We found 28112 price guide item(s) matching your search

French steel wall clock, the gilt chapter ring with enamelled numerals surmounted by a sunburst crest, two train movment with crown wheel escapement striking the half, in a black metal box, height 35cm. (Two weights, chain- link pendulum, wall bracket, winding key).

French comtoise clock, inscribed R Fernbach a Auxerre , the stamped brass face with cornucopaea crest, enamelled dial, 22cm, repeating two train striking movement with verge escapement in steel back box with top mounted bell (fractured), folding pendulum with lenticular bob, two iron weights and a key. Height 39cm, with steel wall bracket.

Ebony veneered repeating bracket clock, mid 18th century, broken arch brass face with cherub mask spandrels, silvered chapter ring with arabic and roman numerals, matt field, gilt mock pendulum aperture inscribed W. Jourdain, London , silvered date aperture and strike/silent ring, twin-barrel five-pillar movement (going barrel faulty), pull wind quarter repeat on a six bell carillon and hour bell, verge escapement, bob pendulum on spring suspension, the back plate engraved with stylised phoenix feather scrolls, in a bell topped case with glazed sides and doors. Height 43cm.

Ebonised quarter repeat bracket clock, early 18th century, with pierced and stamped gilt applique panels, the basket top with gilt handle and urn finials over a broken arch door, on bun feet, the brass face with strike/silent lever by III, silvered chapter ring and date ring, matt field, mock pendulum aperture, and silvered oval inscribed Rich. Peckover, London ., four-pillar twin fusee movement, verge escapement, pierced gryphon cock, bob pendulum, hour strike, and quarter repeat on a six bell carillon and the hour bell, the back plate engraved with leaf scrolls. Height 43cm. (Restored).

An early 20th Century brass cased carriage alarm clock, with eight day movement striking on a bell, the circular white enamel dial with Arabic hours and subsidiary alarm dial within a gilt surround, the glazed case with swing handle, on bracket feet, height approx 12cm.

A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with subsidiary seconds, date aperture and inscribed 'William Paine, Trowbridge', framed by a silvered chapter ring with Roman numerals, cornered by pierced gilt foliate scroll spandrels, beneath a circular boss engraved with Old Father Time, the hood with broken arch pediment above a glazed door flanked by turned pilasters, the trunk door with inlaid shell patera and crossbanded borders on a similarly decorated base and bracket feet, height approx 242cm.

A late 19th Century ebonized bracket clock with eight day movement striking on a gong, the painted dial with black Arabic numerals, the case with urn surmount above a gilt key fret frieze, on turned feet, together with a matching bracket.

A 20th Century reproduction mahogany longcase clock with eight day movement striking on a bell, the gilt moonphase dial with Roman numerals, the hood with ball finial and swan neck pediment above a glazed trunk door, on bracket feet, height approx 188cm.

A George III oak and mahogany longcase clock with eight day movement striking on a bell, the square painted dial with subsidiary seconds, date aperture and inscribed 'Fran Chambley Newcastle', flanked by two birds perched amongst flowers, cornered with floral spandrels, the case with flat top hood above a glazed door flanked by fluted columns, the crossbanded trunk with shaped door above a similarly decorated base on bracket feet, height approx 192cm (faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to arch above subsidiary seconds and date dial, indistinctly inscribed, cornered with gilt oval medallions, the hood with broken arch pediment above a glazed door flanked by reeded Corinthian columns, the arched trunk door and base with crossbanding, on bracket feet, height approx 218cm.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with subsidiary seconds, inscribed 'J. Himley, Skipton' beneath a hunting scene to arch, the hood with swan neck pediment above a glazed door flanked by turned pilasters, the arched trunk door flanked by a pair of spiral reeded quarter columns on a panelled base and outswept bracket feet, height approx 240cm.

A late 17th / early 18th Century brass lantern clock with pierced scrolled decoration, by Nicholas Howard of Yarmouth, 17" high, with later wooden bracket (illustrated)

Victorian Gothic carved oak bracket clock, the eight-day movement striking on a coiled gong and quarter-chiming on eight bells, 9.5" enamel dial inscribed 'Charles Crick, Leamington', on original wall bracket, 105 cms overall

An ebonised and ormolu mounted Regency style bracket clock, the brass and silvered arched dial signed Sir Thomas Lashmore, London, 38cm h.

Regency mahogany eight day bracket clock with twin fusee movement, the white enamel dial signed Thomas Lashmore, Southampton, the sides with pierced brass fish scale style panels, 44 cm tall

A George III mahogany eight-day longcase clock, the arched dial with silvered Roman numeral chapter, pierced brass spandrels and inscribed 'Tempus Fugit', with subsidiary seconds and date dials, the hood with broken swan neck pediment and a Corinthian columns, the trunk with an arched door and quarter fluted columns, on a pedestal base with bracket feet, 222cm high x 52cm wide

A mid 18th Century English long case clock by Thomas Ogden of Halifax, circa 1760. The oak case having a pedestal base with small bracket foot rising to a mid section with long door below a pagoda topped hood. The whole detailed with blind fret work decoration and tapered columns with brass capitals. The brass dial movement having a painted rising moon feature above a square dial with engraved deep chapter ring displaying Roman and classical numerals. The whole further detailed with a central subsidiary dial, foliate carved detail and applied foliate spandrels.

G.Wilcox of London, a Regency bracket clock, the painted dial within a gilt bezel supporting a twin fusee movement in a lancet shaped mahogany and strung case with pierced sides on gilt feet, h. 46 cm, with bracket

A LATE 18TH CENTURY MAHOGANY AND ROSEWOOD CROSSBANDED LONGCASE CLOCK BY RICHARDSON OF BUBWITH, having an arched painted dial with moon phase, seconds dial and crescent date aperture, black painted Roman and Arabic numerals, gilt scroll spandrels with eight day movement striking on a bell; the case having a broken arch pediment, brass globe and eagle finial above rounded pilasters with gilt capitals, the door inlaid in satinwood with a shell paterae and spandrels, flanked by quarter pilasters and on ogee bracket feet, 203cms high.

An early 19th Century mahogany longcase clock, the arched brass dial with silvered chapter ring, subsidiary seconds dial inscribed 'J. Downes. Louth', with a domed hood and turned columns, with an arched door and fluted canted corners and shaped bracket feet, 223 cm high.

A walnut cased eight day longcase clock, the arched brass 12" dial with Roman numerals, subsidiary seconds dial and date aperture, chiming on a bell, detailed ' Stephen Wells, London' with an arched hood, crossbanded door and bracket feet, 208 cm high.

An English flame mahogany bracket clock, 19th Century, the silvered dial detailed W. Hampson, London. aprox 35.5cm high.

An Edwardian oak cased Bracket Clock with arched silver dial, three train striking and chiming movement, the case with fluted columns, 17 1/2in

An early 19th Century Bracket Clock with two train striking movement, gilt painted ebonised case with pagoda top and scroll feet, 25in, with bracket, similarly decorated

A French porcelain mounted gilt brass mantel clock in the Japanese taste Unsigned, late 19th century The eight- day gong-striking movement with stylised black on silver faux Japanese numerals within a gilt ground porcelain panel painted with a Geisha at her easel, the rectangular case with shaped surmount above dragon and swirling cloud mounted front and porcelain side panels painted with ceremonial figures on a gilt ground, on ogee shaped base with cast apron and bracket feet, 45cm high.

A French ebony and brass Religieuse style bracket clock Unsigned, late 19th century, probably incorporating earlier components The eight-day two-train movement rack striking the hours on a bell mounted within the caddy above, with 10.5 x 6 inch blue velvet covered dial applied with brass Roman numeral chapter ring with every minute numbered above foliate festoon swag and scroll cast mount, the caddy-top case with flambeau finials and gilt balustrade frets above Corinthian pilasters to the brass line inlaid front and conforming arch glazed sides, on moulded base with lambrequin panel to apron and on brass ball feet, some damage and losses to case, 53cm high overall.

A Regency brass-mounted mahogany bracket clock with wall bracket Dawson & Peene, London, circa 1825 The five-pillar twin fusee bell-striking movement with anchor escapement and signed Dawson & Peene, London to backplate, the 7.5 inch circular cream painted Roman numeral convex dial indistinctly inscribed HALES & McCULLOCH, CHEAPSIDE, LONDON, the single pad top break-arch case with brass carrying handle above rectangular side windows and fishscale frets beneath dial, on moulded base with ogee bracket feet, 36cm high excluding handle; with a later(?) mahogany wall bracket, 57cm high overall. Both the partnerships Dawson & Peene and Hales & McCulloch appear to be unrecorded, the latter were probably the original retailers of the clock.

A William IV mahogany bracket clock with original wall bracket Richard Widenham, London, circa 1830. The five -pillar twin fusee bell-striking movement with keyhole shaped plates, anchor escapement and signed Widenham, London to backplate, the 8 inch circular engraved brass Roman numeral dial (formerly silvered) signed Widenham, 13 Lombard St., London to centre and with Strike/Silent switch at 12 o’clock, the drum-head case with scroll moulding to apron above recessed panel to the plinth base with moulded skirt, the wall bracket with scroll support, the clock 45cm high, 63cm high including the bracket. Richard Widenham was a respected chronometer maker, winning an award at the chronometer trials held at the Royal Observatory in 1825. He was known to be working from his Lombard Street address by 1835 and began trading as Widenham and Adams in 1840.

A Regency brass inlaid ebony bracket clock French, London, early 19th century The five-pillar twin fusee rack and bell striking movement with anchor escapement and foliate trail border engraved shaped backplate signed French, Royal Exchange, London, with 8 inch circular cream painted Roman numeral dial in a case with brass ball finials to the domed stepped pediment and brass festoon decoration above dial, the apron with shaped geometric inlaid panel, the sides with brass lion mask ring side handles above brass Gothic arch pierced frets, on stepped base with engine-turned brass feet, 66cm high; with a contemporary brass inlaid wall bracket with line edged platform and stylised foliate scroll inlaid shaped strut, 97cm high overall. Santiago James Moore French is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Royal Exchange, London, circa 1810- 40.

A William & Mary ebony veneered bracket clock James Mitchell, London, circa 1695 and later The five (formerly six) finned pillar twin fusee movement with backplate engraved with a dolphin amongst flowering foliage and herringbone border, now with later anchor escapement and chiming the quarters on four bells, and with internal rack for the hour strike on a further bell, the 8 inch x 7 inch rectangular brass dial with foliate engraved calendar aperture, ringed winding holes and false bob . Aperture to the matted centre within an applied silvered Roman numeral chapter ring with cruciform half hour markers and Arabic five minutes, the angles with winged cherub head spandrels beneath signature James Mitchell, London within engraved foliate scrolls to upper edge of dial, the ebony veneered case with gilt foliate cast handle to the caddy top above horizontal sound frets and rectangular windows to sides, on moulded base, movement with alterations, case with restorations, 38cm high excluding handle.

A George III mahogany eight-day longcase clock Indistinctly signed, early 19th century The five-pillar rack and bell striking movement with 12 inch plain white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and STRIKE/SILENT dial to arch, the case with shaped crest to the break-arch cornice and brass stop-fluted reeded pilasters to hood above break-arch trunk door flanked by conforming fluted canted angles, on shaped panel outlined plinth base with moulded skirt incorporating shaped apron and bracket feet, dial with repairs, signature rubbed, 221cm high.

An inlaid mahogany eight-day quarter chiming longcase clock Unsigned, 19th century The substantial four-pillar triple train movement chiming the quarters on eight graduated bells and striking the hour on a gong, the 13 inch brass break-arch dial with subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the angles with female mask and scroll cast spandrels and with EIGHT BELLS/WESTMINSTER Chime selection switch at 3 o’clock, the arch with CHIME/SILENT dial flanked by dolphin cast mounts, now in a case with swan neck pediment and Corinthian pilasters to hood above narrow swag and foliate scroll inlaid trunk door flanked by conforming pilasters, on raised panel fronted plinth base with bracket feet, case mid 19th century, marquetry decoration, movement and dial late 19th century.

A fine George III mahogany eight-day longcase clock John Grant, London, circa 1790. The five-pillar rack and bell striking movement with knurled calibrated rating nut and large lenticular bob to the steel rod pendulum supported from the substantial back-cock, the 12 inch single-sheet silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed GRANT Fleet Street, LONDON No. 365 to centre, with Arabic five minutes and plain spandrels beneath arch with STRIKE/SILENT dial, the break-arch case with brass stop-fluted pilasters to hood above break-arch trunk door flanked by conforming brass-mounted fluted quarter columns to angles, on raised shaped panel fronted plinth base with double skirt incorporating shaped apron and bracket feet, 222cm high. John Grant is recorded as working in Fleet Street 1786-1810. He was apprenticed to and later went into partnership with his uncle the renowned clock and chronometer maker Alexander Cumming who, along with other eminent makers such as Thomas Mudge, was appointed by the board of longitude to assess Harrison’s marine timekeepers.

A William IV mahogany eight-day longcase clock with moonphase Frances Pugh, Warrington, circa 1830. The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Frances Pugh, Warrington to centre, the spandrels painted with Classical maidens emblematic of the four seasons beneath rolling moonphase to arch, the swan neck pedimented case with gilt foliate painted infill decoration above dial and reeded pilasters to hood, the trunk with book-match veneered shaped-top door flanked by conforming pilasters, on panel inlaid plinth base with ogee bracket feet, 226cm high.

An Edwardian inlaid mahogany quarter chiming longcase clock Unsigned, early 20th century The substantial four -pillar triple train movement chiming the quarters on eight bells and striking the hour on a gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the polished centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and stylised fleur de lys half hour markers, the angles with cherub head and scroll cast spandrels beneath STRIKE/SILENT dial flanked by conforming mounts to arch, the case with swan neck pediment above military trophy infill and brass reeded columns to hood, the trunk with central oval panel of a Grecian warrior within symmetrical foliate scroll and swag borders to the shallow arch trunk door, the crossbanded plinth base centred with conforming panel of a chariot drawn by two horses, on moulded skirt incorporating shaped apron and bracket feet, 236cm high.

A George III figured mahogany eight-day longcase clock Charles Penton, London, circa 1775 The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed subsidiary seconds dial, calendar aperture and shaped plaque signed Cha’s Penton, London to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate cast spandrels to angles beneath Strike/Silent dial flanked by conforming mounts to arch, in a break-arch case with brass stop-fluted pilasters to hood above break- arch door flanked by conforming stop-fluted quarter columns to trunk, on shaped raised panel plinth base with double moulded skirt incorporating bracket feet with shaped apron between, 222cm high. Charles Penton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1774-8.

A WALNUT CASED MINIATURE OR 'GRANDMOTHER' LONGCASE CLOCK, the movement with verge escapement and 5" square brass dial, silvered chapter ring, Roman numerals and alarm subsidiary dial, cherub head spandrels to each corner, signed John May, London, the case with blind fret work decoration, turned brass finials, embossed side panels and boxwood line inlay on bracket feet, 58" high.

A LATE VICTORIAN MAHOGANY LONGCASE CLOCK having an arched brass dial inscribed Tempus Fugit, silver chapter ring, Roman numerals and Westminster chime mechanism, the case with boxwood line inlay on bracket feet, 80" high .

A VICTORIAN MAHOGANY LONGCASE CLOCK having a circular steel dial signed Maple London, with engraved ribbon swag decoration and Westminster Whittington chime enclosed by a convex glazed door with carved acanthus surround, the case with scroll and gadrooned decoration, moulded panel base and bracket feet, with three brass weights and pendulum, 6 ft 8" high overall, dial 12 1/2" diameter.

A good Regency ebonised and brass inlaid twin fusee bracket clock C1820 striking on a bell the convex 8in painted dial signed J WELLS HANWAY ST. OXFORD ST. (recently overhauled) Height 22in signed to the back plate WHEATLEY LONDON

A good Gothic oak cased triple fusee bracket clock C1875 striking on eight bells and four gongs stamped to the back of movement JOHN MOORE AND SONS CLERKENWELL LONDON (recently overhauled) Height 24 1/2in

A good walnut cased pagoda top twin fusee bracket clock C1780 striking on a bell the silvered and chased dial signed WILLCOCKS LONDON. Victorian conversion from verge to deadbeat movement (recently overhauled) Height 22in

A good walnut cased pagoda top twin fusee chiming bracket clock C1870 the silvered chased and engraved dial signed ELKINGTON AND CO 22 REGENT ST. LONDON (recently overhauled) Height 16in

A French ormolu mounted bracket clock with festoon painted dial

A Thwaites and Reed heavy plated case miniature bracket clock with arch dial and Roman numerals and eight day movement with bracket feet 15cm high (vendor's information: this was a sample clock and never went into full production)

A miniature Thwaites and Reed walnut cased bracket clock with gilt arch dial and Roman numerals with eight day movement, 25cm high

A LONGCASE CLOCK by G Moreton, Keighley, the thirty hour movement with anchor escapement and outside count wheel striking on a gong, 14" arched dial with Roman numerals and secondary dials, painted with buildings and with Moses in the arch, in oak and mahogany case with scrolled pediment on baluster turned supports, arched door flanked by wrythen quarter columns, panelled base and bracket feet, 91 1/2" high

A LONGCASE CLOCK by Mathew Wylie, Paisley, No.759, the eight day movement with rack striking on a bell, 14 1/4" arched brass dial with Dutch chapter ring having Arabic and Roman numerals, calendar dial and chased spandrels, signature roundel to arch, in mahogany case, the moulded dentil cornice and blind fret frieze on wrythen turned pilasters, panelled door with shell patera flanked by wrythen quarter columns, panel base and bracket feet, 85 3/4" high

AN EDWARDIAN MANTEL CLOCK by Winterholder & Hofmeier with single barrel movement with 5" silvered dial having Roman numerals, in mahogany lancet case with stringing and batwing patera, brass carrying handles, moulded base and bracket feet, 13" high

A LONGCASE CLOCK by Thomas Cantor, Manchester, the eight day movement with anchor escapement and rack striking on a bell, arched dial painted with flowers, Roman numerals and calendar and seconds dials, moonphase painted with landscape and sailship, in oak and mahogany banded case with stringing, scrolled pedestal on baluster columns, arched door flanked by fluted quarter columns, canted panelled base and ogee bracket feet, 90 1/2" high

A 19th Century French Mantel Clock with white dial and bell strike, in an ebonised pillared and gilt metal frame, inset with cut brass and on gilt bracket feet under a glass dome shade. Height of clock, 20 1/2" (52cms).

A late 19th century mahogany mantel clock, the circular dial with Roman numerals and visible verge escapement, the case with dentil moulded cornice and bracket feet, 23.5 cm wide, together with a 19th century marble and slate mantel clock, and another similar, (3).

An Edwardian lancet cased mantel clock, banded inlaid detail to borders, on brass bracket feet, 28 cm high; together with a mahogany candle box, the central brass plate " Liverpool Candle Company", 20th century, 38 cm high; a pair of pine corner brackets, 46 cm high; two oak milking stools, 14.5 cm high; a table top hoop game, 26 cm wide and an elaborately carved sandalwood box, 20 cm wide, (8).

A Victorian gilt brass and mahogany bracket clock, the arched case with pineapple finials, the brass dial with silvered Roman numeral chapter ring, the movement striking on two gongs, on gilt scrolling foliate feet, 40cm high x 28cm wide

An early 20th century lacquered brass and porcelain mantel clock garniture, the clock with enamel painted Arabic numeral dial and decorated with figurative panels, the cylinder movement striking on a gong, on bracket feet, 35cm high flanked by a pair of garniture vases, 26cm high

Early c20th striking bracket clock, oak balloon case inlaid with boxwood stringing, convex enamel dial signed J Bland Scarborough, 33cm

Late c19th oak cased bracket clock with triple fusee movement, chiming on 5 gongs, 44cm

A 1st World War medal, brass finished cigarette tin, Christmas 1914, an assortment of coins, reproduction bracket clock, silver plated goblet etc.

A REGENCY MAHOGANY CASED BRACKET CLOCK with a circular convex white enamel dial with Roman numerals and a two train movement with repeat mechanism striking on a gong, the back plate with engraved borders and a similarly decorated pendulum bob, the lancet-topped case with Gothic style decoration and ring turned columns, with gilt metal carrying handles and pierced brackets, 201/2" high.

AN EDWARDIAN GILT METAL MOUNTED BRACKET CLOCK, the gilt dial with silvered chapter ring with Roman numerals beneath a slow/fast dial, with a two train movement chiming on four coiled gongs, with repeat mechanism, the arched topped case with gilt metal mounts, standing on animal paw feet, 17" high