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A GEORGE III MAHOGANY BRACKET CLOCK by Leroux, Charing Cross, the white enamel dial with Roman numerals, with an eight day two train fusee movement striking on a bell, the waisted case with pine cone finial and twin carrying handles, with brass grille and stringing, 19" high x 11" wide. See illustration

A Regency mahogany bracket clock, in the Gothic style, with crossbanded case, silvered dial and two-train fusee movement by W. Briggs, Guildford. Height 56 cm, width 39 cm (see illustration). CONDITION REPORT: The clock case is in extremely good condition. It is a good colour and there are no losses or any significant issues. The clock winds on both trains and appears to be striking as it should. The clock is running but tends to stop after a minute or so. We do not think there are any issues with the movement other than it being perhaps a little dry. The dial may have been resilvered but if so this has been done very professionally and in our opinion is not an issue. The pin that goes through the top of the metal pendulum strip is missing. We do not have any of the door keys but we do have a winder. The catalogue image is how the clock looks in reality.

An early 19th century mahogany satinwood banded longcase clock by Noah Knock of Netherton, with two-train striking movement with moon phase, the case with swans neck pediment, arched door and short trunk door flanked by columns and with conforming base raised on bracket feet. Height 243 cm.

An early 19th century mahogany longcase clock with movement by Samuel Thorpe Abberley, the hood with swans neck pediment above the oval glazed door flanked by pillars and enclosing the oval painted face with moon phase to the arch and with two-train eight day striking movement with subsidiary date and seconds dials and with deadbeat escapement, face dimensions 52 cm x 41 cm, and with arched trunk door flanked by ring turned columns, the base with canted angles and bracket feet. Height 238 cm (see illustration).

A Victorian mahogany longcase clock by William Haworth of Blackburn, with moon phase, centre seconds, subsidiary date dial and Roman numerals to the chapter ring, with glazed trunk door flanked by fluted columns and raised on bracket feet (see illustration).

A George III oak longcase clock by W. Shephard of Millom, with thirty hour movement and date aperture, the oak case raised on bracket feet. Height 215 cm. CONDITION REPORT: The cornice and hood are in generally good original condition with no damage, no repairs and no restoration. The door is not warped. There are traces of very old long gone woodworm which in our opinion is not significant. The seatboard is original and in our opinion the clock is not a marriage. The movement is very dirty but does strike when advanced to the hour. The feather on the pendulum is the wrong length. With the pendulum removed and weight applied to the movement the clock does appear to tick. The movement is however extremely dirty. The trunk door is not warped but does have a crack running down the centre join which should be visible from our image. The moulding beneath the trunk door is detached on the left hand side but we have the piece. The front edge of the waist moulding has some losses and damage. The sides of the base appear to be original. The front board is probably original but does have this strange diamond shape pendant to the front which is probably a later addition. The bracket feet are old but probably later replacements.

A George III Scottish oak longcase clock by Pettygrew of Edinburgh, with swans neck pediment, arched silvered brass dial with subsidiary seconds dial and date aperture and two-train striking movement. Height 215 cm (see illustration). CONDITION REPORT: We have both weights and pendulum. The clock appears to be ticking as it should. It also appears to be striking. The dial is in generally good condition with only minor tarnishing to the silvering. The movement is a little dirty but as stated appears to be operating. The case and movement are not a marriage. The hood is in generally good condition with only minor stress fractures to the timber. All glass is present and correct. The brasswork is dirty and tarnished. The trunk door is not warped and we have the lock and key. The sides of the case are in good condition as is the base. The base moulding around the bottom of the case may be later. The left hand front foot bracket is missing. The backboards are original.

A George III oak longcase clock, with swans neck pediment above the arched painted dial with eight day striking movement, flanked by fluted columns and with long trunk door and raised on bracket feet. Height 210 cm. CONDITION REPORT: We have a pendulum but no weights. The dial is in need of restoration. There are no significant paint losses however the dial is dirty and allover crazed and much of the writing and numerals are rubbed. The minute hand is half missing. The movement is filthy but appears to be complete. The seatboard is original and we do not think that the piece is a marriage. The case itself is extremely dry and has a matt finish as if all the original polish has perished. It may simply have been stripped. The hood is in generally good condition with no major issues other than minor veneer losses, scratches and scuffs. The trunk door is not warped. The sides of the case are in good condition as is the base generally. There is a stress crack down the centre of the base itself between the joins. The plinth is likely to be a later replacement and the clock will probably have had bracket feet. The backboards are original.

A George III oak and mahogany crossbanded longcase clock, with thirty hour movement by Pike, Barnstable, the case with moulded cornice, blind fretwork frieze, long crossbanded trunk door and raised on bracket feet. Height 192 cm.

A Regency mahogany longcase clock, David Greig, Perth, with arched hood, circular dial and two-train striking movement, with subsidiary date and seconds dials, with arched trunk door and quarter round corners, the base raised on tall bracket feet. Height 220 cm (see illustration). CONDITION REPORT: The clock hood is in generally very good condition with no issues. The dial is in good order. The subsidiary seconds hand is missing. We have not had the clock going however if weight is applied to both suspensions the clock does tick and strike. The seatboard is original. It is however warped and has a piece of packing on the left hand side. In our opinion the clock is not a marriage. We currently do not have the weights and pendulum however the vendor is bringing them to the saleroom this week. The trunk door is in good condition and not warped. It is a good colour as is the case in general. There are no issues with the trunk, sides or feet which are all in good order with only minor surface scuffs and scratches as one might expect. The colour of the case is generally very good. We do not have a key for either door.

A George III mahogany longcase clock by James Greig of Perth, with swans neck pediment above the arched dial and two-train striking movement, with subsidiary date and seconds dials, with long trunk door flanked by quarter column corners, the base raised on bracket feet. Height including finial 215 cm.

Edwardian striking bracket clock in oak case

OAK BRACKET CLOCK. Oak cased chiming bracket clock with gong movement signed W H and galleried top

A late 19th century oak bracket clock, c.1890

An 18th century weight driven 30 hour clock movement, by George Washborn of Gloucester, the 8¾in. square brass Roman dial with inner minute track and cast mask spandrels, single hand, the movement with four knopped pillars, steel anchor escapement, count wheel strike to backplate, with single lead weight and pendulum, on later wall bracket.

A French engraved slate and green marble clock garniture, 1870s, the circular 95mm Roman black enamel dial signed 'Van De Lannoy, Lille', framed by a circular gilt bezel with husk decoration, bevelled glazed door with bead work to edge, eight day bell strike movement, encased in square slate and marble body with engraved spear and scroll spandrels augmented with marble corners, surmounted with a marble urn bearing brass scroll handles and bouquet finial on variegated rectangular plinth, lion and ring masks to sides, two rear brass bracket supports, the front with two corner mounted brass lion paw feet, 18½. (47cm.) high, 11in. (28cm.) wide, the garniture completed by a pair of gilt brass urns of elongated ovoid form with sword, rose and quiver relief panels, waisted dodecagon chamfered neck, on brass bracket supports to rear, scrolling front supports, 12½in. (31.7cm.) high. (3)

A late 18th century Channel Islands mahogany cased half hour striking eight day longcase clock, the foliate engraved arched brass dial signed 'Edouard Renouf, Jersey' to the centre and with engraved subsidiary seconds dial at noon, date aperture at six, silvered Roman chapter ring and Strike/Silent to arch, floral and foliate gilt spandrels, twin train bell strike movement, the case with gilt ball and eagle finials over a stepped arched cornice on fluted columns, the trunk with arched door and moulded corners, on a plain plinth with bracket feet, 89½in. (227.5cm.) high.

A French 19th century tortoiseshell and brass boulle work bracket clock, Samuel Marti, eight day, outside count wheel bell strike movement, no. 15010, matching no. to dial backplate, mask sunburst pendulum, the 5in. engraved gilt dial with Roman cartouche enamel numerals, the pagoda top case with gilt bronze cherub surmount, four urn finials and gilt mask, foliate and floral mounts, the arched and glazed side lock door with decorative mounts of swags and a pair of doves, the clock interior with boulle scroll work back panel and chequered tile effect floor, on tapered foliate feet, 19in. (48.25cm.) high. * Condition: Small edge chip to enamel on numerals X and VIII. Two edge flakes to enamel on V and larger chip to III. Tortoiseshell throughout in good order, with just one small chip to top of front 'roof' section and smaller chip to back edge of left hand panel on 'roof. Small corner chip to back of top of case. Some crazing and craquelure in places to shell. Brass inlay in VG cd., with just minor lifting to right hand side of front 'roof' panel. Interior boulle inlay also VG. Older regilding to all metalwork.  

Mahogany mantle clock on brass bracket feet

A George III oak longcase clock, with arched and pillared hood, full length trunk door and bracket feet, the 30cm square dial having maker's roundel to the arch marked George Milne, Canongate Foot, All The Watergate, Edinburgh, silvered chapter ring with Roman hour and Arabic minute numerals, subsidiary seconds ring and date aperture, eight day movement, 218cm high.

A 19thC mahogany arch top bracket clock by Japy Freres with 16cm enamelled dial, Breguet style hands, and some gilt decoration to case raised on ball feet

A late 19th/early 20th century bracket cuckoo clock with twin fusee movement on wooden plates, striking on a gong, the carved fenced bracket shelf carved with vines, with small plaque with 'Auld Lung Syne' quotation dated 1904

Chinoiserie bracket clock by F. Boulter, Rotherhams movement, height 25cms.

An Edwardian inlaid mahogany bracket clock with central enamel dial, raised on four gilt ball feet.

An ealry 20th Century mantel clock, raised on bracket support

A Victorian oak musical bracket clock, the case carved with classical decoration, including masks, scrolls swags and shell, and an urn finial, the unusual oval silvered dial signed 'Hamilton Crighton & Co., 41 George Street, Edinburgh', the backplate also signed, the triple fusee movement striking the hours on a bell and the quarters on either eight or ten bells, the arch with strike/silent and chiming dials,84cm highHamilton Crichton and Co. were clockmakers, silversmiths, jewellers and retailers in George Street, Edinburgh. Crichton seems to be spelt with a 'g' in both places on this clock, but in all other information about this firm, it is spelt with a 'c'.The firm retailed the animal decanters made by Alexander Crichton and it could be assumed that there was a family connection.

Inlaid mahogany bracket clock with gilt and silvered dial

An 18th Century oak longcase clock by John Seymour of Wantage, the 10ins square brass dial with silvered chapter ring with Roman numerals, single hand and engraved and matted dial centre to the thirty hour brass and iron framed open movement striking on a bell, contained in 20th Century oak case with moulded cornice and spiral turned columns to hood, the trunk door inset with circular glass lentical, on bracket feet, 85ins high Note : John Seymour of Wantage recorded - died 1760

A late 18th Century "North Country" oak and mahogany banded longcase clock by Clare of Manchester, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to centre on a matted ground with engraved leaf scroll ornament to the eight day two train movement striking on a bell, contained in oak case with moulded top with turned finials, blind fret frieze and turned and fluted pillars to hood, shaped trunk door crossbanded in mahogany and flanked by fluted quarter columns, the plinth base with cant corners, on ogee bracket feet, 90.5ins high Note : Peter Clare recorded working Manchester 1764-1811

A early George III Scottish mahogany longcase clock by Robert Clidsdale of Edinburgh, the 14ins arched brass dial with silvered chapter ring with Roman numerals, matted dial centre with subsidiary seconds dial and cast mask, urn and leaf scroll pattern spandrels to the later eight day three train movement striking and quarter chiming on nine bells, contained in mahogany case with moulded scroll pediment, cast brass circular paterae and later fretted panels and with slender turned and fluted pillars to the hood, the shaped trunk door veneered in figured mahogany and crossbanded, flanked by fluted quarter columns, the plinth inlaid with bandings and with reeded cant corners, on bracket feet, 93ins high (brass dial and movement of later date) Note : Robert Clidsdale (Clydesdale) recorded working Edinburgh, Apprenticed 1738, working until 1786

19th Century Continental walnut bracket clock, the gilded and silvered dial with Roman numerals, the two train movement striking on a gong

George III mahogany bracket clock, having circular painted dial with Roman numerals and inscribed W.J. Carroll, London Street City, with two train movement striking on a bell

George III oak mahogany crossbanded longcase clock, the arched hood above panel door and plinth base with low bracket supports, the painted dial with Roman numerals, with a single train thirty hour movement

Early 19th Century French lacquer and ormolu mounted clock with bracket, the baluster case with extensive floral mounts on a dark reddish brown ground, the enamel dial with Arabic and Roman numerals, signed Rothea and Rilliet, Strasbourg, the two train movement with original pendulum and key, 28ins high

18th / 19th Century French ebonised boulle and ormolu mounted bracket clock with figural surmount, the chased gilt brass dial with enamel cartouche Roman numerals, signed Thuret, Paris, the two train movement striking on a bell, 33ins high overall approximately

Late 19th or early 20th Century German oak cased bracket clock, the silvered dial with Roman numerals and chime silent selector, the three train movement striking on gongs

Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell

An Edwardian quarter chiming Longcase Clock, signed W. Scott, Glasgow, the ornately inlaid mahogany case with shallow arched top over turned columns and a glazed trunk revealing nine tubular gongs and brass pendulum, on a plinth base and bracket feet, the 12 inch arched brass dial with silvered chapter ring, cherub spandrels and twin subsidiaries in the arch for strike/silent and chime select 'Westminster' and 'Whittington', the triple train weight driven movement chiming the quarters on eight gongs and sounding the hour on a ninth, 88in (223.5cm) high.

A George III ebonised quarter chiming Bracket Clock, signed James Murray, Royal Exchange, London, the pagoda-style top surmounted by brass spheres, an arched dial flanked pilasters, pierced brass panels and carry handles, on ball feet, the painted dial with black Roman numerals and subsidiary strike/silent and slow/fast dials to the arch, the signed triple fusee movement striking the quarters on eight bells, 24in (61cm) high.

An Edwardian mahogany inlaid bracket clock, the white enamel dial with Roman numerals, and presentation plaque dated 1918, 33cm high

An antique French Ormolu type bracket clock in the Louis XV style, circa 19th century, the white enamel dial with Roman and Arabic numerals, the case decorated with scrolls and swags, lacking back plate, including pendulum, 51cm high

Oak Cased Bracket Clock with silvered face and fast / slow dial

An antique clock bracket, height 31cm. Aperture for clock 15cm x 12cm

A modern metal bracket Clock, three Egyptian figures, and two cat figures.

George III style oak cased bracket clock, W.H. Skinner, St Leonards on Sea. The pad top with brass swing handle, canted reeded corners flanking the arched glazed door, fret panel sides, stepped shaped base on brass squat bracket feet. The signed silvered dial with slow/fast dial and chime/silent, presentation plaque to the base, twin train movement with anchor escapement striking with five hammers on five gongs, 47cm high

A GEORGE III MAHOGANY LONGCASE CLOCK BY WILLIAM HOLLIWELL OF LIVERPOOL, the arched dial with moon rolling mechanism, bearing motto to the arch 'Time shews the way of lifes decay', eight day movement with subsidiary seconds dial, the silvered chapter ring with Arabic and Roman numerals, the hood with swan neck pediment below three gilt finials, carved lattice work detail, the case with quarter cut pillasters, raised on ogee bracket feet, two weights and pendulum, H 246 cm

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the painted arched dial with windmill decoration to the arch, thirty hour movement, the case inlaid with satinwood and ebony, fluted pillasters, raised on bracket feet, two weights and pendulum, H 225 cm A/FCondition Report:The face is in need of renovation. Various losses to the case.

A LATE 18TH CENTURY OAK LONGCASE CLOCK BY JOHN STANYER OF NANTWICH, the brass dial with eight day movement, subsidiary seconds dial and date aperture, the silvered chapter ring with Roman and Arabic numerals, cherubic corner spandrels, the arch with engraved bird detail, the hood with fluted pilasters, the case with quarter turned fluted pilasters, mahogany crossbanded detail, raised on ogee bracket feet, twin weights and pendulum, H 213 cm

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK BY J BURROWS OF IRONBRIDGE, the painted arched dial with eight day movement, subsidiary seconds dial and date aperture, the hood with swan neck pediment and fluted pilasters, the case with quarter cut pilasters, shell inlay to the door, raised on bracket feet, twin weights and pendulum, H 222 cm A/FCondition Report:The dial is in need of repainting. The movement will certainly need overhauling. The case is separated from the footboard.

A circa 1800 oak and inlaid cased long case clock, the eight day movement with brass arched dial and sun and moon phase, surmounted by a silvered dial inscribed "Richd Watkins Brecon", over a chapter ring with Roman and Arabic numerals enclosing a subsidiary seconds dial and silvered date aperture CONDITION REPORTS Overall with wear, scuff, chips and cracks, various repairs and refurbishment, old woodworm holes throughout, bears pencil inscription to side "Rebuilt ... (indistinct lettering) July 9 - 1917.", also bears various inscriptions to inside of door, mostly indistinct but appears to include the date either July? or February? 23rd 1874? and also an inscription which reads "... Summer 1925", splits to front, repaired splits to door, various splits to sides, various replacement sections including bracket base appears to be later, pine backboard appears to be later (please see photos for examples of condition). 234 cm high. Dial, movement and case appear contemporary (circa 1800). Please note that we can make no guarantees as to whether or not in working order.

A GOOD 19TH CENTURY FRENCH BRACKET CLOCK, retailed by COUSENS & WHITESIDE, LONDON, ebony case with ormolu mounts, eight day movement with blue and white Roman numerals. 23ins high including finial.

A GEORGE III MAHOGANY CASED BRACKET CLOCK by BONINGTON & THORPE, LONDON, with eight day movement, silent and strike action, date ring with bell strike, grilled sides and brass carrying handle. 20ins high.

A GOOD BRASS BRACKET CLOCK, BELL BROTHERS, DONCASTER. 6ins high.

A 19TH CENTURY CONTINENTAL IVORY INLAID BRACKET CLOCK with eight day movement and brass dial, 11ins high. Label inside from LUND & BLOCKLEY, 42 PALL MALL, LONDON.

A VERY GOOD LARGE 19TH CENTURY ROSEWOOD CASED BRACKET CLOCK, chiming on eight bells, with Westminster chime, silent and strike action, silvered dial, the case with brass inlay and column sides and pineapple finial. 2ft 5ins high.

A SUPERB EBONY CASED BRACKET CLOCK by LUND & BLOCKLEY, TO THE QUEEN, 42 PALL MALL, LONDON, with silvered dial, eight day movement, strike, the case with brass basket top, brass finials and mounts. 17ins high.

A 19TH CENTURY FRENCH BOULLE BRACKET CLOCK with eight day movement. 16ins high.

Early 19th Century mahogany longcase clock by Thomas and William Stripling of Lichfield, the hood with pierced fretwork panel, moulded dentil cornice below, glazed door flanked by fluted split pillars with cast brass capitals and terminals, the trunk with arch shaped long door, fluted chamfers and standing on ogee bracket feet, arch shaped brass and silvered dial with moon phase, Roman and Arabic numerals and subsidiary seconds dial, signed Stripling, Lichfield, brass three train movement striking on eight bells, 242cm high Condition: Please see extra images and TELEPHONE department for further details

20th Century Chippendale style mahogany cased grandmother clock, the hood with scroll pediment with blind fret panel below, arch shaped brass dial with silvered chapter ring, flanked by slender pillars, trunk with long door flanked by fluted pillars and standing on ogee bracket feet, 156.5cm high Condition: Please see extra images and TELEPHONE department for further details

A VICTORIAN OAK CLOCK BRACKET, C1900 41cm h; 30 x 53cm ++In good original condition with shrinkage crack across the top, retaining the four original brass fixing plates