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Reproduction bracket clock by Comitti of London 36cms h.Condition report:Minor dents to the case arch top edge otherwise item is in a very good condition. 

A late Edwardian mahogany Longcase clock of small sizeIn the George III style, with a swan-neck pediment above twin-fluted columns and glazed dial door, the trunk with pendant acorns between palmettes, the arched glazed door between quarter-fluted columns, on quoin corners, on plinth base with similar quoin corners, on ogee bracket feet, the 8in arched brass dial with moon phase in the arch, above silvered chapter ring, with foliate engraved dial plate, the substantial twin train movement with deadbeat escapement and maintaining power, striking the hours on a bell, with wood rod glazed mercurial pendulum, (2 weights, 1 mercury pendulum)184cm high Condition Report This charming clock is in very good overall condition and was running prior to consignment. It is a high quality case and movement. The dial plate and moon disc are thick gauge. The dial plate has three formerly drilled winding holes plugged with brass and engraved over at the front and two dial feet fixings now filled. The seatboard screws line up and there is no evidence of another position. One can only surmise that the manufacturer was re using a dial plate originally planned for a bigger dial as the filled winding holes are for a bigger movement.

A George III mahogany bracket clockBy Marriott, Fleet Street, LondonWith a brass carrying handle above the broken arch, glazed door, with 4in arched dial with enamel and silvered mounts, strike/silent to the arch, the twin train fusee movement with later platform lever escapement and engraved signed backplate, striking on a bell, repairs and damages, (1 key) 27cm high Condition Report The clock is not in good condition. The front door is broken off. There are various veneer chips and losses. The back door has veneer losses. The upper dial is chipped and the mail dial cracked. The movement has a later platform and has many holes in the backplate.

A Neuchateloise black lacquer and parcel-gilt decorated Grande Sonnerie striking bracket clock with alarmBy Jämes Dubied, Neuchâtel, Second half 19th CenturyThe case with shaped pediment above a 9 1/2in enamel dial, signed, with three-point strike setting lever below the VI, the square plate movement with the steel striking-work visible on the backplate, striking the hours and quarters on two coiled gongs, with an alarm train, on conforming shaped bracket, (1 pendulum and 1 key).The clock 63cm high, overall 82cm high. Condition Report The clock is in original un restored condition. Overall the case has a cracqueler. Marks and knocks consistent with age. The front right hand foot has been broken and repaired and currently is 'bandaged'! Pediment has a chip to decoration on top leftThe movement is dirty and requires a service. The dial has surface dirt. Some small star cracks and chips, see additional images.The terminals to the bracket and pediment each have a hole for a finial ? now lost.

A late Victorian giltmetal-mounted mahogany quarter chiming bracket clockIn the George III styleThe case with stepped pediment above broken arch, flanked to each side by a caryatid, on stepped base and foliate cast feet, the 7in arched brass dial with two subsidiaries for Chime/Silent and Cambridge Chimes / Chime on Eight Bells, the substantial three train chain fusee movement with engraved backplate, chiming the quarters on a carillon of nine bells and the hour on a coiled gong, (1 pendulum and 1 door key)53cm high Condition Report The clock is in working condition. The case has been polished recently. The movement appears clean. It is a substantial and heavy movement with engraved backplate. It chimes the four quarters and strikes the hour. It has a pull repeat. The pagoda top joints are loose and require some attention. The back pagoda moulding is cracked and their are signs of old repair. The left hand arch fillet is cracked just above its upright.

An 18th century style brass lantern clock, the dial signed 'Thomas Moore Ipswich', 37cm high, one weight, pendulum and later oak bracket.

A George III mahogany and brass line-inlaid Longcase clockBy Joshua Harrocks, Lancaster The case with swan-neck pediment above fluted uprights, above a trunk with arched door and quarter-fluted columns, on plinth base with canted angles, ogee bracket feet, the 13in arched brass dial with unusual cherub mask spandrels, signed in the arch with moonphase aperture, silvered chapter ring with Dutch influence arcaded outer minute ring, foliate engraved centre with seconds subsidiary, the twin train movement with anchor escapement and rack strike on a bell, (2 weights and 1 pendulum)249cm high overall Condition Report The clock is in overall good condition. The case appears to have been cleaned and some polishing done. The inlay is brass. There is some splitting to the plinth and the corner mouldings have parted at their joint. The clock had been running until fairly recently before consignment. The dial has some surface dirt to the silvered centre. The movement appears clean and in good order.

A George III small giltmetal-mounted ebonised bracket timepiece with pull-quarter repeat By John Ellicott, London, circa 1760The inverted bell-top case with brass carrying handle above a moulded pediment, the glazed front door with arched panel, the back door similar, flanked to each side with two glazed panels, on plinth base and block feet; the 5in. arched brass dial, signed John Ellicott, London on a silvered roundel to the arch, above silvered chapter ring enclosing a matted centre, blued steel hands and calendar aperture, the chain fusée movement with four turned pillars, anchor escapement (formerly verge) foliate engraved backplate, signed to the centre, with pull-quarter repeat on three bells, and with sliding bell-hammer block and fine quality repeat work below the dial; restorations, (1 pendulum)39cm highJohn Ellicott II succeeded his father of the same name. A Fellow of the Royal Society, he was appointed Clockmaker to the King. Recorded as working in 1728, he died in 1772. Condition Report (1 pendulum)The clock ticks when wound. It is a timepiece so does not strike the hour. However it is pull-quarter repeat which allows the user to pull a cord which comes through the side to give the last hour and quarter. This mechanism works but the cord needs replacing as it's broken and too short to go through the case.The movement was formerly verge escapement and has been converted to anchor. There are no frets or glass to the sides. The left hand edge moulding of the pediment is loose. The dome joints are split, secure but could be improved. The dial silvering is a bit flat and the wax infill to the chapters is lost in places. The brass frets in the door spandrels are replaced. Some veneer chips and losses to the dial surround fillet.The height with handle up is 38cm.

A Fine Late Regency rosewood mantel clockBy Santiago James Moore French, Royal Exchange, London The case with a swept pediment above glazed panels, the arched gilt scroll engraved dial signed French Royal Exchange, London, with strike/silent lever and blued steel moon hands, the twin train chain fusee movement signed to the backplate with anchor escapement and strike on a bell, with pull repeat, on a stepped base with scroll angles and brass bun feet, with a later bracket, (1 pendulum and 1 key).25cm high Condition Report Overall this clock is in a very good original condition. There is no loss or damage.

An early Victorian mahogany three train quarter striking bracket clockThe arched case with canted angles, with carved foliate decoration, the 8in white enamelled dial with pierced blued steel hands, with substantial three train chain fusee movement chiming the quarters on eight bells and the hours on a coiled gong, (1 pendulum, 1 key and 1 door key)56cm high Condition Report The clock is in good original condition. The case has some marks and knocks consistent with its age. Some veneer chips around the side grille panel openings. A chip to uppermost carving on the right side. Chips and old repairs around the back door veneer fillet. The dial has its original painted surface with some marks and scratches. Some chips and losses around winding holes. Some wear to chapters and minute ring. Substantial chain fusee movement with chimes working, and ticking when wound. Dirty requires a service. Left back foot is loose as thread is broken.

A gilt brass-mounted inverted bell-top bracket clock caseIn the George III style Incorporating 18th century elements, restorations41cm high Condition Report Aperture is 12.8cm across, 17.8 cm high at centre of archInternal dimensions of the case is 25.5cm to start of dome, width is 17cm and depth is 9.5cm.

EARLY 20TH CENTURY OAK LONGCASE CLOCK, the silvered dial with Arabic numerals, subsidiary barometer dial, oak dome top case with glazed trunk, on bracket feet, 190cm high

EARLY 20TH CENTURY GILTMETAL MANTEL CLOCK, with two train eight day movement, visible escapement, the pendulum with time compensating mercury bob, the dial with Arabic numerals, pillared four glass case, on bracket feet, 31cm high

EARLY 20TH CENTURY GILT METAL MANTEL CLOCK, with two train movement, white enamel Arabic numeral chapter ring, the architectural brass case with twin handles and urn finial, on bracket feet, 40cm high

EARLY 20TH CENTURY FRENCH GILT METAL MANTEL CLOCK, with one train movement, the white enamel Arabic numeral dial painted with birds, cast brass case with urn finial, on bracket feet, 49cm high

EARLY 19TH CENTURY WELSH OAK 8 DAY LONGCASE CLOCK marked 'Watkins, Abergavenny', having broken swan neck pediment above arched aperture flanked by plain turned columns, the waist with arch moulded door having inlaid shell motif on a panel base with bracket feet. Arch painted face with seconds dial and date aperture, Roman numerals and painted floral decoration. 16 x 12" dial approx. 8 day two train movement striking on one bell. (B.P. 21% + VAT) Overall in fair condition for age, case has quite a nice colour. The panel base has vertical splits to the boards. The face has some wear although legible. Includes pendulum and two weights.

18TH CENTURY 8 DAY BRASS FACED SHROPSHIRE LONGCASE CLOCK marked 'Webster ,Salop', the case having moulded flat hood above square aperture, moulded ogee pointed arch door to the waist on a plain base with skirted bracket feet. Brass face with Roman and Arabic numerals, seconds dial, date aperture and foliate spandrels. Two train movement with baluster columns striking on one bell, the face 12" square approx. (B.P. 21% + VAT) Overall appearing in good condition with nice colour. The cornice likely a replacement, the face very bright probably re-polished. Skirted feet may be a replacement. Includes pendulum and two weights.

A MAHOGANY BRACKET CLOCK, EARLY 20TH C, THE SILVERED DIAL INSCRIBED THE LONDON MFG GOLDSMITHS COMPANY 88 LONG ROW NOTTINGHAM, BLUED STEEL HANDS AND FRENCH GONG STRIKING MOVEMENT WITH SQUARE PLATES, IN BRASS MOUNTED, BREAK ARCHED CASE, ON OGEE FEET, 23CM H Damage to veneers on arched top; lacks pendulum

A GERMAN OAK ARCHITECTURAL CASED BRACKET CLOCK AND A BRACKET, LATE 19TH C, HAVING BRASS DIAL WITH MATTED CENTRE, SILVERED CHAPTER RING AND WINTERHALDER AND HOFFMEIER MOVEMENT, WITH FIVE COILED WIRE GONGS AND PULL REPEAT, CASE WITH TRIANGULAR PEDIMENT AND FLUTED PILASTERS ON STEPPED RECTANGULAR BASE, 54.5CM H EXCLUDING BRACKET, PENDULUM Silver ring discoloured / worn, shrinkage crack and fading on top of pediment and requiring some light general cosmetic restoration. Movement a little oily

A LOUIS PHILIPPE GILT AND PATINATED BRONZE MANTLE CLOCK 1830-1848, IN THE FORM OF MERCURY, THE NAKED MESSENGER STANDING ON THE ROCKS, PAUSING TO TIE HIS SANDAL, HIS CADUCEUS BY HIS SIDE, THE SILVERED DIAL WITH BREGUET HANDS IN MILLED BEZEL, THE BELL STRIKING MOVEMENT WITH SILK SUSPENSION, ON RECTANGULAR BASE WITH EGG-AND-DART BORDER AND BRACKET FEET, 53CM H, ON EBONISED STAND, BENEATH GLASS DOME, 61CM H OVERALL Good preservation, movement complete with pendulum. The shade undamaged

A GILT BRASS MOUNTED AND EBONISED BRACKET CLOCK, LATE 19TH C, THE BREAKARCHED DIAL WITH MATTED CENTRE, SIGNED FOR THE RETAILER BARNETT & SCOTT HULL, HAVING SILVERED CHAPTER RING, PIERCED HANDS AND THREE SUBSIDIARY DIALS TO THE ARCH, COMPRISING REGULATION, CHIME / SILENT AND CHIME ON EIGHT BELLS / CHIME ON FOUR GONGS, THE TRIPLE CHAIN FUSEE MOVEMENT WITH CARILLON, SUBSTANTIAL PLATES AND BRACKETS, FELTED HAMMERS AND PENDULUM STAY, THE PEDIMENTED, GALLERIED CASE SURMOUNTED BY A CUPOLA AND FRIEZE, FINIALS AND MASK SPRANDRELS, FLUTED PILLARS AND SUBSTANTIAL ACANTHUS HANDLES ABOVE EBONISED FRETS, ON OUTSET SCROLLING FOLIATE FEET, THE DOOR WITH CONTEMPORARY ENGRAVED BRASS TABLET INSCRIBED -PRESENTED TOGETHER WITH AN ILLUMINATED ADDRESS TO COUNCILLOR RICHARD GILLET BY THE HUMBER PILOTS MUTUAL PROTECTION SOCIETY JULY 1890, 78CM H; 49 X 37CMGood original condition, the gilt brass mount discoloured with age and slight wear, mainly on gilding on cupola. Side frets slightly damaged and loose, the original fabric backing frayed, movement complete and in working order. Would benefit from a clean. The stamped metal grille to back door slightly pushed in but not damaged. An excellent example of the type

GEORGE III MAHOGANY AND BRASS REPEATING BRACKET CLOCK LATE 18TH CENTURY the circular white enamel dial with Roman and Arabic chapters and twin winding holes, in an arch brass dial plate with a calendar dial to the arch and pierced spandrels, in a mahogany bell top case with canted angles to all sides mounted with gilt brass terms and flower trails, the glazed sides with bail handles and pull repeat, enclosing a twin train movement with verge escapement and bell strike and engraved backplate with bob pendulum, the bell top with brass banding and pinecone finials, all on a moulded base with brass ogee bracket feet(37cm wide, 59cm high, 24.5cm deep)

GEORGE III MAHOGANY BRACKET CLOCK, WILLIAM LIPTROT, LONDON, THE CASE AFTER A DESIGN BY THOMAS the arched brass dial with a silvered chapter ring with Roman and Arabic numbers and a matte centre and pierced brass spandrels, with two winding holes, date and false pendulum apertures, and signature plate inscribed 'William Liptrot/ LONDON', the arch with a subsidiary Strike/ Silent dial, in a carved arched topped mahogany case with pierced fretwork and carved with acanthus scrolls, the canted corners with Doric columns, on a moulded base with acanthus carved scroll feet, pull repeat on the right side; the eight day movement with verge escapement striking a bell and chiming on six bells, enclosed by an engraved backplate signed 'Wm. Liptrot/ London', with a bob pendulum(47cm wide, 68.5cm high, 23cm deep)Footnote: Note: The model for this clock case, which is rich in rococo embellishments, is taken directly from Thomas Chippendales 'Gentleman's and Cabinet Maker's Director', first appearing in the 1754 and 1755 editions as plate CXXXVIII, then renumbered as plate XLXV in the edition of 1762.

LATE GEORGE III MAHOGANY LONGCASE CLOCK, JAMES MCCABE, LONDON EARLY 19TH CENTURY the white enamel Roman numeral dial with two winding holes and signed James McCabe/ Royal Exchange/ LONDON; in a moulded arch case with brass finial and canted stop-fluted angles with brass insert, above an arched moulded door flanked by stop fluted angles with further brass inserts, on a moulded plinth base with a shaped apron and bracket forefeet; the eight-day twin train movement striking a bell(50cm wide, 232cm high, 26cm deep)

CABINETMAKER'S SAMPLE MINIATURE MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY the swan neck pediment above an arched 5 1/4 in. brass dial with Roman numeral chapter and basket engraving to the arch, flanked by bobbin moulded corners, above a shaped trunk door flanked by futher bobbin moulding, on a plinth base raised on bracket feet; the eight day twin train movement striking a bell(104cm high, 27cm wide, 14cm deep)

SCOTTISH MAHOGANY LONGCASE CLOCK, JOHN SMITH, PITTENWEEM EARLY 19TH CENTURY of neat size, the signed painted dial with Arabic chapter, subsidiary calendar and seconds dials and two winding holes, the arch painted with a bird and flowers, in a swan neck case with brass eagle finial above a crossbanded door flanked by quarter columns, on plinth base with bracket feet; the eight day twin train movement striking a bell(42cm wide, 209cm high, 22cm deep)

A late 19thC French gilt metal figural mantle clock, the white enamel dial with Roman numerals, the rectangular base embellished with alabaster and with a later mahogany bracket, 42cm wide.

A mahogany grandmother longcase clock, the arched dial bearing label for Richard Broad of Bodmin, Cornwall, also supplied with a silver chapter ring below a moon phase, with a glazed door on bracket feet, 167cm high.

A Till & Bligh London brass cased carriage clock, with swing handle in rectangular single glazed panel case, on bracket feet with 6cm Roman numeric and Arabic back plate, stamped marks, battery movement, 9cm wide.

LONDON LONDON BRACKET CLOCK. Datierung: 18.Jh. Meister/Entwerfer: William King. Technik: Ebonisiertes Holz. Zinn und Schildpatt ornamental eingelegt. Vergoldete Beschläge. Versilberter Ziffernkranz. Beschreibung: Achttagewerk mit Schnecke und Darmsaite. Schlagwerk und Repetition auf drei Glocken. Datumsanzeige über der VI. Maße: Höhe 44cm. Literatur: Loomes: Meister siehe S. 447. Erläuterungen zum Katalog London England Standuhren & Kaminuhren 18. Jahrhundert Uhr Holz LONDON LONDON WOODEN BRACKET CLOCK WITH TIN AND TORTOISESHELL INLAYS. Date: 18th century. Maker/Designer: William King. Technique: Ebonized wood. Ornamental tin and tortoiseshell inlays. Gilt fittings. Silver-plated dial. Description: Eight-day movement with fusee and gut string. Clockwork and repetition on three bells. Date display over the VI. Measurement: Height 44cm. Literature: Loomes: Master see p. 447. Explanations to the Catalogue London England Clocks 18th century Clock Wood

Edwardian inlaid mahogany mantel clock, brass finial and handles, bracket feet, circular dial, French cylinder movement, 25cm.

Oak longcase clock, swan neck pediment and satinwood panels, ebony stringing, close wood cross-banding, hood with turned columns, long arched door, box base, bracket feet, 12 inch arched brass dial signed Latham, London, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 220cm.

An oak and mahogany longcase clock, swan-neck pediment, with brass roundels, above fluted columns, long door with inlaid shell oval flanked by fluted quarter columns, box base on bracket feet, twelve inch arched painted dial, the painted arch with a lion catching an antelope, lion with moving eyes, dial with painted spandrels Arabic numerals, subsidiary seconds dial and date aperture, signed Penistone, Horncastle, eight-day movement striking on a bell, 211cm.

Mahogany longcase clock, swan neck pediment, the hood with turned columns, short door flanked by further turned columns, box base on ogee bracket feet, 14" arched painted dial with floral spandrels, subsidiary seconds dial, signed W Gray, Leicester, eight day movement striking on a bell, height 242cm.

A Late 19th Century Oak Cased Bracket Type Clock with Pierced Brass Mounts and Spandrels, 46cm wide

A vintage mid to late 20th Century Rapport London brass cased carriage clock having bevelled glass panels to the dies and exposed movement, swing handle to the top, all raised on bracket feet.

A vintage mid to late 20th Century Taylor and Bligh brass cased carriage clock having bevelled glass panelled sides with swing handle to the top, raised on bracket feet with swing handle to the top. 

A late 19th Century aesthetic slate bracket clock, having a white enamelled dial, eight day movement, with two winder holes, the front with ceramic tiles, with blue and white scrolled decoration, striking on a gong, movement inscribed A&N 17545, 37.5cms high approx

An early 20th Century eight day bracket clock, having a Westminster chime, spring driven movement, silvered dial, with engraved decoration, black Roman numerals, bearing 1915 presentation inscription on plaque, oak cased, with pendulum, 43cms high approx

Walnut bracket clock, 28cm high

An ebonised eight-day bracket clock by John Bannister of London, with eight-day pull repeat date aperture, strike silent and original verge movement. 52 cm high.

A 19th century bracket clock, mahogany case with brass inlay 8 day movement, twin fusee movement, strikes on gong, running in saleroom 43 cm tall

Elliott of London Mahogany Cased Bracket Clock retailed by Garrard & Co Ltd, 23cms high

Early 20th century Mahogany Cased Bracket Clock, the silvered face marked Mappin & Webb, London, raised on four brass ball feet, 30cms high

Great Northern Railway 12 inch and 14 inch mahogany cased double dial railway clock with a chain driven rectangular plated fusee movement supplied to the GNR circa 1880 by J.J. Stockall & Sons Ltd of London. Both original dials read GNR 181A J.J.STOCKALL & SONS LTD LONDON and the case features fine figured mahogany and both dials retain their original cast bezels. The LNER clock records confirm that clock No 181A was in use at Havenhouse Station of the GNR line near Skegness. A rare 19th century double dial timepiece in good working condition complete with pendulum, key and custom made wrought iron wall mounting bracket so the clock can be displayed and used.

Great Eastern Railway 6inch Mahogany cased Fusee Bracket clock manufactured for the G.E.R. by Bevan of Tottenham London circa 1880. The English chain driven fusee movement has rectangular snailed plates and the dial is written GER and retains its original cast brass bezel with a keyed lock and the Gothic style case has a glazed rear door and clock number 907 chalked in the back. The L.N.E.R. records show that this clock was used at Liverpool Street Station Land Agent, Inner Office, Hamilton Buildings. A rare and unusual Railway timepiece used by senior employees, complete with pendulum and keys and in working condition, stands 15in tall.

Rare Comitti London Westminster Franz Hermle 8 day mantel bracket clock measures approx 12ins by 8ins wide

Vintage mahogany Reid & Sons mantle bracket clock measures approx 9ins by 6.5ins

19TH CENTURY MAHOGANY 8-DAY LONGCASE CLOCK, painted moon phase dial signed 'Warwick High St. Birmingham', subsidiary dials, line-inlaid of crossbanded case with fluted hood pillars and 1/4 pilasters, canted base on bracket feet, two-train weight-driven movement rack striking a bell, 240cms highThere is missing veneer in a few places (see photographs)The face has lots of enamel chips especially around the edges, the hand are bent and the painted moons have a few paints chips (see photographs)The hood has a crack in the top and again has some missing veneer.I think the glass has been replaced, it seems a lot thicker than it should be and the putty around the glass looks new.There is a chip to one corner.The eagle finials on the top all look a bit damaged, there are a lot of dings and dents as well as this they are all very loose when sitting on the hood

An early 20th Century Art Deco Swiss made mantle clock / mantel clock. Black lacquered chinoiserie decoration with hand painted scenes of figures and gilded detailing. Arched top raised on bracket feet. Brass face with engine turned decoration, bold arabic numeral chapter ring and facete hands. Likely retailed by Liberty and Co. Measures: 14cm x 28cm x 8cm. 

A 19th Century Victorian antique mahogany cased longcase grandfather clock by Bartley of Bristol. The clock having a enameled dial with Arabic numeral chapter ring and subsidiary dial to twelve. The face having hand painted fruit decoration with a swan surround by floral detailing to the top. The mahogany case having a swan neck pediment with central finial above reeded columns flanking the glazed door. Chamfered edges to the case and being raised on bracket feet. With weights Measures 214cm x 46cm x 23cm.   

A fantastic 19th Century Victorian English antique brass cased bracket mantel / table clock of upright form. The clock having a decorative finial atop with a pierced gallery below and further finials above an applied star decorated frieze. Central circular clock face having an enameled face with Arabic numeral chapter ring and central pierced gilt center with floral and mask detailing. Flanked by Corinthian column with ribbon swag decoration below raised on a stepped plinth base with bracket feet. Brass movement within with pendulum and key. Measures 50cm x 28cm x 18cm. 

A GEORGE III MAHOGANY BRACKET CLOCK by JOS. SMITH, LONDON, CIRCA. 1770, verge movement, striking on two bells, brass dial, brass carrying handle, on bracket feet. 16ins high.

A 17TH CENTURY EBONY AND BRASS BRACKET CLOCK CASE, 15.5ins high, would take a 6-inch dial.

Early 19thC Regency Double Fusee Gothic Bracket Clock, White enamel dial, inscribed 'Hurst, Leeds,' Double fusee movement With Side Pull Repeat Cord, in The Gothic design Steeple rosewood case, Height 18.5 Inches, 12 Inches Wide

A late 20th Century George III style bracket clock in a red chinoserie lacquered case, fixed key, height 29cm.

A 19th century mahogany longcase clock, with a stepped hood above a long trunk door, box base and bracket feet, the 31cm square dial with Roman numerals, a seconds subsidiary dial and date aperture with an engraved shipping scene to the centre, inscribed "REES JOHNS"

A late 19th century ebonised bracket clock, with a glazed top, front, back and sides, the silvered chapter ring with Roman numerals inscribed S.C. Coombes Ltd Rangoon, striking on a gong approximately 34cm high x 27cm long x 21cm wide

A 19thC oak and mahogany longcase clock, with swan neck pedimented hood, set with brass roundels and an urn finial, raised above a shaped trunk door with a wide cross banding, flanked by quarter columns, the whole raised on stylised ogee bracket feet, with a painted Roman numeric arched dial set with painted buildings to the spandrels, 28cm wide dial, with subsidiary second hand and date aperture, with eight day movement, with two weights, pendulum and key, 214cm high.

A late 19thC mahogany cased bracket clock, with arched dial in a fitted case with turned spandrels flanked by floral gilt metal additions on scroll feet, with a 14cm diameter Roman numeric and Arabic silvered chapter ring, slow/fast feature and eight day chiming movement striking on the hour, the quarter and the half hour, pierced gilt metal sides and Sigwart & Son label numbered 5240, 46cm high.