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John Thwaites, London and Goodman, Kentish Town, A mahogany bracket clock with bracket, the five pillar, eight day duration movement striking the hours on a bell with pull repeat, with the backplate engraved with typical Thwaites border engraving and signed to the centre `Goodman, Kentish Town`, the frontplate stamped `I. Thwaites` with the serial number `3727`, the seven inch round, convex painted dial having black Roman numerals, blued steel decorative hands and signed `Goodman, Kentish Town`, with a gilt cast brass bezel, the arched `lancet top` mahogany case having raised moulding to the front, brass fishscale frets to the sides, complete with matching mahogany bracket, height 45 cms, 68 cm (inc. bracket). * John Thwaites (the ` J` usually stamped `I`) was a well known clockmaker having been apprenticed in 1772 and becoming a member of the Worshipful Company of Clockmakers in 1782 until his death in 1820. He supplied many of the leading clockmaker`s of the period with both movements and finished clocks as in this case. In 1808 he went into partnership with George Jeremiah Reed to form Thwaites & Reed who continued the business with the same practices. The serial number, 3727, indicates a date of manufacture of 1806.

A Regency round dial mahogany longcase clock, the eight day duration movement striking the hours on a bell with the white twelve inch circular painted dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the mahogany flat top case having canted corners, with scroll capitals, to the hood and a panelled base, standing on bracket feet, height 192cm.

An Edwardian marquetry inlaid mahogany bracket clock, arched brass dial with silvered chapter ring, bearing Arabic numerals, chime/silent indicator with Junghans brass chiming movement, raised on bun feet

A Georgian design mahogany cased bracket clock, inverted bell top, with brass handle, pierced fish scale brass panels to the sides, raised on brass bun feet, enamel dial with Arabic numerals, eight-day striking movement, dial 10.8cm (4 1/4in) diameter, 36cm (14in) high

A mahogany dome topped Edwardian mantel clock with neat brass pillars and brass bracket feet with circular dial and non-striking Swiss Buren movement

An oak domed encased bracket clock, the front bevelled glass door having turned flanking pillars and having an eight day brass and silvered dial with German striking movement

Mahogany-cased Grandmother Clock, with a swan-neck pediment, fluted supports, long door with three-quarter columns and on bracket feet, arched brass dial with Roman numerals, eight-day movement.

19th Century mahogany Longcase Clock, swan-neck pediment, fluted supports, short door with three-quarter columns and on bracket feet, arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Barber, Nottingham", eight-day movement, striking on a bell.

19th Century oak and mahogany Longcase Clock, the hood with turned supports, short door, the base with bracket feet, square brass dial, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Step: Sutcliffe, Oxonhope", eight-day movement, striking on a bell.

An early 20th Century Junghans mantel clock, having arched architectural case with brass face, ogee bracket feet and surmount handle, the movement striking on a gong, 35cm high x 25cm wide

An Edwardian inlaid mahogany mantel clock, of arched architectural form with brass pillars and ogee bracket feet, the movement striking on a gong, 23cm high x 30cm wide

VICTORIAN MAHOGANY BRACKET CLOCK with glazed door, brass face with Arabic numerals, brass movement, quarter strike, pendulum and key, 45cm high

EDWARDIAN MAHOGANY DOMED CASE BRACKET CLOCK the silvered dial with Arabic numerals, chime and regulator dials, raised on brass bracket feet, 39cm high

A mid to late 19c. Brigg long case clock-the painted arch dial decorated with cottages, circular Roman numeric dial, Arabic second hand and date aperture signed J. Chant, Brigg. Fitted in an arched mahogany case with a wide rosewood cross band and flanked by part turned columns, the wide trunk inlaid with horses, flowers and scrolls above a shaped door flanked by further columns with a prominent rosewood cross band. The whole on bracket feet. 236 cms. high.

A VICTORIAN BRACKET CLOCK, the 19.5 cm diameter silvered dial signed C C WEBB, 1 ROYAL EXCHANGE/LONDON, fitted a twin fusee movement striking on a gong, in a Gothic style oak lancet case, 53 cm high, with an associated oak bracket (2) See illustration

A LONGCASE CLOCK, the 25.5 cm arched square brass dial signed J W BENSON, London, German make, the silvered chaptering with Arabic numerals, and acanthus leaf engraved centre with subsidiary seconds dial, the arch with S T MICHAEL/WHITTINGTON/WESTMINSTER CHIMES, and with STRIKE/SILENT to 3 and 9, fitted an eight day movement striking on nine gongs, in a mahogany case with blind fret carved decoration, the trunk door and sides with glazed panel, on ogee bracket feet, 211 cm high See illustration

A LONGCASE CLOCK, the 30 cm arch square brass dial signed WILLM FRODSHAM/LONDON on a tablet, the arch with STRIKE/SILENT dial, and the matt centre with subsidiary seconds dial and date aperture, fitted an eight day movement, in a mahogany case, crossbanded in satinwood, and inlaid with oval paterae, on ogee bracket feet, 223 cm high See illustration

AN ENGLISH BRACKET CLOCK, 20TH CENTURY with a 5½" dial with Roman and Arabic numerals, mask and scrolling leafy spandrels, lightly engraved, Goldsmiths & Silversmiths Co Ltd., 112 Regent St, London, the three train movement stamped Perivale all British clocks made in England, striking on four rods, the case with a bell shape top, brass carrying handle, glazed sides raised upon a plinth base feet, 12"x9"x7" see illustration

A FRENCH GILT BRASS CARRIAGE CLOCK, SIGNED BREGUET, NO: 2305 AND STAMPED JS PARIS with a 2" white enamel dial and subsidiary alarm dial, hairline crack to right of alarm dial with a platform lever escapement striking on a bell, the back plated signed Breguet No: 23055344, contained within a gilt brass cornice case with overhead handle raised upon bracket feet, 7" including handle by 3½" see illustration

A VICTORIAN INLAID MAHOGANY LONGCASE CLOCK with a 14" arched enamel dial, signed Barraclough Thornton with subsidiary seconds and date dials, painted foliate spandrels the arch painted with a shepherd, shepherdess, and child playing the pipes, 30 hour movement with outside count wheel striking on a bell, the case with a swan neck cresting above turned columns the trunk with a shaped inlaid door flanked by fluted quarter columns raised upon an inlaid plinth base, shaped apron and bracket feet 94" high see illustration

A 19TH CENTURY INLAID MAHOGANY LONG CASE CLOCK with 13¼" brass dial with a roundel in the arch signed John Taylor Dunning with subsidiary seconds and date dials, cast mask and leafy spandrels the two train eight day movement with anchor escapement, rack striking on a bell the case with a swan neck cresting above turned hood columns the trunk with outset columns and a bow front door inlaid with a winged Griffin, raised upon bracket feet, 87" high.

John Smith, Chester and early 19th Century oak long case clock having scrolled pediment above brass dial engraved with phoenix and having date aperture, the three quarter length door carved with Father Time above a lozenge carved box base on bracket feet. 214cm

Stanbridge, Dawlish a George lll mahogany cased bracket clock having twin fusee barrel striking movement faced by enamel Roman dial, the brass inlaid case having twin side grills and the whole on bun feet. 43 x 30 cm. See illustration.

A 19th Century mantle clock the swag inlaid mahogany case containing a gong striking French movement faced by silvered dial and the whole on brass bracket feet. 25 cm.

Georgian style two train bracket clock, the 5" square dial signed King Bath, 13" high

A George III oak longcase clock by W. Muncaster Whitehaven, with ball and steeple finial between the swans neck pediment, with punched brass terminals in turn above the arched painted dial with moon phase, Roman numerals and subsidiary Arabic numerals with date hand, width 12.5 ins and with thirty-hour movement, flanked by fluted columns with 3/4 length arched trunk door flanked by fluted columns and with conforming base raised on bracket feet. Height including finial 87 ins (see illustration).

A late 18th Century oak longcase eight-day clock, the hood with swan neck and central ball finial enclosed by an arch top door with fluted columns to the sides, the trunk enclosed by a panel door, raised on bracket feet, fitted an arch top brass dial with griffin and Tempus Fugit engraved on a silvered concave roundel with pierced spandrels and engraved centre, the silvered chapter ring with Arabic and Roman numerals having subsidiary seconds dial and date aperture, the dial inscribed Thomas Pinfold, Middleton Cheney, 236cm (93") high

A good 18th Century style (late 20th Century) mahogany cased limited edition eight day Bracket Clock made by F W Elliott Ltd to commemorate the 350th anniversary of the Worshipful Company of Clockmakers, cream dial with Roman numerals and signed Garrard & Co. London, gilded movement individually numbered (113/350) and signed F W Elliott and with Westminster, Whittington and Winchester chimes on a gong, standing on gilded ogee bracket feet, case height 13"

A George III eight day mahogany cased Bracket Clock, 7" cream dial with Roman numerals and signed Meek, London, fretwork style sound apertures to the front and sides, the gilded movement finely engraved and also signed John Meek, London, 14.5" high (to tip of handle) together with a shaped mahogany Bracket

A REGENCY EBONISED BALLOON BRACKET CLOCK with circular steel dial and roman numerals, signed J Leroux, London on the dial and on the back plate, with anchor escapement and repeat mechanism, 20 1/2" high overall (see illustration). Note: John Leroux of Charing Cross, London was a member of the Clock Makers Company from 1781 to 1808.

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched brass dial with eight day movement, embossed spandrels and roman numerals, signed Joseph Smith of Bristol, the case with boxwood line inlay, break arch pediment, fluted pilasters and bracket feet, 88" high overall (see illustration).

Early 19th century ebonised bracket clock with repeat by Johan Dellavos, Prague the ebonised case with gilt metal mounts and finials, engraved brass dial with maker`s name and N316, the arch with moon phase and with two subsidiary dials, three train eight day repeating movement, on gilt metal ball and claw feet, with bracket, the clock 21" high

18th century thirty hour oak and mahogany longcase clock by Southam Oldham the case with swan neck pediment with gilt metal mounts, the body with reeded quarter column supports, single parquetry inlaid door raised, on bracket base, painted dial with date aperture to weight driven movement striking on a bell 87 x 20in. (220.98 x 50.80cm)

A mid 18th Century 30 hour oak longcase clock, with shaped cornice over an eleven inch painted square dial, with subsidiary day of the month aperture, the dial signed `Joyce Bewbury `, flanked by gilt metal mounted turned column, over rectangular trunk door, resting on shaped bracket feet, 198 cm high. Illustrated.

A late Victorian oak Gothic revival quarter chiming cased bracket clock by Cutmore, the arched oak case of Gothic turreted form, the silvered face detailed J.CUTMORE, ST ANNES LANE, CITY, the dial surrounded by inscribed floral scrollwork decoration with a two train fusee movement, key and pendulum, also with carved oak wall bracket, 76.5cm. Illustrated.

An early 20th Century lacquered mantel clock the 3.5 inch circular dial signed ASPREY, all raised on gilt bracket feet.

A late 19th Century mahogany longcase clock by Herbert Blockley, Successor to Lund & Blockley, Duke Street, St. James`s, London, No. 1353, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial with chime/silent and chime/selector dials to arch to the eight day three train auto striking movement striking and chiming on eight bells and one gong, contained in London style mahogany longcase clock with gilt metal mounts, pagoda top and turned, fluted and brass stopped pillars to hood, arched trunk door flanked by fluted quarter columns with Corinthian capitols, the base with raised centre panel, on bracket feet, 93ins high

Good quality George III bracket clock with circular dial signed J Savage, Shrewsbury with fusee movement in brass inlaid mahogany case with heavy brass side handles, pierced grill on gilt ball feet, 52cm

An 18th Century Ebonised Bracket Clock. The twin fusee movement with verge escapement striking seven bells. The dial having a silvered chapter ring encircling a matted centre with calendar aperture, and adorned with pierced gilt brass spandrels to the corners and a strike/silent dial in the arch with plate signed Christopher Pinchbeck, London. The caddy top case having a gilt handle above the arched glazed door with pierced fretwork sound-holes backed in red silk. Standing 17 ins (43 cms) high on squat moulded square feet. 10 ins (25 cms) wide, 6 ins (15 cms) deep.

A Large French Bracket Clock, the case with foliate decoration, the enamel dial with Roman numerals and two train striking movement with bracket

Edwardian inlaid mahogany mantel clock of squat lantern form having a brass urn shaped finial and side handles and standing on conforming ogee bracket feet, the off-white dial with Arabic numerals and retailers mark for Walker & Hall Ltd, 25.5cm high

Edwardian inlaid mahogany mitre clock, the stepped base with reeded decoration and standing on brass ogee bracket feet, the white enamel dial with Arabic numerals and retailers mark for J.W. Benson Ltd, 30.5cm high

Late 19th/early 20th Century walnut cased bracket clock having a pagoda style top, brass finials, the silvered dial with Roman numerals and gilt spandrels flanked by cast brass caryatids, conforming mask head below and standing on front scroll supports, brass movement striking on a gong, 59cm high

A fine 19th Century brass inlaid mahogany bracket clock by John Frodsham & Son of London, having silvered dial with strike/silent dial in the arch, a 5 pillar 2-train fusee movement with anchor escapement, signed on the back plate, 18.25" high.

A JAEGAR LE COULTRE "ATMOS" CLOCK, 20th century, the single train movement with torsion escapement and automatic winding via expansion and contraction of an aneroid chamber to the rear of the mechanism, 4 1/2" white chapter ring with gilt baton numerals and Arabic quarters, in four glass gilded brass case with canted angles and bracket feet, 8 3/4" high (Illustrated)

A MAHOGANY LONGCASE CLOCK, signed Moore, Ipswich, the eight day movement with anchor escapement, 12" arched brass and silvered dial with Roman and Arabic numerals, seconds dial and calendar aperture, strike/silent dial in arch, the case with padago pediment and turned finials, on moulded cornice on stop fluted columns, arched panelled door flanked by fluted quarter columns, panelled base and bracket feet, 93" high, label for Brian Loomes, Pateley Bridge

A MAHOGANY CASED GRANDMOTHER CLOCK, 20th century, the two train movement with anchor escapement striking on a bell, 7" arched brass dial chased with flowers and foliage, silvered chapter ring with Roman and Arabic numerals, roundel to arch inscribed Tempus Fugit, the case with arched hood, cushion frieze, arched leaf carved door with ebony stringing, canted base and ogee bracket feet, 65 1/2" high (Illustrated)

Victorian Cut Glass Claret Jug with Silver Plated Mounts, Gilt Metal Mantel Clock, Brass Trivet, Cut Glass Ships Decanter, Copeland Spode Italian Cheese Dish and Cover, Cherub Floral Encrusted Wall Bracket, Specimen Cups and Saucers, Two Pairs of Pottery Vases and a Table Lamp etc

A 19th Century oak thirty hour long case clock, the square painted dial with date aperture, Roman numerals and painted fruiting vine spandrels, signed C. and R. Payne, the case standing on bracket feet, 78" high.

Three various bracket clock cases (3)

Good English mahogany double fusee bracket clock, the verge movement striking on a bell, with pull repeat and highly foliate engraved back plate, the 8" silvered arched dial signed Richards Gotobed, Stanes, with strike/silent to the arch and calendar aperture, within a stepped case with pierced foliate frets, surmounted by a caddy top with brass carrying handle, 21.5" high

English ebonised single fusee verge bracket clock, the five pillar movement with pull repeat and striking on a bell with three hammers, the back plate signed Graham`s Succs. Barkley & Colley, London, the 5.25" white enamel dial within a gilt arched mask inscribed Graham`s Succs. Barkley & Colley, London to the arch which also incorporates a recessed silvered subsidiary arched dial aperture within a moulded arched stepped case with glazed side panels and surmounted by a triple pad top fitted with a brass carrying handle, 15" high

English ebonised and ormolu mounted double fusee bracket clock, the engraved back plate and silvered chapter ring signed Richard Fennill Kensington, the 7" glass dial with false bob aperture, ringed winding holes and calendar aperture to the floral engraved matted centre, within a stepped case with glazed sides surmounted by a caddy top and ornate brass carrying handle, 16" high

Mahogany double fusee bracket clock, the movement striking on a bell, the 8" convex cream dial signed Grant, Fleet Street, London, within a stepped case inlaid with stylised foliate brass lines and surmounted by a fluted stepped cornice with brass finial 20" high

English fruitwood double fusee bracket clock, the movement striking on a bell, the 7" cream arched dial signed Joseph Gurney, Bristol, with slow/fast lever to the arch over a subsidiary seconds dial, within a plain case with ogee bracket feet and surmounted by a caddy top with four ormolu pineapple finials and carrying handle, 19.5" high

Rosewood double fusee bracket clock, the verge movement with pull repeat signed Gordon, London on the foliate engraved back plate, striking on a bell, the 7" arched brass dial signed John Gordon, London on an arched silvered plate to the matted centre with false bob aperture and ringed winding holes, strike/silent dial to the arch, within a stepped arched case surmounted by a carrying handle, 18" high

Mahogany double fusee bracket clock, the movement striking on a bell, the 8" cream dial signed J. Thwaites, London, within an arched stepped case with brass pierced fish scale panels, surmounted by a brass carrying handle, 18" high

Mahogany double fusee bracket clock, the movement striking on a gong, the 8" cream dial signed Edward Davy, Norwich, within an arched panelled stepped case inlaid with brass lines and with brass ring foliate handles, 18" high

Mahogany single fusee bracket clock, the 8" cream dial signed J.B. Jenkins, Crickhowell, within a gadrooned stepped case inlaid with brass lines and surmounted by a pineapple finial, 19.5" high

Gothic oak ting tang bracket clock with W. & H. movement, the 7.25" pointed arched dial with matted centre, within a steeple case with cluster column and pointed spires, 25.5" high, also with a matching wall bracket