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A 1920's black japanned and gilt decorated mantel clock, retailed by Partington & Co of Woolwich, the 8.25ins x 6.25ins oval dial with applied gilt Arabic numerals, to the eight day three train movement striking on five gongs, contained in arched topped case decorated with chinoiseries, on bracket feet, 11ins high
An early 20th Century mahogany longcase clock of "Georgian" design, the 12.5ins arched brass dial with silvered chapter ring and with raised brass Arabic numerals within circular cartouches, with subsidiary seconds dial, to the eight day three train movement striking and chiming on five gongs, contained in mahogany case inlaid with boxwood stringings, with shaped and moulded cornice, shaped trunk door inlaid with figured panel and with conforming plinth base, on bracket feet, 85ins high
AN ENGLISH MAHOGANY LONGCASE CLOCK, CIRCA 1750 the 30cm dial with Roman hour and Arabic minute numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with floral motifs, bell striking movement, the arched hood with a broken swan neck pediment centred by a ball and spiral finial, glazed door flanked by columns, the trunk centred by a shaped door, on a plinth base, on bracket feet, distress213cm high
A 19th century German oak-cased three-train bracket clock by Winterhalder & Hofmeier, circa 1880, the elaborately carved case with caddy-shape top, anthemion, floral and mask decoration throughout, circular dial (16cm diameter) with Roman numerals, pull repeat, stamped to the backplate W & H / Sch, in working order and keeping good time, 54 H x 34 W x 25 D cm
Late 19th/early 20th century four glass mantel clock, stepped cornice with applied beading, circular enamel floral decorated dial with Arabic numerals, twin train movement striking the hours and half on coil, mercury pendulum, shaped bracket feet, H31cm Condition Report Click here for further images, condition, auction times & delivery costs
A 19th c. Mahogany cased Longcase Clock by F.J. Wild of Dundee, having swan pediment hood with turned columns, painted face with Roman numerals, second hand (missing) and date hand, short door case with half turned column detail, on lower cross-banded section, standing on bracket feet, 85'' high x 20'' wide x 10'' deep
J. HOWLETT OF CHELTENHAM A 19TH CENTURY GOTHIC REVIVAL MAHOGANY CASED BRACKET CLOCK, the case with carved acanthus leaf finials, tracery to the case over the arched glass door flanked by columns on inverted breakfront base, on bun feet, the silvered dial with chime/silent indicator over dial with Roman numerals, engraved "J. Howlett Cheltenham", fitted 8-day triple fusee musical chiming movement on the quarters, 81cm high x 48cm wide, complete with wall mounting bracket
An 18th century Longcase Clock with steel and brass dial inscribed "Edward Lowe, Chester" with seconds ring and date aperture, and with eight day striking movement, in oak case with swan's neck pediment and fluted turned pilasters above a long trunk door with quarter round fluted mouldings, on bracket feet. 7' (213cms) high.
A substantial Victorian Longcase Clock, the arched dial inscribed "Butterworth, Rochdale" painted with a central hunting scene, with seconds ring, the spandrels with figures and harvesting scenes beneath a phases of the moon arch, eight-day striking movement, in figured mahogany case with swan's neck pediment, turned pilasters and Goncalo Alves crossbanding on bracket feet. 7' 10" (240cms) high.
EARLY TWENTIETH CENTURY LENZKIRCH, GERMAN MANTLE/ BRACKET CLOCK WITH CARVED OAK AND GILT BRASS CASE, the 6 ½" brass dial with silvered Roman chapter rung, matted centre and cherub mask spandrels, powered by an eight day movement striking on two gongs, the plate stamped: 799143, the number 52 stamped beneath the mark, the Gothic style case of architectural form with finials, side handles and a border of roundels beneath the dial, 19" (48.2cm) high, TOGETHER WITH AN ASSOCIATED MAHOGANY WALL BRACKET
EARLY NINETEENTH CENTURY MAHOGANY AND BRASS INLAID REPEATING BRACKET CLOCK SIGNED RICHARD GANTHONY, 22 Lombard Street, London, the 8" Roman dial with outer minute track, powered by a twin fuse movement striking on a bell, the backplate signed and with scrolling, leafy border, housed in a case with pineapple finial to the stepped cornice, side handles and brass fish scale frets, raised on a plinth base with ball feet, 22" (55.9cm) high, TOGETHER WITH A BOXWOOD LINED MAHOGANY WALL BRACKET, 12 ½" x 7 ¼" (31.8cm x 18.4cm) possibly matched
LATE EIGHTEENTH CENTURY MAHOGANY AND LINE INLAID LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED E. SHEPLEY, MANCHESTER, the 14" painted dial with centre seconds and date hand, well painted with biblical scene entitled, 'Good Work Rewards Men' to the centre and saint portrait spandrels, set beneath the moon phase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing square, tapering columns to the fore corners, over a flame cut long trunk door with ripple arch top, and raised on a chamfered base with ogee bracket feet, the whole outlined in boxwood, 93 ½" (237.5cm) high
An Italian bracket clock of Louis XV design, the simulated Boulle type case gilt metal mounted and surmounted by a cherub, with acanthus mounts to the sides and figure of Father Time beneath, on grotesque mask and claw feet, fitted a circular dial with segmented porcelain panels with Roman numerals and having an eight-day striking and chiming movement on gongs, 90cm high/see illustration Condition Report: The clock is c1960
A George III eight-day, hour repeat bracket clock by John Ellicott, London, the brass arched dial with gilt metal rococo spandrels, silvered metal chapter rings and calendar aperture, the movement with crown wheel escapement and bob pendulum and engraved and signed backplate, contained in a fine burr walnut case with pierced fret and glazed panel sides, 40.5cm high/Exhibited at the Art Treasures Exhibition in Bath 1958 no 141/see illustration Condition Report: There is no repeat strike to this clock. The movement is complete with original bob pendulum and contemporary spandrel, chapter ring and name plate, the case has later seat board and signs of restoration to the case.
An early Victorian mahogany cased bracket clock, having an unsigned white enamel dial, single winding hole for a chain driven eight day four pillar fusee movement, having anchor escapement, case interior bears repairers label for Francis Kerby of Jersey, dated 1849, h.43cm Condition Report / Extra Information Not currently in working order.No key or pendulum.
A George III Ebony Striking Table Clock, signed John Fletcher, London, circa 1780, ebony veneered case with an inverted bell top pediment, carrying handle and acorn finials, pierced wooden side sound frets, bracket feet, 7-inch brass dial, matted dial centre with date aperture and a recessed silvered plaque signed, arch with strike/silent selection, twin fusee movement with verge escapement and rack striking on a bell, movement backplate elaborately engraved throughout with scroll borders and a central pagoda scene, bob pendulum, movement secured in by brackets, 51.5cm high see illustrations . 18.06.18, Case with small scratches and dents in parts, some veneers have been changed in parts and ebonised to match the ebony veneers, sides with cracks to veneers, brass mounts are discoloured, silvered dials are discoloured in parts, later pieced side frets, back door with scuff marks around the key hole, movement plates look dirty, movement is striking and in going order.
A Small Mahogany Quarter Striking Table Clock, signed Grimalde & Johnson Strand, London, circa 1820, arched pediment, front and sides with Greek key brass inlay and ebony inlaid stringing and details, beehive feet, 6-inch brass silvered dial with Roman numerals, serpentine hands, twin fusee movement with an anchor escapement, quarter striking with two hammers striking two graduated bells and striking the hours on the larger bell, movement backplate with engraved borders and signed, movement secured in by two brackets see illustration Grimalde & Johnson were in partnership and working at the Strand in London between 1810-1825. For similar examples of this clock by this maker, see Brader (CR) The Georgian Bracket Clock 1714-1830, pgs 194 and 206 . 18.06.18, Case has been polished throughout, top side of the case with small cracks, back door moulding appears later, case sides with small cracks, dial is clean, movement is striking and in going order.
A Mahogany Eight Day Longcase Clock with Half Hour Passing Strike, signed John Dickman, North Shore, Sunderland, 1816, arched pediment with three brass ball finials, arched trunk with inlaid stringing and flanked by inset pilasters, bracket feet, 13-inch circular white painted dial with Roman numerals, seconds and date dials, four pillar movement with an anchor escapement, rack hour striking on a bell and passing strike on a smaller bell, 220cm high see illustration . 19.06.18, Hood right hand side moulding is chipped to the back corner, plinth is slightly faded and chipped to the top left hand side corner and with a crack, feet with scuff marks, dial is discoloured and rubbed, movement is dirty and needs cleaning, with pendulum and two weights.
A Regency Mahogany Eight Day Longcase Clock, signed Barwise, London, arched pediment with wooden ball finials, fluted canted corners, nicely figured arched trunk door flanked with 3/4 length fluted pilasters, moulded plinth with bracket feet, 12-inch circular silvered dial with Roman numerals and signed, two dials for seconds and date, strike/silent selection lever above 12, five pillar movement with anchor escapement and rack striking on a bell, wooden pendulum rod with a large bob and rating nut, brass cased weights, 200cm high see illustration . 20.06.18, Hood with the central finial missing, right hand side finial is loose and chipped to the lower edge, both side frets are missing, left hand side fret with its frame moulding missing, case is faded in parts, trunk door with a later added large lock escutcheon plate, front of the plinth with cracks and the wood is slightly lifting, moulding to the plinth with chips, veneers are lacking to the plinth and skirting, plinth left hand side with a black residue staining mark, dial is discoloured and needs silvering, movement is dirty, movement in going order.
A George III Oak and Mahogany Long Case Clock, the arched hood with broken swan neck pediment with three brass finials above a rectangular door and raised upon bracket feet, the silvered dial inscribed J. Anderson Junior Arbroath, the silvered chapter ring with Roman and Arabic numerals and subsidiary date dial and seconds dial with brass corner spandrels and with two train movement striking on a bell

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28112 item(s)/page