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An early 20th Century French brass cased carriage clock with eight day repeating movement striking on a gong, the white enamel dial with Roman numerals, the glazed case fitted with a swing handle, on bracket feet, together with another carriage timepiece.

A Smiths electric chromium and ebonized desk clock, the circular case on a plinth base and bracket feet.

A late 19th Century Oak Cased “Gothic” Mantel Clock, the arched case surmounted by three spire finials, to outset cluster column supports, to an arched frieze panel base on bracket feet, to an arched glazed door enclosing an 8 ½” silvered dial engraved with subsidiary for chime/silent, with further foliate detail over a Roman chapter ring with outside minute track and blued steel spade hands, to a triple chain fusee movement with plates united by plain pillars, with anchor escapement and strike on nine bells and further blued steel coiled gong, height 28 ½” (SEE PHOTOGRAPH)

A late 19th Century French Black Marble and Lacquered Brass Mounted Mantel Clock, the plinth-shaped case with moulded cornice and plain base on outside bracket feet, to a spun brass bezel with bevelled glass enclosing a 6” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, height 15 ¼”

A late 19th Century French Mantel Clock Movement, the Roman enamel chapter ring with outside minute track and Arabic quarters to an engine-turned centre with blued steel fleur-de-lys hands, and circular brass movement with anchor escapement and strike on a bell, mounted in a modern mahogany and lacquered brass mounted case with scrolling pediment and overhanging cornice with eight cylindrical columns and stepped plinth base on bracket feet, and centred with a cherub, height 19”

An 18th Century 11” Square Brass 30 Hour Long Case Clock Dial, with cast and applied spandrels to a Roman chapter ring with inside quarters track, fleur-de-lys half-hour markers and with engraved centre signed “Saml Buxton – Diss”, with later mounted bracket back and brass cased pendulum bob (2)

An early 20th Century Mahogany and Boxwood Line Inlaid Mantel Clock, the arched case with inlaid panel on a plinth base with splayed brass bracket feet, to a brass bezel with bevelled convex glass enclosing a 4 ½” Arabic enamel dial with outside minute track and further Arabic quarters with blued steel hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 11 ½”

A late 19th Century American Walnut Cased Mantel Clock, Ansonia Clock Co, the plinth-shaped case with overhanging cornice and shaped pediment finials, to a detailed mask on bracket feet, to a spun brass bezel enclosing an Arabic chapter ring with further embossed centre and black painted fleur-de-lys hands to a twin spring-driven movement with anchor escapement and strike on a coiled gong, height 15”

A mid-18th Century Oak Cased 8 Day Long Case Clock, Everard Dillington – Mkt Harborough, the case with moulded overhanging cornice to a plain frieze and arched door flanked by 3/3 columns, to a moulded throat and long and shaped trunk door to a plinth and bracket base, to a 12” arched brass dial with engraved wheatear border and signed silvered nameplate to the arch with mask and foliate spandrels enclosing a Roman and Arabic silvered chapter ring, with outside minute track, fleur-de-lys half-hour markers to a matted centre, with subsidiary seconds and date aperture with pierced steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell (associated), height 88” (SEE PHOTOGRAPH)

An 18th Century Oak Cased 30 Hour Long Case Clock, Thos Haden – Dudley, the case with overhanging cornice and shaped pediment with central finial over freestanding columns, to a moulded throat and long trunk door with inlaid detail on a plinth and bracket base, to a 12” square brass dial with applied mask and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track, to an engraved and matted centre, with recessed nameplate and date sector, with pierced steel hands, to a movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 84”

A 1st half of the 19th Century Oak and Mahogany Crossbanded Long Case Clock Case, the hood with swan-neck pediment over freestanding columns, to a moulded throat and short trunk door to a plinth base on bracket feet, height 79 ½”

A 1st half of the 19th Century Mahogany and Boxwood Line Inlaid 8 Day Long Case Clock, Springall – Norwich, the arched hood with shaped pediment and overhanging cornice to reeded freestanding columns, to a moulded throat and long arched trunk door with canted corners to a plinth and bracket base, to a 12” arched 3rd period painted dial decorated with Jesus and Fishermen to the arch, over gilt floral spandrels enclosing a Roman chapter ring with outside minute track with subsidiary seconds and date sector, with blued steel and pierced hands, to an unsigned false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 82” (SEE PHOTOGRAPH)

A 2nd half of the 18th Century Oak Cased 8 Day Long Case Clock, F Gossling – Diss, the arched hood with overhanging cornice surmounted by a pierced pediment (some losses) with later urn-shaped finials, over freestanding columns to a moulded throat, and arched long trunk door on a reduced plinth and bracket base, to a 12” 2nd period painted and arched dial decorated with gilt highlighted roses and floral sprigs to the arch over grape and fruit spandrels, enclosing an Arabic chapter ring with further Arabic quarters and fleur-de-lys hour markers, with outside minute track enclosing subsidiary seconds and date sector with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 86” (SEE PHOTOGRAPH)

MAHOGANY LONGCASE CLOCK, BY P. GILL & SONS, ABERDEEN 19TH CENTURY the circular dial with painted Roman numerals, subsidiary second and date dials, the trunk with columns, raised on bracket feet 49cm wide, 205cm high, 24cm deep

A reproduction small Walnut bracket Clock.

A GERMAN WALNUT BRACKET CLOCK THE ARCHED SILVER AND ENGRAVED BRASS DIAL WITH ARABIC CHAPTERS, THE MOVEMENT STRIKING ON A COILED WIRE GONG C1910

A Regency Bracket Clock by Edward Cooper London with Twin Fusee Movement, Striking on Seven Bells in Ebonised Case with Brass Carrying Handle

A George II red lacquered bracket clock, with arched brass dial and silver Roman chapter ring and false pendulum, signed Samuel Whichcote, London, movement with verge escapement and engraved backplate, 15ins

A 19TH CENTURY FRENCH MANTEL CLOCK having a white enamel convex Roman dial, the twin train drum tic-tac movement with bell strike and Japy trademark, the gilt brass case with swing handle and applied scroll mounts with bracket feet, 8 3/4" high.

A FRENCH EMPIRE GILT BRONZE MANTEL CLOCK, the Roman dial with snake bezel, twin train movement with bell strike and silk suspension (lacking pendulum), the allegorical case representing the `Apotheosis of Homer`, the rectangular base with decorative frieze raised on cast leaf bracket feet, 20 1/2" high.

A REGENCY MAHOGANY BRACKET/TABLE CLOCK, having a convex Roman dial with moon hands and twin train fusee movement with bell strike, the case with stepped caddy top, pineapple finial over rosette ring handles with brass fish scale side frets and ball feet, 20" high.

AN 18TH CENTURY STYLE EBONISED BELL TOP TABLE CLOCK, the arched brass dial with silvered Roman chapter ring, foliate scroll spandrels and tempus fugit disc to the arch, the three train German Kieninger movement chiming on a nest of eight bells and striking on a ninth, the case with swing handle and pineapple finials over a break arch door with brass ogee bracket feet, 21 1/2"high handle up.

AN EDWARDIAN LANCET CASED BRACKET CLOCK, the arched silvered dial with Roman chapter ring, signed Searle & Co. Ltd, Lombard Street, London, beneath a slow/fast ring, the twin train movement stamped J. J. E. England with coiled gong strike, the case with simple boxwood stringing over fluted canted sides and brass ogee bracket feet, 12" high.

A 19TH CENTURY MAHOGANY CLOCK BRACKET with reeded tray top, 12 1/2" wide and another (2).

A REGENCY MAHOGANY BRACKET/TABLE CLOCK having a convex Roman dial signed Gorham, Kensington with twin train fusee movement, bell strike and shouldered plates with engraved border and pendulum bob, the break arch case with pad top, brass swing handle and brass foliate scroll inlay to the sunk panel front, canted sides and apron, brass fish scale side frets and ball feet, 16" high.

A Regency rosewood, brass inlaid bracket clock the convex white dial signed T Fletcher, Retford, the fluted top with brass mounted urn finial, pierced brass side fret, brass carrying handle, the whole on brass ball feet. (See illustration)

An Edwardian oak cased bracket clock.

An 18th century bracket clock by James Green, London, the brass dial with a strike silent silvered dial to the arch, the matted centre with revealed pendulum bob and square calendar niche, beneath a signed silvered arch, gilt spandrels, the mahogany case with brass carrying handle to the top, maximum height 23cm, the back plate chinoiserie engraved. (See illustration)

A EUROPEAN BRACKET CLOCK IN AN OAK CASE HAVING A CENTRE DIAL WITH ROMAN NUMERALS AND A FIGURE OF APOLLO TO THE TOP AND BRASS FITTINGS TO THE SIDES AND FRONT

A Georgian style inlaid mahogany bracket clock, with musical movement

A pair of brass miner`s lamps, modern wheel barometer, aneroid barometer and bracket clock

A Georgian-style bracket clock, traditional arched dial with moon-phases, German chiming movement, in brass-mounted burr walnut case, 13.5in. high - with key

A small Elliott bracket clock in Georgian style, arched brass dial with silvered chapter ring, in walnut and burr walnut case, 9in.

A small Georgian-style bracket clock, square brass dial with silvered chapter ring, movement striking on a bell, in walnut case, 8in.

An Edwardian inlaid walnut bracket clock, engraved silvered dial signed Camerer, Kuss & Co., three-train movement chiming on nine pipes, three doors with bevelled glass plates, case inlaid with boxwood leaf scrolls, 18.5in. high - with key and pendulum

Regency mahogany lancet-shaped bracket clock inlaid with brass, gilt grilles, and pressed shell side handles, on gilt acorn feet, white painted roman dial signed Francis Jones, 62 Cornhill, London , strike/silent at XII, twin fusee movement, anchor escapement, hour strike and pull repeat on a bell, the shaped backplate signed Jones, London. Height 48cm (ticks readily, winds, strikes, pendulum, winder, door key).

French brass small bracket clock, circa 1870, the sides pierced with scrolling foliage, turned corner pillars and finials, on a stepped square base, silvered dial, 7cm, movement striking the half on a bell, back plate signed CHlesMl, overall height 29cm. (Ticks readily, winds, strikes)

German walnut bracket clock , early 20th century, the architectured case with an arched top and reeded columns, broken arch brass face, silvered arabic chapter ring, Kienzle triple barrel movement striking the quarter on rods. Height 46cm. (Ticks, strike faulty)

Oak and mahogany longcased clock, painted broken arch dial with roman hours named in the arch Richard Whitworth Lussley , subsidiary seconds date aperture, eight day movement with rack strike on a false plate in a swan neck hood with plain columns on cavetto shoulders, quarter column trunk and canted plinth on bracket feet. Height 217cm (2 weights and pendulum).

Oak longcased clock , the broken arch painted face with roman numerals, subsidiary seconds and date aperture, eight day movement with hour rack strike in a broken arch hood with three quarter fluted columns on cavetto shoulders, arch top door and set out base on ogee bracket feet, height 207cm (pendulum, 2 weights, key).

Oak longcased clock banded in mahogany, the broken arch painted face with rolling moon, roman hours, subsidiary seconds and date aperture signed W. Meller, Middlewich , restored eight day movement with hour rack strike on a false plate, in a swan neck hood with square section columns on cavetto shoulders, reeded corner trunk and cantered corner plinth on bracket feet (key, pendulum, 2 weights).

A thirty hour oak longcase clock, mid 18th century, the 10.5 inch square brass dial signed `John Roberts` with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf pierced corner spandrels, the hood with ogee moulded cornice over turned front corner hood pilasters above a long trunk door, raised on shaped bracket feet, 204cm high

A Regency oak eight day longcase clock, the 14 inch painted dial signed `R McAdam, Dumfries`, with centred subsidiary seconds dial and date dial within a ring of Roman numerals and painted floral spandrels under a painted arch showing a female figure next to a brook, the hood with swan neck pediment over and arched hood door between fluted front corner hood pilasters over a short arched trunk door between front corner quarter fluted pilasters on a planked box base (lacking bracket feet), 216cm high

A gilt bronze repeating eight day giant carriage clock by Barraud & Lund, London No.1357 with associated twin fusee movement, the arched 5 inch silvered dial with centred moon phases and twin winding holes within a ring of Roman numerals under a date aperture to the arch, the centre chased with scrolling leaves, the outer face engine turned, the four glass case with flush fitting handle and rectangular viewing window over an arched door to the front flanked by oval star cut side windows and an enclosed engine turned back the case with reeded corner half pilasters and pierced scrolling leaf frieze to the top and bottom, raised on splay short bracket feet, (with alterations) 17cm wide, 24.5cm high, 11cm deep NOTE: The majority of carriage clocks made by Barraud & Lund were when John Richard Lund (1805-1863) joined the firm Barraud which was established by eminent chronometer maker Paul Philip Barraud (1752-1820). The company became Barraud & Lund in 1838 trading at 41 Cornhill until 1889

An eight day oak longcase clock, 18th century, the 12 inch square brass dial with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and cherub moulded corner spandrels, the unrestored four pillar movement striking on a single bell, the associated case with ogee moulded corners to the hood above an arched hood door over a long trunk door on a boxed base and splay bracket feet, 218cm high

A Victorian mahogany balloon shaped mantel clock, the eight day movement striking on two graduated bells, the 9 inch white enamel dial with inner ring of Arabic numerals and Arabic numerals marking the quarters, within a chevron strung balloon case with marquetry panel below raised on short ogee bracket feet, the case with pieced gilt metal fish scale inset sides, 50cm high

A Regency oak crossbanded mahogany clock dresser (lacking clock) the break-front top with central circular dial door over a short single panel trunk door flanked by half fluted pilasters and a glazed and single panel door to each side with oval line inlays to the planked panel on an enclosed base with three frieze drawers over a central single panelled cabinet door flanked by two short drawers to each side, all fitted with brass swing handles with pressed oval back plates raised on shaped bracket feet(at fault) 176cm wide, 211cm high, 47cm deep

A 19th Century Longcase Clock with painted arch dial in oak case with canted corners and bracket feet. 7` 4" (220cms) high (movement removed).

A George III Longcase Clock, the steel and brass arched dial inscribed "Gilbert Kidd, Malton" with seconds ring, date aperture and ormolu spandrels, with engraved spread eagle arch, eight day movement in oak case, with fluted turned pilasters, the trunk with reeded canted corners and long arched door on bracket feet. 6` 11" (211cms) tall.

An early 19th Century Longcase Clock, the arched dial painted with birds and flowers and inscribed "Barker, Easingwold" with date aperture and 30 hour movement in oak case with swans neck pediment and on bracket feet. 6` 11" (211cms) high.

An 18th Century Longcase Clock, the brass dial inscribed "George Ewbank, Elland" with penny moon, date and seconds apertures with engraved dial and ormolu spandrels, 30 hour movement in oak case, the canted corners with half round mouldings and on bracket feet. 6`5" (196cms) high.

A Late 19th Century Mahogany Gothic Style Clock Bracket Having Rectangular Top, 43.5 cm x 30.5 cm.

An early 19th century Regency rosewood clock bracket with split turned decoration and scroll support.

An Art and Craft Bracket Clock

A 19th c. gilt Mantle Clock, having circular clock in gilt case with black marble face, eight day movement on black marble base, beside the clock is a gilt figure of Joan of Arc in armour holding a flag, ornate classical style base having marble inserts and scrolls and swags on bracket feet, movement by Philippe Rouen, 16`` wide x 18`` high

A Pine Cased Bracket Clock by Pierre Milson

A late 19th Century mahogany chequer banded bracket clock in the neoclassical taste, the caddy top over a circular dial with Roman numerals to a single train movement, raised on gilt metal bracket feet

A MAHOGANY BRACKET CLOCK dial brass, signed J. Lake, Taunton, movement with pull repeat, striking on a bell, case with fish scale panels to the front and sides, 15 3/4ins. (40cms.) high

A Howard Miller reproduction bracket clock, Georgian style with gilt metal dial and numerals, in mahogany case, 46cm.

A Georgian style Bracket Clock with 3 train movement by Gustav Becker, arched silvered dial in mahogany case