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An early Victorian figured mahogany bracket clock, with eight day double fusee movement, striking on a gong, the circular dial with Roman numerals, the case with moulded arch top on a pedestal base, height approx 47cm.

A George III figured mahogany and chequer banded longcase clock with eight day striking movement, the painted breakarch dial with black Roman numerals, subsidiary seconds dial, date aperture and inscribed 'John Morse, Lyneham' cornered by cottage vignettes beneath a hunting scene, the hood with gilt metal eagle and ball finials above a glazed door flanked by spiral reeded columns repeated on the trunk flanking an inlaid rectangular door, on a similar base and bracket feet, height approx 232cm.

A bronze patinated, brass, mantle clock, English, c1820. The earlier verge pocket watch movement signed on the back plate ‘Jas Freeman London’, c1780. The circular frost glass dial within circular mount with crown motif to the pediment. The base modelled as a lion on a plinth, bracket feet. With a key. 28cm high.

An Ebonised case, table clock, English, 18th century. 7’ dial with mask & scroll spandrels, matted centre with ringed winding hole, calendar dial in the arch, original anchor escapement, (repeater removed). The case with inverted bell top, brass carrying handle and pineapple finials, on moulded plinth base, replaced bracket feet. 45cm high.

An ebonised cased bracket clock & bracket, by ‘John Weber’ of Greenwich, English, c. 1820. 5.5’ silvered dial, textured centre, with pendulum swing aperture and date aperture below, with foliate and leaf spandrels, strike / silent dial to the arch. Double chain twin fusee train, 1 hr striking on a bell. The back plate with foliate engraved decoration and makers signature ‘ john weber fecit’. The case with inverted bell top, brass swing handle and gilt brass urn finial’s. Over arched glazed door, with pierced gilt brass panels to the sides. On four gilt metal scroll and leaf moulded feet. 43 x 26cm. (restorations)

An Art Nouveau mahogany cased mantel clock of vase shape with simplistic scroll marquetry inlays, white enamel dial with Roman numerals, eight day French brass cylinder movement, the whole raised on stylised bracket feet, height 25.5cm (see lot 409 for illustration)

A circa 1800 oak and mahogany longcase clock, having a small swan neck pediment above twin fluted pilasters flanking brass arched dial (width 12 inches), the dial with Roman numerals, C scroll cast corner spandrels, subsidiary seconds dial and signed J Mawkes, Derby (face extensively restored), twin winding holes for an eight day brass four pillar twin train movement striking on a bell, the oak case with all-over oak and mahogany crossbanding, quarter turned fluted pilasters flanking conch-shell inlaid crossbanded door above a box base on bracket feet, height 208cm (see lot 415 for illustration)

An early 19th Century mahogany longcase clock, having a swan neck pediment above twin fluted pilasters flanking painted arched dial (width 12 inches), signed to the centre Thomas Scott of Gainsbro, having Roman and Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight day four pillar movement striking on a bell, the case having marquetry floral urn inlaid panelled door within quarter turned fluted pilasters to a further marquetry inlaid box base raised on ogee bracket feet, height 215cm (see lot 415 for illustration)

A mid 19th Century mahogany bracket clock, having a scroll flower moulded dome top above a convex brass bezel, restored white painted dial signed George Yonge, London, having Roman numerals, twin winding holes for a brass eight day twin fusee movement, having anchor escapement and striking on a gong, signed to the back-plate, the case with glazed side lenticals and raised upon a plinth, height 44cm (extensively restored).

An antique bracket clock, the small watch movement having white enamel dial with Arabic numerals within a soapstone surround on pedestal, the whole housed within an ebonised boulle work pagoda type surround, gross height 50cm.

A 1920's Oak 8-Day Striking Westminster Chime Grandmother Clock having round silvered dial with raised gilt Arabic numerals, flanked by barleytwist supports, oval bevelled glass panel below on bracket feet, 1m 35cm high

A 19th Century Mahogany Long Case Clock Case having swan neck cornice with carved leaf decoration, turned column supports with further similar columns below on bracket feet (no movement) 2m 23cm high

J.F. Anderson, Newburgh 8-Day Striking Long Case Clock having round gilt dial with seconds dial and calendar in figured mahogany case with carved scroll and leaf decoration, ½ round column supports, arched panelled door on bracket feet, 2m 20cm high

A mid-19th century German walnut and brass line inlaid bracket clock, the twin fusee movement signed ‘S. Kamerer, Furtwangen’ with anchor escapement, striking on a gong, the six and a half inch circular silvered dial bearing Roman hour numerals within an ormolu bezel, the caddy shaped top above a glazed door and swept base, on bun feet, 45cm high

A 19th century French Boulle work clock bracket, with ormolu grotesque mask and leaf mounts, decorated all over with leaf scrolls, 36cm wide, and another similar scarlet Boulle work clock bracket, with losses and damage, 43cm wide (2)

A George III oak longcase clock, the twin train movement with anchor escapement striking on a bell, the twelve inch white painted break arch dial with moon phase, subsidiary seconds dial and date aperture, with fruit and flower painted spandrels, marked for Thomas Felton, Handsworth, the hood with swan neck pediment and reeded Corinthian columns, the trunk with mahogany cross banded door between reeded quarter pilasters on plinth base and bracket feet

Mackay and Chisholm, Edinburgh A late Victorian oak cased 8-day bracket clock, the twin train fusee movement with anchor escapement striking on a bell and gong with richly chased arched brass dial, silver chapter ring and subsidiary strike/silent and a slow/fast dials, the case profusely carved allover with scrolling foliage, the domed top incorporating green man above a caryatid pilasters and sides with pierced panels on gadrooned and stepped plinth bearing inscribed silvered plaque 68cm high

A late 19th century French gilt brass mantel clock, the twin train movement striking on a gong, the enamelled ivory dial painted with floral swags and set with paste diamonds with corresponding pendulum, in an architectural case with stepped dentilled cornice and fluted leaf cast Corinthian columns, bevelled glass doors and sides on corresponding base with bracket feet 34.5cm high

A post-Regency mahogany clock bracket the moulded rectangular top on reeded lotus scroll supports flanking a shallow arch with panelled spandrels 39.5cm wide 26cm deep circa 1820-30

A mahogany musical bracket clock the arched silvered 20cm dial with Roman and Arabic chapter ring engraved oak spray spandrels the centre with fruit flower spray and basket the arch inscribed 'Thomas Doughty Wisbeach (sic)' and inscribed with seven airs - 'Psalm Minuet Lango Lee Song Wars Alarms Waterman Changes' eight day repeating movement striking on a bell and chiming on nine bells floral engraved backplate the stepped rectangular moulded bell top case with brass lifting handle and pierced floral spandrels arched glazed side panels brass leaf scroll feet 51cm high excluding handle

A mahogany longcase clock the enamelled 33cm dial painted to the arch with anglers in a river landscape the spandrels with Eastern scenes Roman chapter ring seconds dial and calendar sector pierced brass hands inscribed 'J. Hummel & Co Derby' eight day movement striking on a bell the hood with moulded barrel cornice above fluted tapering pilasters the trunk with an arched door flanked by lotus turned split balusters above a canted base outlined throughout with pollard oak bandings on bracket feet 220cm high

An oak longcase clock the enamelled 31cm dial with rustic arch and rose spandrels Roman chapter ring cut brass hands calendar sector indistinctly inscribed thirty hour movement striking on a bell the hood with brass mounted swan neck pediment and plain freestanding pillars re-entrant trunk door flanked by canted angles outlined with stringing and crossbanded borders on bracket feet 213cm high

An Elliott mantel clock, designed as a small bracket clock, the dial with black Roman numerals.

A mahogany cased bracket clock by Keininger, Germany, of 18th Century design, with three train chiming movement, 28cm high.

A late George III oak crossbanded eight-day longcase clock, the 13" arched enamel dial signed ÔBrown, London’ with outer ring of roman numerals, centred second dial and subsidiary date dial, the spandrels painted with architectural ruins, the arch depicting a cottage, the hood with swan neck pediment over baluster turned front corner hood pilasters flanking the arched door over a short shaped trunk door with central lozenge inlay flanked by fluted front corner pilasters over a box base on short bracket feet, 86" high

A George III mahogany bracket clock by James Tregent, Strand, the arched case surmounted by a handle on a pad over fish scale side frets, a moulded base and brass ogee bracket feet, the 7" arched silvered dial with outer ring of arabic numerals, inner ring of roman numerals, signed centre and two winding holes with subsidiary strike and silent dial to the arch, the twin fusee movement with Prince of Wales engraved back plate under a garland and neoclassical style surround striking on a single bell, 15.5" high.. Note: James Tregent is listed as being active 1770 to 1805 watchmaker to the Prince of Wales and The Duke of Sussex

A George III mahogany longcase clock by Robert Douglas, Liverpool, with 13in. brass moon phase dial, fitted roman numerals and subsidiary seconds dial, with eight day striking movement, the ornate hood with swan neck pediment above Verre Eglomise panels and two pairs of fluted pilasters either side of the glass panelled door, a single drawer to the trunk flanked by further fluted pilasters an unusual base panel flanked by simulated brick-work corners, raised on ogee bracket feet, 20 1/2in. x 86in. high.

A fine late George III mahogany longcase clock, the 13in. white painted moon phase dial with arabic numerals and subsidiary seconds and date dials, inscribed 'John Brand & Son, Dumfries', fitted eight day movement striking on a single bell, the ornate case surmounted by swan neck pediment and cross banded panelled door, decorated all over with inlaid panels of stags, flowers and shells, the pilaster and uprights with double-stop fluting and bone mounts, with cross banded panelled door and canted base, raised on bracket feet, 21 1/2in. x 88in. high. (see lot 1245 for illustration)

An early 19th Century mahogany longcase clock, the arched painted dial inscribed 'Topham, Nantwich', painted roman numerals, fitted seconds dial and date aperture, eight day movement striking on a single bell, the hood with scrolling swan neck pediment, flanked by turned and reeded pilasters, with arched panel door to the trunk decorated with cross banding and further pilasters, with chamfered square base on bracket feet, 24in. x 89in. high.

A Regency mahogany bracket clock by Molineux of Blackheath, fitted eight day movement striking on a single bell, the case with overhead handle and decorated with inlaid brass moulding, stringing and foliate motifs, raised on a plinth base with brass ball feet, 12in. x 20in. high. (see lot 1257 for illustration)

An early 18th Century oak longcase clock, the 13in. brass dial with silvered chapter ring and subsidiary and seconds date dials, a silvered boss to the arch engraved with an eagle decoration, fitted eight day movement striking on a single bell, the later carved case with swan neck pediment above later stained wood pilasters, ornate panelled door to the trunk flanked by canted and carved corners, raised on bracket feet, 19 1/2in. x 86in. high.

A 19th Century mahogany longcase clock, with 13in. brass dial inscribed 'William Rowland, Berwick', fitted eight day movement striking on a bell, with subsidiary seconds and date dials, the hood with arched panelled door flanked by turned pilasters further cross banded panelled doors to the trunk flanked by canted inlaid corners, raised on bracket feet, 18 1/2in. x 83in. high. (see lot 1259 for illustration)

A Victorian ebonised bracket clock Ashdown London the double fusée hour-repeating movement striking on gong and having circular enamelled Roman dial the ebonised drum case applied with flowers in relief and supported on scroll-carved plinth base the rear door having pierced sound frets; with ebonised bracket H 44cm W 38cm

A mahogany bracket clock the eight-day double-fusee movement striking on bell and having enamelled Roman broken-arched dial in arched case on plinth base with gilt-brass ball feet (a.f.) H 38cm W 34.5cm

A French ormolu four-glass mantel clock late 19th century the drum movement striking on gong and having circular enamelled Roman dial and mercury pendulum the case decorated in relief with lappets and other classical motifs and having reeded columns on bracket feet (a.f.) H 33cm W 21cm

A George III oak longcase clock John Owen Llanrwst the eight-day movement having 12ins brass dial with Roman chapter ring subsidiary seconds date aperture and foliate-engraved matted centre; the case mahogany crossbanded and having concave cornice over fluted pilasters with shaped trunk door below flanked by quarter-fluted columns on plinth base and ogee bracket feet H 202.5cm W 62cm

AN 18TH CENTURY 30 HOUR LONGCASE CLOCK BY WILLIAM MARSTON, BISHOPS CASTLE, having flat hood with square apeture flanked by reeded columns, later carved waist door flanked by quarter reeded pillasters, under carved base and bracket feet. Square brass face with date apeture and figural spandrels. (face & case associated) 11.5" Dial. 77" High. C1750 and later.

AN EARLY 19TH CENTURY WELSH OAK 30 HOUR LONGCASE CLOCK BY HENRY EVANS OF LLANGADOG, having broken swan neck pediment above arched apeture, herringbone and string inlaid waist with pointed arch door, panelled base with bracket feet. 30Hour movement striking on one bell, arch painted face 18" x 12.5" with cottages and castles, date apeture 83" High. C1830. (Henry Evans, Llangadog 1830-50).

AN EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK BY JAMES ISAAC & SON OF CARMARTHEN, the hood with broken swan neck pediment above arched apeture, shaped waist door and plain base with bracket feet. Arch painted face 12" x 16" with floral spandrels, seconds dial and date apeture. 86" High. C1810. (some restorations).

A 19TH CENTURY WELSH MAHOGANY LONGCASE CLOCK BY DANIEL LEVY OF CARMARTHEN, having arched hood flanked by reeded columns, inlaid decoration to the waist and base, on bracket feet, 8 day movement with painted face, (17.25" x 12"), having seconds dial, date apeture and floral spandrels with country scene to the arch. 84" High. C1840.

AN 18TH CENTURY OAK 8 DAY LONGCASE CLOCK BY SAMUEL BURGES, LONDON, having arch hood (lacking pediment) above arched apeture, plain waist with arched door, panelled base with bracket feet. Eight day five pillar movement striking on one bell, arch brass face 16.5" High x 12" Wide with engraved decoration, pierced spandrels, silvered chapter ring and seconds dial, date window. 80" High. (Restored).

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK BY WILLIAM STRUMBELS, having flat hood with square apeture, plain waist door and panelled base on bracket feet. 11.5" brass dial with pierces spandels, 30 hour movement striking on one bell. 78" High. C1740 and later. (See lot 218 for illustration)

A late Victorian oak bracket clock, the architectural case with fluted columns to front, pierced sides, the chiming movement striking on a spring, plain moulded bracket, 40cm (15 3.4in)

A Victorian Oak Large Bracket Clock, the case carved with bows and swags, the silvered dial with foliate engraving and with Roman numerals and with three subsidiary dials strike silent slow fast and different chimes, the three train movement striking upon multiple bells and gongs

A Regency Mahogany Bracket Clock, by Lewison & Co. London, the shaped case with brass side handles and brass ball feet, the dial with Roman numerals and two-train double fusee striking movement

A Regency Ebonised Lancet Bracket Clock by Frodsham London, the brass inlaid case with ringside handles upon low brass ball supports, the dial with Roman numerals and two train striking movement

A 19th Century longcase clock, by Wm Parkes Retford, with eight day movement the painted dial with cottage and figure to the arch and floral spandrels, date aperture, in oak and mahogany cross banded case, the hood with phoenix finial and swan neck pediment over fluted columns with gilt capitals, the arched door inlaid with urn of flowers, the panelled base inlaid with a conch shell, on shaped bracket feet, 93" high.

An 18th Century longcase clock, by S. Ashton Ashburn, the white painted circular dial with date aperture and thirty hour movement, in oak case with mahogany cross banding, the hood with swan neck pediment over satin stringing and fluted columns, reeded pilasters, shaped door on panelled base and bracket feet, c.1790, 80" high.

An early 20th century French brass carriage clock, timepiece only, with folding carrying handle and four glass case, the enamelled dial with Roman numerals by Thomas Langstaff, Paris raised on bracket feet. Height including carrying handle 6ins. (see lot 629 for illustration)

A mahogany longcase clock, having a swans neck pediment above the glazed door enclosing the 14in. diameter circular painted dial and eight-day movement by Tyson, Whitehaven with Roman numerals and subsidiary seconds hand flanked by flat pilasters in turn above the short shaped trunk door and conforming base raised on bracket feet. Height 79.5ins.

A George III oak longcase clock, having a moulded cornice above the arched glazed door enclosing the 12in. silvered brass dial with Roman numerals to the chapter ring, subsidiary seconds dial and eight-day striking movement by Brownleys, Staindrop flanked by fluted pillars, the long arched trunk door with centre inlaid medallion flanked by canted fluted angles and with conforming base raised on bracket feet. Height 84ins.

A French Boulle and Ormolu Mounted Bracket Clock, circa 1880], the waisted case enclosing a shaped circular dial with blue and white enamelled Roman tablet numerals and outer minutes, the movement numbered "992" striking a gong, with maiden mask/sun burst pendulum, the whole raised on griffin feet, 51.5cm high, upon a Vitruvian scroll decorated bracket with rococo scroll terminal, 79cm high overall

A Mahogany and Brass Inlaid Bracket Clock, signed Parsons, Bristol, circa 1830], the case with stepped pediment with acorn finial, sides with ringed brass carrying handles, raised on ball feet, 6-inch painted dial with Roman numerals, single fusee movement with anchor escapement, movement secured by brackets, 39.5cm high

A Burr Walnut Gothic Revival Chiming Bracket Clock, circa 1870], the Gothic case surmounted by three church steeples, the arched door with carved leaf decoration, pierced side sound frets and pull repeat cord to the side, 7-inch arched silvered dial with Roman chapter surrounded by engraved foliate decoration, the arch with three subsidiary selection dials for chime/silent, slow/fast and Westminster chimes/chime on eight bells, blued steel spade hands, massive triple fusee movement with anchor escapement and chiming eight hammers on to eight bells and a further hammer striking a gong for the hours, 75cm high, together with a floral carved and scrolled mahogany wall bracket, 33cm high

A George III Mahogany Striking Bracket Clock, signed Willm Willington, London, circa 1790], the case with inverted bell top with carrying handle, "later finials", "later" pierced side frets, upon bracket feet, 6-1/2-inch arched silvered dial with Roman and Arabic numerals, dial centre with date aperture and signed "Willm Willington, London", strike/silent in the arch, twin fusee movement with anchor escapement and striking on a bell, movement secured by two brackets, 52mm high, together with receipt dating back to 1970

An Ebonised Striking Bracket Clock, signed Webster, Cornhill, circa 1800], the case with arched top and carrying handle, glazed sides, bracket feet, 7-inch arched painted white dial with Roman numerals signed "Webster, Cornhill", arch with strike/silent, twin fusee movement with anchor escapement and striking on a bell, backplate signed, movement secured by brackets, 42cm high, together with receipt dating back to 1976

A Fine French 18th Century Tortoiseshell Boulle Bracket Clock, signed Raymond, Paris, circa 1750], the highly elaborate waisted case with brown tortoiseshell inlaid with brass and foliate gilt-brass applied mounts, the flower-trellis cresting surmounted by the goddess Flora, 9-3/4-inch twelve-piece enamel cartouche dial with blue Roman numerals, the rectangular plated movement with baluster pillars, verge escapement with silk suspension and outside countwheel striking on a bell, movement backplate finely signed "Raymond Paris", clock 87cm high, together with conforming ogee wall bracket with applied acanthus leaf gilt-brass mounts and a scrolled base finial, bracket 34cm high, (both clock case and bracket with imperfections)

A Mahogany Striking Bracket Clock, signed John Walker, 40 Princes St, London, circa 1830], the nicely figured mahogany case with bevelled glazed flat top, glazed sides flanked by canted corners to the front, raised on square block feet, 6-inch white painted dial with Roman numerals and signed "John Walker, 40, Princes St, London", spade hands, twin fusee movement with anchor escapement and striking on a bell, 34cm high

A George III Mahogany Striking Bracket Clock with Pull Repeat, signed Stephen Hale, Highgate, circa 1790], the case with inverted bell top with pineapple finials and carrying handle, the sides with glazed panel and pull repeat cord, 7-inch arched brass dial with silvered chapter ring, finely matted dial centre with date aperture and signed on a silvered arched plaque "Stephen Hale, Highgate", the arch with strike/silent dial, twin fusee movement with verge escapement and striking on a bell, bob pendulum, backplate engraved with foliate decoration, movement secured by brackets, 51cm high hilt of handle, together with matching mahogany wall bracket

A French Boulle and Ormolu Bracket Clock, Mynuel a Paris], the waisted case surmounted by a seated figure of Diana, the dial with black and white enamel tablet numerals, the central field chased with a profile head portrait of a king amongst military trophies and a crown, with lower tablet "Mynuel a Paris", the “later” twin fusee movement with striking on a bell, whole case highlighted in stained ivory and mother of pearl, the lower case with eagle and viper mount amongst scrolls, on scroll form feet, 71cm high, conforming wall bracket, 95.5cm high overall