted clock with magnifying glass face on leather covered wooden mount (2)

A late Georgian cross banded and feathered mahogany cased striking eight day longcase clock by Monks of Prescot, the painted 14ins arched dial featuring a moon phase to the arch, painted subsidiary seconds dial, date aperture and twin winding holes, the trunk and hood decorated with boxwood stringing, raised on bracket feet, with pendulum and twin weights, approx height 7ft 5ins (227cm) (illustrated)

9ct gold hollow link bracelet, together with a collection of eighteen 9ct gold and yellow metal charms, including a Masonic orb, carousel, Concorde, bracket clock and others, some charms set with coloured glass, various weights, approximately 230grms.

A George III ormolu mounted mahogany Bracket Clock signed John Taylor, London, the rectangular case with swept caddy top with applied floriate swag decoration decoration surmounted by a flambe urn finial flanked by scrolling side pieces, the chamfered corners with caryatid and scroll and floral pendant mounts surmounted by floriate acorn finials, the sides with drop oval handles above foliate C scroll rectangular sound frets, on a moulded plinth base with applied winged cartouche cast apron mounts on acanthus scroll feet, the seven and half inch brass arched dial with rococo spandrels, silvered Roman and Arabic chapter ring with single date aperture, strike/silent subsidiary to the arch, matted centre with recessed signed silvered cartouche and pierced steel hands, the twin gut fusee movement with foliate scroll and floral basket engraved backplate, the verge escapement striking on a bell, with repeater cord 64cm high, 34cm wide, 25cm deep approximately In good original condition commensurate with age, the movement untested but appearing to be in good original condition, the repeater cord now broken. View on auctionatrium.com

A FRENCH BRASS DRUM CASED CLOCK WITH SILVERED DIAL, PLATFORM ESCAPEMENT BENEATH GLAZED LIGHT AND SWING HANDLE ON CONTEMPORARY CARVED OAK STAND C1900 AND A GERMAN WALNUT BRACKET CLOCK C1900, A CHIMING MANTEL CLOCK AND AN ELKINGTON BRASS TIMEPIECE WITH ENAMEL DIAL

An 18th Century oak cased long case clock, the hood with moulded cornice and turned pillars, over an arched trunk door, to base on bracket feet, the square brass dial with silvered chapter ring, Arabic and Roman numerals, inscribed "John Evan, Aberystwyth", the matted centre with subsidiary seconds and date aperture, scrolling spandrels, to an eight day striking movement on a bell (ILLUSTRATED)

Late 19th century boxwood banded and mahogany three-train bracket clock

A double fusee bracket clock, the ebonised case having ormolu urn finials, the movement having three hammers striking on two bells, the arched dial having silvered chapter ring and date aperture, the chapter ring inscribed Jones, Chester and the backplate inscribed John Jones, Chester within an armorial cartouche. Height 38cms.

A late 19th Century bracket clock by Winterhalter & Hoffmeier, the movement striking on a gong and having a rectangular brass dial with silvered chapter ring, slow/fast and chime/silent subsidiary dials, the case of classical architectural form with fluted pilasters and having sound fret side panels. Height 42cms.

A fine 19th Century walnut and ormolu quarter repeating bracket clock by Winterhalter & Hoffmeier, the case having a pagoda pediment with urn finials, sunburst sound fret side panels, on paw feet, the movement chiming on eight bells and four gongs, with silvered arch dial having roman chapter ring and chime/silent, slow/fast and chime on eight bells/chime on four gongs subsidiary dials. Height 72cms.

An Edward VII bracket clock, the brass-inlaid oak arched case having foliate decoration the French movement striking on a gong and having a circular convex enamel arabic dial with retailer`s name `Dyson and Sons, Leeds`. Height 36cms handle raised.

An unusual 30 hour 18th century oak long case clock, the caddy top hood with ball finials and three quarter turned side columns, the trunk with arched door with later carved decoration, similarly carved base, on bracket feet, square brass dial with silvered chapter ring and centre, 30 hour key wound twin weight driven movement striking on bell, height 80"

A 19th century ebonised portico clock with extensive brass and coloured enamel inlay, arched pediment, barley twist columns, plinth base and originally matching brass inlaid wall bracket, white enamel dial and 8 day French movement striking on bell, overall height 32"

John Lamb Spilsby. An early 19thC longcase clock, the arched dial painted with female figure beside a spaniel within a noble and decorate foliate scroll, spandrels, with an eight day striking movement, the cross banded oak case with reeded columns with Corinthian capitols and a swan neck pediment, on bracket feet 201cm high overall, the dial 31cm

A George III longcase clock, the arched brass dial cast with putti, masks and foliate scrolls with a silvered chapter ring, subsidiary "penny moon" and date apertures, with an eight day movement, the case inlaid with fans and carved with flutes on bracket feet dial 31cm wide, the case 218cm high overall

A late 19th Century Mahogany, Rosewood and Boxwood Inlaid German Bracket Clock, C Werner 76095, the plinth-shaped case with detached base, to a cast brass bezel enclosing an engraved and silvered Arabic dial with outside minute track and blued steel spade hands, to a square brass movement, with backmounted count wheel and anchor escapement, strike on a coiled gong, height 12 ½”

A mid-20th Century American Mahogany Cased Mantel Clock, the lancet-shaped case on a plain moulded base and lacquered brass bracket feet, to a spun brass bezel, to a 4” Arabic enamel dial with outside minute track, signed Ansonia Clock Co, and with blued steel hands, to a twin spring-driven movement with anchor escapement and strike on a blued steel coiled gong, height 12 ¼”

A 19th Century French painted and gilt metal mounted Bracket Clock (incomplete), the waisted case on a painted dark grey field, and highlighted birds feathers and further cast brass foliate mounts (most missing and also missing glazed panelled door), to an 8 ½” Roman and Arabic enamel dial with outside minute track and pierced hands, to a twin spring-driven movement with anchor escapement (incomplete and not functioning), height 17 ½”

A late 19th Century black Marble and Lapis Lazuli inlaid Bracket Clock, retailed by Jackson & Graham of London, the architectural case with overhanging cornice, surmounted by curved pediment flanking a central plinth, over inlaid square columns and raised on a double breakfront plinth base, to a cast brass bezel with bevelled glass enclosing a 4 ½” black dial with gilt highlighted Roman numerals and outside minute track, signed to the centre and with gilt spade hands, to a circular brass movement with anchor escapement and strike on a bell (losses), height 12 ¾”

A late 20th Century reproduction Lantern Clock, William Gray of London, of typical form with a bell within a strap work frame, with pierced and engraved panels, to an oversized and silvered Roman Chapter ring, with inside quarter track and half hour markers, to a further engraved and signed centre with single steel hand, raised on ball feet, with shuttered side doors, to a verge movement with back mounted count wheel and strike on a bell, the whole mounted to a Mahogany wall bracket, together with its original sales papers, height of clock 15”

A mid-19th Century Mahogany and cross banded 8 Day Long Case Clock, T Evans of Bangor, the hood with swan neck pediments over freestanding baluster turned columns flanking replicated half columns to an arched door and moulded throat with frieze panels and short trunk door, further flanked by freestanding columns to a panelled plinth base on bracket feet, to a 14” painted Roman dial with moon phases to the arch and depicting the maidens of the four seasons to the spandrels, to a Roman chapter ring with outside minute track and centred with a depiction of the Ascension of Christ and further subsidiary seconds and date sector with pierced and stamped Brass hands, to a false plate and movement with plates united by four knopped pillars with anchor escapement, strike on a bell, height 91”

An Edwardian mahogany and chequer strung bracket clock, having a silvered dial and Roman hours with a single fusee movement signed Ashdown & Bartlett, Maidstone

A mahogany Huxtable of Newton Abbot bracket clock, the square dial with Roman numerals, silvered dial, applied gilt metal decoration, raised on stepped and shaped body, upon four ball feet, height 40 cm, a mahogany bracket clock, the circular dial inclosed within square pediment surmounted case, raised on four brass ball feet, height 42 cm, (2).

An oak cased bracket clock.

A late 19th century French bracket clock, the circular dial with Roman numerals to an eight day movement striking a gong, housed within an ebonised case painted with birds and flowers

A circa 1900 French slate cased bracket clock, the circular dial with gilt bezel and Roman numerals the eight day striking movement housed within an architectural style case on bracket feet

An 18th century oak and mahogany banded longcase clock of eight day movement striking the hour on a bell, the square brass dial, 25cm, with Roman numerals, secondary calendar dial and signed John Jones, London to the matted centre, the hood with a swan neck pediment and turned pilasters, over a trunk with an oblong door, inset with a glass lenticle, on bracket feet, 203cms high.

A mahogany and inlaid eight-day longcase clock, the 33cm arched painted dial with subsidiary seconds, the hood flanked by turned columns, the case enclosed by an arched door, on shaped bracket feet, height 205cm (80 3/4in.).

A mahogany longcase clock, the 31cm engraved brass dial bearing label Charles Packer & Co. Ltd., 76/78 Regents St. West, with strike/silent, St. Michaels/Westminster/Whittington, and subsidiary seconds, the hood flanked by fluted columns, the trunk enclosed by a astragal glazed door, on ogee bracket feet, height 235cm (92 1/2in.).

A 19thC rosewood bracket clock, with a single fusee timepiece movement, the circular cream dial signed Ridley, London, the case with applied foliate scroll work on integral scroll brackets. Overall Height 60cm.

A mahogany and brass moulded clock bracket, with a sliding outer case suitable for concealing a winding key, etc.

19th century oak longcase clock, the trunk with three-quarter fluted columns,on bracket feet, circular painted dial with Roman numerals, floral spray, date aperture and indistinctly signed, thirty-hour movement, striking on a bell.

An Asprey pagoda shaped chinoiserie mantel clock, with brass Roman numeral dial and red gilt lacquer case, on ogee bracket feet

A 19th century mahogany longcase clock, the crenelated hood enclosing an enamel Roman dial signed A Breckenridge, Kilmarnock, with subsidiary seconds and calendar dials, the spandrels allegorizing Brittania and the Four Continents, on bracket feet, 223cm high

CLOCKS - A 19TH CENTURY MAHOGANY LONGCASE CLOCK, having Scottish style case with swan neck hood and pilasters, four pillar mechanism with rack bell strike faced by arch painted dial, the trunk with figured veneers and plinth with bracket feet

A late Victorian ebonised bracket style mantel clock, the six inch dial with ring of Roman numerals centred winding holes, bears retailers name H Robinson, 15 High Street, Shrewsbury & Ludlow, the eight day movement striking on a coiled gong, the caddy topped case on four compressed bun feet (veneer losses to the top), 50cm high

Early 19th century mahogany cased bracket clock, by T Cox Savory of London silvered and engraved dial with triple train movement striking on two chimes 17in. (43.18cm)

19th century Rosewood double fusee bracket clock the base and spandrels with gilt metal mounts, silvered chapter ring, to twin train movement striking on a bell 18 x 11 x 8in. (45.72 x 27.94 x 20.32cm)

19th century mahogany clock bracket with gilt metal acorn finial 15 x 13 x 9in. (38.10 x 33.02 x 22.86cm)