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A Regency mahogany hour repeating bracket clock by A.Sparke of Plymouth, with two train movement striking on a bell, engraved backplate and pendulum, silvered Roman dial and brass mounted arched case, 16ins

A late 19th century ebonised eight day bracket timepiece, the domed top case with circular dial with subsidiary seconds dial and silvered chapter ring with Roman numerals over three substantial turned brass pillars, clock 17.75 ins, bracket 10.5 ins

J.J. Stockwell, A late 19th century ebonised cased eight day striking, repeating and chiming bracket clock, the acanthus engraved silvered dial with subsidiary dials for strike / silent, slow / fast and Cambridge chimes and chime on eight bells, contained in an architectural "brickwork" case with ionic columns, 20.5 ins, together with a bracket 34ins overall

A 20th Century mahogany grandmother clock, square brass dial,silvered chapter ring in arched hood case and diamond shaped bar glazed door on panelled bracket plinth 1 73cm high

A Mid 19th Century mahogany longcase clock,the eight day movement striking on a bell,painted arch enamel dial with Scotsman and highland castle scenes,seconds subsidiary dial signed Purdie & Safley Carluke,enclosed by a hood with broken swan neck pediment and brass eagle ball finial, over a trunk with bowfront door and doric pilasters, canted bracket plinth base 222cm high (lacking weights and chain) ILLUSTRATED

8 DAY LONG CASE CLOCK MOVEMENT FACE MARKED WENHAM DEREHAM (AF) AND BAYARD 8 DAY WALL CLOCK, A OAK WALL BRACKET, A SMITHS KITCHEN CLOCK AND MARINE CLOCK (AF)

An Oak and Burr Oak Crossbanded Eight Day Longcase Clock, circa 1820, case with swan neck pediment, arched trunk door with burr oak crossbanding and fluted pilasters, rectangular plinth with bracket feet, 14-inch arch painted dial with Arabic numerals, date aperture, seconds dial, the arch with rolling moon, four pillar movement with attached falseplate stamped Walker & Hughes, anchor escapement, striking on a bell, 238cn high

A Mahogany Arched Mantel Clock, circa 1900, the engine turned silvered dial with black Arabic numerals and inscribed Bond St London over a shell oval medallion inlay and barber`s pole stringing, French movement striking a coiled gong, on brass ogee bracket feet, the case surmounted by sphere finials, 25cm high

A late 19th/early 20th century brass lantern clock the movement striking on a bell, the arched pediment with fretwok panels above a foliate engraved dial with black Roman numerals, marked `Clay Glasgow`, 34cm high; and a mahogany bracket, 28cm high (2)

A mid 19th century mahogany longcase clock By Brown Lee, Edinburgh eight day movement, enamelled face, Roman numerals, subsidiary date and second dials, the moulded hood door over moulded trunk door, flanked by canted corners, the plinth base raised on bracket feet 200cm high

A George III oak longcase clock By Follows Newcastle eight day movement, the painted enamelled arched dial with flowers and fruit, Arabic numerals, subsidiary second dial and date aperture, swan neck pediment over door flanked by fluted columns, moulded crossbanded trunk door flanked by fluted quarter columns, panelled base raised on ogee bracket feet 218cm high

A George IV Scottish mahogany longcase clock the eight day movement striking on a bell, the arched painted dial with subsidiary seconds dial, the hood with a broken swan neck pediment over a burrwood panelled case with spiral turned quarter columns raised on later bracket feet 50cm wide, 226cm high, 25cm deep

A George III mahogany longcase clock By Jas Robertson of Dundee the painted arched face depicting Adam and Eve with Arabic and Roman numerals, subsidiary second dial and date aperture, the broken swan neck pediment with ball finial, closed fretwork panels, moulded door, flanked by fluted columns, moulded arched trunk door with fan inlay flanked by fluted quarter columns, plinth base raised on bracket feet 215cm high

A German green painted bracket clock, height 29cms

An American Bracket Mantle clock

An Oak cased bracket clock 17`` high, movement by Gustav Becker

"J. Lawman of Ramsgate, A George III longcase clock, the brass face with silvered dial and two secondary dials supporting a twin train striking movement under an arched hood, the trunk with arched door and plain base with bracket feet"

A large late 19th century carved ebonised cased bracket clock, the eight day movement chiming on eight and ten bells, the movement with engraved brass backplate, height 72cm, with the original bracket, width 58cm, height 27cm.

A Georgian mahogany banded oak cased eight day longcase clock by Samuel Butterworth of Rochdale, the 12in circular brass dial with silvered chapter ring, central engraved decoration and date aperture, the case featuring conch shell inlaid medallions and multi-wood checkered banding, raised on ogee bracket feet, with twin weights and pendulum, height 6ft 9" (strike bell removed)

An Edwardian burr walnut mantel clock with circular hand painted enamelled dial and floral swags, raised on four brass bracket feet, complete with key, height 23cm

A late 19th century carved oak bracket clock with architectural case and arched gilt metal dial, with silvered chapter ring and three subsidiary regulation dials, with twin train chain driven fusee movement striking on nine gongs, the movement stamped Perrless and no.23190, height 58cm

A double fuseé mahogany bracket clock, with Alarun by Lewis Springfield of Grantham, not signed, 45cm high.

An eight day walnut cased bracket clock, with moon roller by Lewis Springfield of Grantham, 41cm high.

A double fuseé ebonised bracket clock in the Georgian style by Lewis Springfield of Grantham, 40cm high.

A German walnut bracket clock, with brass adornments, eight day Lenzkerich movement striking two gongs, 42cm high.

A modern eight day bracket clock in the Georgian style by Lewis Springfield of Grantham, 48cm high.

A double fuseé bracket clock, with movement by Thomas Gammase & Son, 18 Niehaets Alley, Cornhill, in a mahogany case by Lewis Springfield.

A brass framed lantern clock and bracket, with silver dial, minute and hour hands, 37cm excluding bracket.

A 19thC French Boulle cased bracket clock by Thuret, Paris, with an eight day movement striking on a gong, the gilt chapter ring with Roman numerals, within an architectural case, with classical columns, 52cm high.

A French Boulle Eight Day Bracket Clock with Ormolu Mounts.

An 18th Century Ebonised Cased Bracket Clock Having Fusee Verge Movement Inscribed Fredk White, Gt Haywood. Brass Dial with Gilt Cherub Spandrels and Silvered Chapter Ring Inscribed Finch, London 46 cm x 30.5 cm x 18 cm. (no bracket)

A brass carriage clock with enamel Roman numeral dial marked with retailers Matthew Norman, on bracket feet, 15cm high

A Victorian mahogany 8-day longcase clock, with arched enamel Roman dial with seconds and date dials, painted with a figure wildfowling and rose spandrels, the case with swan neck pediment, arched inspection door, on bracket feet, maker John Mearns of Aberdeen, 221cm high

An oak longcase clock, with a 30 hour posted movement striking on a bell with a 10.75 inch brass dial, the chapter ring signed Thomas Pinfold Banbury, with a matt centre engraved a bird and scroll leafage, the hood with a dentil cornice and blind fret frieze above turned columns, moulded edge trunk door on bracket feet, 86.75in (220cm) h.

A George IV rosewood and brass marquetry quarter chiming bracket clock, with a triple fusee movement striking on a peel of 8 bells and a gong, the backplate signed `Reid, Ball Alley, Lombard Street, London`, to a 8 inch silvered dial with subsidiary seconds dial and signed as reverse, with a strike/silent lever above XII behind the bezel and a slow/fast adjuster above, the arched case with a stepped pediment with pierced sides and a pineapple finial, the front with canted angles and pierced brass fish scale sides with brass ring handles, on brass ball feet, 27.25in (69cm) h, with bracket, 14in (35.5cm) w, 9.25in (21cm) d.

Benjamin Barlow, Oldham. A George III mahogany longcase clock, with an 8 day movement, striking on a bell, with a 13.25 inch arched brass dial, with silvered chapter ring and subsidiary seconds dial, the centre painted a lake scene with a pierced date aperture, the arch with a painted moon phase dial with decorated parkland landscapes, with an applied name plaque signed Benjamin Barlow, Oldham, the hood with a swan neck pediment above a painted frieze of foliage and cherubs and turned columns, trunk with a moulded shaped top door and flanked by fluted quarter pilasters, the canted corner base on ogee bracket feet, 7ft (236cm) h.

A George III mahogany longcase clock, with an eight day movement striking on a bell, to an engraved silvered 13 inch arched dial, with sweep seconds hand and calendar, the arch with a strike/silent dial and inscribed JAMES SCOTT LEITH, the case with well cast gilt brass mounts, the hood with a swan neck pediment with carved rosettes and later eagle finial above pierced trellis panels, the shaped waist door with a moulded edge flanked by quarter pilasters, the base with canted corners on ogee bracket feet, right front part missing, 92in (233.6cm) h.

A late Victorian rosewood and gilt brass mounted Director`s clock, the three train movement striking a peel of eight bells and a gong, with a 7.5 inch arched brass dial, the silvered chapter ring and matt centre having thee subsidiary dials; chime/silent, slow/fast, chiming on 8 bells/Westminster, with a cast brass bezel, case with urn finials, caraytid faceted angles, pierced sun mask and foliage side panels and carrying handles, 29in (74cm) h, together with an associated mahogany bracket, 19in (48.5cm) w, 13in (33cm) d. (2)

A continental ebonised verge striking bracket clock, the 5 inch brass dial with silvered boss in the arch dated 1774, single-train tandem going barrel, four turned baluster pillars, bob pendulum with silk suspension, in a moulded ball top case with torch finials, 1ft 2.5in (37cm) h.

An ebonised and gilt brass bracket clock, with a twin fusee movement striking on a bell, the backplate inscribed Wiltshire, London, within an arched bordered oval and further engravings to the outer border, pendulum bob, with an 8 inch convex enamel dial, within a single pad top case on bracket feet, 15in (38cm) h.

An ebonised and gilt brass mounted bracket clock, with a twin fusee movement by Winterhalder & Hofmeier and striking on two gongs, the arched dial with silvered chapter ring and subsidiary regulation and chime/silent dials, the case with urn finials, canted angles with beast mask caraytids and arched pierced sun mask side panels, 28in (71cm) h, with a later bracket, 19in (48cm) h. (2)

A striking mahogany bracket clock, the 8 inch painted convex dial with faded signature of Pratt, Nottingham, two-train fusee movement in shaped plates, pull trip repeat, in a chamfer top case with inset brass band panels, fish scale grills and pineapple finial, 1ft 7.5in (50cm) h including finial.

A Regency brass inlaid mahogany striking bracket clock, the 7 inch convex painted dial signed Garmeson, Lombard Street, London, Strike/Silent at 12 o`clock, anchor escapement in shaped plates with foliate engraved border, in a break arch with brass bound recessed front panel and single pad top, 1ft 3.5in (39cm) h.

A mahogany bracket clock, with a twin fusee movement striking on a bell and a 7.5 inch silvered dial inscribed Singer, Frome, the case with applied rosette and leaf mouldings and pierced brass lancet side panels, 16.75in (42.5cm) h.

Henry Godfrey, London. A late 17th century ebony veneered striking bracket clock, the 7 inch dial signed Henry Godfrey between twin subsidiaries for strike/silent and rise and fall, and London between lower twin subsidiaries both to lock/unlock the swing, the matted centre with date aperture, ringed winding holes and mock pendulum aperture, the backplate signed Henry Godfrey, London in a cartouche within a profuse engraving of birds, cherubs and foliage, wheatear engraved border, six pillar movement now converted to anchor escapement, quarter repeating work removed in a basket top case, with ball finials, applied with presentation plaque dated 1891, circa 1695, 1ft 2in (37cm) high. Provenance: the estate of Neil Rimington of Fonthill Old Abbey

A late Victorian satinwood and gilt brass mounted Director`s clock, on bracket, with a repeating three train movement striking a peel of eight bells and five gongs, with a 6.5 inch arched brass dial with silvered chapter ring and three subsidiary dials; Chime/Silent, slow/fast, Westminster chimes/chime on eight bells, the case with pineapple finials, leaf capital reeded columns and pierced side panels with vases of foliage, 25in (63.5cm) h, the bracket 15.25in (39cm) w, 11.75in (30cm) d.

A 19th century mahogany and oak longcase clock, with an 8 day movement striking on a bell to a 13 inch painted arched and convex dial, signed Richd. Holt, Newark, the arch painted a hunting scene, the hood with turned columns above a shaped trunk door with moulded canted angles, with stringing on bracket feet, 89in (226cm).

A mahogany bracket clock, with a twin fusee movement striking on a gong, the back plate stamped J.J.E. England (J.J.Elliott), with a silvered 5.5 inch (14cm) arched dial, with subsidiary strike/silent and regulator dials, having engraved foliage decoration, the case with pierced arched sides, a brass carrying handle and bracket feet, 13.5in (34cm) h, handle down.

A striking Austrian verge bracket clock with alarm, the 6 inch brass dial signed in the arch Joseph Kermer in Leoben, the profusely engraved centre with mock pendulum and alarm setting disc, the going barrel movement with stopwork on the backplate, pull alarm wind, in an inverted bell top ebonised case, 1ft 3.5in (40cm) h, handle down.

"HAMBLER, N-FRAMPTON A VICTORIAN MAHOGANY LONGCASE CLOCK, having hood with swan neck pediment and flank columns, figured veneered boxwood strung trunk with canted corners and box base, raised on bracket plinth, eight day four pillar mechanism with an" chor escapement and false plate, arched painted dial with subsidiary seconds, 2.3m high

A William IV mahogany bracket clock, the 8 inch convex painted dial signed `W.H. Hind, Aylesbury`, with centred twin winding holes within a ring of Roman numerals, the twin fusee movement striking on a single bell, the arch case with leaf and scroll mouldings and brass inlaid stringing, raised on four compressed bun feet, with Gothic arch single panel pierced grills to the sides, 28.5cm wide, 42cm high, 16cm deep

A George III eight day longcase clock, the 12 inch square brass dial signed `John Richard Lansamlet`, with centred date aperture and subsidiary seconds dial, within a ring of Roman and Arabic numerals, with pierced corner spandrels, the hood with chequer stringing and fluted front corner hood pilasters, over a serpentine arched trunk door between front corner fluted trunk pilasters, on a box base with quatrefoil shaped single panel, on short bracket feet, 200.5cm high Note: Brian Loomes notes a John Richard Llansamlet as active in the late 18th century in `Watchmakers and Clockmakers of the World Volume 2`.

A silver carriage clock, by William Nutting, Birmingham marks worn, plain rectangular form, hinged carrying handle, initialled and crested, on four bracket feet, height 9.3cm.

Four books, Nicholas Goodison - English Barometers 1680-1860, Allix & Bonnert Carriage Clocks, Barder, `The Georgian Bracket Clock`, and Pickford `Silver Flatware` (4)

An Edwardian oak bracket clock

A 19th Century Longcase Clock, the painted arch dial inscribed "J Reed, Brampton" with date aperture, 30 hour movement in oak and mahogany case with swans neck pediment and bracket feet. 7` 3" (221cms) high.

An early XIX century "North Country" longcase clock, the painted dial with a moon roller movement, doves and castles with an eight day movement, the cross banded mahogany case with an arched door on ogee bracket feet 240cm high, 64cm wide, the dial 14"

An XVIII century bracket clock, the arched white dial signed Baker Tamworth, strike and silent indicator to the arch, the fusee movement with engraved frame, domed mahogany glazed case with brass mounts and feet 40.5cm high, 27.5cm wide, 16cm deep, the dial 27cm x 20cm

A Regency mahogany bracket clock, the convex silvered dial signed James Bath, eight day movement striking on a bell, the rectangular case with moulded barrel cornice and brass lifting handle, brass spandrels and ball feet 42cm high

19th century mahogany long-case clock, the arch hood enclosing a circular enamel dial, with subsidiary second-hands and flanked by turned columns, also to case door, on box base with ogee bracket feet, by Meredith of Merthyr, with striking movement, 220cm high