We found 28112 price guide item(s) matching your search

OAK CASED BRACKET CLOCK, the brass dial with 6 3/4" silvered chapter ring beneath a fast slow and a strike silent dial on a brass, eight day movement striking to a gong and chiming to four further gongs, stamped W & H, the case with a caddy top and silk lined fretwork panels, height 73cm

REGENCY MAHOGANY AND BRASS INLAID 'KEY HOLE' BRACKET CLOCK, the 5 1/2" enamelled dial on a brass, eight day twin fusee movement striking hourly to a gong, the back plate inscribed Chas Jno Cope London, the case with a flaming urn finial and brass foliate & line inlay, with keys and pendulum, height 49cm

REGENCY ROSEWOOD AND BRASS INLAID BRACKET CLOCK, the square, silvered dial with 5 1/2" chapter ring inscribed Viner & Co. 235 Regent Street, on a brass, eight day, chain driven twin fusee movement, hourly striking to a bell, the back plate also inscribed Viner and Co, the case with pagoda top and brass finial, with keys and pendulum, height 38cm Provenance: Garrard, Regent Street, London from whom purchased in July 1992.

Mid 19th century bracket clock, brass arched dial signed W.J. Kenvin, Southampton, chaptering with Roman numerals, arch with secondary strike silent dial, twin fusee, 8-day verge escapement striking on single bell, back plate with floral bright cut decoration, bob pendulum, case with caddy top, single brass handle, sides with brass fretwork, fish-scale design panels, glazed door to back and front all standing on brass ogee bracket feet, height 46cm (18"). For condition reports please go to www.peterwilson.co.uk

J & E Flint, Birmingham long-case clock, eight-day movement, striking on single bell, canopy with double swan neck, brass finials, trunk with short door, box base with original bracket feet, decorated all over with figured mahogany and rosewood veneers, height 246cm (97"). For condition reports please go to www.peterwilson.co.uk

A 19th Century Victorian gilt brass mantel clock raised on a bracket base with armorial decoration and maiden face masks to the sides. Plain armorial cartouche to front with scrolled decoration and swag adorned top. The gilt brass dial having white enamel Roman numeral chapter ring and faceted hands.

A REGENCY EBONISED AND BRASS INLAID BRACKET CLOCK by FB Adams & Sons, St. John's Square, London, no. 7521, the rectangular case with an architectural pediment and brass "pierced fish scale" side panels with carrying handles, on gilt brass feet, the silvered dial with Roman numerals inscribed and numbered, the double fusee movement striking on a bell, 16½" high

BENJAMIN GRAY AND JUSTIN VULLIAMY: A BRACKET CLOCK in mahogany case, with basket top surmounted by carrying handle and pineapple finials, the arched brass and silvered dial with Roman numerals and seconds numerals, with a strike/silent and regulator dials in the lunette, urn and scroll spandrels and date aperture with bob pendulum, with engraved and inscribed back plate, and two fusee train quarter repeating movement, circa 1755, 15½"

An early 20th century walnut cased bracket clock with brass carrying handle, gilt decoration, silvered dial and Roman numerals, 11 1/2" high

A gilt framed bracket clock with white enamel dial, Roman numerals and figure decorated pendulum, and black painted brackets

An Edward VIII mahogany case Double Sided Clock, possibly a GPO or Platform Clock, 29cm white dials with Roman Numerals, key winding aperture to one side, fusee movement, steel hanging bracket to top of case, case stamped SM&C 1936 ERVIII and Royal Crown Cypher

Franz Hermle German movement oak three train bracket clock with gilt mounts, silvered face and standing on metal feet. (B.P. 24% incl. VAT) CONDITION REPORT: Does not run. Fully mound on all 3 trains. 1 key. Dusty and grubby but no obvious damage.

Regency brass inlaid mahogany bracket clock with white painted dial, signed - Player Reading, twin fusee movement with engraved back plate and pendulum, signed - Bergeur London, the stepped case with brass inlaid swags and scrolls, pierced gilt brass side grills and gilt brass lion-head handles, turned acorn finials and gilt bun feet (pendulum present), 52cm high

19th century dome-top bracket clock with painted dial, signed - Frank Robotham Hampstead, with twin fusee movement striking on a bell, with repeat-pull, inlaid mahogany case with gilt brass grills to sides, on gilt bun feet, 37cm high (key and pendulum present)

Victorian Gothic bracket clock in brass inlaid lancet-shaped case with corner spires, painted dial, single fusee movement, on bun feet, 48cm high (pendulum present)

Regency bracket clock with gilt metal pineapple finial, fluted top, painted dial, signed - Baker London, fusee movement in brass inlaid case with gilt brass cornucopia side handles and gilt brass pierced grills, on gilt ball feet, 46cm high (pendulum present), on original brass mounted mahogany wall bracket

A 19th Century "North Country" oak and mahogany banded longcase clock by Owen Richards of Bala, the 13ins square painted metal dial with Roman numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in oak and mahogany case with scroll pediment and square turned pillars to hood, the trunk with octagonal moulded panels, inlaid with oval stringings, on conforming plinth base with bracket feet, 83ins high Note: Owen Richards of Bala recorded working 1868 to 1876

An early 19th Century mahogany longcase clock by Broderick of Boston, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and phases of the moon to arch, to the eight day two train movement striking on a bell, contained in case with shaped pediment with fretted and carved panel, turned and fluted pillars to hood, arched trunk door and fluted cant corners, on plinth base with bracket feet, 89ins high Note: William Broderick recorded working Boston 1835-1876

An early 19th Century mahogany longcase clock by John Thomson of Edinburgh, the 12ins arched brass dial with Roman and Arabic numerals, subsidiary seconds dial and engraved with leaf scroll ornament, to the eight day two train movement striking on a bell, contained in mahogany case inlaid with stringings and with classical urn to trunk door, shaped and moulded pediment and turned and fluted pillars to hood, shaped trunk door flanked by quarter columns, and with conforming plinth base on bracket feet, 89ins high (dial previously silvered) Note: John Thomson recorded working in Edinburgh 1794-1814

An Edwardian inlaid mahogany longcase clock by Maple & Co. of London, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, to the eight day two train movement striking on a bell, contained in mahogany and marquetry case inlaid with classical urn, crossed trophies, oval paterae and bell flower and leaf swags, the hood with moulded scroll pediment, with frieze inlaid with leaf ornament and with slender turned and fluted columns with brass Corinthian capitals, rectangular trunk door and plinth inlaid with wide satinwood bandings, on bracket feet, 87.5ins high

A late 19th/early 20th Century bracket clock, in architectural case with brass twin train movement

A late 19th/early 20th Century oak cased bracket clock with brass and silvered dial, with twin train brass movement

19th century John W Bennett Greenwich bracket clock H 39 cm

19th century bracket clock in a mahogany case with a silvered dial, bevelled glass side panels, chime & silent setting Ht 28cm excl handle

Large very fine 18th century George III long case clock with brass and silvered moon phase dial with pieced spandrels & engraved with makers name George Monks, Prescot in a mahogany veneer & inlaid case on ogee bracket feet. Ht 236 cm

A brass fender and irons, together with a clock bracket W.119cm and 46cm

A fine quality Walnut and bevelled plate glass cased bracket/mantel clock, the Paris made two-train movement striking the hours and half-hours on a gong, the gilded finished face having Arabic numerals and with a regulator spindle above the twelve o'clock position. The brass plate movement numbered 184548 and with impressed mark "Medaille D'Argent 'L. Marti et Cie', 1888" and having a steel-shafted mercury-filled glass compensating pendulum and screw- action levelling feet. 32 cms high, 19.5 cms wide and 12 cms deep.

A George III oak and mahogany cross banded thirty hour long case clock by Coats of WiganThe hood with a broken swan neck pediment above a painted frieze and two freestanding tapering columns flanking the 34cm brass and silvered dial with Roman and Arabic numerals, centred by a subsidiary second dial and date aperture, signed with the maker's name, the thirty hour movement striking on a saucer bell, the cross banded case with quarter reeded columns flanking the shaped door above a conforming lower panel raised upon ogee bracket feet, 230cm high complete with weight and pendulum.

An 18th Century oak and mahogany cross banded eight day long case clock by John Thomas, WorcesterThe arched hood with gilt embellished freestanding columns flanking the 30cm painted break arch dial, centred with date aperture and subsidiary second dial signed with the maker's name and enclosing the eight day movement striking on a saucer bell, the plain case with a rectangular cross banded door above a plain lower board raised upon bracket feet, 220cm high, complete with two weights and pendulum.

A George III oak and mahogany cross banded long case eight day clock by Harper & Son, SalopHaving three brass spherical finials above two reeded columns flanking the 29cm brass dial painted with Roman numerals and centred with the maker's name, the eight day movement striking on a saucer bell above an oak and mahogany cross banded rectangular door flanked by quarter reeded columns above a plain lower board raised upon bracket feet, 204cm high, complete with two weights and pendulum.

An impressive late 19th Century French four glass mantle clockThe rectangular top with a blind gilt metal openwork frieze above four bevelled glass plates enclosing a 12cm gilt metal dial painted with Arabic numerals and "Guichard, Chalan & Saune", the clock with a two-train movement and a mercury-filled pendulum above a conforming openwork frieze raised upon a plinth base with bracket feet, 32cm high.

A mid 19th Century oak and mahogany cross banded long case eight day clock by Joseph Blackhurst, WeaverhamHaving a twin swan neck pediment above a 33cm painted dial centred with a subsidiary second dial, date aperture along with the maker's name and painted with Roman numerals and rose sprigs, enclosed by conforming painted spandrels , having a two train movement striking on a saucer bell, the case with a shaped cross banded door flanked by quarter reeded columns above a cross banded lower panel flanked by canted corners, raised upon plinth base with bracket feet, complete with two weights and a pendulum, 232cm high.

An early 19th Century Scottish mahogany longcase clock by J Boyd, Glasgow The circular hood with a top hinge enclosing a 33cm circular dial painted with Roman numerals and centred with a subsidiary second dial and the makers name, having a two train movement striking on a saucer bell, above the tapering case applied with half columns over a lower board applied with beading, raised upon a plinth base with bracket feet, complete with two weights and a pendulum, 196cm high.Condition - Condition - Moulding finial above door missing, Second hand missing from subsidiary dialSplit across lower board, Overall good condition.Genuine clock, movement and interior dusty not cleaned for some time.  No guarantees with regards to working order. 

A mahogany cased eight day longcase clock by William Haworth, BlackburnHaving a twin swan neck pediment above a break arch dial flanked by free standing columns, the 30cm gilt metal and silvered dial painted with Roman and Arabic numerals centred with a subsidiary second dial and date aperture below a painted moon phase and the makers name, the two train movement striking on a coil, the flame mahogany case with a shaped door flanked by quarter reeded columns above a panelled lower board raised upon a plinth base with outswept bracket feet complete with two weights and a pendulum, height 246cm.

A late George III oak longcase clock by H Bunyan, Horncastle, the break arch dial painted with a shepherdess, dial bearing Arabic numerals, subsidiary seconds dial, date aperture, two train eight day movement with hour strike, the case with broken arch pediment to the hood and with plain columns, the trunk door with cross banding, on bracket feet, 46 by 23.5 by 205cm high.

Small late 19th century mahogany bracket clock, stepped arch case with brass carry handle, silvered dial and Roman chapter ring signed 'Leonard Hall & Son. Grimsby', single train driven movement with Swiss platform escapement, H24cm

Late 18th century oak longcase clock, hood enclosed by stepped arch glazed door with two turned column supports, inlaid trunk door, fluted quarter column pilasters, on bracket feet, brass dial with engraved decoration and signed 'W. Moordan, Birmingham', subsidiary seconds and date dials, eight day movement striking on bell, H233cm

An Edwardian inlaid mahogany dome-top architectural-form bracket clock with gilt metal mounts and gilt finial, the circular silvered dial bearing Roman numerals, back plate marked Astral Coventry, 37cms high Condition reports provided on request by email for this auction otherwise items purchased `as seen`

An antique twin fusee bracket clock movement - distressed condition

Late 19th Century German pine and rosewood veneered cased mantel clock by Junghans, the off-white dial with Roman numerals, gridiron pendulum and standing on bracket feet Condition:

19th Century mahogany and oak longcase clock, the hood with swan neck pediment, arch shaped glazed door flanked by turned pillars, the case with short door flanked by spiral twist split pillars and standing on bracket feet, arched shaped painted dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight-day striking movement Condition:

WINTERHALDER & HOFMEIER; a mahogany cased bracket clock with bevelled glass panels, the silvered chapter ring set with Roman and Arabic numerals, slow/fast and chime/silent dials and stamped 'Hahn Brighton', the movement stamped 'W&H SchS 4', height 25.7cm, and an Edwardian mantel clock (2). Additional InformationNeither clock tested, no guarantees of working order, the first with general wear and tear throughout, some spotting and dirt to the dial, scratches, applies to the second clock also, this clock also has a significant gouge and damage to the top, with crazing to the veneer. 

An 18th century oak longcase clock by Jeremiah Standring of Bolton with penny moonphase, the twin train bell strike movement with four knopped pillars, the square brass dial signed 'Jere. Standring Bolton', with brass Roman chapter ring and Arabic outer minute track, gilt brass foliate scroll spandrels, the matted centre with foliate engraving, date aperture at six and painted penny moonphase at noon, the case with swan neck pediment over a gilt and ebonised foliate frieze and fluted pillars, the trunk with fluted pilasters to the canted corners and serpentine door, raised on bracket feet, 85¾in. (218cm.) high.* With purchase note dated 1929 from Wollen, M.B.H.I., 137 Granby Street, Liverpool** Condition: Dial: Some tarnishing / scratch marking around chapter ring from contact with minute hand. Silvering to numerals in date aperture worn. Moonphase has some small scratches and heavier scratching / patches of worn paint to starry night section. Case: Chips to both front corners of the cornice and one to top of LH side of the broken arch. Finial later - it sits on a small mahogany bracket which may be a later 19th C addition. Some wear to painted frieze. Flaking to paint and a few small gesso chips to column capitals and bases. Trunk has some fading to colour and polish. Trunk door lock later. Some old scratches to centre of door. Base has a central vertical split to oak - possibly made in two pieces and this is separation. One weight is cast iron, the other lead. Some denting to pendulum. Movement appears original to case. With period winding key.

An 18th century oak longcase clock by George Womersley, the square brass dial signed to centre, with silvered Roman chapter ring with Arabic outer minute track, the centre with painted moonphase with lunar date beneath and engraved date dial at 6, decorated with engraved bellflowers, within gilt brass foliate scroll spandrels, fronting a chain driven twin train movement with outside countwheel bell strike, the case with swan neck pediment with central brass ball finial, over a deep plain frieze on turned pillars, the trunk with incuse arched door flanked by turned quarter columns, on a panelled base with short bracket feet, 86in. (218.5cm.) high.

An inlaid mahogany musical bracket clock by Knight & Gibbins of London, late 20th century, with J0210 eight day Kieninger three train 11 jewel movement with outside platform escapement, Westminster, Whittington and St. Michael chimes striking the hour, half hour and quarters on eight gongs, with strike-silent, no. 2200337137, signed white enamel dial with Roman numerals, in caddy top mahogany case with gilt brass acorn finial, quarter veneered and cross banded front door, on ogee and plinth base with brass plate feet, 14in. (35.5cm.) high., *Condition:Very good overall. Winds and runs. Strikes correctly. Case and dial in very good condition.

An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.

A late 18th century mahogany bracket clock with sweep calendar hand by John Massey of Lambeth, London, the twin fusee, 8 day engraved movement with original anchor escapement striking the hours on a bell, with strike/strike silent facility and pull repeat, the case of break arch form with carry handle, with circular convex painted dial, with Roman numerals and Arabic numerals 1-31 to the circumference, original brass fish scale fretwork to lower quarters and the sides, arched glazed door to rear, standing on brass ogee bracket feet, 15½in. (39.4cm.) high.* Condition: Clocks winds and runs. Repeat functioning correctly. Chimes correctly. Top of case has three removable panels allowing access to the top of the movement.No silk behind grilles. Both glass appears original. Putty missing from two edges of glass to rear door. Left hand side of rear door exterior is a replaced piece of beech veneer rather than mahogany. Old repairs and restoration evident to case. There are some shrinkage cracks and small repairs to veneers throughout and a few places where the veneer is lifting at edges. Brass rod moulding missing from left hand edge of front door. Dial good overall and original. Minor paint wear around winding holes, a few small scratches and small chip to centre. Minor contact scratching around chapter ring from hands.

A George I burr and figured walnut eight day longcase clock by John Carter of London, the arched brass dial with silvered Roman chapter ring and Arabic outer minute track, gilt brass mask spandrels and matted centre with silvered sub. seconds at 12, date aperture at 6 and harboured winding holes, signed to a silvered convex roundel to arch within a foliate border and gilt brass dolphin spandrels, fronting an eight day bell strike movement with five knopped pillars, the case with cavetto moulded arched top with three gilt brass ball finials, over a blind fret carved frieze and secondary step moulded arch, on gilt brass stop fluted columns, the trunk with moulded arched and feather banded door and cross banded sides, on a cross and feather banded base with shaped bracket feet, 92½in. (235cm.) high.

A Regency brass and mahogany double fusee bracket clock by F. Lawley of Bath, the eight day double fusee movement striking the hour on a bell, the signed and painted circular 8in. dial with Roman numerals, the rectangular case with shallow gadrooned top with brass finial, over a brass inlaid front and sides with foliate rosette ring handles and pierced brass scale fretwork grilles, raised on decorative gilt brass ball feet, 19½in. (49.5cm.) high. , *Condition:Very original condition - case is quite dirty but has a lovely colour. All brass inlays are complete. They are securely fixed overall - just two of the string inlays are lifting a little at the ends. Two chips to edge of gadrooned top to front and small chip to the back corners. Locks to dial glass and rear door working - key is rusty but original. Movement definitely original to case. A few old (inactive ) worm holes to top of back. Shrinkage crack down centre of right lower side of case, below the grille. Side moulding missing from the top right of case. Winds and runs but will almost certainly require cleaning and some work as it has not been serviced for decades. Winding key 20th century.

An early 19th century inlaid mahogany eight day Channel Islands longcase clock by Peter Poignand of St Helier, Jersey, the painted arched dial with Roman numerals, signed (worn), arched date aperture at 6 and subsidiary seconds dial at 12, within painted floral and foliate spandrels, the arch with painted autumn fruits, fronting a twin train four pillar movement with bell strike, the case with swan neck pediment with central turned finial, on turned columns with gilt capitals, the trunk with inlaid lancet arched door flanked by floret and pendant inlaid canted corners, on a cross banded base with bracket feet, 85¾in. (217.5cm.) high.

A 19th Century brass skeleton bracket clock, silvered dial with Roman numerals, single fusee movement striking on a bell, white veined marble plinth, under a glass dome (s.d), full height including dome 46cm

A 19th Century French cast ormolu bracket clock, circa 1870, of Rococo Revival design, the dial with inset enamel Roman numerals over a study of two boys at play, the movement striking on a bell and signed Rainco Freres, Paris, height 40cm (key and pendulum)

A Victorian mahogany cased bracket clock, with white dial and black Roman numerals having a spring driven movement. Complete with pendulum

A mid 19thC mahogany cased 8 day bracket clock. White enamel dial with black Roman numerals. 

A GERMAN BRASS MOUNTED AND EBONISED BRACKET CLOCK, THE L FURTWANGLER MOVEMENT STRIKING ON TWO COILED WIRE GONGS, 36CM H EXCLUDING HANDLE, LATE 19TH C

An early 19th century longcase clock, the eight day bell strike movement with a painted dial, date aperture and subsidiary seconds, inscribed Gordon Ballymoney, in an oak case with an arched hood and box base, on bracket feet, 85"h

An 18thC longcase clock, with 25cm Dia. Roman numeric dial signed Lanley Rudgley with raised brass spandrels, in a square hood with long spandrel trunk door, on compressed ogee bracket feet, 30 hour movement, 183cm H.

A 1930s oak bracket clock striking on twin coiled rods, mounted on a later oak plinth, creating the appearance of a short longcase, height 134.5cm.

A George III ebonised repeating bracket clock by John Day of London, the eight day brass movement with four turned pillars, with a verge escapement and striking on a bell, the backplate engraved with scrolling leaves, a ho-ho bird and numbered 'No. 520', the arched dial with a silvered chapter ring with Roman and Arabic numerals, with a matted centre with a date aperture and signed 'John Day London', with circular strike/silent dial and Rococo spandrels, the gilt brass mounted case with a bell top and handle and with cone finials and pierced fretwork sides, 47.5cm high.

A 19th century bracket clock by Thwates and Reed, London, in a later oak case with bracket, 30cm wide, 18cm deep, 43cm high