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Nelson interest: An early 19th century oak and mahogany crossbanded longcase clock, circa 1820, the scroll swan neck pediment and shaped hood enclosing an enamel dial, with Arabic numerals, eight day movement (dial 28cm d ), the moon face painted with Nelson monument inscribed Nile St Vincent and Trafalgar, each spandrel painted with half length portraits of Lord Nelson, Lord Collingwood, Sir J B Warren and Sir W S Smith in Military attire, maker F Smith Newark, the trunk door crossbanded and inset with satinwood conch shell on harewood ground, on plinth base and bracket feet, 223cm h

An early George III ebonised table clock, circa 1770, of small proportions, the domed pediment with gilt brass carrying handle before enamel dial with Roman numerals, strike silent, subsidiary enamel dial, main dial 10cm d , before gilt brass pierced spandrels, pierced fretwork gilt sides and glazed back, revealing maker, titled to dial and named to movement, John Fladgate, London, the striking movement on verge escapement, foliate scroll engraved backplate, with pendulum holdfast clamp to centre, raised on moulded base and bracket feet, 24cm h Footnote: John Fladgate is recorded in Baillie G. H. Watchmakers and Clockmakers of the World as admitted to the Clockmakers Company in 1743 and first working in partnership with Richard Wilder until the firm was dissolved in 1775. Fladgate subsequently worked alone until his death in 1781 when his business was continued by his widow until 1793.

A George IV mahogany and brass inset bracket clock, circa 1830, with gilt ormolu bud finial and caddy top, the hinged door with fan moulded spandrels, opening to reveal a brass dial with black enamel Roman numerals, eight day movement with strike silent dial, maker Hanson, 290 h Holborn, London, with gilt grille sides and ring handles, striking on a bell, before brass plate raised on brass bun feet, 44cm h , dial 15cm d

A CIRCA 19TH CENTURY OAK LONG CASE CLOCK BY WILLIAM RAINFORTH OF BRIDGWATER, THE CLOCK HAVING A PAINTED ENAMEL FACE DEPICTING AN EXOTIC BIRD WITH DATE APPERTURE, THE OAK CASE HAVING A SCROLL TOP ON BRACKET FEET, APPROX. 42 X 24 X 198CM

An early 18th century English ebonised and brass mounted striking bracket clock, the case with handle to pierced repoussé brass basket, brass finials and rings to angles, glazed side panels with pierced brass mounts on stepped base, 17cm square brass dial with winged cherub spandrels to silvered Roman and Arabic chapter ring, sword hilt half hour markers, matted centre with ringed winding apertures, square date aperture at 6, steel hands, twin barrel movement striking on five bells, backplate elaborately engraved, no visible signature, both clock and case require attention, 40cm high

English ebonised double fusee verge basket top bracket clock, the movement with five latched pillars and the profusely foliate engraved back plate signed John Beeckman, in ye Pall Mall, the 6" square brass dial also signed John Beeckman in ye Pall Mall beneath the silvered chapter ring enclosing a matted centre with calendar aperture and ringed winding holes, also fitted with a fast/slow lever above the chapter ring, within a stepped case mounted by pierced brass foliate frets and surmounted by a pierced brass basket top with carrying handle and four urn finials, 14" high *John Beeckman was apprentice to Samuel Lowndes, free, July 1695

Good mahogany double fusee bracket clock, the movement striking on a large bell, the 7" cream dial signed Davidson, Ayton, over a pierced foliate carved frieze and within a rounded arched stepped glazed case, 20" high

Good Scottish mahogany double fusee verge bracket clock, the five pillar movement with pull repeat and the back plate engraved with a chinoiserie garden scene, the 7" brass arched dial signed James Leckie, Glasgow on a circular silvered disc to the arch, over a silvered chapter ring enclosing a foliate engraved matted centre with calendar aperture, within a stepped case surmounted by a bell top and brass carrying handle, 21" high

Good Scottish mahogany double fusee bracket clock, the five pillar movement with pull repeat, signed James Murray, Royal Exchange London, within foliate engraved borders, the 8" painted arched dial also signed James Murray, Royal Exchange London to the centre and a strike/silent dial, within a stepped case with moulded rounded arched hood and foliate brass carrying handle, 20" high *This clock is sold with the original wall bracket, 12" wide and has a Vernier type adjustment for the pendulum

English blue lacquer and chinoiserie decorated bracket clock case with aperture for a 7" arched dial, decorated with figures, buildings and foliage within diaper borders, surmounted by a caddy top and brass carrying handle, 24" high

Good English mahogany triple fusee bracket clock, the movement playing on a nest of eight bells and striking on another, the back plate engraved with chinoiserie and foliate decoration, the 7" brass arched dial signed Jonathan Harrison, Norwich on a shaped plate to the matted centre, within a silvered chapter ring, with strike/silent dial to the arch, within a stepped case surmounted by a bell top and brass carrying handle, 20.5" high (a.f)

Good English flamed and fiddle mahogany triple fusee lancet bracket clock, the movement with pull repeat quarter chiming on eight bells (Whittington), also striking the hours on a single bell, the back plate and 8" convex cream dial both signed Thomas Van, London, within a satinwood crossbanded case with geometric ebony raised lines and border, 18.75" high *Stamped on the front plate of the movement is Thwaites, no. 3943. This number can be traced in the Thwaites number system to 1807, just prior to the Thwaites & Reed partnership

English ebonised double fusee bracket clock, the movement with five knopped pillars, signed Thomas Pott St James`s Street, London within a cartouche to the foliate engraved back plate, the 5.75" brass arched dial signed Thomas Pott, St James`s Street, London on an arched plate to the matted centre with false bob pendulum and calendar apertures, enclosed by a silvered chapter ring and with strike/silent dial to the arch, within a stepped case supported upon gilded brass ogee bracket feet and surmounted by an inverted bell top and brass carrying handle, 18" high (a.f)

Large and impressive early French Boulle two train bracket clock, the movement back plate signed J. Le Abayre Paris, with outside count wheel and striking on two bells in the arch, the 9" gilded dial embossed with musical instruments and birds amidst scrolling foliage, with Roman enamel cartouche numerals, over a cabouchon enamel plaque signed Pecquet a Paris, within a foliate bronze mounted Boulle case surmounted by a standing angel, 33.5" high (a.f)

English mahogany bracket clock case with aperture for a 6" arched dial, with stylised floral mouldings, supported upon ogee bracket feet and surmounted by a bell top, 17" high

Large and impressive English ebonised double fusee bracket clock, the movement striking the hours and quarters on two bells, the back plated inlaid with a classical vase attended by two birds, the 8.5" square brass and silvered arched dial signed Roger Dunster on an oval plate to the matted centre with calendar apertures showing the month, day and date, with moon phase to the arch, within a pillared stepped case with blind pierced foliate panels, surmounted by a bell top and five ball and spire finials, 26" high (a.f)

Walnut two train bracket clock, the movement striking on a gong, the 6.5" brass arched dial signed Alexander Cumming, London on an arched silver plate to the matted centre with ringed winding holes, under a moon phase to the arch, within a gilt metal mounted stepped case surmounted by a caddy top and brass carrying handle, 18" high; pendulum and winding key

English double fusee brass bracket clock striking on a bell, the 5" silvered dial signed Whitehurst & Sons, Derby, within a castellated overlaid case with Gothic tracery, surmounted by three leaf bud finials, 14.5" high

Interesting composite ebonised single fusee verge bracket clock, the 8.5" square brass dial signed Samuel Aldworth, London on an arched plate to the matted centre with two ringed winding holes enclosed by a silvered chapter ring, within a stepped case surmounted by a triangular pediment, 16.5" high

Mahogany three train bracket clock, the Junghans movement striking on five rods, the rectangular brass engraved dial with subsidiary chime/silent and slow/fast dials, within a glazed pillared case inlaid with boxwood lines and surmounted by a rounded arched cornice, 17.5" high

Interesting small ebonised double fusee bracket clock, the 5.5" square brass dial signed A. Hewlet, Bristol to the foliate engraved centre with false pendulum bob aperture, enclosed by a silvered chapter ring, with strike/silent and fast/slow subsidiary dials, within a stepped case with gilt metal mounts, surmounted by a triangular pediment, 13.25" high

English mahogany single fusee bracket clock, the 6" silvered dial within a stepped case with carved scrolling cornice, 13.75" high (a.f); pendulum

English mahogany double fusee bracket clock, the movement striking on a large bell, the 7" cream dial and back plated signed Scott, Charing Cross, London, within a rounded arched stepped case surmounted by a pad top and brass carrying handle, 15" high

English mahogany bracket clock case with aperture for a 7.5" circular dial, with stepped plinth, panelled front and arched top, 16" high; also a walnut and ebonised Vienna regulator wall clock case, 42" high (missing cornice)

A late 19th century eight day bracket clock, with German movement, retailed by Woodmansey & Son, Doncaster, the walnut case with classical gilt metal mounts

JUNGHANS MANTEL CLOCK the dial with gilt detailing, and with bracket

A Louis XV red tortoise-shell Boulle and gilt brass mounted bracket clock and bracket for same, the clock with 10ins diameter cast gilt brass dial with raised enamel numeral cartouches to the later two train movement striking on a bell, contained in ornate balloon shaped case surmounted by gilt brass figure of Minerva, with cast leaf mounts, the front with three figures representing the Three Fates, clock 44.5ins high, bracket of ogee outline with cast gilt brass female mask mounts and leaf finial, 25ins wide x 14ins high Provenance : Purchased by Mrs Catherine Dunn (nee Ballantyne), wife of James Bow Dunn in 1901 when on holiday in Brittany and thence by family descent

A late 18th/early 19th Century mahogany "North Country" longcase clock, the 14ins painted dial with Roman numerals and subsidiary calendar dial, showing phases of the moon to the arch, to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and twin turned and fluted pillars to hood, conforming single columns to trunk, on splayed bracket feet, 89ins high (lacking pendulum and weights and in need of restoration)

A MAHOGANY, BOXWOOD BANDED AND EBONY LINE INLAID LONG CASE CLOCK, 19TH CENTURY, with painted dial, satinwood line inlaid, a plain hood with inset cantered corners, the trunk with 3/4 engaged fluted columns on bracket feet.

A French Louis XV style bracket clock with German striking movement

A 19th century gilt brass miniature bracket clock on stand, engraved all over, silver dial, the stand with shaped frieze and cabriole legs - H20cm

An early 19th century Yorkshire mahogany longcase clock the eight day, twin train four pillar movement with anchor escapement, striking on a bell, the arched brass dial with silvered Roman chapter ring with outer seconds, pierced steel hands, subsidiary seconds dial with engraved sunburst, gilt mask spandrels and silvered Tempus Fugit roundel to arch, the centre of the dial signed `E. Ramsbottom New Millerdam`, the hood with swan neck pediment over an arched glazed door with turned pilasters, case raised on bracket feet, 82¼in. (209cm.) high.

An 18th Century Longcase Clock, the white dial with seconds ring and eight day movement in oak case with broken arch pediment, half round brass capped pilasters and bracket feet. 7` 8" (234cms) high.

A gilt metal 400 day clock on wall bracket; an oriental bronzed relief plaque, and a carved mask

A 19thC oak and mahogany cross banded long case clock, with swan neck pillared hood over a reeded short trunk with door and base with bracket feet, the painted dial having a boy with sheep to the arch, hanging rabbits to the spandrels, Roman numerals with subsidiary seconds ring and date present, and marked Elckes Doncaster, eight-day movement striking a bell, 227cm high.

A Regency ebonised and gilt brass mounted bracket clock, with an 8 day twin fusee movement striking on a bell, with rectangular plates having an engraved edge and signed Wightwick & Mofs, London, with a painted 7 inch dial signed Wightwick & Moss, LONDON, the hinged door with pierced and engraved foliage scroll panels, fish-scale arched side panel, carrying handle and bracket feet, 16in (40.5cm) h.

A mahogany bracket clock, with repeat, with ebonised beading, the twin fusee movement striking on a bell, the arched plates with wriggle engraving to the back signed McLevin Royal Exchange LONDON, to a painted circular dial inscribed DENT, LONDON, to a cast beaded bezel, the case with brass corner mounts, a stepped top with later finial and pierced brass church window panels, 16.5in (42cm) h. Provenance - the Earl of Stair, Lochinch Castle, Stranrear, South West Scotland.

An Edwardian three train striking longcase clock, with 9 tubes and a 12.5 inch arch brass dial with silvered chapter ring, subsidiary seconds dial, Chime/Silent lever at 12 o`clock and Whittington/Westminster lever at 3 o`clock, the arch with a silvered boss inscribed Tempus Fugit, the case with stringing and Corinthian capitals columns, above a glazed tracery trunk door, on bracket feet, 92.5in (235cm) h.

A late Victorian ebonised striking bracket clock, with a triple fusee movement with a large gong and a peel of 8 bells, the backplate signed Boxell, Brighton 2562, with a 7 inch arch brass dial, with silvered chapter ring signed BOXELL, BRIGHTON, the arch with subsidiary Chime/Silent and Chime on Eight Bells/Chime on Four Bells dials, the case with gilt brass mounts including a pair of winged male figures holding torches, 23in (58.5cm) h.

A reproduction brass bracket clock, with anchor escapement, striking on two bells, silvered dial, the centre inscribed Paul Lambert Aille, SOEVR MARIE CLAIRE DV MINCE, 14.75in (37.5cm) h, with an oak bracket.

A mahogany longcase clock, with an 8 day movement striking on a bell, and a brass arched dial with subsidiary seconds dial and crescent shaped date aperture James Reynolds, ROCK BEAR, the corners engraved figures representing the four seasons, the painted moon phase inscribed HIGH WATER AT TOPSAM BARR, the hood with blind fret frieze above a cupid`s bow arched top trunk door, fluted canted corners, above a conforming base panel on bracket feet, 86in (218.5cm) h.

An Irish mahogany longcase clock, with an 8 day movement striking on a bell and a 13inch square brass dial, the chapter ring signed Alexr Gordon, Dublin, subsidiary seconds dial and circular date aperture, winged mask spandrels, the hood with a swan neck pediment with carved rosettes above a foliage carved frieze centred a lion mask, corinthian capital pilasters, broken arch trunk door flanked by reeded quarter pilasters, the base on ogee bracket feet, 92.75in (235.5cm) h.

A German walnut veneered quarter chiming bracket clock, striking on five straight gongs, the rectangular dial with engraved arch and subsidiary chime / silent, with brass carrying handle, 16.75in (42.5cm) h.

Victorian mahogany bracket clock, white enamelled dial, fusee movement, with a matched bracket, (2).

Edwardian striking bracket clock

FRANKLIN MINT MINIATURE CLOCKS, 18, H 3" - 4": Including 1 "Gothic Steeple Clock"; 1 "Empire Carriage Clock"; 1 "Skeleton Clock" with glass dome; 1 "Cloisonné Clock"; 1 "Chinoiserie Bracket Clock"; 1 "Louis XV Lyre Clock"; 1 "Palladian Mantel Clock"; 1 "French Rococo Clock"; 1 "Colonial Grandfather Clock" [as is]; 1 "Louis XV Cartel Clock"; 1 "Federal Banjo Clock"; 1 "Federal Clock"; 1 "English Lantern Clock"; 1 "Victorian Mantel Clock"; 1 "Cuckoo Clock"; 1 "Acorn Shelf Clock"; 1 "Boudoir Clock" and 1 other unmarked Franklin Mint miniature clock with black lacquer style case and red rose decoration. All with box, most with paperwork.

Twentieth century oak grandmother clock, with domed hood and side columns, the dial with silvered chapter ring and three chain Westminster chime movement on box base with bracket feet, 131cm high

An early 20thC mahogany cased bracket clock with silvered dial by Gustar Becker. Serial no 2012886.

Seven clocks including mini bracket clock, Swiza brass bracket, two tapestry fronted clocks and three others.

A Regency mahogany brass-inlaid bracket clock, the pagoda-shaped top over corbelled pillars on ball feet, the circular, convex unsigned white dial with twin fusee movement and adjustable brass bob pendulum, 47cm high (some amateur restoration to dial and bezel).

A Georgian style Bracket Clock with arched dial inscribed Tempus Fugit, silvered chapter ring, in walnut case, 12in

Chiming bracket clock by William Widdop

EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, with rolling moon phase, signed Ashall, Bolton, the 14" painted roman dial with subsidiary seconds and date dials, enclosed within floral and shell spandrels, powered by an eight day movement striking on a bell, housed in an arch top case with swan neck pediment and brass eagle and ball finials, free standing forecolumns and matching split columns, over a flame cut long trunk door with shape top, flanked by free standing columns and raised on a conforming base with chamferred sides and raised on ogee bracket feet, 99" (251.5cm) high EST 700-900

GEORGE III LONGCASE CLOCK, the 30hr movement striking on a bell with 13 1/4" square brass dial inscribed Fisher, Preston with silvered chapter ring and calendar aperture, replaced spandrels, contained in an oak and mahogany crossbanded case, the hood with swan neck pediment, on short bracket feet, 84 1/2" high (with pendulum and single weight) EST 300-500

EARLY 19th CENTURY LINE INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MAIN PHASE, THE 12" PAINTED DIAL WITH SUBSIDIARY SECONDS DIAL AND DATE APERTURE TO THE CENTRE, DECORATED WITH WHEAT SHEAVES AND INDISTINCTLY SIGNED, POSSIBLY FROM THE PORTSMOUTH AREA, enclosed by floral spandrels and set beneath the moon phase to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials above step fronted free standing fore columns over an arch top long trunk door and raised on a plain base with bracket feet, 86 1/2" (219.7cm) high

An Edwardian mahogany cased bracket clock with silvered face

A George III 8-day long case clock, having arched face with Arabic numerals, subsidiary seconds dial, floral enamelled spandrels and arch bearing rural vignette with shepherdess, in mahogany case with arched hood surmounted by later brass finials and flanked by brass-mounted reeded columns, the trunk having a beaded arched door and flanking quadrant-section reeded columns with brass reeds, on plinth base with square bracket feet

Winterhalder and Hoffmeier: a late 19th/early 20th Century bracket clock and plinth, in George III style ebonised and brass mounted case, with silvered dial and chapter ring and chiming movement.

Page, Cheltenham: a William IV mahogany cased bracket clock, with signed 8 inch painted dial, and single fusee movement.

GEORGE III INLAID MAHOGANY 8-DAY LONGCASE CLOCK maker J. Horod of London, the arched brass dial having silvered chapter ring, seconds dial and date aperture within the matted centre, pagoda shaped hood with column supports above a satin wood and inlaid door on a plinth base with bracket feet, 215cm high, 47cm wide