A FRENCH GILT METAL MANTEL CLOCK, late 19th century, the twin barrel movement striking on a bell, stamped Guiche Palais Royal 309, 3 1/4" embossed dial inset with white enamel Roman numerals, in waisted rococo style case with flowers and scrollwork, raised on pierced bracket feet, 13 3/4" high
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A BRASS CASED CARRIAGE CLOCK, the twin barrel movement with platform escapement repeat striking on a gong, white enamel dial with Roman numerals, in "Pillars" style case with foliate square loop handle, free standing fluted corner columns, deeply moulded top and base, on stepped bracket feet, 8 1/4" to tip of handle
AN OAK AND MAHOGANY THIRTY HOUR LONG CASE CLOCK, swan neck hood on reeded column supports either side of door to 10' square brass dial with Roman numerals, corner spandrels, dial inscribed Presbury Coventry, single finger, quarter pilaster supports either side of door, separate plinth base having ogee bracket feet, approximately 212cm high (several modifications, alterations, replacements etc) (one weight and penulum)
AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, swan neck pediment supported on columns either side door to arched brass 12' dial with corner spandrels to Roman numerals and Arabic chapter rings inscribed Keetley Tuxford, rocking moon over, shaped bracket base, approximately 225cm high (splits and losses)
A BLACK SLATE AND RED MARBLE MANTEL CLOCK, with gilt figural mount, modelled as bearded cavalier in hat over drum movement, dial inscribed John Bennett London with gilt Roman numeral chapter ring, Japy Freres movement c.1870 stamped 4061, lion mask and ring carrying handles, shaped bracket feet and vine pediment, approximately 38cm x 18.5cm x 52cm high
AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, shaped panel door with half bobbin pilasters either side and beaded borders above and below, swan neck hood with floral brass roundel mounts either side ball and eagle finial, column supports either side door with urn finials over, arched dial with gent shooting game with working dog over Roman numeral dial and Arabic dial within, floral spandrels and 'John Hall Sleaford 1810', all on shaped bracket plinth. Approximately 222cm high, (dial over painted) (two weights, pendulum and key) (splits and losses)
A FRENCH COBALT BLUE AND GILT CLOCK GARNITURE, the cobalt urn clock with segmented Roman numeral dial inscribed N. Cheneau Dijon over cherubs to gilt plinth base, bird and floral finial, approximately 52cm high, the two six sconce candelabra garnitures having lion mask ring handles, garland to front on shaped bracket feet, plinth approximately 52cm high
A VICTORIAN FRENCH MANTEL CLOCK, of balloon form having floral ceramic painted panels under on stepped gilt metal plinth base with scroll and floral bracket supports, basket of flowers finial with garlands streaming down either side birds in nest over circular white enamel dial having Roman numerals and Arabic dial inscribed Au Negre Sarazin Bart St Denis 19, eight day movement striking on a bell, impressed 69. 7104, pendulum impressed 7104, approximately 30cm x 14cm x 35cm high (key)
AN IMPORTANT 18TH CENTURY BRACKET CLOCK, by James Aickin of Cork, in an ebony and parcel-gilt case, with steel chapter rings, signed in the arch with subsidiary strike/silent and seconds dial, open-face pendulum into the matt brass back, calendar and quarter-repeat pull, engraved back plate, multiple strikes on bells, with gilt-brass carrying handle and ogee bracket feet. 44cm highJames Aickin (or Aicken) was born c. 1711 and died on the 14th of October 1795, aged 84. He was buried in Kilbrogan, outside Cork city. He was a prominent Freemason and worked active during the years of 1738-1780. The Corporation of Youghal, just east of Cork City set £8 aside for him for “repairing and putting up” the town clock in 1777. Along with bracket clocks such as this one he also manufactured long case models. He took at least two apprentices, William Knapp, who opened his own business in 1760. Cork was a major Atlantic port at this time, with extensive trade links to many European countries, and arguably the most cosmopolitan town in Ireland. James Aicken was married twice and he had at least two sons and two daughters. One of his sons, George, followed his father’s footsteps in the clock trade with premises also in James Street and Queen’s Place. He was apprenticed in London becoming a Freemason of the Clockmakers Company on the 29th May 1777 and is also listed among the Cork Goldsmiths. He returned to Cork, and, like his father, married twice. He had two children but died in 1813 taking the Aickin name from Cork clockmaking circles with him.
EARLY 19th CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK SIGNED GASKELL 1817, the 12 1/2" painted roman dial with subsidiary seconds dial and date aperture, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free-standing fore columns, over a long trunk door and flanked by split turned quarter columns to the fore corners, raised on ogee bracket feet, 82" (208.3cm) high, dial re-painted badly, two finials missing and feet as found
A mid 19th Century inlaid mahogany long case clock with eight day striking movement, the painted dial detailed with a hunting scene and incorporating seconds subsidiary dial and date aperture, signed Eardley Aberavon, enclosed by a reeded pillared hood over a short trunk door on canted bracket plinth base, height 212cm
An early 18th Century French boulle work bracket clock by Gilles Martinot Paris, with spring driven anchor escapement striking on a bell and signed back plate with numbered counter wheel, the brass dial above a mounted scroll signed cartouche and monogram on a red velvet ground enclosed by a Corinthian capital pillared arch glazed door and scrolling acanthus red tortoiseshell case below a domed top and seven gilt flame finials, height 37cm together with a conforming bell shaped bracket, width 23cm, some damage and losses.
A late 18th Century mahogany cased bracket clock by Durrant London, the arched dial with corner spandrels and a silvered chapter ring below a strike/silent subsidiary dial, with twin fusee movement striking on a bell, the floral engraved back plate flanked by pieced grill sides in moulded arch domed case on brass ogee bracket feet, height 38.5cm
A late 18th Century mahogany cased quarter chiming bracket clock by John Taylor, London, the bell top with five urn finials above an engraved arch brass and white enamelled dial below a strike/silent subsidiary named dial with pull cord, repeat striking on six graduated bells and twin fusee movement, the case enclosed by a glazed door and mounted with gilt caryatids and recessed sunburst mask side panels, on a stepped base and scroll feet, height 57cm
Finnegans Ltd Manchester : an 8 day bracket Clock striking on a coiled gong in a Mahogany stained oak case , with convex 7 1/2" dial and brass surround glass , with a French ' GB& E' signed movement , standing on gilt squat bun feet , 15 1/2" high x 12" wide. CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Mahogany bracket clock, the dial inscribed John Pyke, Bedford Row, London, case with pagoda top with brass handle, arch shaped glazed door, conforming side panels and standing on square block feet, brass dial with silvered chapter ring having Roman and Arabic numerals, cast spandrels, double fusee movement having engraved back plate and striking on eight bells and a gong, 50cm high with handle down Condition: We do not guarantee the workings of clocks, the wooden panels in front of the silks are all damaged, chiming mechanism appears to operate correctly - **General condition consistent with age
Early 20th Century oak cased bracket clock, the pagoda top with five brass pineapple finials, case with conforming brass cast caryatids, pierced side panels with sunburst and Neo-classical foliate decoration, standing on conforming feet, gilt dial with silvered chapter ring having Roman numerals, brass three train movement striking on nine gongs, 70cm high Condition: We do not guarantee the workings of clocks, rear grille is bent in and has come partially out of its frame, case is clean order - **General condition consistent with age
AN EARLY 19th CENTURY OAK LONGCASE CLOCK BY ASHTON, the tea caddy hood with single glazed door and flanking turned pillars housing a 12.25 ins brass and silvered dial with pierced spandrels, set with Roman numerals and date aperture, chain driven thirty hour movement striking on a bell, single shaped long trunk door with flanking quarter cut pillars on a stepped trunk base with bracket feet, 210 cms approximate height, 49 cms wide
A miscellaneous collection to include a 19th century rosewood veneered sarcophagus shaped tea caddy with divisional interior containing sundry silver plated and other cutlery, a good quality reproduction timber cased mantel clock by F W Elliott, Croydon, England with a glazed door and arch shaped hood, raised on brass bracket supports, a miniature assembly of The Works of William Shakespeare (across 39 volumes), set within a bespoke miniature oak shelf, a solid brass paperweight in the form of a lighthouse, a glass and silver plated decanter, a silver plated and other small tray, etc
A French early 20th century boulle bracket clock. With gilt dial having enamel markers. Housing an eight day two train movement by Samuel Marti. Striking on a gong, 40cm. Condition Report. To be used as a guide only. With key and pendulum. Case in good condition. Movement needs som attention.
A 19th century French boulle work bracket clock with gilt bronze mounts. Having caddie top, with gilt chapter ring with Roman numeral markers and surmounted with a Classical figure of Atlas. Housing an eight day movement stamped Vincenti & Cie, striking half hourly on a bell, 64cm high. Condition Report. To be used as a guide only. Case in tired condition with some losses. Works running but require servicing. Sold with a key.
A German mahogany and gilt metal bracket clock. With square brass dial having silvered chapter ring. Housing a two train eight day movement striking quarterly on two coiled gongs stamped with a horseshoe and star, 53cm high. Condition Report. To be used as a guide only. With key and pendulum. Running, strike function needs setting up. Case in fair condition.
An early 20th German mahogany cased dome top bracket clock. With silvered arch top dial having two subsidiaries for slow / fast and chime / silent and with Arabic numeral markers. Banded in satinwood, with strung inlay and fan patera. Housing an eight day movement striking quarterly on five gongs with Westminster chime, 37.5cm. Condition Report. To be used as a guide only. Case in good condition. Slight wear to the silvering on the dial. Running.
A mid 19th c. Oak Longcase Clock, having swan pediment hood with Mahogany detail and cross-banding, single pane arch top door between two turned pedestal supports, opening to reveal painted face with country and castle scenes, Roman numeral face with second hand and date roller, eight day movement. Short door case, the door being cross-banded and shaped to the top in canted corner section, on lower wider cross-banded box base with bracket feet. 20 1/2" wide x 87 1/2" high x 9" deep.
Ormolu fusee repeater mantle clock, engine turned circular form mounted by acanthus loop handle, Silvered chapter ring, Roman numerals, raised on elaborate scrolling brackets, plinth base, bun feet, signed "Beier In Wien", W 14cm, H 21cm, D 7cm Condition Report When repeat button pressed, chiming doesn't stop. General scuffs and scrapes to case. Small chips to outside rim of glass. Front hinge bent, drops when opened. Left bracket has later pin to top. Ticking and hands moving.Click here for further images, condition, auction times & delivery costs

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28112 item(s)/page