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An early 19th century bracket clock by Whitehurst & Son of Derby, the painted dial supporting a twin train fusee movement in an (adapted) mahogany, inlaid and brass mounted case, h. 56 cm CONDITION REPORT: Case with significant alterations, finial loose, face worn and chipped, no guarantee as to working order

A 1930's oak cased bracket clock with brass movement, complete with key. H46cm x W17cm x D8cm

A good 20th century walnut cased brass faced bracket mantel clock by Elliott of London

A good 20th century walnut cased brass faced bracket mantel clock by Elliott of London

A 1930's oak cased bracket clock with brass movement, complete with key. H46cm x W17cm x D8cm

A Louis XIV style beech and brass mounted bracket clock, late 19th century, the circular enamel dial bearing Arabic numerals, eight day movement, bell striking, stamped JS Fini Paris 42957, the balloon shaped case with brass mask and rococo scroll mounts, verso glazed door, raised on scroll feet, with key 15 by 9 by 32cm.

A Louis XIV style burr walnut and brass cased bracket clock, brass dial with enamel Roman numerals, German eight day movement by FHS, half four striking on a bell, 58cm high.

A part 18th century provincial Dutch longcase clock, with arched dial, silvered chapter ring, subsidiary second dial, eight day movement, chiming on a bell, with ivory ball finials, in a fruitwood case, the top with dentil cornice and fluted fret frieze, the door with ebonised edge moulding, and gilt central medallion, upon a base with canted corners and double ogee bracket feet, 54 by 28 by 243cm high.

A LOCAL 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the painted face with eight day movement, subsidiary seconds dial and date aperture, moon rolling mechanism, makers name `Geo. Slater, Uttoxeter`, the hood with swan neck pediment, quarter cut pillasters to the trunk, raised on bracket feet, two weights and pendulum, H 223 cm

A Louis XIV style beech and brass mounted bracket clock, late 19th century, the circular enamel dial bearing Arabic numerals, eight day movement, bell striking, stamped JS Fini Paris 42957, the balloon shaped case with brass mask and rococo scroll mounts, verso glazed door, raised on scroll feet, with key 15 by 9 by 32cm.

A Louis XIV style burr walnut and brass cased bracket clock, brass dial with enamel Roman numerals, German eight day movement by FHS, half four striking on a bell, 58cm high.

A GEORGE II STYLE BRACKET CLOCK with silver chartering and two train movements striking on a coiled gong, the architectural case standing on an associated long case clock style column, 61"" high

A late 19th/early 20th century bracket clock, by A. Dane, London, twin fusee and in mahogany case with lift off hood. Height 17.5 ins, width 13 ins.

A boulle marquetry cased bracket clock, with brass chapter ring, Roman numerals and two-train striking movement. Width 9.5 ins, height 17 ins. CONDITION REPORT: The clock winds on both trains. The dial is a little rubbed in places but in generally good condition. The velvet backing to the dial is a little discoloured but has no significant losses or damage. The case is in generally good order. The brasswork to the rear corner of the caddy top is lifting in the bottom right hand corner for approximately 2 cm square. There are small pieces of brass and tortoiseshell missing in this area but this is fairly minor. The front right hand corner of the ebony veneered cornice has a small surface loss and there is a crack to the return on the left hand side. Both the right hand and left hand panels are in good order as is the front door and surround. The plinth base is in good condition and the feet are original. The rear door is in good order. The rear top right hand finial has been repaired at some point and the top half of this is missing. All other finials are present.

An Edwardian mahogany bracket clock in Georgian style with a silvered dial in a butterfly motif inlaid case with brass stop fluted columns and brass ball finials, maximum height 48cm.

A Very Fine Late 18th Century Twin Fusee Striking English Ebonised Bracket Clock with pull quarter strike/movement on a bell. plus a verge escapement. Engraved floral back plate. Silvered dial. Glazed side & back windows. Rack strike on a bell sounding the hours on a single bell. complete with wall bracket mount. 12.25`` in width, 12`` in height Maker to dial reads `William Ward, Bloomsbury, London` Circa 1767-1794. 21`` in height, 10.75`` in width, 7.25`` in depth. Working order.

A late 19th century triple fusee bracket clock, with ebonised case, striking on eight bells and five gongs. Height 24 ins, width 16.5 ins (see illustration). CONDITION REPORT: The case is in generally good structural condition. There are minor surface blemishes, scuffs, small dents and scratches as one would expect but no real significant damage or losses. The only slight issues are losses to the fretwork panels to either side of the case. There is a small area of loss to both sides. The rear door is more substantially damaged, it hinges correctly however. The centre fretwork panel has been pushed in and has breaks and small pieces missing. The movement itself is all present and correct and whilst a little dirty it appears to be operating as it should. The clock is currently ticking away.

A late 19th century ebonised bracket clock, by W. Corke & Son, Wolverhampton, with two-train spring driven movement striking on two gongs (see illustration).

A late 17th/early 18th century inlaid mahogany combined clock and bracket, with brass finial to the stepped hood above a glazed door enclosing the silvered brass dial and with later Edwardian movement to the rear, the integral bracket with foliate marquetry. NOTE - This clock bears an interior label "Mr Octavius Morgan dated this clock as regards case and face at about 1690". Overall height 16 ins, width 6.75 ins (see illustration). CONDITION REPORT: Unfortunately we do not have a key of the correct size to fit through the winding apertures at the back of this timepiece. The case is in generally good condition. The brass finial is in good order as is the caddy top. There has been a finial to the left and right hand front corners of the cornice. These are missing and there are holes. The front door has minor cracks to the veneer. This is most evident at the bottom right hand corner and to a lesser extent the top right hand corner. The sides of the piece are in generally good condition as is the base. The back panel has been cut out in order to facilitate winding. The bracket is in generally good condition with no significant areas of damage or any losses. The dial is dirty and has clearly had later steel screws through the chapter ring. This should all be clear from our image.

A late Victorian bracket clock, with Winterhalder & Hofmeier two-train movement, mahogany cased and with silvered brass dial. Height 17 ins, width 12.25 ins. CONDITION REPORT: The clock case is in generally good, untouched, original condition with no problems. It has numerous old surface scratches and minor scuffs but no problems of any significance. The glass panels and door glass are in good order. The silvered brass dial is in reasonable condition. The minute hand is missing. The movement winds on both trains and appears to be striking as it should. The two rear balls to the hood are none original. The rear right hand brass ball foot is missing.

A late 19th century mahogany bracket clock, in the Regency style, by Goldsmiths & Silversmiths Limited, Regent Street, London, single-train fusee movement, brass embellishments and brass grilles to either side. Width 12 ins, height including finial 20 ins (see illustration).

An Edwardian mahogany three-train grandmother clock, with long arched trunk door, the base raised on bracket feet. Height 64 ins.

An early 19th century mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the painted dial and two-train striking movement, flanked by twist columns and with long trunk door, the whole raised on bracket feet.

A George III mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the silvered brass dial with moon phase and eight-day striking movement above the long trunk door flanked by fluted quarter columns and raised on bracket feet (see illustration). CONDITION REPORT: Height including finial 98.5 ins. This clock is in exceptionally good condition from the point of view of the case. It does not require any restoration as far as we can see. It has a very good colour and good patination. The door is not warped. The dial is in very good condition. The movement appears to be complete and is currently striking as it should. The clock is not currently ticking as the spring that holds the gong train barrel is detached. This is a very minor problem.

A Victorian mahogany longcase clock by Furnace of Cockermouth, with swans neck pediment, arched painted dial and thirty hour movement, with short trunk door, turned columns and crossbanded base raised on bracket feet. Height 93 ins (see illustration).

A fine George III longcase clock by Monkhouse of Carlisle, with swans neck pediment with ho-ho bird to centre above the arched glazed door enclosing the 12.5 inch arched silvered brass dial with moon phase to the arch, Roman numerals, subsidiary seconds dial and two-train striking movement flanked by fluted columns, the long trunk door being crossbanded and also flanked by fluted columns, the base with canted angles and raised on ogee bracket feet. Height 94.75 ins (see illustration).

A 19th century oak and mahogany banded longcase clock, by J. Smith, Keighley, thirty hour movement, the case with swans neck pediment, arched glazed door and raised on bracket feet. Height 98 ins. CONDITION REPORT: The clock case is in generally good order. There are one or two very minor veneer losses but no issues of any great significance. The trunk door is not warped and there are no substantial cracks to the case at all. The dial is generally very clean and the clock does tick when weight is applied to the chain. We have the weight and pendulum.

A 19th century oak and mahogany banded longcase clock, by J. Smith, Keighley, thirty hour movement, the case with swans neck pediment, arched glazed door and raised on bracket feet. Height 98 ins. CONDITION REPORT: The clock case is in generally good order. There are one or two very minor veneer losses but no issues of any great significance. The trunk door is not warped and there are no substantial cracks to the case at all. The dial is generally very clean and the clock does tick when weight is applied to the chain. We have the weight and pendulum.

A late 19th/early 20th century bracket clock, by A. Dane, London, twin fusee and in mahogany case with lift off hood. Height 17.5 ins, width 13 ins.

A boulle marquetry cased bracket clock, with brass chapter ring, Roman numerals and two-train striking movement. Width 9.5 ins, height 17 ins. CONDITION REPORT: The clock winds on both trains. The dial is a little rubbed in places but in generally good condition. The velvet backing to the dial is a little discoloured but has no significant losses or damage. The case is in generally good order. The brasswork to the rear corner of the caddy top is lifting in the bottom right hand corner for approximately 2 cm square. There are small pieces of brass and tortoiseshell missing in this area but this is fairly minor. The front right hand corner of the ebony veneered cornice has a small surface loss and there is a crack to the return on the left hand side. Both the right hand and left hand panels are in good order as is the front door and surround. The plinth base is in good condition and the feet are original. The rear door is in good order. The rear top right hand finial has been repaired at some point and the top half of this is missing. All other finials are present.

A late 19th century triple fusee bracket clock, with ebonised case, striking on eight bells and five gongs. Height 24 ins, width 16.5 ins (see illustration). CONDITION REPORT: The case is in generally good structural condition. There are minor surface blemishes, scuffs, small dents and scratches as one would expect but no real significant damage or losses. The only slight issues are losses to the fretwork panels to either side of the case. There is a small area of loss to both sides. The rear door is more substantially damaged, it hinges correctly however. The centre fretwork panel has been pushed in and has breaks and small pieces missing. The movement itself is all present and correct and whilst a little dirty it appears to be operating as it should. The clock is currently ticking away.

A late 19th century ebonised bracket clock, by W. Corke & Son, Wolverhampton, with two-train spring driven movement striking on two gongs (see illustration).

A late 17th/early 18th century inlaid mahogany combined clock and bracket, with brass finial to the stepped hood above a glazed door enclosing the silvered brass dial and with later Edwardian movement to the rear, the integral bracket with foliate marquetry. NOTE - This clock bears an interior label "Mr Octavius Morgan dated this clock as regards case and face at about 1690". Overall height 16 ins, width 6.75 ins (see illustration). CONDITION REPORT: Unfortunately we do not have a key of the correct size to fit through the winding apertures at the back of this timepiece. The case is in generally good condition. The brass finial is in good order as is the caddy top. There has been a finial to the left and right hand front corners of the cornice. These are missing and there are holes. The front door has minor cracks to the veneer. This is most evident at the bottom right hand corner and to a lesser extent the top right hand corner. The sides of the piece are in generally good condition as is the base. The back panel has been cut out in order to facilitate winding. The bracket is in generally good condition with no significant areas of damage or any losses. The dial is dirty and has clearly had later steel screws through the chapter ring. This should all be clear from our image.

A late Victorian bracket clock, with Winterhalder & Hofmeier two-train movement, mahogany cased and with silvered brass dial. Height 17 ins, width 12.25 ins. CONDITION REPORT: The clock case is in generally good, untouched, original condition with no problems. It has numerous old surface scratches and minor scuffs but no problems of any significance. The glass panels and door glass are in good order. The silvered brass dial is in reasonable condition. The minute hand is missing. The movement winds on both trains and appears to be striking as it should. The two rear balls to the hood are none original. The rear right hand brass ball foot is missing.

An Edwardian mahogany three-train grandmother clock, with long arched trunk door, the base raised on bracket feet. Height 64 ins.

An early 19th century mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the painted dial and two-train striking movement, flanked by twist columns and with long trunk door, the whole raised on bracket feet.

A George III mahogany longcase clock, with swans neck pediment above the arched glazed door enclosing the silvered brass dial with moon phase and eight-day striking movement above the long trunk door flanked by fluted quarter columns and raised on bracket feet (see illustration). CONDITION REPORT: Height including finial 98.5 ins. This clock is in exceptionally good condition from the point of view of the case. It does not require any restoration as far as we can see. It has a very good colour and good patination. The door is not warped. The dial is in very good condition. The movement appears to be complete and is currently striking as it should. The clock is not currently ticking as the spring that holds the gong train barrel is detached. This is a very minor problem.

A Victorian mahogany bracket clock, the 8 inch silvered dial with black Roman numerals and 8 or 4 bell switch and silent mechanism, within a stepped Classical case, the scroll pediment carved in the Empire style, 51.5cm high

A Charles II style lantern clock, probably late 17th or early 18th century, the 6 inch dial with Roman numerals and chased floral pattern, in a lacquered steel frame, the turned and knopped uprights supporting the strapped bell, with a pierced fret to the front, supported on a later wall bracket, the clock 35cm high

A Charles II style lantern clock, probably last quarter of the 17th century, the 6.5 inch brass dial etched with tulip pattern and Roman numerals, within a steel frame, the strapped bell with spike finial, on a later wooden wall bracket, the clock 39cm high

Joseph Finney, Liverpool, mahogany eight day longcase clock, circa 1760, the hood with swan neck pediment and verre eglomise panels over fluted brass capped columns flanking a 13'' arched brass dial with signed silvered chapter ring, matted centre with engraved detail, subsidiary seconds, moon phase to the arch and inscribed 'On time's uncertain date eternal hours depend', mask spandrels, eight day movement striking on a bell (pendulum deficient), quality flame mahogany trunk with single door within reeded pilasters, over a canted box base with raised flame mahogany panel, raised on ogee bracket feet, height 240cm Please note our special conditions of sale regarding clocks and watches

Paul Price, Chester, mahogany eight day longcase clock, circa 1848-78, swan neck pediment over turned columns flanking a 13 1/2'' arched dial with moon phase, Roman numerals, subsidiary seconds and date dial, signed to the centre within painted spandrels representing the Four Seasons, eight day movement striking on a bell, Gothic arched door to the trunk within further turned pillars, raised on a crossbanded canted corner base with bracket feet, height 235cm Please note our special conditions of sale regarding clocks and watches

Grocott, Holywell, oak eight day longcase clock, early 19th Century, moulded canopy over reeded brass capped columns flanking a 12'' painted dial, centred with birds and with subsidiary seconds and date aperture, Roman numerals to the chapter ring, floral spandrels, eight day movement striking on a bell, the trunk with mahogany banded door within quarter reeded pilasters and box base with bracket feet, height 205cm Please note our special conditions of sale regarding clocks and watches

A late 19thC oak gingerbread mantel clock, the circular 18cm Roman numeric dial, fronting an 8-day movement, striking on the hour, in a heavily carved case surmounted by carved wheat and flowers and flanked by baluster columns on a carved rectangular base, terminating in stylized bracket feet, 36cm wide x 9cm deep x 65cm high.

A MAHOGANY CASED BRACKET CLOCK, late 19th century, the twin fusee movement striking on a bell, 7"" brass dial with Roman and Arabic numerals, mock pendulum and calendar aperture, the case with caddy top and brass pineapple finials, stop fluted quarter columns, pierced brass sound panels, raised on brass lion paw feet, 12"" x 20"" (Illustrated)

A GEORGIAN EBONY CASED BRACKET CLOCK by Barraud, London, the fusee movement with verge escapement and repeater striking on a bell, engraved back plate, 7"" arched brass dial with Roman and Arabic numerals, matted centre with mock pendulum, calendar aperture and signature plaque, strike/silent dial to arch, the case with inverted bell top surmounted by a brass loop handle, and with brass finials, pierced brass sound frets, moulded base and bracket feet, 11 1/4"" x 20 3/4"" (Illustrated)

A REGENCY MAHOGANY CASED BRACKET CLOCK by Greenwood, Rochester, the twin fusee repeater movement striking on a bell, the shaped back plate engraved to the borders and secured by brackets, similar pendulum, 8"" white enamel dial with signature and Roman numerals, the domed case with brass trim surmounted by a brass loop handle, pierced rass sound panels, moulded base and bracket feet, trade label for H Hills, Manchester to interior, 12 1/2"" x 17 1/2"" (to tip of handle) (Illustrated)

AN OAK LONGCASE CLOCK signed Robert Skelton, Malton, the thirty hour movement with anchor escapement and outside countwheel striking on a bell, 12"" square brass dial with Roman and Arabic numerals, silvered centre with signature and calendar dial, the case with dentil moulded cornice on turned columns, dentil moulded throat moulding over arched door and canted trunk with fluted corners, panel base and bracket feet 79 1/2"" high (Illustrated)

A BULLE ELECTRIC FOUR GLASS MANTEL CLOCK, the 5 1/4"" pierced grille dial with Roman numerals and exposed mechanism inscribed Sacre Paris, the brass case with moulded cornice and base, on bracket feet, 8 1/2"" x 13

A FRENCH BRASS CARRIAGE CLOCK, the twin barrel repeater movement with platform escapement, white enamel dial with Roman numerals inscribed Andrew Barrie a Paris, in Corniche case with swing loop handle and bracket feet, in leather carrying case, 7"" to tip of handle

AN EARLY GEORGIAN EBONISED BRACKET CLOCK, signed Robert Sly, King St, Westminster, the twin fusee five pillar movement with verge escapement striking the hours on a bell, the engraved back plate with signature, 7 3/4"" square brass dial with Roman and Arabic numerals, matted centre with calendar aperture and mock pendulum, strike/silent selection, signature to dial, the case with caddy top having brass loop handle and turned finials, moulded base and bracket feet, 16 1/2"" high (Illustrated)

A FRENCH BRASS CASED CARRIAGE CLOCK, 20th century, the twin barrel movement with platform lever escapement, white enamel dial with Roman and Arabic numerals and inscribed Mappin & Webb, the corniche case with swing loop handle and bracket feet, 7"" high to tip of handle

AN OAK LONGCASE CLOCK by Joseph Roberts of Leeds, the eight day movement with anchor escapement striking on a bell, 12"" arched brass dial with Roman and Arabic numerals, chased centre with calendar aperture and seconds dial, silvered roundel to arch engraved with a cockerel, the walnut banded case with broken pediment and brass finials on turned columns, arched door, panel base and bracket feet, 90"" high (Illustrated)

A CHINOISERIE LONGCASE CLOCK, the eight day movement with anchor escapement striking on a bell, 12"" arched brass dial with Roman and Arabic numerals, matted centre with secondary dial, bears the signature Thomas Shipley, engraved eagle to silvered boss in arch, the case featuring garden scenes with figures on a black ground, with caddy top on engaged columns, arched door with lenticle, panel base and bracket feet, 89"" high (Illustrated)

A late 19th century walnut bracket clock with brass chapter ring and dial, the glazed doors flanked by turned fluted pilasters, with 8 day movement and strike action. 36 cm high

A Knight and Gibbons of London reproduction mahogany bracket clock, a limited edition of 74/100, date 2004.27 cm high

Late 19th Century brass two train foliate cast bracket clock with urn finial, ceramic face and two handles on foliate bracket feet. CONDITION REPORT; Condition is good overall. Surface wear to brass as expected but no obvious significant damage. Dial is in good condition. No sign of ticking.

Late 19th Century brass two train foliate cast bracket clock with urn finial, ceramic face and two handles on foliate bracket feet. CONDITION REPORT; Condition is good overall. Surface wear to brass as expected but no obvious significant damage. Dial is in good condition. No sign of ticking.

Art Nouveau mahogany and inlaid bracket clock, the shaped case with inlaid butterfly, with a white dial and arabic hours, 25cm high

Early 20th Century walnut bracket clock, the lancet case with a white enamel dial, rarabic hours, twin train movement striking on a gong, 38cm high