We found 28112 price guide item(s) matching your search

Thirty hour birdcage longcase clock movement, the 10" square brass dial signed William Risbridger, Dorking on the brass chapter ring enclosing a matted centre engraved with a bird and foliage (with wall bracket, weight and pendulum)

Good plum pudding mahogany large clock wall bracket, with turned finials and scrolling supports enclosing a beaded panelled undertier, 24" wide

Antique brass bracket clock key, the engraved oval handle pierced with a heart and foliate scrolls, 2.5" high

Frodsham contemporary Georgian style small bracket clock, 10" high; also a contemporary walnut cased Elliott of London timepiece, the silvered dial inscribed Robinsons, Shrewsbury and a contemporary Matthew Norman quartz timepiece within a polished brass case (3)

Good English ebonised and ormolu mounted double fusee lancet bracket clock, the 7" white enamel dial signed Richard Ganthony, Lombard Street, the movement with adjustable pendulum and striking on a bell, within an ormolu bound lancet stepped case with raised geometric decoration, 15.75" high (restored dial), (pendulum and door key)

English ebonised triple fusee bracket clock, the 7.5" brass arched dial signed William Page, Chime Clock Manufacturer, Great Portland Street, London W no. 807 on shaped plaques to the arch with subsidiary chime/silent and slow/fast dials over a silvered chapter ring enclosing a matted centre, the substantial movement playing on a nest of eight bells and striking the hours on a gong, with locking pendulum, within a gilt metal mounted stepped case surmounted by a caddy top, four turned finials and brass carrying handle, 20.5" high (pendulum and keys)

A marble and bronze mantle clock, the top surmounted with a bronze figure kneeling on a shell, to a rectangular case and raised on bracket feet. 41cm high.

An Edwardian bracket clock with striking movement, brass and silver dial in walnut case

A late Victorian chiming bracket clock in carved oak case with brass and silver dial, overall height 19", 14" wide

Ebonised wooden cased French chiming bracket clock with ceramic dial and decoration A/F

Gustav Becker Silesia domed chime bracket clock with key and pendulum

Oak bracket clock, domed case the dial signed Russells Limited, Manchester, single fusee movement, 37cm.

A mid-Victorian rosewood bracket clock, circular enamelled dial signed Boxell, Brighton, twin-fusee movement with anchor escapement, striking on rear-mounted bell, with pendulum, case with carved leafage and scrolls, bevelled glass panes to sides, 17.75in. high

George III / Regency rosewood and brass repeating bracket clock, the dial marked L Leplastrier, Royal Exchange, London, with loop handles, side grilles and pineapple finial supported on brass bun feet, with twin fusee movement and pull repeat, striking on a bell. Movement back plate engraved L Leplastrier, Royal Exchange, London.

Regency bracket clock with eight day single fusee timepiece movement and white enamel dial with Roman numerals, in a lancet-style brass inlaid case with Gothic brass side frets and scroll ring handles, on four ball feet, 33.5cm overall height (winding key, door key and pendulum present)

An Edwardian silver boudoir clock with platform escapement and enamel dial, the case with top swing handle and bracket feet, Henry Matthews, Birmingham 1903, 11 cm high overall

A 1930s Art Deco gilt metal strut-clock with ivory dial, to/w two purse-watches in leather-bound sliding cases, each with 17 jewel movements, by Perdal and Laco and a Swiza miniature bracket clock with alarm (4)

A late Victorian inlaid mahogany lancet top musical quarter chiming bracket clock, movement by Winterhalder & Hofmeier, striking the quarter hours on five gongs, the silvered Roman dial with subsidiary slow-fast dial to arch, 12¬in. (31.2cm.) high.

An 18th century mahogany eight day longcase clock by William Flint of Charing, Kentthe twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¬in. (209cm.) high.

An oak veneered Art Deco style bracket clock, the white chapter ring with Arabic numerals, on block feet (missing one foot), chiming gong, H.22cm W.48cm

A fine quality Victorian Gothic revival bracket clock, the oak case carved with typical floral motifs and painted with Latin inscription surmounted by galleried top.Silver and enamel Roman numeral dial with fast/stop dial.Movement by John Moore and Sons, Clarkenwell, London.Approx 43x68cm high.Sold with conforming wall bracket

A fine quality, large Victorian bracket clock of ebonised wood having gilt metal mounts and French style sunburst design to sides.Musical repeating movement with brass Roman numeral dial and silver chapter ring inscribed 'Howells and James to the Queen, London'.Three dial settings to arch with 8 day movement presented in Pagoda shaped case.Approx 39x78cm high

A French walnut case clock inset with mother of pearl the silvered dial with Roman numerals on bracket feet the movement striking on a bell

C.1800 and later bracket clock with enamelled dial. Handpainted numbers 1-12 with 5 subsidiary dial to outer ring. Pillared brass columns to front and brass handle to top. Sat on bracket feet. Inlaid ebony and walnut decoration. Comes with Pendulum (in office) no key Stamped 1383 to brass plate inside.

A 19th century French Louis XV style Boulle work bracket clock, brass inlaid tortoiseshell, with enamel Roman numeral panels and movement striking on a gong, the Mougin movement stamped with overlaid initials SH, with a Boulle work wall bracket (attention needed), clock 66cm (size is the clock only) CONDITION REPORT: The clock is not in working order. Restoration needed to the case and the movement.

An early 19th century inlaid oak eight day longcase clock, the engraved brass dial with silvered Roman numeral chapter ring, subsidiary seconds dial and date aperture, all below a makers plate for 'Thomas Radford, Leeds' with movement striking on a bell, domed top with broken pediment and all on bracket feet, (later base section) 223cm H

A Goldsmiths & Silversmiths Co Ltd walnut eight day mantel clock, the square case with pagoda top enclosing a Roman numeral chapter ring against a brass face, on four bracket feet, 26cm high

An Edwardian rosewood lancet shaped eight day mantel clock, circular white enamel dial with black Arabic numerals, movement stamped 'A.D.Mougin' 'Paris' '57423', brass swing handles and bracket feet, 25cm high

A well restored 19th Century mahogany bracket clock with twin fusee repeating movement, striking on a bell, the dial signed Richard Booth London, engraved drop shoulder back plate, 44cm tall x 32cm wide, in clean restored condition, running in saleroom

A good quality eight day mahogany bracket clock with bracket, striking on two gongs, the movement stamped W and H SCH 23 cm tall 20 cm wide 19 cm deep in good clean working order

German bracket clock, signed Fieges, triple train movement quarter chiming on rods, H37cm Condition Report Click here for further images, condition, auction times & delivery costs

Early XX Century Pine Cased Bracket Clock, with German movement, Westminster chimes, slow / fast and chime / silent subsidiary dials to silvered dial, 43.5cm tall.

A mid 18th Century twin fusee, five pillar movement, eight day bracket clock with silver chapter ring and ebonised case with brass finials, marked William Frederick Strigel, London

19th Century mahogany longcase clock by R. Summerhayes of Ilminster, the hood with swan neck pediment, square door flanked by turned pillars, the trunk with short door and standing on bracket feet, the square painted dial with Arabic numerals, subsidiary seconds dial and calendar aperture, eight day movement Condition:

J BAGSHAW & SONS; a brass repeating carriage clock, the white enamel dial set with Roman, Arabic and baton numerals, on bracket feet, height 13cm.

MAPLE; a late 19th century mahogany and brass detailed bracket clock with swing loop carrying handle above circular dial set with Roman numerals inscribed 'Maple, London' with fusee movement and raised on brass ogee bracket feet, height 40cm.

A circa 1900 oak bracket clock, the white dial set with Roman numerals, height 62cm.

W BERRY OF MINEHEAD; a 19th century mahogany eight day longcase clock of small proportions, with floral carved broken swan neck pediment above domed brass dial, the silvered chapter ring set with Roman numerals, with fluted and reeded Corinthian quarter columns to the body, on plinth base terminating in bracket feet, height 141.5cm.

GEORGE THOMAS OF MANCHESTER; a mahogany inlaid and crossbanded longcase clock, with shaped pediment above scroll painted enamel dial set with Roman numerals and with subsidiary seconds dial, above domed door and plinth base on ogee bracket feet, height 232cm.

JOHN LAMPARD OF ZEALS; an oak cased longcase clock with broken swan neck pediment above painted enamel dial set with Roman numerals and date aperture, on plinth base and bracket feet, height 210cm.

 A George III mahogany eight day longcase clock, circa 1770, the hood with a swan neck pediment and dentil moulding, the glazed door enclosing a white dial, inscribed 'J Holland, Bury', the glazed hood door set between turned columns with Corinthian capitals, the case having a triple sectioned Gothic arch door, set between quarter turned columns, raised on a projecting base with bracket feet, 240cm high

An oak cased bracket clock, Roman numerals to dial (glass door insecure) with key and pendulum (1)

An aok cased bracket clock, Arabic numerals to dial with pendulum and key together with a 19th Century slate time piece with Roman numerals to dial, key and pendulum (2)

Two boxes of clock parts, including brass mechanisms for mantle and bracket clock, various parts, etc

A Thomas Savage, 1816-1840 (attributed), walnut bracket or table clock, bell strike movement having enamel Roman numeral dial, the walnut case with brass inlaid and applied carved decoration, mounted with twin brass ring form handles raised on brass spherical supports, approx 45cms high

A reproduction French style bracket clock with 6 inch circular dial marked Chateau Thoune, in floral decorated gilt and crimson coloured case, with bracket, 44cm

A reproduction Georgian style bracket mantel clock with brass carry handle, battery operated movement, 25cm high

An early 19th century crossbanded oak longcase clock with turned columns and swan neck pediment to hood, three quarter length door and bracket feet, arched painted dial with moon phase, 8 day striking movement by Sam Kellett, Bredbury, height 90"

An Edwardian Bracket Clock with German movement, steel and brass dial and in walnut case with fluted pilasters, with a presentation plaque. 18" (46cms)

An early 19th century rosewood bracket clock, the back plate marked ' Bentley and Beck', Cornhill, London, 26.5cm high

AN EDWARDIAN INLAID MAHOGANY MANTEL CLOCK, the circular dial with Arabic numerals and floral swags, Marti two-train movement, raised on brass bracket feet. 30cm

WILLIAM WARIN, THIRSKA GEORGE III OAK EIGHT-DAY LONGCASE CLOCK, the 12-inch brass break-arch dial with silvered chapter with Roman numerals, outer minutes and interesting Masonic emblems, the centre engraved with a crest, subsidiary seconds and date calendar, the hood with dentil cornice and reeded columns, the trunk with blind fretwork frieze and long door flanked by reeded quarter columns, the base with canted corners and raised on bracket feet, with weights, pendulum and key. 227cm

A George III mahogany longcase clock by Hodgson, Preston, the brass dial with painted chapter ring having Roman and Arabic numerals, with applied mask and scrolling foliate spandrels, having brass mounted swan neck pediment above twin columns, the moulded trunk raised on plinth base and bracket feet, H.234cm

A late 19th Century brass case carriage clock, retailed by Wheatley & Son, CarlisleThe corniche full brass case with white enameled dial and black Roman numerals, raised on bracket feet and with a loop handle, 11cm high.

A late George III oak and mahogany cross banded 8 day longcase clock by A Merger, NantwichThe hood with a twin swan neck pediment above cluster columns flanking a 14 inch painted dial centred with a subsidiary second dial, date aperture and painted with exotic birds along with the makers name. The two train movement striking on a saucer bell, the case with a cross banded frieze above a shaped cross banded door flanked by quarter cluster columns above a lower board applied with a cross banded panel and raised on a plinth base with bracket feet, 215cm high, with two weights and pendulum

An 18th Century oak longcase eight day clock, by Coates of WiganHaving a caddy top above a chiseled frieze and two slender turn uprights, flanking a brass 12" dial with an applied silvered bezel painted with Roman and Arabic numerals and embraced by applied open work spandrels, the dial centred with a subsidiary second dial and date aperture and signed with the makers name, the case with quarter ring turned columns flanking a shaped door above a plain lower board raised on ogee bracket feet, complete with two weights, height approximately 222cm. CONDITION REPORT: case

An early 20th century mahogany satinwood and pearwood inlaid cased bracket clock having a silvered arched dial with Roman numerals, further strike silent dial, the German eight day movement striking on a gong, height 42cm

An early 20th century oak cased bracket clock, striking on gongs, 42cm high

A George III mahogany bracket clock By William Fleetwood, LondonWith an ogee pediment, surmounted by a brass carrying handle, above glazed sides and doors, on a stepped plinth and bracket feet; the 8in. arched brass dial with strike/silent subsidiary to the arch, pierced spandrels and silvered chapter ring, enclosing a matted centre with oval signature escutcheon above the VI with calendar aperture and false pendulum aperture above, the twin train fusée movement with foliate engraved backplate, verge escapement and striking the hour on a bell55 cm. high, (one key). Illustrated

A George III ormolu-mounted ebonised balloon bracket clockBy Justin Vulliamy, London, circa 1770The shaped waisted case surmounted by a pineapple finial, above a glazed door, with foliate-cast scrolled feet; the 8in. shaped dial plate with silvered chapter ring, Roman numerals and Arabic five-minute markers, enclosing a matted centre, with finely-cut pierced blued steel hands, above a waisted apron, engraved Justin Vulliamy, London, within foliate engraved border, the twin train fusée movement, converted to anchor escapement, with engraved signed backplate, striking the hours on a bell53 cm. high, (one pendulum). Illustrated François-Justin Vulliamy (1712-1797), the son of a pastor at Gingins, in the Pays de Vaud region in Switzerland, he emigrated to England in 1730. Invited into partnership with his future father-in-law Benjamin Gray (d. 1764) around 1743, who the year prior, had been appointed Watchmaker in Ordinary to George II, it was then extended to the partnership. The Pall Mall based business flourished, with output of the highest quality. Following Gray's death the Royal Warrant passed to Vulliamy and continued to be held by the firm throughout the 19th Century.This clock appears not to be numbered. Justin Vulliamy began his numbering around 1780, although the surviving record books begins with clock No. 296 in 1797. So this piece would have been made after Gray's death, when Justin Vulliamy signed in his own name and before he began his numbering in the 1780s.Vulliamy was one of the founding fathers of the Eglise Helvétique in London. Established in 1762 by a group of emigres 'Swiss' from the Geneva, Vaud and Neuchatel regions, which at that time were not part of the Swiss Confederation. It gave them a focal point for their community as well as importantly a form of diplomatic assistance for trade, as there was no consular representation at that time.The design of this balloon clock recalls the Neuchateloise bracket clocks that were no doubt familar to Vulliamy. A tortoiseshell veneered balloon clock by François-Justin Vulliamy is in the Royal Collection (RCIN 2838)