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460333 Los(e)/Seite
Los 1015
SIMON & HALBIG, BISQUE HEAD SOCKET DOLL AND ANOTHER BY SCHOENAU & HOFFMEISTER late 19th/early 20th century, open/close blue glass eyes, open mouth with four upper teetch, painted features, pierced ears, composition limbs, blonde wig, in outfit, mould/size 10, the second in clock, stamped 1909 557cm long
Los 356
A carved oak wall barometer, E. Lennie, Optician, Edinburgh, 63cm high; other brass cased barometers; a Dr Forbes bath thermometer, late Victorian; a Victorian carriage clock case; a silver pin dish, Birmingham 1894; a Mappin & Webb plated bottle stand; a Carl Zeiss monocular; an oak desktop stationery box; carved wooden boxes; etc, qty
Los 281
ATTRIBUTED TO MARGARET THOMSON WILSON (1864–1912) GLASGOW SCHOOL STANDING CLOCK, CIRCA 1900 repoussé-decorated brass dial, stained beech caseDimensions:Dial 50.5cm x 47cm, case 78cm wide, 211cm high, 41cm deepNote: Note: Margaret Thomson Wilson attended Glasgow School of Art where she met fellow art student James Hamilton Mackenzie (1875-1826); the pair married in 1907 and set up a home and studio at 24 Sandyford Place. They travelled to Italy to paint and exhibited at the RSA, RGIFA and RSW. Margaret also designed jewellery, embroidery, and metalwork. One of her best-known works is a standing clock, similar to the present lot, and held by Glasgow Museums (Collection, ID Number E.2003.2)
Los 61
J.H. CHAMBERLAIN (1831-1883) GOTHIC REVIVAL LONGCASE CLOCK, CIRCA 1878 carved oak and walnut, inset with marquetry panels, and carved to the roundel with initials TR, the 14" silvered brass dial inscribed HURT & SON, BIRMINGHAM, with seconds dial and strike silent facility, the three-train movement with dead-beat escapement, quarter-chiming on a nest of eight bells and striking the hour on a subsidiary bellDimensions:61cm wide, 248.5cm high, 30cm deepNote: Note: This magnificent clock was designed by the architect, John Henry Chamberlain, and the case was probably made in the workshop of Samuel Barfield, a skilled woodcarver who frequently worked for Chamberlain. A related set of wall shelves and an entire room by Chamberlain, currently on display in the British Galleries at the Victoria and Albert Museum, were removed from The Grove, Harborne. The Grove, demolished in 1963, was one of a wide range of projects designed by Chamberlain and his partner William Martin (1828-1900) in and around Birmingham. Frequently designed in the Ruskinian Gothic style they pumping stations, libraries, schools, shops, churches and chapels as well as a number of private houses. His ideals chimed perfectly with Birmingham's ruling liberals at the time, who sought to transform industrial Birmingham into a cultural centre to rival the great European capitals. One of his finest achievements, the Municipal School of Art of 1885, still stands today in Margaret Street. Chamberlain was one of the earliest practical exponents of the ideas of architectural theorist, John Ruskin and was increasingly influenced by the early Arts and Crafts movement in his later works. His belief in the value of individual craftsmanship and patterns inspired by nature are evident in the profusely carved and inlaid case of the current lot.
Los 251
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON RARE CRUCIFORM 'TUDRIC' CLOCK, CIRCA 1902 model 098, pewter, inlaid with abalone shell, stamped TUDRIC 098 Dimensions:37.5cm high Note: Literature: Martin S. Archibald Knox, London 2001, pp.70-75, pp.70 and 235 illus. Note: Knox’s work draws on the rich cultural heritage of his native Isle of Man. As with many of the larger clocks that are known to exist, their monumental forms are reminiscent of the standing Celtic stones which populate the island’s countryside, which Knox spent a lifetime exploring. The decoration in this example is stripped of superfluous ornament and is sparingly embellished with inlays of iridescent abalone shell. The soft sheen of its flat pewter surface is punctuated by the exuberant chapters, and the whole creates a stark and striking visual effect that signals a modernist and highly original approach to the design. This is a rare clock, one of the great clocks of Knox's 'Liberty Period' and one of only a handful known. It fulfils his desire to bring together two worlds which he valued deeply: the ancient Celtic tradition and the new, modern world of design, which was undergoing the development of a new and innovative aesthetic.
Los 839
Richard Broad of Bodmin - A 20th century mahogany cased George III 'Royale' revival longcase grandfather clock. The clock having crested top over a silvered and gilt metal face with ornate spandrels to each corner and reeded pilasters to each side over a plinth base. Accompanied by pendulum, weights and original literature. Measures 208 x 51 x 28 cm.
Los 953
A Victorian 19th century Welsh mahogany longcase clock with arched painted dial inscribed Meredith, Merthyr . Dial with Roman numerals and cathedral hands having a subsidiary second’s dial and twin winding hole, 8-day movement striking on a bell, the case with arched hood, rectangular door to waist Circa 1860 William Meredith was working at Merthyr Tydvil from 1852 to 1899; in his earlier years he also signed clocks from Tredegar. Measures 207cm tall.
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460333 Los(e)/Seite